The document analyzes magazine title designs of several magazines including CLASH, NME, and Rolling Stone. It notes that CLASH uses a simple bold font that stands out, sometimes overlaying the title with photos. NME also makes their title stand out against the busy magazine using bold large font and merging the background image behind the title. Rolling Stone uses an interesting retro font with a shadow and outline that brings an iconic look, and sometimes overlays the title with photos or adds effects like lines to the lettering. The document suggests incorporating techniques like these to make a magazine title stand out.
The writer wishes to adopt a relaxed, informal writing style in their magazine similar to CLASH magazine to engage and connect with readers, especially those interested in new alternative music. They believe this style will be easier for readers to understand and will help gain readers' attention by including the latest news about artists. The writer also aims to include short interviews and insights about bands' lives, as they've seen magazines like NME and CLASH do successfully.
The document analyzes several color palettes and discusses their suitability for different types of magazines. It considers how colors like reds, blacks, blues and greys could work for magazines with themes related to alternative music, fashion, or content appealing to both male and female audiences. The author's favorite palette incorporates light and dark colors like black, blue and grey that contrast strongly yet seem relaxed. This palette is seen as fitting their magazine's alternative music theme while appealing to both genders.
The target audience provided feedback on the layout of the flat plan. While one member loved the layout, they felt it needed more space to provide enough information. A second opinion found the layout intriguing and easy to follow. Another member found it similar to an appealing magazine. Finally, an older member said the magazine layout was basic but looked like an easy read.
The document analyzes magazine layout and design. It discusses liking the busy but well-structured layout of Vogue magazine. It also notes the iconic pink font used for the title and how the overlapped photograph brings a three-dimensional element. Finally, it comments on how ELLE magazine has a unique tall and eye-catching font, and how positioning photographs behind text gives magazines a nice, original look.
Throughout the process of constructing a magazine, the author learned how to use several technologies effectively. They learned how to use a Nikon D3200 camera including techniques like proxemics and different shot types. Photoshop was useful for editing photos by adjusting brightness, color, and applying skin smoothing effects. Blogger helped document the process and display content professionally. Microsoft Office, Google, and Prezi were also used to research, plan, present information, and potential advertise the magazine. Overall, the author gained valuable experience using various technologies essential for creating a magazine.
The document analyzes magazine title designs of several magazines including CLASH, NME, and Rolling Stone. It notes that CLASH uses a simple bold font that stands out, sometimes overlaying the title with photos. NME also makes their title stand out against the busy magazine using bold large font and merging the background image behind the title. Rolling Stone uses an interesting retro font with a shadow and outline that brings an iconic look, and sometimes overlays the title with photos or adds effects like lines to the lettering. The document suggests incorporating techniques like these to make a magazine title stand out.
The writer wishes to adopt a relaxed, informal writing style in their magazine similar to CLASH magazine to engage and connect with readers, especially those interested in new alternative music. They believe this style will be easier for readers to understand and will help gain readers' attention by including the latest news about artists. The writer also aims to include short interviews and insights about bands' lives, as they've seen magazines like NME and CLASH do successfully.
The document analyzes several color palettes and discusses their suitability for different types of magazines. It considers how colors like reds, blacks, blues and greys could work for magazines with themes related to alternative music, fashion, or content appealing to both male and female audiences. The author's favorite palette incorporates light and dark colors like black, blue and grey that contrast strongly yet seem relaxed. This palette is seen as fitting their magazine's alternative music theme while appealing to both genders.
The target audience provided feedback on the layout of the flat plan. While one member loved the layout, they felt it needed more space to provide enough information. A second opinion found the layout intriguing and easy to follow. Another member found it similar to an appealing magazine. Finally, an older member said the magazine layout was basic but looked like an easy read.
The document analyzes magazine layout and design. It discusses liking the busy but well-structured layout of Vogue magazine. It also notes the iconic pink font used for the title and how the overlapped photograph brings a three-dimensional element. Finally, it comments on how ELLE magazine has a unique tall and eye-catching font, and how positioning photographs behind text gives magazines a nice, original look.
Throughout the process of constructing a magazine, the author learned how to use several technologies effectively. They learned how to use a Nikon D3200 camera including techniques like proxemics and different shot types. Photoshop was useful for editing photos by adjusting brightness, color, and applying skin smoothing effects. Blogger helped document the process and display content professionally. Microsoft Office, Google, and Prezi were also used to research, plan, present information, and potential advertise the magazine. Overall, the author gained valuable experience using various technologies essential for creating a magazine.
This document appears to be a list of terms related to a student studying journalism who uses social media platforms like Instagram, Twitter, and Snapchat and listens to radio stations such as BBC Radio 1 and Capital FM. The list also includes references to friends/family and locations like Leicester and Liverpool.
This document appears to be a list of terms related to a student studying journalism who uses social media platforms like Instagram, Twitter, and Snapchat and listens to radio stations such as BBC Radio 1 and Capital FM. The list also includes references to friends/family and locations like Leicester and Liverpool.
The document discusses feedback received on magazine advertisements and digipaks created as ancillary products for an album. Feedback from teachers helped make the products more professional by changing the main image, font size, information alignment, release date, and removing redundant text. This feedback helped address issues that may not be obvious to the target audience. Feedback from the target audience was also valuable, indicating a preference for the main car image, inclusion of the artist, and color scheme used across products. Both teacher and target audience feedback helped improve the products' professionalism and audience appeal.
The document discusses how the creator followed common conventions when designing a magazine advertisement for an album. Specifically, the creator made the advert look similar to the album design by using the same images, font, colors, and layout. Key information included on the advert, such as the album title, artist name, song names, and purchase options, are conventions followed by other successful album ads. The goal was to make the advert look professional and familiar to help effectively promote the album and artist.
The document discusses the design choices made for a digipak album cover. It follows common conventions such as using the rule of thirds for panel layout, a consistent font and color scheme, and including the album title and artist name on the front cover. It challenges some conventions by placing the album title above the artist name and including a photo of the artist on the back cover. Overall, the design draws inspiration from other albums and aims to make the project memorable and appeal to the target audience.
The creators took inspiration from several sources for their music video:
1) Sia's music videos which feature minimalist costumes and solo dancers to convey the song.
2) Dance performances by Pink, Ed Sheeran, and a show they attended for contemporary dance styles.
3) Professional music videos for lighting techniques like colored lighting to create interest.
4) Solo artist music videos for shot styles like panning and zooming to film the performer.
They made changes based on audience feedback, such as changing the setting from a church to a stage.
Sven E Carlsson's theory states that music videos can be categorized as either performance or conceptual videos. The document discusses how their video fits Carlsson's definition of a performance video by including shots of the artist and dancers performing. According to theorist Steve Archer, using camera movement paired with lighting enhances the mood and effectiveness of a music video. The document discusses how the creators improved their video by adding more camera movement and limiting static shots, as inspired by Archer's theory.
The document discusses the sources of inspiration for the creators' music video. They took inspiration from Sia's music videos which feature minimalist costumes and solo dancers to convey the song. They were also inspired by Pink and Ed Sheeran music videos containing dance routines. The creators chose to use two female dancers instead of a romantic duo. They attended a dance show performing to the song which inspired their contemporary dance style and lighting choices. Professional music videos also informed their lighting design. Through this process and audience feedback, they refined their ideas and location from a church to a stage setting.
Creating an effective magazine ad requires several stages of development. First, the advertising agency brainstorms ideas that align with the client's goals and brand. Next, concepts are refined into rough layouts which are presented to the client for feedback. Based on the client's input, a final design is produced that captures their vision within the publication's space and formatting requirements.
The document outlines the stages of the digipak creative process. It begins with concept development where the overall theme, images, and messaging are determined. Next is design where the layout, graphics, and packaging components are created. The final stage is production where the physical digipaks are printed, assembled, and prepared for distribution.
The document discusses planning for a digipak album including potential song titles and photo ideas. It lists 14 proposed song titles and provides categories of photos considering including locations, nature, churches, motorways/headlights, and random photos that may relate to some of the song titles and be used across the different sides of the digipak.
The document analyzes magazine advertisements for albums by three indie artists: Tom Odell, The Wombats, and Florence + The Machine. For Tom Odell's ad, it highlights the use of a close-up artist photo with blurred background, simple color scheme, and hierarchical text layout. For The Wombats, it notes the bright blue color scheme and use of yellow text to highlight key details. For Florence + The Machine, it discusses the painted portrait of Florence Welch and placement of text information by size.
The document analyzes the design elements of three different album digipaks: Birdy's "Fire Within", Lana Del Rey's "Born to Die", and Walk the Moon's "Talking is Hard". Some key points made:
- Birdy's digipak uses a monochrome color scheme of greys, blacks, and whites, with a close-up shot of Birdy on the front to create direct address.
- Lana Del Rey's uses pastel colors for a vintage feel, with her image on the front also creating direct address.
- Walk the Moon's uses bright colors like yellow for simplicity and minimalism, featuring the band members across the front with album name
The document analyzes the design elements of three different album digipaks: Birdy's "Fire Within", Lana Del Rey's "Born to Die", and Walk the Moon's "Talking is Hard". Some key points made:
- Birdy's digipak uses a monochrome color scheme of greys, black, and white, with Birdy's close-up image on the front. This minimal design effectively portrays the indie genre.
- Lana Del Rey's uses a pastel color palette and vintage-inspired imagery and fonts. The artist's name is prominently displayed on the front in bold.
- Walk the Moon's features bright colors and a simple design with
Carlsson believes music videos can be categorized as either performance or conceptual videos. Performance videos feature an artist singing and/or dancing, and can be further divided into song, dance, or instrumental performances. Archer stresses the importance of camerawork in music videos, believing movement, close-ups, and lighting can enhance engagement and drama. The document discusses applying these theorists' ideas to a planned music video featuring dancing and a singing artist, with an emphasis on camera movement, close-ups, and lighting design.
Ceri and I have created our initial storyboard but plan to add footage of a dance performance to complete it. We have begun planning our storyboard and will continue working on incorporating a dance sequence. The storyboard is in progress as we aim to include a recorded dance performance.
The document discusses lighting ideas and plans for an indie music video. It proposes using purple colored lighting and projecting the outline of a stained glass window onto the background. Solo shots of the artist would use a single light, while group shots and those including the artist would utilize the stained glass window effect. The lighting aims to appeal to the target indie audience and recreate the feel of a church to illustrate the song's message and lyrics. Colored lighting, particularly purple, will add visual interest and drama to engage audiences throughout all parts of the video.
This document appears to be a list of terms related to a student studying journalism who uses social media platforms like Instagram, Twitter, and Snapchat and listens to radio stations such as BBC Radio 1 and Capital FM. The list also includes references to friends/family and locations like Leicester and Liverpool.
This document appears to be a list of terms related to a student studying journalism who uses social media platforms like Instagram, Twitter, and Snapchat and listens to radio stations such as BBC Radio 1 and Capital FM. The list also includes references to friends/family and locations like Leicester and Liverpool.
The document discusses feedback received on magazine advertisements and digipaks created as ancillary products for an album. Feedback from teachers helped make the products more professional by changing the main image, font size, information alignment, release date, and removing redundant text. This feedback helped address issues that may not be obvious to the target audience. Feedback from the target audience was also valuable, indicating a preference for the main car image, inclusion of the artist, and color scheme used across products. Both teacher and target audience feedback helped improve the products' professionalism and audience appeal.
The document discusses how the creator followed common conventions when designing a magazine advertisement for an album. Specifically, the creator made the advert look similar to the album design by using the same images, font, colors, and layout. Key information included on the advert, such as the album title, artist name, song names, and purchase options, are conventions followed by other successful album ads. The goal was to make the advert look professional and familiar to help effectively promote the album and artist.
The document discusses the design choices made for a digipak album cover. It follows common conventions such as using the rule of thirds for panel layout, a consistent font and color scheme, and including the album title and artist name on the front cover. It challenges some conventions by placing the album title above the artist name and including a photo of the artist on the back cover. Overall, the design draws inspiration from other albums and aims to make the project memorable and appeal to the target audience.
The creators took inspiration from several sources for their music video:
1) Sia's music videos which feature minimalist costumes and solo dancers to convey the song.
2) Dance performances by Pink, Ed Sheeran, and a show they attended for contemporary dance styles.
3) Professional music videos for lighting techniques like colored lighting to create interest.
4) Solo artist music videos for shot styles like panning and zooming to film the performer.
They made changes based on audience feedback, such as changing the setting from a church to a stage.
Sven E Carlsson's theory states that music videos can be categorized as either performance or conceptual videos. The document discusses how their video fits Carlsson's definition of a performance video by including shots of the artist and dancers performing. According to theorist Steve Archer, using camera movement paired with lighting enhances the mood and effectiveness of a music video. The document discusses how the creators improved their video by adding more camera movement and limiting static shots, as inspired by Archer's theory.
The document discusses the sources of inspiration for the creators' music video. They took inspiration from Sia's music videos which feature minimalist costumes and solo dancers to convey the song. They were also inspired by Pink and Ed Sheeran music videos containing dance routines. The creators chose to use two female dancers instead of a romantic duo. They attended a dance show performing to the song which inspired their contemporary dance style and lighting choices. Professional music videos also informed their lighting design. Through this process and audience feedback, they refined their ideas and location from a church to a stage setting.
Creating an effective magazine ad requires several stages of development. First, the advertising agency brainstorms ideas that align with the client's goals and brand. Next, concepts are refined into rough layouts which are presented to the client for feedback. Based on the client's input, a final design is produced that captures their vision within the publication's space and formatting requirements.
The document outlines the stages of the digipak creative process. It begins with concept development where the overall theme, images, and messaging are determined. Next is design where the layout, graphics, and packaging components are created. The final stage is production where the physical digipaks are printed, assembled, and prepared for distribution.
The document discusses planning for a digipak album including potential song titles and photo ideas. It lists 14 proposed song titles and provides categories of photos considering including locations, nature, churches, motorways/headlights, and random photos that may relate to some of the song titles and be used across the different sides of the digipak.
The document analyzes magazine advertisements for albums by three indie artists: Tom Odell, The Wombats, and Florence + The Machine. For Tom Odell's ad, it highlights the use of a close-up artist photo with blurred background, simple color scheme, and hierarchical text layout. For The Wombats, it notes the bright blue color scheme and use of yellow text to highlight key details. For Florence + The Machine, it discusses the painted portrait of Florence Welch and placement of text information by size.
The document analyzes the design elements of three different album digipaks: Birdy's "Fire Within", Lana Del Rey's "Born to Die", and Walk the Moon's "Talking is Hard". Some key points made:
- Birdy's digipak uses a monochrome color scheme of greys, blacks, and whites, with a close-up shot of Birdy on the front to create direct address.
- Lana Del Rey's uses pastel colors for a vintage feel, with her image on the front also creating direct address.
- Walk the Moon's uses bright colors like yellow for simplicity and minimalism, featuring the band members across the front with album name
The document analyzes the design elements of three different album digipaks: Birdy's "Fire Within", Lana Del Rey's "Born to Die", and Walk the Moon's "Talking is Hard". Some key points made:
- Birdy's digipak uses a monochrome color scheme of greys, black, and white, with Birdy's close-up image on the front. This minimal design effectively portrays the indie genre.
- Lana Del Rey's uses a pastel color palette and vintage-inspired imagery and fonts. The artist's name is prominently displayed on the front in bold.
- Walk the Moon's features bright colors and a simple design with
Carlsson believes music videos can be categorized as either performance or conceptual videos. Performance videos feature an artist singing and/or dancing, and can be further divided into song, dance, or instrumental performances. Archer stresses the importance of camerawork in music videos, believing movement, close-ups, and lighting can enhance engagement and drama. The document discusses applying these theorists' ideas to a planned music video featuring dancing and a singing artist, with an emphasis on camera movement, close-ups, and lighting design.
Ceri and I have created our initial storyboard but plan to add footage of a dance performance to complete it. We have begun planning our storyboard and will continue working on incorporating a dance sequence. The storyboard is in progress as we aim to include a recorded dance performance.
The document discusses lighting ideas and plans for an indie music video. It proposes using purple colored lighting and projecting the outline of a stained glass window onto the background. Solo shots of the artist would use a single light, while group shots and those including the artist would utilize the stained glass window effect. The lighting aims to appeal to the target indie audience and recreate the feel of a church to illustrate the song's message and lyrics. Colored lighting, particularly purple, will add visual interest and drama to engage audiences throughout all parts of the video.
Explore the essential graphic design tools and software that can elevate your creative projects. Discover industry favorites and innovative solutions for stunning design results.
ARENA - Young adults in the workplace (Knight Moves).pdfKnight Moves
Presentations of Bavo Raeymaekers (Project lead youth unemployment at the City of Antwerp), Suzan Martens (Service designer at Knight Moves) and Adriaan De Keersmaeker (Community manager at Talk to C)
during the 'Arena • Young adults in the workplace' conference hosted by Knight Moves.
Practical eLearning Makeovers for EveryoneBianca Woods
Welcome to Practical eLearning Makeovers for Everyone. In this presentation, we’ll take a look at a bunch of easy-to-use visual design tips and tricks. And we’ll do this by using them to spruce up some eLearning screens that are in dire need of a new look.
Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
including directing the design team, reviewing drafts and computer models, and approving design
changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
environmental standards.
Prepare feasibility studies, construction contracts, and tender documents with specifications and
tender analyses.
Consulting with clients, work on formulating equipment and labor cost estimates, ensuring a project
meets environmental, safety, structural, zoning, and aesthetic standards.
Monitoring the progress of a project to assess whether or not it is in compliance with building plans
and project deadlines.
Attention to detail, exceptional time management, and strong problem-solving and communication
skills are required for this role.
International Upcycling Research Network advisory board meeting 4Kyungeun Sung
Slides used for the International Upcycling Research Network advisory board 4 (last one). The project is based at De Montfort University in Leicester, UK, and funded by the Arts and Humanities Research Council.