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The document proposes a short film about the relationship between two brothers. The youngest brother plays pranks on the elder brother as he tries to clean the house before their mother returns home. The elder brother loses his temper and accidentally hits the younger brother's head against a wall. Though the younger brother is alright, both brothers are shaken by the incident. The film will be a social realist drama shot inside a house using long takes, artificial lighting, and no non-diegetic music to emphasize the confined space and mundane domestic situation.
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The document outlines the filming schedule and details for several scenes involving the stalking of Annabelle Richmond. The first scene will film on March 16th in a basement, showing pictures being ripped down from walls. Another scene on March 19th will film Annabelle with friends at a school. A party scene on the 19th at a house will show two other girls gossiping in a bathroom. The final scene on March 20th at a house party will show Annabelle interacting with suspects and friends while being watched or argued with.
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The call sheet provides details for the second day of shooting including:
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The romantic comedy example follows an American girl starting her senior year at a run-down high school, where she faces bullying but finds comfort in another boy.
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Within the Woods Script
1) The summary introduces a male searching for information about a missing woman from Oak Park. Flashes of the mysterious woman are seen.
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The document summarizes the play "Mr. Burns, a Post-Electric Play" by Anne Washburn. It is split into three acts that move forward in time following a group of characters in a post-apocalyptic world. In the first act, they attempt to recall a Simpsons episode sitting on trash cans. In the second act 7 years later, they perform Simpsons scenes they pieced together through memory. In the third act 75 years later, their performance is more sophisticated with costumes and music resembling the actual Simpsons show. The play depicts societal adaptation without electricity through the lens of a popular TV show.
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The call sheet provides details for the second day of shooting including:
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2) Shooting scenes 2, shots 13-18 and 17-25 on location at a house both outside and inside.
3) Details on the costume, makeup, props, and equipment to be used. Shooting must be completed before dark for natural lighting.
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Ross Gibson moves to a new small town after being released from prison and wants a fresh start. On his first day in his new home, the daughter of his neighbor Frank approaches him. Frank confronts Gibson angrily. That night, Frank's daughter goes missing and Frank accuses Gibson of kidnapping her. Gibson is interrogated by the police but maintains his innocence. Gibson decides to help Frank search for his daughter. Gibson follows some suspicious men and discovers the missing girl locked in an abandoned warehouse, gagged and terrified.
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The document proposes music video ideas for three songs:
1) The Violence video would show a band's dark performance while a boy goes through stages of grief over death.
2) I'm Born To Run would feature a boy traveling the world to chase a girl, as the band performs in a field.
3) Don't Come Down would depict a band's performance alongside a couple's relationship, representing precious love.
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1) The summary introduces a male searching for information about a missing woman from Oak Park. Flashes of the mysterious woman are seen.
2) It then cuts to an empty playground at dusk with creaking and giggling sounds. Flashes of point of view footage from 1977 are seen of the woods.
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Wallander ahmed sharif
Wallander is a BBC crime drama television series based on the novels by Swedish author Henning Mankell. The series follows detective Kurt Wallander and his investigations of murders in Ystad, Sweden. This document provides analysis of techniques used in the opening sequence, including lighting, camera shots, sound design, and editing choices to set the tone and provide clues about characters and the investigation.
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This document provides an analysis of scenes and techniques used in the TV show Wallander. It describes shots used like close-ups of victims, zoom shots to show details of settings, and crab movements of the camera. It also analyzes the use of diegetic and non-diegetic sounds, emotional opening music, and hyperbolic breathing to convey meaning. Key questions are posed about plot points involving a mother, a character named Inga, motives for needing money, an escape, and a death at an ATM.
Presentation1
This pitch proposes a supernatural thriller about a girl who committed suicide after being bullied in college. She returns as a vengeful spirit to haunt and kill her former bullies. The main plot follows another girl who becomes her latest target. The film will focus on the town's efforts to understand the killings and stop them. It will have three acts that build tension through strange noises and a missing knife before culminating in a scream and bright light during the antagonist's murder of the main character. Themes of bullying and revenge will drive the supernatural killer's motivation.
Presentation1
A supernatural thriller film pitch proposes a plot where a girl who was bullied in college commits suicide and returns to haunt and kill her bullies. The main character, another college student, begins experiencing strange noises and events in her home. In the climactic scene, she investigates and encounters the antagonist, ending with her scream. The film will explore themes of bullying and revenge through supernatural elements like a vengeful ghost seeking victims.
Call sheet session 3
The document provides location information for a film shoot, including the location address, nearest hospital, and contact details for two people. It then describes a scene taking place in a forest, where the main character gets lost and trips in the woods before having a flashback. Finally, it includes a call sheet listing the director, two camera operators, an actor, and their arrival, start, and finish times for the shoot.
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This document outlines James O'Connell's shooting schedule for his film from January to March 2014. It details the date, time, location, equipment needed, and cast for each scene. The scenes include a climactic fight between the main character and his mother, the main character getting drugs from a friend, establishing shots of houses, the main character being thrown out of his house then let back in by his mother, and a scene where the depressed main character looks at drugs while getting comfort from his mother. James O'Connell will play the main character and operate the camera for most scenes, and his mother Maggie O'Connell will play his mother in several scenes.
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This document outlines an individual film pitch that begins with a young man engaged in a drug deal being chased by police through central London. He hides at a fellow gang member's flat before finally being caught by police. The target audience for this crime genre film would be 16-25 year olds. Key aspects that would make the film distinct include its setting in busy central London, costumes to make the police character believable, and background non-diegetic sounds to enhance the location. Production companies like 20th Century Fox would be suitable partners given their experience with thriller/crime films.
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1) The document describes the opening scenes of a film titled "Unforgiving". It includes shots of a playground with swinging and spinning toys moving by themselves with no children around and ominous voiceover.
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1) The document describes the opening scenes of a film involving unexplained occurrences at a playground with moving swings and a spinning roundabout with no one around.
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The document outlines two proposals for student films. The first proposal is for a horror film to be filmed at one of the student's houses, involving a flashback of a young girl murdering her parents which leads into the main story of two friends purchasing the haunted house. The second proposal is for an action comedy film to be filmed at a shopping center, taking inspiration from Hot Fuzz with conventions of fast pacing, drama, and comedy through close-ups as one character witnesses another stab a packet of rice and chases the murderer by following the grain trail.
Grading references copy
The document provides references for color and black and white grading styles, including Pedro Almodovar's film "Women on the verge of a nervous breakdown" and music videos by Mika, Echo and the Bunnymen, as well as black and white works by Anton Corbijin including a video for Elvis Costello and the film "Control".
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The document outlines 10 scenes for a music video storyboard. Scene 1 shows a girl in a dark room with spotlight, singing to music. Scene 2 shows the girl in a forest, dancing and singing. Scene 3 returns to the dark room with the girl's shadow dancing on the wall. Scenes 4-8 continue showing the girl in different costumes and locations, dancing and singing to the song. Scenes 9-10 depict close-up shots of feet or the girl playing with curtains on a bed. The storyboard varies camera angles and lighting between scenes to depict the girl lip-syncing and dancing to the music.
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This document discusses how a media product represents social groups. It summarizes that the opening sequence shows the abuse between an adult and 16-year-old child named McKenzie. McKenzie represents a vulnerable victim of domestic abuse. Scenes of alcohol bottles and cocaine were included to show the harsh reality and poor conditions McKenzie faces in his abusive household. Sad, dark lighting and plain clothing were used to fit the dark theme and poverty of McKenzie's family. The face of McKenzie's abusive father is not fully revealed to represent the power and anonymity of his role in the abuse.
Aab
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This document provides tips and techniques for parents to help their children with revision. It discusses what revision is, why it's important to encourage children to revise, and that parents should help with revision without doing the work for their child. It provides suggestions on creating a revision timetable, taking breaks, and using different learning styles and revision strategies. The document emphasizes making revision engaging, using a variety of methods, and praising children for their efforts.
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Madura fashions and life style
The Aditya Birla Group is an Indian multinational conglomerate headquartered in Mumbai, Maharashtra, India with over 136,000 employees worldwide. It has interests in sectors such as metals, cement, carbon black, chemicals, fertilizers, textiles, financial services, telecom, and IT services. The Aditya Birla group is a diversified conglomerate with a total revenue of approximately US$40 billion in 2012, making it one of the largest private sector conglomerates in India.
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The film follows two brothers who have been abandoned by their parents and are now alone in their home. The older brother is packing a bag for the younger brother, who is crying on the bedroom floor. After struggling to get the younger brother downstairs, there is a knock at the door from social services. The film ends with the brothers hiding from view of the door to avoid being taken by social services. The filmmaker intends to capture the confines of the house through camerawork and use natural lighting to film during the afternoon. No non-diegetic music will be used to adhere to the conventions of the social realism genre.
Click flick
This document discusses conventions of the romantic comedy (rom-com) and chick flick genres. It provides examples of a teaser trailer for a modern Cinderella story film and a short film about two shy office workers expressing their love through post-it notes. Key conventions highlighted include the main characters overcoming obstacles to find love, inclusion of a character trying to split up the couple, and the unlikely hero winning the person's affection. Technical elements like mise-en-scene locations, shot types, editing pace, and voiceovers/music are also described as typical of these genres.
Click flick[1]
This document discusses conventions of the romantic comedy (rom-com) and chick flick genres. It provides examples of a teaser trailer for a modern Cinderella story film and a short film about two shy office workers expressing their love through post-it notes. Key conventions highlighted include the main characters overcoming obstacles to find love, inclusion of a character trying to split up the couple, and the unlikely hero winning the person's affection. Technical elements like mise-en-scene locations, shot types, editing pace, and voiceovers/music are also described as typical of these genres.
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The document analyzes various cinematic techniques used in a film scene, including camerawork, lighting, mise-en-scene, editing, and sound. Camerawork includes close-ups of characters' faces to show their emotions. Lighting creates a sense of danger with nighttime exterior shots but warmth in interior family scenes. Mise-en-scene establishes a realistic setting through locations, body language, and costumes. Fast editing conveys a character's unstable mental state, while cross-cutting links multiple storylines. Music and dialogue contribute to tension and emphasize accents and themes of struggle for inner-city youth.
The pitch
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Focus group
- 1. Pitch: My Short Film Idea Jordan Knowles A2 Media Thursday, 17 October 13
- 2. Synopsis ✤ My short film is a Social Realist drama, revolving around the relationship between two brothers. ✤ The youngest of the brothers plays a series of pranks on the other as a joke, which renders his attempts to clean the house before his mother comes home. ✤ The elder brother loses his tempter, and in his anger hits his brothers head against a wall unintentionally. ✤ The brother turns out alright, but still: they are both shaken. Thursday, 17 October 13
- 3. Style ✤ Social Realism: A genre that aims to represent a specific group of people within a specific space of time. ✤ Camera: As my film takes place within the space of a middle sized house house, I would like camera to emphasise the confines of these borders. In addition, I would like to emulate the slow pace and monotony of both the procedure of caring for someone and a typical domestic situation through long takes. ✤ Lighting: I am going to film this short in the dark, and therefore will need to make use of artificial electric lighting. Thursday, 17 October 13
- 4. Sound/Music ✤ For this short film, I will not employ any music. I think it would be easier to build an atmosphere through this. My specific genre is Social Realism, and therefore I am obliged to adhere to its conventions. One of these is a minimal amount of non-diegetic music. Below are examples of short films in my genre that don’t use a soundtrack. Thursday, 17 October 13
- 5. The End ✤ Thank you for your time! Thursday, 17 October 13