A young girl named Kat encounters an unusual alien man on the moor near her town. She and her friend Toby discover that the man can communicate through electricity and radios. They show him their world as he shows them glimpses of his. However, Kat's cruel uncle assumes the worst of the alien man and pushes him down the stairs, apparently killing him. Days later as Kat goes to sleep, the lights in her room flicker, indicating the alien may still be alive.
For today's Kids' Writing Workshop, I shared excerpts from five different books that are available to kids as prizes for registering for summer reading at Pasadena.beanstack.org. We learned different things from each book:
-We learned about tone from Front Desk
-We learned about motif from Gabby Garcia's Ultimate Playbook
-We learned about the hook from The Last Kids on Earth and the Cosmic Beyond
-We learned about fantasy/world-building from The Serpent's Secret
-We learned about mystery/suspense writing from Finding Mighty
For today's Kids' Writing Workshop, I shared excerpts from five different books that are available to kids as prizes for registering for summer reading at Pasadena.beanstack.org. We learned different things from each book:
-We learned about tone from Front Desk
-We learned about motif from Gabby Garcia's Ultimate Playbook
-We learned about the hook from The Last Kids on Earth and the Cosmic Beyond
-We learned about fantasy/world-building from The Serpent's Secret
-We learned about mystery/suspense writing from Finding Mighty
Teen Read Week. 2014 Mt. Gilead Public Library Programhildebka
This presentation was given at the Mt. Gilead (Ohio) Public LIbrary for Teen Read Week 2014. New books and read-alikes were presented for students from Mt. Gilead Middle School.
Whether we played with dolls growing up or not, there was probably a point in our lives when we first started to think of them as “creepy.” It could have been a single, terrifying moment, a TV show or movie, or a feeling that grew over time, but eventually, most of us realize that dolls have a scary side.
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
9. Plot: WORKING TITLE: FLICKER
A runner encounters a bare and unusual man on a Northern moor. Lights flickering
in a young girl (Kat)’s room wakes her, her dysfunctional uncle treats her
cruelly, forcing her to do the chores. She and a boy (Toby) are soon after,
playing with their radio sets whilst walking their dog when they intercept the
runner and then immediately the alien man. They run away, terrified. Kat drops her
radio.
Clothes disappear from washing lines across the town, and as Toby is settling down
at home, his radio emits unusual, perplexing, and comical noises. Kat urges Toby
to search for its other half.
They find the man, who had been using the radio’s power to find them, and he is as
nervous and scared as they are. He responds in fright to their movements -
simultaneously car alarms sound and flashes of light occur. He can only speak to
them through electricity. He shows them his world as they show him theirs.
They interrogate him, test out his unique abilities and warm to him in montage.
After fixing Kat’s radio, Kats uncle returns after searching for her for hours. He
quickly makes assumptions about the old man and it results in him pushing the man
down the stairs. He is presumed dead. The uncle makes an effort to console Kat,
but she remains solemn for the many days that pass.
As Kat gets into bed and closes her eyes for the final time on screen, they are
opened one more time by a flicker of the light on her bedside table.
11. KAT
We have our protagonist: a young girl
(around 11/12), intelligent, beyond her
age. She’s ambitious to learn in school,
though she is not socially strong.
12. ‘HIM’
He, our alien character, is a
sweet/highly intelligent personality who
takes the form of an old man. He has
supernatural abilities, and he shows the
protagonist charms of the world around
her that most fail to see.
Despite his wisdom, he is clumsy, and so
we can find comic relief in his
character.
13. TOBY
TOBY, our
protagonist’s
token, chubby
nerd friend is a
conventional
helper in this Sci-
Fi short.
He’s an insider, a
bit useless, but
he also provides
comic relief as
well occasional
feats of bravery.
The
UNCLE
A potential
antagonist in this
short. He is a
distorted father
figure. He is the
antithesis of the
paternal alien man.
He’s a police officer
whose aggression is
far more prominent
than his protection.
He has no time for
sweetness, and is
quite bitter.
Watch this clip and have a think about what aspects of it are interesting, where the catharsis/pivotal moment lies.
Catharsis is an Aristotelian term. “Fear poisons life with anxiety” “Catharsis can flush the feeling from our minds; clears the air” “Catharsis is the sense of purgation or relief.”
It can be put as the “aaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhhhh” moment. Watch either of these examples which show some of the biggest a-ha! moments out there.
Considering that a catharsis can be as minute as possible, and many can occur in just one text, what moment in the Iron Giant clip was the catharsis?
The realisation of his powers as an alien robot you say, superb! Well it’s important to notice that a catharsis is a device that truly makes a film.
Why are we interested in catharis? Short films are short by definition and we feel that for it to be an enjoyable short, it needs some sort of key catharsis.
Another reason why we chose the Iron Giant clip was because it is an example of a Sci-Fi text. Why is it?
The advanced alien robot character might be a hint.
Science Fiction is defined as a genre having conventions of advancements in science or technology.
Because of the broadness of this genre, having such a wide scope for writers and directors to play with, there are so many different uses of the term science fiction - and it’s easy to forget that.
Most people, in thinking about ‘Science Fiction’ might sigh and think of tinny products like Doctor Who, Star Trek or Battlestar Galactica. On the other hand, people may leap straight to the bigger Sci-Fis; Star Wars, Blade Runner, or Alien.
Many forget about controversial texts whioch are less-conventional, i.e. Inception, Frankenstein, The Handmaid’s Tale, Ex-Machina. These are texts which don’t fully adopt the many conventions of Sci-Fi, and only focus on one.
The Iron Giant is again, an unusual Sci-Fi, as it’s only defined as being so because of its sole robot element.
Why did we/James want to do a Sci-Fi short?
Sci-Fi is a genre that allows for so many ‘cool’ things to happen. It's a genre that is entirely speculative, most of the Sci-Fi's out there present issues which could happen/have already happened. The iconic ‘A long time ago in a galaxy far, far away….’ tagline is a way for nerds to uphold the slightest possibility of some form of Star Wars situation happening at some point somewhere - it simply can’t be disproved. This way, Sci-Fi films can complete the utmost form of escapism - by creating situations so far from our own, that we may temporarily forget that our own issues exist in the 90 minutes whilst watching a film.
For short film purposes, much of Sci-Fi is based around an idea that is simply developed over and over until you’re left with something so epic that the idea is lost under all the layers of Hollywood ganache. With a short, you can explore an idea, and only the idea. The actors won’t distract you from it’s meaning, and there isn’t enough time to ruin the idea, unless you’re a remarkably bad filmmaker.
Short films are used as devices to showcase a particular artist’s style. Our short film will need a particular style in order to follow conventions of the format.
Looking at films like Under The Skin and Ex-Machina we can see a bleakness in the way that the stories are presented both visually and dramatically. This is in stark contrast to many of the over-sensationalised Sci-Fi blockbusters. Some directors and artists carry their styles across their films. Wes Anderson for example is famous for his almost-symmetry, his technicolour wash palette, and his slow, calculated humour. Michael Bay on the other hand is famous for his over-use of slow motion, shiny objects and explosions. Each of these will have picked up their styles from other directors, authors and artists alike. Now it’s our turn to do the same.
What will influence our style?
Moonrise Kingdom provides our character material - the humour between them.
Stranger Things gives genre and setting, the retro-futuristic 1980s charm. We’d love to explore an 80s style in our short film.
E.T. gives the relationship between an alien and a child.
Donnie Darko provides thought-provoking dialogue useful in shorts.
Hunt For The Wilderpeople is genius for it’s use of comedy between the two lead characters, Taika Waititi knows best.
Her has a palette which is a bleak entanglement of Blade Runner and Donnie Darko.
True Detective provides both stunning and sinister visuals.
The Iron Giant gives the perfect sweet narrative and relationship that we aim to create in our short.
Our idea goes like this:
A young girl and her friend encounter an old alien man who appears to have no recollection of where he is. His only method of communication is through the use of electrical devices.
We decided that some of the themes that should come out of our short film will be:
Loneliness,
Friendship,
Coming of Age,
Innocence,
Paternity
It’s an ambitious idea, but between the four of us, we’ve had a lot of practice. All we need to do is have careful time management, to be respectful of our actors and crew, and to think about the story the whole time. We are lucky in having access to a wide range of technologies, such as high-end Nikon DSLR cameras, lenses, and film-quality sound equipment. The fun side of the production can come in practical and visual effects, which will be used sparingly, but even so - practice with these will be fundamental.