Europe’s cultural heritage: From digitisation to creative re-useLizzy Komen
Presentation at Citex 2014 conference (http://www.bilisim.org.tr/) in Ankara, Turkey on 7 November 2014. Titel: 'Europe’s cultural heritage:
From digitisation to creative re-use'. Presentation includes highlights of the Netherlands Institute for Sound and Vision digitisation project, Europeana, Digital Agenda for Europe and Europeana Creative
Content for Europeana TV hacakthon 'Hacking Culture Bootcamp' 9 may 2015Lizzy Komen
Content offered to participants attending the Europeana TV hacakthon 'Hacking Culture Bootcamp' (http://www.europeana-space.eu/hackathons-home/) 9 may 2015, as part of the Europeana Space project (http://europeana-space.eu/)
EUscreen offers free online access to videos, stills, texts and audio from European broadcasters and audiovisual archives. Explore selected content from early 1900s until today.
Europe’s cultural heritage: From digitisation to creative re-useLizzy Komen
Presentation at Citex 2014 conference (http://www.bilisim.org.tr/) in Ankara, Turkey on 7 November 2014. Titel: 'Europe’s cultural heritage:
From digitisation to creative re-use'. Presentation includes highlights of the Netherlands Institute for Sound and Vision digitisation project, Europeana, Digital Agenda for Europe and Europeana Creative
Content for Europeana TV hacakthon 'Hacking Culture Bootcamp' 9 may 2015Lizzy Komen
Content offered to participants attending the Europeana TV hacakthon 'Hacking Culture Bootcamp' (http://www.europeana-space.eu/hackathons-home/) 9 may 2015, as part of the Europeana Space project (http://europeana-space.eu/)
EUscreen offers free online access to videos, stills, texts and audio from European broadcasters and audiovisual archives. Explore selected content from early 1900s until today.
Dynamics and partnerships with local associations involved in LoCloud: a case...locloud
Presentation given by Agnès Vatican, Director of the Gironde Archives and
Nathalie Gascoin, LoCloud project manager In collaboration with Julien Dutertre and James Lemaire
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Legal deposit in Norway and new ways of archiving recorded sound - Keeping Tr...awilson_bl
Legal deposit in Norway and new ways of archiving recorded sound
The current state of music legal deposit in and a look into the future. A demonstration of a new tool for preserving production material from the recording industry.
Speakers: Trond Valberg, Lars Gaustad, National Library of Norway
As part of the British Library's Keeping Tracks symposium on music and archives in the digital age.
21.03.14
http://britishlibrary.typepad.co.uk/music/2014/04/keeping-tracks.html
Small, smaller and smallest: working with small archaeological content provid...locloud
Presentation given by Holly Wright
Archaeology Data Service University of York, UK
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Digital services for musicologists offered by the Music Department of the Bavarian State Library;
Presentation at the IAML-/IMS-congress in New York on June 22, 2015.
Authors: Bouke Huurnink and Lotte Belice Baltussen.
In this talk we discuss some of the R&D work being done at the Netherlands Institute for Sound and Vision. We endeavour to answer the following questions: What does Sound and Vision do and what kind of collections do they safeguard? What kind of work is being done by their R&D department? What is the current status of multimedia annotation and multimedia retrieval in the archive? In addition we zoom in on the newly arising problem of contextualisation in the archive. How can we make the most of the relations between multiple collections that contain information about the same program, person, or topic? We conclude with a discussion of potential collaboration, and some questions that we would like to answer in future work.
Workshop Slides by Dr. Karin Glasemann (Digital Coordinator, Nationalmuseum Sweden) for Sharing is Caring - Hamburg Extension
Museum für Kunst und Gewerbe Hamburg 20 April 2017
http://sharecare.nu/hamburg-2017/
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Curating the history. Disseminating AV archives from former socialist regimes...Maja Drabczyk
A presentation by Maria Drabczyk (NInA/EUscreenXL) on Curating the history Disseminating AV archives from former socialist regimes (with a focus on Poland) for the general public during the 'Unlocking Broadcast Archives from Eastern Europe' in Bucharest on March 12 2015.
The event was organised by the European (Post)Socialist Television History Network, the FIAT/IFTA Television Studies Commission and TVR.
Transforming Collection Data: From 1572 to the Present and BeyondAxiell ALM
Wilhelm Lagercrantz, Digital Strategy / Chief Digital Officer, National Historical Museums Sweden
National Historical Museums is a government agency which includes the Swedish History Museum and the Royal Coin Cabinet plus the museum operations at Tumba Papermill Museum. The agency also performs archaeology services.
The coin collection can trace its roots back to 1572 when Rasmus Ludvigsson, a secretary to the King Johan III started a collection of old Swedish coins.
From the start, there has always been a need to somehow keep track of the collection. In the early days using quill pen and paper, then gradually moving into more modern technology.
In the 1990s parts of the collection information became digital. Today the Swedish History Museum and the Royal Coin Cabinet use different solutions for the collections management and are ready to take the next step by moving in to Adlib. Our expectations are to enhance our work processes even more and reach out globally.
Dynamics and partnerships with local associations involved in LoCloud: a case...locloud
Presentation given by Agnès Vatican, Director of the Gironde Archives and
Nathalie Gascoin, LoCloud project manager In collaboration with Julien Dutertre and James Lemaire
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Legal deposit in Norway and new ways of archiving recorded sound - Keeping Tr...awilson_bl
Legal deposit in Norway and new ways of archiving recorded sound
The current state of music legal deposit in and a look into the future. A demonstration of a new tool for preserving production material from the recording industry.
Speakers: Trond Valberg, Lars Gaustad, National Library of Norway
As part of the British Library's Keeping Tracks symposium on music and archives in the digital age.
21.03.14
http://britishlibrary.typepad.co.uk/music/2014/04/keeping-tracks.html
Small, smaller and smallest: working with small archaeological content provid...locloud
Presentation given by Holly Wright
Archaeology Data Service University of York, UK
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Digital services for musicologists offered by the Music Department of the Bavarian State Library;
Presentation at the IAML-/IMS-congress in New York on June 22, 2015.
Authors: Bouke Huurnink and Lotte Belice Baltussen.
In this talk we discuss some of the R&D work being done at the Netherlands Institute for Sound and Vision. We endeavour to answer the following questions: What does Sound and Vision do and what kind of collections do they safeguard? What kind of work is being done by their R&D department? What is the current status of multimedia annotation and multimedia retrieval in the archive? In addition we zoom in on the newly arising problem of contextualisation in the archive. How can we make the most of the relations between multiple collections that contain information about the same program, person, or topic? We conclude with a discussion of potential collaboration, and some questions that we would like to answer in future work.
Workshop Slides by Dr. Karin Glasemann (Digital Coordinator, Nationalmuseum Sweden) for Sharing is Caring - Hamburg Extension
Museum für Kunst und Gewerbe Hamburg 20 April 2017
http://sharecare.nu/hamburg-2017/
Beyond the space: the LoCloud Historical Place Names microservicelocloud
Presentation given by Rimvydas Laužikas, Justinas Jaronis and Ingrida Vosyliūtė
Vilnius University Faculty of Communication, Lithuania
LoCloud Conference
Sharing local cultural heritage online with LoCloud services
Amersfoort, Netherlands
5 February 2016
Curating the history. Disseminating AV archives from former socialist regimes...Maja Drabczyk
A presentation by Maria Drabczyk (NInA/EUscreenXL) on Curating the history Disseminating AV archives from former socialist regimes (with a focus on Poland) for the general public during the 'Unlocking Broadcast Archives from Eastern Europe' in Bucharest on March 12 2015.
The event was organised by the European (Post)Socialist Television History Network, the FIAT/IFTA Television Studies Commission and TVR.
Transforming Collection Data: From 1572 to the Present and BeyondAxiell ALM
Wilhelm Lagercrantz, Digital Strategy / Chief Digital Officer, National Historical Museums Sweden
National Historical Museums is a government agency which includes the Swedish History Museum and the Royal Coin Cabinet plus the museum operations at Tumba Papermill Museum. The agency also performs archaeology services.
The coin collection can trace its roots back to 1572 when Rasmus Ludvigsson, a secretary to the King Johan III started a collection of old Swedish coins.
From the start, there has always been a need to somehow keep track of the collection. In the early days using quill pen and paper, then gradually moving into more modern technology.
In the 1990s parts of the collection information became digital. Today the Swedish History Museum and the Royal Coin Cabinet use different solutions for the collections management and are ready to take the next step by moving in to Adlib. Our expectations are to enhance our work processes even more and reach out globally.
Presentation on the GLAM activities of Wikimedia Finland at Wiki Loves Maps Seminar on 5 February, 2015. Examples of different kinds and scales of editathon events.
Presentation at ARLIS/Norden conference "Art Libraries & Customers", 16th June, 2017. What Kiasma has done to bring contemporary art to Wikipedia – and why I think memory institutions should be interested in the free encyclopedia.
Esitys Museoliiton järjestämässä Osallistavan teknologian mahdollisuudet museotyössä -koulutuksessa 1.10.2015. Kiasmassa on järjestetty Wikipedia-tapahtumia vuodesta 2013. Millaisia tapahtumat ovat olleet ja mitä niistä on opittu? Dokumentaatiota Wikimaratonista (2013) ja Wikitriathlonista (2015).
A Gateway Theory – How Edit-a-thons Can Lure Innocent GLAMs into the World of...Sanna Hirvonen
Presentation at Wikimania 2015.
Wikipedia editing events aka edit-a-thons have many functions and goals. I see them as a channel to reach and influence GLAM (Galleries, Libraries, Archives and Museums) professionals. The events can be a start for something bigger.
Esitys Kansallisgallerian kuraattoritapaamisessa 13.2.2015 yhdessä Janne Heinosen kanssa.
Aiheet:
- sosiaalinen media ja viestinnän muutos
- organisaatiosome
- sosiaalinen media asiantuntijan työvälineenä
Somessa - Helsingin varhaiskasvatusvirasto 151214Sanna Hirvonen
Keskustelua organisaatiosomesta Helsingin varhaiskasvatusviraston kanssa 15.12.2014, Sanna Hirvonen ja Janne Heinonen. Sosiaalisen median tavoitteet, käytännön toimet, sisällöt, yksittäisen asiantuntijan mahdollisuudet hyödyntää somea.
What is social media and what value can it bring to museums and their audiences? Examples and experiences from Museum of Contemporary Art Kiasma. Presentation for Helsinki University Museology students with Janne Heinonen.
CC BY -lisensoituja valokuvia Steven Hollin suunnittelemasta Kiasma-rakennuksesta Flickrissä: https://www.flickr.com/photos/kiasmamuseum/
Esittely avauksesta Avoin kulttuuridata -mestarikurssin lopputapaaminsessa 12.6.14
Opendatabay - Open Data Marketplace.pptxOpendatabay
Opendatabay.com unlocks the power of data for everyone. Open Data Marketplace fosters a collaborative hub for data enthusiasts to explore, share, and contribute to a vast collection of datasets.
First ever open hub for data enthusiasts to collaborate and innovate. A platform to explore, share, and contribute to a vast collection of datasets. Through robust quality control and innovative technologies like blockchain verification, opendatabay ensures the authenticity and reliability of datasets, empowering users to make data-driven decisions with confidence. Leverage cutting-edge AI technologies to enhance the data exploration, analysis, and discovery experience.
From intelligent search and recommendations to automated data productisation and quotation, Opendatabay AI-driven features streamline the data workflow. Finding the data you need shouldn't be a complex. Opendatabay simplifies the data acquisition process with an intuitive interface and robust search tools. Effortlessly explore, discover, and access the data you need, allowing you to focus on extracting valuable insights. Opendatabay breaks new ground with a dedicated, AI-generated, synthetic datasets.
Leverage these privacy-preserving datasets for training and testing AI models without compromising sensitive information. Opendatabay prioritizes transparency by providing detailed metadata, provenance information, and usage guidelines for each dataset, ensuring users have a comprehensive understanding of the data they're working with. By leveraging a powerful combination of distributed ledger technology and rigorous third-party audits Opendatabay ensures the authenticity and reliability of every dataset. Security is at the core of Opendatabay. Marketplace implements stringent security measures, including encryption, access controls, and regular vulnerability assessments, to safeguard your data and protect your privacy.
Techniques to optimize the pagerank algorithm usually fall in two categories. One is to try reducing the work per iteration, and the other is to try reducing the number of iterations. These goals are often at odds with one another. Skipping computation on vertices which have already converged has the potential to save iteration time. Skipping in-identical vertices, with the same in-links, helps reduce duplicate computations and thus could help reduce iteration time. Road networks often have chains which can be short-circuited before pagerank computation to improve performance. Final ranks of chain nodes can be easily calculated. This could reduce both the iteration time, and the number of iterations. If a graph has no dangling nodes, pagerank of each strongly connected component can be computed in topological order. This could help reduce the iteration time, no. of iterations, and also enable multi-iteration concurrency in pagerank computation. The combination of all of the above methods is the STICD algorithm. [sticd] For dynamic graphs, unchanged components whose ranks are unaffected can be skipped altogether.
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Empowering the Data Analytics Ecosystem: A Laser Focus on Value
The data analytics ecosystem thrives when every component functions at its peak, unlocking the true potential of data. Here's a laser focus on key areas for an empowered ecosystem:
1. Democratize Access, Not Data:
Granular Access Controls: Provide users with self-service tools tailored to their specific needs, preventing data overload and misuse.
Data Catalogs: Implement robust data catalogs for easy discovery and understanding of available data sources.
2. Foster Collaboration with Clear Roles:
Data Mesh Architecture: Break down data silos by creating a distributed data ownership model with clear ownership and responsibilities.
Collaborative Workspaces: Utilize interactive platforms where data scientists, analysts, and domain experts can work seamlessly together.
3. Leverage Advanced Analytics Strategically:
AI-powered Automation: Automate repetitive tasks like data cleaning and feature engineering, freeing up data talent for higher-level analysis.
Right-Tool Selection: Strategically choose the most effective advanced analytics techniques (e.g., AI, ML) based on specific business problems.
4. Prioritize Data Quality with Automation:
Automated Data Validation: Implement automated data quality checks to identify and rectify errors at the source, minimizing downstream issues.
Data Lineage Tracking: Track the flow of data throughout the ecosystem, ensuring transparency and facilitating root cause analysis for errors.
5. Cultivate a Data-Driven Mindset:
Metrics-Driven Performance Management: Align KPIs and performance metrics with data-driven insights to ensure actionable decision making.
Data Storytelling Workshops: Equip stakeholders with the skills to translate complex data findings into compelling narratives that drive action.
Benefits of a Precise Ecosystem:
Sharpened Focus: Precise access and clear roles ensure everyone works with the most relevant data, maximizing efficiency.
Actionable Insights: Strategic analytics and automated quality checks lead to more reliable and actionable data insights.
Continuous Improvement: Data-driven performance management fosters a culture of learning and continuous improvement.
Sustainable Growth: Empowered by data, organizations can make informed decisions to drive sustainable growth and innovation.
By focusing on these precise actions, organizations can create an empowered data analytics ecosystem that delivers real value by driving data-driven decisions and maximizing the return on their data investment.
Explore our comprehensive data analysis project presentation on predicting product ad campaign performance. Learn how data-driven insights can optimize your marketing strategies and enhance campaign effectiveness. Perfect for professionals and students looking to understand the power of data analysis in advertising. for more details visit: https://bostoninstituteofanalytics.org/data-science-and-artificial-intelligence/
Adjusting primitives for graph : SHORT REPORT / NOTESSubhajit Sahu
Graph algorithms, like PageRank Compressed Sparse Row (CSR) is an adjacency-list based graph representation that is
Multiply with different modes (map)
1. Performance of sequential execution based vs OpenMP based vector multiply.
2. Comparing various launch configs for CUDA based vector multiply.
Sum with different storage types (reduce)
1. Performance of vector element sum using float vs bfloat16 as the storage type.
Sum with different modes (reduce)
1. Performance of sequential execution based vs OpenMP based vector element sum.
2. Performance of memcpy vs in-place based CUDA based vector element sum.
3. Comparing various launch configs for CUDA based vector element sum (memcpy).
4. Comparing various launch configs for CUDA based vector element sum (in-place).
Sum with in-place strategies of CUDA mode (reduce)
1. Comparing various launch configs for CUDA based vector element sum (in-place).
Chatty Kathy - UNC Bootcamp Final Project Presentation - Final Version - 5.23...John Andrews
SlideShare Description for "Chatty Kathy - UNC Bootcamp Final Project Presentation"
Title: Chatty Kathy: Enhancing Physical Activity Among Older Adults
Description:
Discover how Chatty Kathy, an innovative project developed at the UNC Bootcamp, aims to tackle the challenge of low physical activity among older adults. Our AI-driven solution uses peer interaction to boost and sustain exercise levels, significantly improving health outcomes. This presentation covers our problem statement, the rationale behind Chatty Kathy, synthetic data and persona creation, model performance metrics, a visual demonstration of the project, and potential future developments. Join us for an insightful Q&A session to explore the potential of this groundbreaking project.
Project Team: Jay Requarth, Jana Avery, John Andrews, Dr. Dick Davis II, Nee Buntoum, Nam Yeongjin & Mat Nicholas
Levelwise PageRank with Loop-Based Dead End Handling Strategy : SHORT REPORT ...Subhajit Sahu
Abstract — Levelwise PageRank is an alternative method of PageRank computation which decomposes the input graph into a directed acyclic block-graph of strongly connected components, and processes them in topological order, one level at a time. This enables calculation for ranks in a distributed fashion without per-iteration communication, unlike the standard method where all vertices are processed in each iteration. It however comes with a precondition of the absence of dead ends in the input graph. Here, the native non-distributed performance of Levelwise PageRank was compared against Monolithic PageRank on a CPU as well as a GPU. To ensure a fair comparison, Monolithic PageRank was also performed on a graph where vertices were split by components. Results indicate that Levelwise PageRank is about as fast as Monolithic PageRank on the CPU, but quite a bit slower on the GPU. Slowdown on the GPU is likely caused by a large submission of small workloads, and expected to be non-issue when the computation is performed on massive graphs.
Finnish National Gallery Open Data and Materials 2016
1. Finnish National Gallery
Data and Materials
Sanna Hirvonen, Kiasma
Siina Hälikkä, FNG Collections Management Department
Hack4FI / 5 Feb 2016
2. Over 37 000 works of art
Museum of Contemporary
Art Kiasma
Ateneum Art Museum Sinebrychoff Art Museum
Collection metadata http://kokoelmat.fng.fi/api
• Api + data packages
• CC0
3. Finnish State Art Commission
10 500 artworks
Collection metadata http://kokoelmat.fng.fi/vttk/api
• CC0
4. Architecture of Kiasma
Kiasma was designed by Steven Holl and completed in 1998. Photos: Finnish National Gallery / Petri Virtanen, Pirje Mykkänen CC BY 2.0
www.flickr.com/kiasmamuseum
• 100 photos from 1996–2014
• Captions on materials, details, architectural ideas
• CC BY 2.0
5. Photos on Wikimedia Commons
• Category:Media
released by FNG
• Mainly photos of
contemporary artists
and the Kiasma
building
• CC BY-SA 3.0
6. Photographs by Hugo Simberg
Finnish National Gallery Archive Collections
http://www.lahteilla.fi/simberg-data
•994 negatives taken by Finnish artist Hugo Simberg (1873–1917) + digitally made positives
•”Selfies”, artist working, art works, working process, family, summer life, travels, Helsinki, studios…
•More about Simberg as a photographer: http://www.lahteilla.fi/simberg/
7. Glass negatives by Daniel Nyblin
Finnish National Gallery Archive Collections
http://www.lahteilla.fi/nyblin-data/
•Unique collection of glass negatives by prominent early photographer Daniel Nyblin
(1856–1923) + positives + metadata
•Photos taken between 1879–1904
•Contemporary Finnish art from the turn of the 20th century: on glass negatives were
recorded newly completed or first-exhibited Finnish art works.
8. Historical Photos of Ateneum
• 13 high resolution pictures from 1894–1915
• CC-BY 2.0
• https://www.flickr.com/photos/finnishnationalgallery/albums/7215
7661957007454