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Done by : Aymen Mostafa
Presented to: Dr Dina Abo Zeid
Final Cut Pro
   Final Cut Pro is a
    non-linear video
    editing software
    developed by
    Macromedia Inc. and
    then Apple Inc. The
    most recent version,
    Final Cut Pro X, runs
    on Mac personal
    computers powered
    by Mac OS X version
    10.6.7 or later and
    using Intel
    processors.
   The software allows
    users to log and transfer
    video onto a hard drive
    (internal or external),
    where it can be edited,
    processed, and output
    to a wide variety of
    formats.
   Since the early 2000s,
    Final Cut Pro has
    developed a large and
    expanding user base,
    mainly video hobbyists
    and independent
    filmmakers.
   According to a 2007 SCRI study, Final Cut
    Pro made up 49% of the US professional
    editing market,

   Final Cut Pro provides non-linear, non-
    destructive editing of any QuickTime
    compatible video format including DV, HDV,
    P2 ,XDCAM (via plug-in), and 2K film
    formats. It supports a number of
    simultaneously composited video tracks
    (limited mainly by video format and hardware
    capability); up to 99 audio tracks; multi-
    camera editing for combining video from
    multiple camera sources; as well as standard
    ripple, roll, slip, slide, scrub, razor blade and
    time remapping edit functions.
Final cut pro consists of 4 main
    windows which are :
    The Browser:
 As in most digital non-linear editing
  applications, the Browser is not an
  interface to the computer's file-
  system. It is an entirely virtual
  space in which references to clips
  (aliases) are placed for easy
  access, and arranged in folders
  called 'bins'. Since they are only
  references to clips that are on the
  media drive of the computer,
  moving or deleting a source file on
  the media hard drive destroys the
  link between the entry in the
  Browser and the actual media. This
  results in a 'media offline' situation,
  and the media must be
  'reconnected'.
 The browser has an 'effects' tab in
  which video transitions and filters
  can be browsed and dragged onto
  or between clips.
Canvas:
   The canvas outputs the contents of the
    Timeline. To add clips to the Timeline, besides
    dragging them there, it is possible to drag
    clips from the Browser or Viewer onto the
    Canvas, whereupon the so-called 'edit
    overlay' appears. The edit overlay has seven
    drop zones, into which clips can be dragged in
    order to perform different edits. The default is
    the 'overwrite' edit, which overwrites at an in
    point or the space occupied after the playhead
    with the incoming clip. The 'insert' edit slots a
    clip into the sequence at the in point or
    playhead's position, keeping the rest of the
    video intact, but moving it all aside so that the
    new clip fits. There are also drop zones to
    have the application automatically insert
    transitions. The 'replace' edit replaces a clip in
    the Timeline with an incoming clip, and the 'fit
    to fill' edit does the same thing, but at the
    same time, it adjusts the playback speed of
    the incoming clip so that all of it will fit into the
    required space [in the Timeline]. Finally there
    is the 'superimpose' edit, which automatically
    places the dropped clip on the track above the
    clip in the Timeline, with a duration equal to
    the clip below it. Unless an in or out point are
    set, all edits occur from the position of the
    playhead in the Timeline.
The viewer:
   The viewer has tabs for each
    channel of the selected clip's
    audio, in which the waveform for
    the audio can be viewed and
    scrubbed, and where its volume
    can be keyframed. The filters tab is
    where effects for the clip appear
    and where their parameters can be
    adjusted and keyframed. If the clip
    selected is a generator (such as an
    oval shape), a control tab appears
    for changing its geometrical
    properties. Finally, the viewer's
    motion tab contains tools to adjust
    the scale, opacity, cropping,
    rotation, distortion, drop shadow,
    motion blur and time remapping
    properties of the clip. Mini-
    timelines to the right of each
    parameter allow the property to be
    keyframed. The Viewer is not
    present in Final Cut Pro X.
The timeline:
   Clips can be edited together in
    timelines called sequences.
    Sequences can be nested inside
    other sequences, so that a filter or
    transition can be applied to the
    grouped clips.
   The Timeline in Final Cut Pro allows
    99 video tracks to be layered on top
    of each other. If a clip is higher [in
    the timeline] than another, then it
    obscures whatever is below it. The
    size of a video clip can be altered,
    and the clips can be cropped, among
    many other settings that can be
    changed. Opacity levels can also be
    altered, as well as animated over the
    course of the clip using keyframes,
    defined either on a graphical overlay,
    or in the Viewer's 'motion' tab, where
    precise percentage opacity values
    can be entered.

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EBAY presentation

  • 1. Done by : Aymen Mostafa Presented to: Dr Dina Abo Zeid Final Cut Pro
  • 2. Final Cut Pro is a non-linear video editing software developed by Macromedia Inc. and then Apple Inc. The most recent version, Final Cut Pro X, runs on Mac personal computers powered by Mac OS X version 10.6.7 or later and using Intel processors.
  • 3. The software allows users to log and transfer video onto a hard drive (internal or external), where it can be edited, processed, and output to a wide variety of formats.  Since the early 2000s, Final Cut Pro has developed a large and expanding user base, mainly video hobbyists and independent filmmakers.
  • 4. According to a 2007 SCRI study, Final Cut Pro made up 49% of the US professional editing market,  Final Cut Pro provides non-linear, non- destructive editing of any QuickTime compatible video format including DV, HDV, P2 ,XDCAM (via plug-in), and 2K film formats. It supports a number of simultaneously composited video tracks (limited mainly by video format and hardware capability); up to 99 audio tracks; multi- camera editing for combining video from multiple camera sources; as well as standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions.
  • 5. Final cut pro consists of 4 main windows which are : The Browser:  As in most digital non-linear editing applications, the Browser is not an interface to the computer's file- system. It is an entirely virtual space in which references to clips (aliases) are placed for easy access, and arranged in folders called 'bins'. Since they are only references to clips that are on the media drive of the computer, moving or deleting a source file on the media hard drive destroys the link between the entry in the Browser and the actual media. This results in a 'media offline' situation, and the media must be 'reconnected'.  The browser has an 'effects' tab in which video transitions and filters can be browsed and dragged onto or between clips.
  • 6. Canvas:  The canvas outputs the contents of the Timeline. To add clips to the Timeline, besides dragging them there, it is possible to drag clips from the Browser or Viewer onto the Canvas, whereupon the so-called 'edit overlay' appears. The edit overlay has seven drop zones, into which clips can be dragged in order to perform different edits. The default is the 'overwrite' edit, which overwrites at an in point or the space occupied after the playhead with the incoming clip. The 'insert' edit slots a clip into the sequence at the in point or playhead's position, keeping the rest of the video intact, but moving it all aside so that the new clip fits. There are also drop zones to have the application automatically insert transitions. The 'replace' edit replaces a clip in the Timeline with an incoming clip, and the 'fit to fill' edit does the same thing, but at the same time, it adjusts the playback speed of the incoming clip so that all of it will fit into the required space [in the Timeline]. Finally there is the 'superimpose' edit, which automatically places the dropped clip on the track above the clip in the Timeline, with a duration equal to the clip below it. Unless an in or out point are set, all edits occur from the position of the playhead in the Timeline.
  • 7. The viewer:  The viewer has tabs for each channel of the selected clip's audio, in which the waveform for the audio can be viewed and scrubbed, and where its volume can be keyframed. The filters tab is where effects for the clip appear and where their parameters can be adjusted and keyframed. If the clip selected is a generator (such as an oval shape), a control tab appears for changing its geometrical properties. Finally, the viewer's motion tab contains tools to adjust the scale, opacity, cropping, rotation, distortion, drop shadow, motion blur and time remapping properties of the clip. Mini- timelines to the right of each parameter allow the property to be keyframed. The Viewer is not present in Final Cut Pro X.
  • 8. The timeline:  Clips can be edited together in timelines called sequences. Sequences can be nested inside other sequences, so that a filter or transition can be applied to the grouped clips.  The Timeline in Final Cut Pro allows 99 video tracks to be layered on top of each other. If a clip is higher [in the timeline] than another, then it obscures whatever is below it. The size of a video clip can be altered, and the clips can be cropped, among many other settings that can be changed. Opacity levels can also be altered, as well as animated over the course of the clip using keyframes, defined either on a graphical overlay, or in the Viewer's 'motion' tab, where precise percentage opacity values can be entered.