Film Pitch
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A character notices something strange on their daily routine that only they can see, with sightings of this thing becoming more frequent until the character disappears, assumed to be missing, abducted, or killed. The film then introduces a new character that the audience watches also notice something strange before their routine ends with their disappearance as well, without the audience getting close to either character.
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Audience
The document discusses techniques used to attract and engage audiences for a horror film project. It explains that investigations by characters often lead to them becoming victims, drawing the audience in. Cliffhangers are employed to make audiences want to see what happens next and keep thinking about the film. Mysterious introductory shots of empty places are meant to establish fear and questions of "what happened?" while copyright-free piano music creates loneliness.
The Door Photo Storyboard
The protagonist is walking down a road and stops when he notices something on the floor. Upon further inspection, he realizes it is multiple bodies. He recognizes some of the bodies and begins hallucinating, seeing a door in the dark. He continues down the street, trying to understand why the people he knew decided to "leave" through the door.
Pitch
The document outlines a proposed short zombie horror film for teenagers aged 12+. It will follow a curious teenage girl who enters an abandoned house and is attacked by zombies, eventually becoming one herself. The film will open and close with the same news report about a local missing student. It will challenge some zombie conventions by showing them able to think and move slowly. The climax involves the girl's mother calling her name and the girl responding normally, leaving the audience unsure what happened to her.
Treatment sheet
This treatment sheet describes a thriller film called "The Prisoner" that involves an escaped psychotic prisoner who terrorizes others. The film is inspired by movies like "The Women in Black" that kick into action right away without much dialogue. It will also include plot twists and draw inspiration from how Harry Potter and The Rock portrayed escaped prisoners seeking to build suspense through "drip feeding" key information to the audience over three scenes involving the escaped prisoner terrorizing others.
1. in what ways does your media product use, develop or challenge forms and c...
The document discusses the process of creating a two minute opening scene for a psychological thriller film. It outlines some typical conventions for the genre including a main character with a mental illness, mind games, a sense of danger and isolation, and dark settings. The student incorporated some of these conventions like a character with a mental illness and a sense of isolation. The opening scene builds tension and establishes characters and themes without revealing too much of the plot, conforming to typical conventions. It subverts one convention by portraying the female character as strong rather than weak.
Memento
The document provides a detailed analysis of shots from the opening sequence of the film Memento. It summarizes each shot, noting elements like camera angles, colors, and character expressions and actions. This allows the audience to piece together that the sequence shows a man taking photos at a bloody crime scene, with shots in reverse order to build mystery around what occurred and the man's identity.
Questions on the narrative
The document analyzes the opening scenes of several films and examines elements like setting, characters introduced, narrative structure, and questions left for the audience. For The Usual Suspects, it notes the story appears to be set on a boat and introduces two characters, told chronologically but implying it will provide context from the past. For Reservoir Dogs, it discusses the setting in a cafe, introduction of seven characters, and uncertainty if this is truly the beginning. For Léon, it analyzes the request to kill someone, limited characters and shots, and application of Propp's structure.
Final Rashomon Essay
The document discusses differing views on truth and reality presented in the film Rashomon. Errol Morris believes there is an absolute, objective truth, while Roger Ebert believes humans can determine subjective truths from eyewitness accounts. The film uses differing accounts of a crime from four witnesses to illustrate how perceptions shape realities. Ebert finds the woodcutter's account most reliable as he was not involved. Overall, the document analyzes how the film explores the question of what is real and how perspectives influence perceived truths.
Recommended
Audience
The document discusses techniques used to attract and engage audiences for a horror film project. It explains that investigations by characters often lead to them becoming victims, drawing the audience in. Cliffhangers are employed to make audiences want to see what happens next and keep thinking about the film. Mysterious introductory shots of empty places are meant to establish fear and questions of "what happened?" while copyright-free piano music creates loneliness.
The Door Photo Storyboard
The protagonist is walking down a road and stops when he notices something on the floor. Upon further inspection, he realizes it is multiple bodies. He recognizes some of the bodies and begins hallucinating, seeing a door in the dark. He continues down the street, trying to understand why the people he knew decided to "leave" through the door.
Pitch
The document outlines a proposed short zombie horror film for teenagers aged 12+. It will follow a curious teenage girl who enters an abandoned house and is attacked by zombies, eventually becoming one herself. The film will open and close with the same news report about a local missing student. It will challenge some zombie conventions by showing them able to think and move slowly. The climax involves the girl's mother calling her name and the girl responding normally, leaving the audience unsure what happened to her.
Treatment sheet
This treatment sheet describes a thriller film called "The Prisoner" that involves an escaped psychotic prisoner who terrorizes others. The film is inspired by movies like "The Women in Black" that kick into action right away without much dialogue. It will also include plot twists and draw inspiration from how Harry Potter and The Rock portrayed escaped prisoners seeking to build suspense through "drip feeding" key information to the audience over three scenes involving the escaped prisoner terrorizing others.
1. in what ways does your media product use, develop or challenge forms and c...
The document discusses the process of creating a two minute opening scene for a psychological thriller film. It outlines some typical conventions for the genre including a main character with a mental illness, mind games, a sense of danger and isolation, and dark settings. The student incorporated some of these conventions like a character with a mental illness and a sense of isolation. The opening scene builds tension and establishes characters and themes without revealing too much of the plot, conforming to typical conventions. It subverts one convention by portraying the female character as strong rather than weak.
Memento
The document provides a detailed analysis of shots from the opening sequence of the film Memento. It summarizes each shot, noting elements like camera angles, colors, and character expressions and actions. This allows the audience to piece together that the sequence shows a man taking photos at a bloody crime scene, with shots in reverse order to build mystery around what occurred and the man's identity.
Questions on the narrative
The document analyzes the opening scenes of several films and examines elements like setting, characters introduced, narrative structure, and questions left for the audience. For The Usual Suspects, it notes the story appears to be set on a boat and introduces two characters, told chronologically but implying it will provide context from the past. For Reservoir Dogs, it discusses the setting in a cafe, introduction of seven characters, and uncertainty if this is truly the beginning. For Léon, it analyzes the request to kill someone, limited characters and shots, and application of Propp's structure.
Final Rashomon Essay
The document discusses differing views on truth and reality presented in the film Rashomon. Errol Morris believes there is an absolute, objective truth, while Roger Ebert believes humans can determine subjective truths from eyewitness accounts. The film uses differing accounts of a crime from four witnesses to illustrate how perceptions shape realities. Ebert finds the woodcutter's account most reliable as he was not involved. Overall, the document analyzes how the film explores the question of what is real and how perspectives influence perceived truths.
Short Film Plan
A group of friends go walking near a pillbox. One friend climbs inside and disappears. The others follow to search for him and also become trapped in a dense forest. They realize the only way to escape is to die. After being separated, they reunite and kill each other until only one remains. He discovers the real way out is to find and kill their captor. After a fight, he succeeds and rejoins his friends, but the captor follows, leaving it unclear if he will pursue them further.
In what ways does your media product use
The document summarizes how the media product uses and develops conventions of psychological thriller films. It introduces two characters in the opening, which follows conventions. While it breaks convention by introducing a problem in the first two minutes, similar to "The Ring." It uses a female victim character, as most psychological thrillers do. Symbols of the eye and window are used to get inside the character's thoughts and signify the genre, as seen in films like "Vertigo" and "The Ring" by focusing on these elements. Looking down on the victim character conveys vulnerability, relating to the conventions seen in "Misery" but in a more subtle way.
Narrative and film theory research
This document discusses various narrative and film theories proposed by different theorists. It begins by distinguishing between narrative, which is how a story is structured and presented in a film through editing, and story, which is the actual plot. It then provides examples of different narrative types like science fiction and horror. The remainder of the document outlines several theorists' contributions to narrative and character theory, including Tzvetan Todorov's theory of narrative structure consisting of equilibrium, disequilibrium, and new equilibrium; Claude Levi-Strauss's concept of binary opposition; Vladimir Propp's identification of common character archetypes; and Erving Goffman's four main character roles in a narrative.
Idea generation opening sequence outline
A female huntress stalks an anonymous male through the woods, getting closer without being seen. The victim eventually spots her and runs away. Both characters remain anonymous in the opening sequence to bring mystery and surprise, intriguing audiences without emotional involvement. The goal is to make audiences feel isolated like the victim and put themselves in his shoes, mirroring a potentially real situation for some.
By the Waters of Babylon
This document discusses several narrative devices used in storytelling including point of view, foreshadowing, flashbacks, inferences, and allusions. It explains that point of view refers to the perspective or vantage point from which the story is told. Foreshadowing provides hints about future events, while flashbacks show scenes from the past. Inferences are educated guesses made by readers based on their own knowledge and experiences. Allusions are indirect references to other famous works.
Conventions of psychological genre
The document outlines several common codes and conventions used in psychological films. These include characters suffering from delusions or hallucinations that blur the lines between reality and fiction for both them and the audience. Costumes are also used to distinguish real characters from imagined ones. While horror elements create tension, the focus is on psychological fear rather than graphic violence. Questions of reality, identity and perception are central themes as characters and viewers struggle to determine what is real. The deterioration of the main character's mental state drives the narrative.
Style model
This document analyzes and summarizes 5 shots from the film Harry Potter and the Deathly Hallows. For each shot, the document discusses what makes the shot interesting and effective. Some key points made are that mystery is created through limited views of characters, the revelation of important information, changes in perspective between shots, and the contrast of emotions between characters. Analyzing these shots provides insight into the film's genre of mystery/drama and pulls the viewer in to want to understand more of the story.
Point of View
The document discusses three points of view (POV) used in storytelling: first person POV where the narrator is a character in the story; third person limited POV where an outside narrator follows one character; and third person omniscient POV where an outside narrator can follow any character and read their thoughts but remains all-knowing.
Ass 25
1) The document discusses the narrative structure, style, and theory for a film assignment. It will use a non-linear structure with flashbacks and will have a restrictive style to create mystery.
2) It will use subjective character identification to make the audience feel closer to the characters.
3) Several narrative theories will apply partially or fully to the opening sequence, including using disequilibrium, having a villain, incorporating enigma and action codes, and showing binary opposites of good vs. evil characters.
Conventions evaluation quest powerpoint
This document discusses how the media product uses conventions of real thriller genres. It provides examples of how the product incorporates conventional protagonists, antagonists, themes, settings, iconography, visual style, and enigmas. Specifically, it mentions the protagonist is determined but scared, the antagonist is an unseen guard following orders, themes of entrapment and imprisonment, a fortress setting inspired by Shutter Island, point-of-view shots, and icons like bars and a cigarette that are common in thrillers. Overall, the document analyzes the different elements that make the media product follow thriller conventions.
Media theories
The document discusses several media theories:
- Structuralism states that culture can be understood through systems of signs and meanings are formulated within a culture.
- Post-structuralism critiques structuralism and argues there is no inherent structure in texts.
- Modernism moves away from structure and embraces discontinuity and disruption of conventions.
- Postmodernism knowingly plays with and subverts conventions through techniques like bricolage.
- Psychoanalytic theories like the male gaze and identifying with the final girl character were applied to horror genres.
Genre research
Genres help categorize films and provide expectations for both filmmakers and audiences. While genre borders can blur over time, certain iconography and conventions help define genres. For example, horror films are typically associated with blood and ghosts. Producers can manipulate genres to create hybrids and surprise audiences, like a sci-fi film that unexpectedly shifts to earth. Audiences generally prefer when films follow familiar genre conventions as it provides a sense of comfort and predictability.
Pitch
Vernon is obsessed with a girl and stalks her, keeping photos and objects from her in a shrine. He breaks into her house repeatedly, scaring her and trapping her. Though he doesn't harm her, his actions drive the girl mad with fear. Unable to escape Vernon's obsession, the girl ends up killing herself. The film ends with Vernon dead in her room so he can be with her. The opening sequence shows Vernon's point of view as he looks through photos of the girl and checks his knife before leaving his home, which contains a large shrine to her. Extreme close-ups, tilted angles, and ominous music are used to convey Vernon's obsession and create an unsettling tone.
Nine frame analysis
The 9-frame analysis summarizes each shot from the movie Skyfall. Shot 1 introduces the title and shows the main actor falling into the sea. Shot 2 depicts the actor's body floating in the sea with a gunshot wound. Shot 3 displays the actors' names alongside a dark, menacing forest. Shot 5 shows a pumping heart and skull made of blood. Shot 8 features gravestones collapsing in the rain while blood falls, representing multiple deaths. Overall, the shots convey themes of death, violence, and darkness through their imagery, camera work, and central objects.
L2 final major_project_proposal_form
Stuart Preston proposes creating a 3D graphics environment for a stealth game. The environment will include an interactive character and ambient sounds. The genre is a first or third person stealth game where the player avoids detection while eliminating enemies, though getting caught won't end the game. The target audience is adult gaming males interested in alpha and beta games. To attract this audience, the project will take inspiration from popular current game styles. Stuart will use resources like the internet and mentors to learn production techniques in Unity and other programs to complete the project.
Media theories
Structuralism posits that genres have established codes and conventions that shape audience understanding. For example, horror conventions include isolated, dark locations and weapons. Barthes developed theories of how audiences derive pleasure from narratives despite knowing outcomes. Todorov's theory is that narratives follow a pattern of equilibrium, disequilibrium caused by an opposing force, and restored equilibrium. Propp identified eight common character types like villains, donors, and heroes. Clover's "Final Girl" theory described the common horror movie trope of a virginal female survivor. Freud's theories involved audience identification with masochistic victims rather than sadistic killers.
Short Film Treatment
The document outlines a short film project for a media course. It will follow a teenage character alone at night who is being pursued by an anonymous attacker. The film aims to make the audience question their own lives and regrets. It will use common horror conventions like dark music to create suspense and fear. The film will be low budget, made by two students over one month, using equipment from their school. They will write, direct, film and edit the short psychological thriller themselves.
Inversions review
This document provides a quick review of inversions in English grammar. It discusses using inversions to make sentences more emphatic, dramatic, or formal. Examples are given of inverting sentences that begin with "seldom", "never", "rarely", and "little". Phrases for negative inversions like "under no circumstances" and "on no account" are listed. The document also covers correcting example sentences with inversions and joining sentences using inversions like "not until" and "only". It concludes with discussing other cases for inversions like conditionals and sentences beginning with "so" or "such".
Treatment
The document provides details about a proposed sci-fi/thriller film called "The Book". It describes the main character, Charlie, who finds a strange book that begins following and attacking him. Scenes of suspense and chasing will leave the audience hanging on the edge of their seats. The film is aimed at teens and older and will use techniques like dramatic music and editing to build suspense and conform to genre conventions. It ends in a cliffhanger as Charlie's fate is uncertain after an attack from the book.
You're not alone
Michael and 4 friends decide to contact the supernatural using a Ouija board out of curiosity to liven up their normal lives. They make contact with Elizabeth, a child poltergeist who knows their inner fears and proceeds to make their lives a living hell. Paranoia and death befall the group as Elizabeth makes their worst nightmares a reality. The film draws inspiration from Poltergeist and Carrie in its use of a haunting entity that feeds on fear and its teenage protagonists. Scenes in the trailer show the friends discussing contacting the supernatural, their attempt using the Ouija board, and things starting to go wrong for each character as they become haunted.
Dunya Saglik Orgutu (WHO) 2014 Global Alkol ve Saglik Raporu
This document is the 2014 Global status report on alcohol and health published by the World Health Organization. It provides an overview of global alcohol consumption and the health consequences of alcohol use. Some key findings include:
- Alcohol consumption and alcohol-related harms vary around the world and are influenced by factors like culture, economic development, and alcohol policy.
- Harmful alcohol use leads to 3.3 million deaths annually worldwide and contributes to over 200 disease and injury conditions.
- Effective policy responses and interventions exist to reduce alcohol-related harms, including regulating availability, marketing restrictions, and drink-driving countermeasures.
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Short Film Plan
A group of friends go walking near a pillbox. One friend climbs inside and disappears. The others follow to search for him and also become trapped in a dense forest. They realize the only way to escape is to die. After being separated, they reunite and kill each other until only one remains. He discovers the real way out is to find and kill their captor. After a fight, he succeeds and rejoins his friends, but the captor follows, leaving it unclear if he will pursue them further.
In what ways does your media product use
The document summarizes how the media product uses and develops conventions of psychological thriller films. It introduces two characters in the opening, which follows conventions. While it breaks convention by introducing a problem in the first two minutes, similar to "The Ring." It uses a female victim character, as most psychological thrillers do. Symbols of the eye and window are used to get inside the character's thoughts and signify the genre, as seen in films like "Vertigo" and "The Ring" by focusing on these elements. Looking down on the victim character conveys vulnerability, relating to the conventions seen in "Misery" but in a more subtle way.
Narrative and film theory research
This document discusses various narrative and film theories proposed by different theorists. It begins by distinguishing between narrative, which is how a story is structured and presented in a film through editing, and story, which is the actual plot. It then provides examples of different narrative types like science fiction and horror. The remainder of the document outlines several theorists' contributions to narrative and character theory, including Tzvetan Todorov's theory of narrative structure consisting of equilibrium, disequilibrium, and new equilibrium; Claude Levi-Strauss's concept of binary opposition; Vladimir Propp's identification of common character archetypes; and Erving Goffman's four main character roles in a narrative.
Idea generation opening sequence outline
A female huntress stalks an anonymous male through the woods, getting closer without being seen. The victim eventually spots her and runs away. Both characters remain anonymous in the opening sequence to bring mystery and surprise, intriguing audiences without emotional involvement. The goal is to make audiences feel isolated like the victim and put themselves in his shoes, mirroring a potentially real situation for some.
By the Waters of Babylon
This document discusses several narrative devices used in storytelling including point of view, foreshadowing, flashbacks, inferences, and allusions. It explains that point of view refers to the perspective or vantage point from which the story is told. Foreshadowing provides hints about future events, while flashbacks show scenes from the past. Inferences are educated guesses made by readers based on their own knowledge and experiences. Allusions are indirect references to other famous works.
Conventions of psychological genre
The document outlines several common codes and conventions used in psychological films. These include characters suffering from delusions or hallucinations that blur the lines between reality and fiction for both them and the audience. Costumes are also used to distinguish real characters from imagined ones. While horror elements create tension, the focus is on psychological fear rather than graphic violence. Questions of reality, identity and perception are central themes as characters and viewers struggle to determine what is real. The deterioration of the main character's mental state drives the narrative.
Style model
This document analyzes and summarizes 5 shots from the film Harry Potter and the Deathly Hallows. For each shot, the document discusses what makes the shot interesting and effective. Some key points made are that mystery is created through limited views of characters, the revelation of important information, changes in perspective between shots, and the contrast of emotions between characters. Analyzing these shots provides insight into the film's genre of mystery/drama and pulls the viewer in to want to understand more of the story.
Point of View
The document discusses three points of view (POV) used in storytelling: first person POV where the narrator is a character in the story; third person limited POV where an outside narrator follows one character; and third person omniscient POV where an outside narrator can follow any character and read their thoughts but remains all-knowing.
Ass 25
1) The document discusses the narrative structure, style, and theory for a film assignment. It will use a non-linear structure with flashbacks and will have a restrictive style to create mystery.
2) It will use subjective character identification to make the audience feel closer to the characters.
3) Several narrative theories will apply partially or fully to the opening sequence, including using disequilibrium, having a villain, incorporating enigma and action codes, and showing binary opposites of good vs. evil characters.
Conventions evaluation quest powerpoint
This document discusses how the media product uses conventions of real thriller genres. It provides examples of how the product incorporates conventional protagonists, antagonists, themes, settings, iconography, visual style, and enigmas. Specifically, it mentions the protagonist is determined but scared, the antagonist is an unseen guard following orders, themes of entrapment and imprisonment, a fortress setting inspired by Shutter Island, point-of-view shots, and icons like bars and a cigarette that are common in thrillers. Overall, the document analyzes the different elements that make the media product follow thriller conventions.
Media theories
The document discusses several media theories:
- Structuralism states that culture can be understood through systems of signs and meanings are formulated within a culture.
- Post-structuralism critiques structuralism and argues there is no inherent structure in texts.
- Modernism moves away from structure and embraces discontinuity and disruption of conventions.
- Postmodernism knowingly plays with and subverts conventions through techniques like bricolage.
- Psychoanalytic theories like the male gaze and identifying with the final girl character were applied to horror genres.
Genre research
Genres help categorize films and provide expectations for both filmmakers and audiences. While genre borders can blur over time, certain iconography and conventions help define genres. For example, horror films are typically associated with blood and ghosts. Producers can manipulate genres to create hybrids and surprise audiences, like a sci-fi film that unexpectedly shifts to earth. Audiences generally prefer when films follow familiar genre conventions as it provides a sense of comfort and predictability.
Pitch
Vernon is obsessed with a girl and stalks her, keeping photos and objects from her in a shrine. He breaks into her house repeatedly, scaring her and trapping her. Though he doesn't harm her, his actions drive the girl mad with fear. Unable to escape Vernon's obsession, the girl ends up killing herself. The film ends with Vernon dead in her room so he can be with her. The opening sequence shows Vernon's point of view as he looks through photos of the girl and checks his knife before leaving his home, which contains a large shrine to her. Extreme close-ups, tilted angles, and ominous music are used to convey Vernon's obsession and create an unsettling tone.
Nine frame analysis
The 9-frame analysis summarizes each shot from the movie Skyfall. Shot 1 introduces the title and shows the main actor falling into the sea. Shot 2 depicts the actor's body floating in the sea with a gunshot wound. Shot 3 displays the actors' names alongside a dark, menacing forest. Shot 5 shows a pumping heart and skull made of blood. Shot 8 features gravestones collapsing in the rain while blood falls, representing multiple deaths. Overall, the shots convey themes of death, violence, and darkness through their imagery, camera work, and central objects.
L2 final major_project_proposal_form
Stuart Preston proposes creating a 3D graphics environment for a stealth game. The environment will include an interactive character and ambient sounds. The genre is a first or third person stealth game where the player avoids detection while eliminating enemies, though getting caught won't end the game. The target audience is adult gaming males interested in alpha and beta games. To attract this audience, the project will take inspiration from popular current game styles. Stuart will use resources like the internet and mentors to learn production techniques in Unity and other programs to complete the project.
Media theories
Structuralism posits that genres have established codes and conventions that shape audience understanding. For example, horror conventions include isolated, dark locations and weapons. Barthes developed theories of how audiences derive pleasure from narratives despite knowing outcomes. Todorov's theory is that narratives follow a pattern of equilibrium, disequilibrium caused by an opposing force, and restored equilibrium. Propp identified eight common character types like villains, donors, and heroes. Clover's "Final Girl" theory described the common horror movie trope of a virginal female survivor. Freud's theories involved audience identification with masochistic victims rather than sadistic killers.
Short Film Treatment
The document outlines a short film project for a media course. It will follow a teenage character alone at night who is being pursued by an anonymous attacker. The film aims to make the audience question their own lives and regrets. It will use common horror conventions like dark music to create suspense and fear. The film will be low budget, made by two students over one month, using equipment from their school. They will write, direct, film and edit the short psychological thriller themselves.
Inversions review
This document provides a quick review of inversions in English grammar. It discusses using inversions to make sentences more emphatic, dramatic, or formal. Examples are given of inverting sentences that begin with "seldom", "never", "rarely", and "little". Phrases for negative inversions like "under no circumstances" and "on no account" are listed. The document also covers correcting example sentences with inversions and joining sentences using inversions like "not until" and "only". It concludes with discussing other cases for inversions like conditionals and sentences beginning with "so" or "such".
Treatment
The document provides details about a proposed sci-fi/thriller film called "The Book". It describes the main character, Charlie, who finds a strange book that begins following and attacking him. Scenes of suspense and chasing will leave the audience hanging on the edge of their seats. The film is aimed at teens and older and will use techniques like dramatic music and editing to build suspense and conform to genre conventions. It ends in a cliffhanger as Charlie's fate is uncertain after an attack from the book.
You're not alone
Michael and 4 friends decide to contact the supernatural using a Ouija board out of curiosity to liven up their normal lives. They make contact with Elizabeth, a child poltergeist who knows their inner fears and proceeds to make their lives a living hell. Paranoia and death befall the group as Elizabeth makes their worst nightmares a reality. The film draws inspiration from Poltergeist and Carrie in its use of a haunting entity that feeds on fear and its teenage protagonists. Scenes in the trailer show the friends discussing contacting the supernatural, their attempt using the Ouija board, and things starting to go wrong for each character as they become haunted.
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Dunya Saglik Orgutu (WHO) 2014 Global Alkol ve Saglik Raporu
This document is the 2014 Global status report on alcohol and health published by the World Health Organization. It provides an overview of global alcohol consumption and the health consequences of alcohol use. Some key findings include:
- Alcohol consumption and alcohol-related harms vary around the world and are influenced by factors like culture, economic development, and alcohol policy.
- Harmful alcohol use leads to 3.3 million deaths annually worldwide and contributes to over 200 disease and injury conditions.
- Effective policy responses and interventions exist to reduce alcohol-related harms, including regulating availability, marketing restrictions, and drink-driving countermeasures.
Cezar Lombardi 2015 Resume new
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Survey analysis
The document summarizes the results of a survey conducted to help design an alternative pop music magazine. Key findings include:
- The preferred color scheme was pink, blue, and white.
- Freebies such as posters were more popular than CDs or downloadable tracks.
- Readers showed a preference for interviews over reviews as the feature on the double page spread.
- Various fonts were researched and one was selected for the masthead that fits the theme and is easy to read.
General WRS - FSPDF
WRS is a global recruitment firm that specializes in hard to find talent. They recruit experts across various industries including mining, oil and gas, marine, and power. WRS consultants undergo extensive training in specific regions and industries. They build strong candidate networks and use a rigorous selection process to find the best cultural and skills fit for clients. Clients praise WRS' attention to detail, industry knowledge, and commitment to meeting recruitment needs anywhere in the world at any time.
Iron maiden
Iron Maiden fue formada en 1975 por el bajista Steve Harris y es considerada una de las bandas de heavy metal más importantes. La banda ha tenido varios cambios de formación a lo largo de los años y ha lanzado numerosos álbumes exitosos. Sus principales influencias musicales son Black Sabbath, Deep Purple y Led Zeppelin, e influyeron a su vez en grupos como Metallica, Slayer y Megadeth. Eddie es el icono antropomórfico que representa a la banda y ha estado presente en todos sus álbumes.
My day
Laura describes her daily routine, which includes waking up at 7:30am, having breakfast at 7:45am, and getting dressed at 8am. She goes to school at 8:15am, has lunch at 3:15pm after getting home from school at 3pm, does homework at 3:30pm, plays with friends from 5pm to 8:30pm, has dinner at 9pm, and goes to sleep at midnight.
Case study
Kerrang magazine effectively uses layout, visuals, and engagement strategies to appeal to rock music fans. The front cover features multiple rock icons to draw interest from different fan bases. Contents pages prioritize features and use photos to promote articles. Double page spreads create immersive atmospheres around bands. The magazine also partners with other brands for synergistic opportunities and encourages reader participation through contests and feedback. Photos accompany articles to enhance impact. Varied color schemes and fonts help direct the reader throughout while breaking up dense blocks of text.
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Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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The teleprotection market size has grown
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compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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