Film ideas mood board
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Horror films often deal with viewers' deepest fears through stories involving the intrusion of evil supernatural forces into the everyday world. Common horror elements include ghosts, monsters, demons, and serial killers. While horror aims to provoke negative emotions through frightening scenes and themes involving the macabre and supernatural, not all supernatural-themed movies are necessarily horror. Comedy also focuses on individual stars but can contain social commentary, and blending horror and comedy genres could have similar elements to films like Scary Movie or Shaun of the Dead.
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Optical illusion
This document discusses visual perception and optical illusions. It explains how light enters the eye and is processed by the retina, optic nerve and brain to form images. However, the brain can incorrectly or falsely interpret visual information, leading to optical illusions. Several types of illusions are presented, including ambiguous figures that can be interpreted in multiple ways, anamorphic figures that appear distorted but reveal hidden images, and impossible images that defy logic. The document aims to demonstrate how visual perception can be tricked in interesting ways.
Blair witch project opening sequence analysis
The opening sequence establishes the amateur, documentary style of the film through shaky camerawork, lack of lighting and sound equipment, and casual clothing of the characters. It shows the characters preparing to investigate a local myth in the woods on Halloween, with dark lighting and dialogue hinting at something sinister. The sequence ends with a disturbing description of a graveyard in black and white, building an atmosphere of unease, death, and horror.
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Mise en scene
The dominant contrast is Enid, dressed in bright blue. After taking her in, the eye is drawn to:
- Seymour, who is also a large object in focus. As the other person in the conversation, he is an important secondary focus.
- The kitchen backdrop and appliances, which provide context for the setting of the scene.
So in summary, after Enid, the eye moves between Seymour as the other character, and the kitchen setting around them, which provides information about where this interaction is taking place.
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This document discusses various compositional techniques in filmmaking. It defines composition and some key compositional elements like shot types, camera angles, movement, lead room, the rule of thirds, and static versus dynamic composition. It notes that compositional rules can be intentionally broken to create interesting shots, citing the example of the film Jaws.
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The dominant contrast is Enid, dressed in bright blue. After taking her in, the eye is drawn to:
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Roland Barthes described five codes that are woven into narratives: the hermeneutic code refers to unexplained elements that create mystery for the reader; the proairetic code builds tension by indicating future events; the semantic code provides additional meaning beyond denotation; the symbolic code organizes meanings into broader themes through opposition; and the cultural code references established foundations of truth. Barthes noted that the hermeneutic and proairetic codes work together to develop story tensions and keep readers engaged. The document then provides an example of Katy Perry's "Wide Awake" music video, explaining how it uses puzzling imagery and occurrences to first establish mysteries and then provide resolutions, demonstrating Barthes' herm
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The conjuring opening sequence analysis (1)
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2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
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Evaluation
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A 16-year-old girl named Ingrid with Asperger's Syndrome decides to run away from home due to years of bullying and lack of acceptance from her classmates, teachers, and family. While taking photos in a public park, she meets a photography group who see her talent and invite her to join them. With the group's support, Ingrid enters a national photography competition, using her photos to share her story of living with autism.
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The poster features an extreme close-up of Daniel Radcliffe, known for playing Harry Potter, looking scared. The lack of color and vintage font and costumes suggest the film is set in the past. The tagline "What did they see?" piques viewers' curiosity without revealing the villain. Placing a house in the background indicates it's a key location and implies the plot involves vague memories or stories over graphic horror. Radcliffe's frightened expression connotes the image comes from his character's scared and maddened memory of what happened at the house.
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The opening sequence of The Conjuring establishes the horror genre through modified studio logos and darkness with dialogue. Shaky camera movements on a doll's face imply it is dangerous. Backstory on the doll Annabelle is provided through dialogue as images are shown. Tension is built through a slow zoom onto Annabelle's blank expression. A flashback jarringly shifts from quiet to loud, shocking the audience. Strange written messages and a damaged room create confusion about the doll's abilities. The sequence ends by seemingly resolving the threat but hinting at an unhappy ending through genre conventions.
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The document analyzes the codes and conventions used in the teaser trailer for the horror film "Annabelle." It summarizes that the trailer uses techniques like juxtaposition, close-ups, costumes, score, lighting, blood, and screams to establish mood, foreshadow danger, and frighten the audience - which are common conventions of horror film trailers meant to grab attention and set an unsettling tone. The analysis provides examples of how each convention is employed to build suspense, compare characters/objects, and imply threats to characters and the spread of evil or danger.
The history of cinema
The history of cinema can be broken down into seven ages:
1) The Pioneering Age from 1896-1912 saw the development of early motion picture technology and short films without narratives.
2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
Stages of film production
The document outlines the process of developing a film from an initial idea through financing, production, post-production, and sales. It begins with a writer developing an idea and treatment, which the producer then pitches to financiers to fund script development. Once the script is complete, the producer packages it and pitches it to investors to finance production. The film is then shot, edited, has visual and sound effects added, and is finalized for distribution and sales to audiences.
Elements of visual design
This document discusses the key elements of visual design including lines, shapes, form, color, value, texture, and space. It explains how each element can be used to communicate different feelings and meanings to viewers based on their direction, geometry, warmth, contrast, and implied depth. Effective images command attention by incorporating an understanding of how these elements work together in a coherent and unified composition that draws appropriate emphasis through dominance of size, color, or other characteristics.
10 Compositional Theories of Cinematography
Rule of Thirds, Leading Lines, and Depth of Field are three compositional theories discussed in the document. The Rule of Thirds suggests placing subjects along an imaginary three-by-three grid to create a balanced composition. Leading Lines are used to guide the viewer's eyes through the frame. Depth of Field controls the distance within a shot that is in focus versus blurred to direct attention.
Framing
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A2 Media Studies Pitch
Pitch-
Introduction
Mood board
Target audience
Film Synopsis
Camera style
Locations
Characters
Film budget
Taglines
Target audinece
Endorsements
Media concepts and theories
Evaluation
Basics of Photography
Photography involves using light to capture moments and tell stories by demonstrating one's perspective. The key elements of a photo are composition, exposure, lens, and light, with composition guiding the viewer's eye. Different types of photography include abstract, black and white, aerial, landscape, commercial, animal, long exposure, macro, message, sports, wildlife, silhouette, still life, night, nature, event, and fashion. The basic tools are a camera and camera lens, with prime lenses and zoom lenses being common types of lenses.
Photographic Techniques
This document discusses various photography and composition techniques for improving photos. It explains the rule of thirds for placing subjects along the thirds lines or intersections for visual appeal. Different angles, depths of field, and types of shots are explored, along with considering the mise-en-scene of props, costumes, backgrounds, lighting, and colors. Guidance is provided on positioning people, including using triangles, rows, perspective, and direction to limit empty space. Key techniques highlighted are the rule of thirds, leadroom/noseroom, avoiding distracting backgrounds, proper positioning, and allowing headroom.
Simplified intro to zentangle
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Mise en scene presentation
The document discusses the film technique of mise-en-scene, which refers to everything within the frame of a shot that has been deliberately arranged by the director. It outlines several key elements of mise-en-scene including settings and props, costume/makeup, lighting, positioning of characters, and facial expressions/body language. The document provides examples of how these elements are used to convey meaning, establish time period/setting, develop characters, and influence the audience's emotional response. Directors manipulate elements of mise-en-scene to intentionally create specific atmospheres and thematic messages through their films.
Action and Enigma codes – Roland Barthes
Roland Barthes was a literary theorist who studied structuralism and identified five codes for understanding narrative structure: the proairetic (action) code, hermeneutic (enigma) code, semic/connotative code, reference/cultural code, and symbolic code. The action code involves events that progress the story, like a phone ringing. Soap operas rely on action codes to continually progress multiple plotlines. Enigma codes create ambiguity and questions that intrigue audiences to learn more. Both action and enigma codes provide opportunities to advance narratives and keep audiences engaged.
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The poster features an extreme close-up of Daniel Radcliffe, known for playing Harry Potter, looking scared. The lack of color and vintage font and costumes suggest the film is set in the past. The tagline "What did they see?" piques viewers' curiosity without revealing the villain. Placing a house in the background indicates it's a key location and implies the plot involves vague memories or stories over graphic horror. Radcliffe's frightened expression connotes the image comes from his character's scared and maddened memory of what happened at the house.
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Red symbolizes love, passion and danger. Blue makes models stand out as an important and cool contrast to red and white. White represents purity and faith while allowing models to be noticeable, and black denotes power, elegance and mystery while also making anything wearing it more noticeable.
Magazine cover plan1
The magazine cover shows an old building in the background framed by trees, with a model in old-fashioned clothing facing away from the camera in the foreground. The autumnal color scheme and placement of the model drawing attention to the old building suggests the theme of the magazine issue is looking back at the past.
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This movie is a comedy horror targeted at young adults and teenagers between 15-18 years old, as that age group tends to enjoy the combination of comedy and horror genres. Both comedy and horror can appeal to all genders, so there is no specific gender target for this 15+ rated film.
Cover star
The document provides makeup and photography tips for a modeling shoot. It recommends using dark lipstick and eye makeup to make pale skin and light green eyes stand out. It suggests taking full body shots to show the whole outfit and capture the reader's attention. Close up shots of the hair and makeup are also recommended to showcase styling details. Jewelry may be worn and mid shots can display those items while leaving text space around the images.
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This document discusses autumn fashion choices and a potential magazine photoshoot layout. It recommends jumpers and warm clothes that are practical yet stylish for the season. The proposed photoshoot would feature a midshot of the clothing without the model's head to draw all focus to the clothes, with the model in a relaxed position against a backdrop of trees with autumn leaves to capture the relaxed tones of the season.
Disability
Disability can refer to either a physical, mental, or sensory condition that limits a person's activities or a legal disadvantage. Physical disabilities restrict mobility, dexterity, stamina or other daily living functions like breathing or vision. Sensory impairments involve limitations in sight, hearing, smell, taste, touch or awareness. Mental disorders cause sufficient disorganization of personality and emotions to seriously impair normal psychological functioning.
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This magazine targets female readers in their late teens to 20s with content focused on vintage fashion, DIY projects like baking, sewing and crafts published monthly at 46 pages with a £4-5 price point.
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Genre analysis
This document discusses different genres and subgenres of horror films. It begins by defining the horror genre as seeking to elicit negative emotions through primal fears inspired by authors like Poe, Stoker, and Shelley. Key elements include the macabre, supernatural, ghosts, monsters, and serial killers. Subgenres discussed include action horror, comedy horror, body horror, and psychological horror. Comedy-horror blends comedy with traditional horror themes. Teen-horror revolves around teenagers facing suspenseful situations. Monster films center on a struggle between humans and a created monster.
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Horror sub genres
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2) It provides brief definitions and examples for each subgenre. For instance, it states that action horror combines elements of horror and action films like gunfights and chases.
3) Some other subgenres mentioned are slasher films, splatter films, and zombie films, with notes about their common themes and story elements.
Media genre
This document discusses various genres and subgenres of film. It begins by defining the horror genre, noting that horror films aim to create a sense of fear through disturbing representations of nightmares and evil forces. It provides examples of classic horror films and describes common tropes like ghosts, violence, and overlapping with other genres. The document then outlines several horror subgenres like slasher, supernatural, and zombie films. It also discusses common stereotypical characters found in horror movies. Similarly, it defines the comedy and fantasy genres, provides examples and subgenres for each, and briefly mentions some stereotypical characters often seen in comedy and fantasy films.
Horror sub-genres
This document defines horror genre conventions and subgenres of horror films. Genre conventions are elements like characters and plot points that distinguish one genre from another. Horror aims to elicit a negative emotional reaction by playing on primal fears. The document outlines several horror subgenres including comedy horror, action horror, slasher films, zombie films, psychological horror, and science fiction horror. It provides examples of popular films that fall within each subgenre.
The sub genres of horror
The document discusses several subgenres of horror fiction including slasher films, splatter films, zombie films, gothic horror, psychological horror, and nature run amok films. It notes key themes and elements that define each subgenre, such as slashers focusing on a psychopathic killer stalking victims with knives or axes, splatter films graphically depicting gore and violence, and zombie films featuring mindless or reanimated corpses. The document provides an overview of traditional and modern approaches to several horror subgenres.
Horror
Horror film is a genre that aims to create fear in the audience by portraying their worst fears and nightmares. Horror films often involve mythical creatures like ghosts or zombies and include violence and gore. While primarily a horror genre, it can overlap with fantasy, thriller, and science fiction. There are several subgenres of horror film, including slasher films like Halloween which involve a killer stalking victims, monster films featuring creatures like Godzilla, and zombie films about the living dead like Night of the Living Dead.
Horror Sub-Genres
This document discusses several sub-genres of horror films including: zombie films which portray reanimated corpses or mindless humans; psychological horror which relies on exposing psychological vulnerabilities; gothic horror which combines gothic elements and romance; slasher films which involve a psychopathic killer murdering a sequence of victims; splatter films which focus on graphic violence and gore; comedy horror which combines humor and horror; and body horror which features graphic destruction or abnormality of the human body. Examples are provided for each sub-genre.
Horror sub-genres
This document discusses several sub-genres of horror films including: zombie films which portray reanimated corpses or mindless humans; psychological horror which relies on exposing psychological vulnerabilities; gothic horror which combines romance and suspense; slasher films which involve a psychopathic killer murdering a sequence of victims; splatter films which focus on graphic violence and gore; comedy horror which combines humor and horror; and body horror which features graphic destruction or abnormality of the human body. Examples are provided for each sub-genre.
Movies genres
Movies can be categorized into genres based on their narrative elements or the emotions they elicit in viewers. Some common movie genres described in the document are: action films which feature a heroic protagonist facing dangers and challenges through violence and feats of action; animation films produced through gradually changing drawings; comedy films designed to elicit laughter through humor and exaggeration; horror films which play on primal fears using themes of the macabre and supernatural; musical films where songs are incorporated into the narrative; mystery films focusing on solving crimes or problems; romance films depicting passionate romantic love stories; and science fiction films using speculative science concepts like alien lifeforms or futuristic technologies to explore philosophical issues.
Sub genres
The document discusses different subgenres of horror films, including action horror, comedy horror, body horror, holiday horror, psychological horror, science fiction horror, slasher films, splatter films, gothic horror, natural horror, and zombie horror. Each subgenre is defined and examples of films that fall into that category are provided. The document was researched to enhance understanding of horror genres and help determine which subgenre to base a horror film project around.
Horror
Horror films seek to elicit negative and fearful emotions in viewers by playing on primal fears. They have existed for over a century, drawing inspiration from authors like Poe and Shelley. Common plots involve the intrusion of an evil or supernatural force disrupting everyday life. Popular elements include ghosts, monsters, zombies, and serial killers. Fear is an adaptive emotion that causes physiological and behavioral changes, such as fleeing, in response to perceived threats. There are two main types of fear - fear of death and fear of the unknown.
Genre research
The document discusses research conducted on the popularity and appeal of the horror genre. Interviews with friends and family revealed several reasons why people enjoy horror films, including that they are fun, help people face their fears, and have launched the careers of legendary directors. Narrative structure and typical character archetypes are important conventions that genre fans recognize and appreciate. Iconic imagery commonly found in horror films, such as haunted locations and symbols of death, further enhance the viewing experience.
Genre research
The document discusses research conducted on the popularity and appeal of the horror genre. Interviews with friends and family revealed that horror films are enjoyable because they are fun, help people face their fears, and provide an outlet for rationalizing real-life horrors. Additionally, the document discusses common narrative structures, character types, and iconic visual elements that are frequently used in horror films and contribute to audiences' familiarity and enjoyment of the genre.
History of Horror
Horror movies aim to elicit fear, shock, and disgust from audiences through depictions of supernatural threats or speculative fiction. They commonly follow characters whose lives are disrupted by otherworldly dangers or who themselves menace others. Examples that exemplify this genre include The Exorcist, The Ring, and Paranormal Activity. Additionally, horror films often deal with audiences' deepest fears and revulsions through scenes meant to startle viewers, frequently involving the intrusion of evil forces into everyday life through threats like ghosts, demons, or serial killers.
Genres of films
This document defines and provides examples of different genres of films. It discusses the main genres of action, romantic, animated, horror and comedy movies. For each genre, it outlines various subgenres and provides 1-2 example movies that fit within each subgenre. The genres and subgenres covered include spy movies, epic movies, disaster movies, thriller movies, martial arts films, superhero movies, video game movies, romantic dramas, romantic comedies, romantic thrillers, chick flicks, traditional animation, rotoscoping, puppet animation, claymation, live action animated films, cut out animation, slasher movies, splatter movies, psychological horror, survival horror, found footage movies, paranormal movies,
Horror Genre
The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
History of Horror Genre
The document discusses various subgenres of horror films including action horror, body horror, teen horror, comedy horror, gothic horror, supernatural horror, psychological horror, slasher films, zombie films, and monster films. It provides examples of movies that fall into each subgenre and notes common elements found in horror films such as creatures, violence, blood, and creating a sense of fear in audiences. The document also mentions that Le Manoir Du Diable was considered the first horror film released in 1896.
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Film ideas mood board
- 1. Horror films often deal with the viewer's nightmares, hidden fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage, commonly of supernatural origin, into the everyday world. Prevalent elements include ghosts, aliens, vampires, werewolves, demons, dragons, gore, torture, vicious animals, evil witches, monsters, zombies, cannibals, and serial killers. Conversely, movies about the supernatural are not necessarily always horrific. Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience's primal fears. Inspired by literature from authors like Edgar Allan Poe, Bram Stoker, Mary Shelley, horror films have for more than a century featured scenes that startle the viewer. The macabre and the supernatural are frequent themes. Thus they may overlap with the fantasy, supernatural, and thriller genres.
- 2. Comedy, unlike other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. While many comic films are light-hearted stories with no intent other than to amuse, others contain political or social commentary. I like both comedy and horror and it think it would be good to use both genres as it would have similar elements to Scary Movie or Shaun of the dead.