Film analysis - Black Swan
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The document provides a film analysis of the opening scene of "Black Swan" (2010). The scene shows the main character dancing with a partner in dark costumes under low lighting. The dance has sinister elements where the protagonist seems chased and restricted, foreshadowing how dance will drive her to lose her mind. Frequent camera angle cuts and dark costumes/lighting create a sense of confusion and make the dance threatening. The director uses techniques like low light, sinister music, and changing camera shots to turn an innocent act into something ominous and scary.
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Film analysis black swan
The document analyzes the opening scene of the film Black Swan (2010) directed by Darren Aronofsky. It summarizes:
1) The opening scene shows the main character dancing with a partner in a sinister way where she seems chased, trapped, and restricted, foreshadowing how dance will drive her to lose her mind.
2) The dark costumes and low lighting add to the sinister elements and threatening nature of the dance sequence.
3) Techniques like low light, sinister music, and frequent camera angle changes create a sense of confusion and turn the simple act of dance into something threatening.
Film Opening Analysis - Black Swan
1) The opening scene depicts the protagonist's dance in a sinister way, with elements of being chased and trapped, foreshadowing how dance will drive her to lose her mind.
2) Low, dim lighting and a constant spotlight on the protagonist create an unsettling atmosphere and convey her unhappiness. Handheld camerawork makes the scene fluid like a dance but also voyeuristic, as if the protagonist is being watched and confined.
3) Close-ups of the protagonist's feet show her dedication as a dancer as she strives for perfection, which ultimately consumes her mind. As a man enters and dances with her, her fear is emphasized through jerky camerawork, circling shots that
Media language investigation
The document analyzes three horror movie trailers through their use of cinematography, editing, sound, and mise-en-scene. For The Purge, extreme close-ups and tense music are used. Shots focus on villains following victims to build tension. The Women in Black uses dark settings and creepy toys to create an eerie atmosphere. Paranormal Activity 3 appears like shaky homemade videos to seem realistic, with distorted sounds and flashes to previous films adding to the scare factor.
Media language investiation
The document reviews the use of media language techniques in three horror movie trailers. It analyzes the cinematography, editing, sound, and mise-en-scene in each trailer. For cinematography, it notes the frequent use of close-ups to show facial expressions and build tension. The editing is described as generally fast-paced to create suspense. Non-diegetic music and sounds are used to emphasize scary moments. Dark lighting, isolated settings, and other visual elements establish the horror genre conventions.
Film analysis the silence of the lambs
The document analyzes the opening scenes of the film "The Silence of the Lambs" (1991). It notes that the opening shot uses a dolly shot to follow the protagonist as she runs through a forest, creating a sense of being chased. Later scenes show her climbing a net and hearing ominous music, suggesting she will face obstacles. The camera then shows the protagonist's FBI colleague, identifying her occupation. It pans to signs reading "agony," "pain," and "love-it," alluding to themes of suffering and violence central to the psychological thriller genre.
Film trailer analysis
This document analyzes and summarizes three film trailers from different genres: horror, sci-fi/horror, and comedy. For the horror trailer "The Woman in Black," it notes the use of dark imagery, scary music, and supernatural elements that are typical of the genre. The sci-fi/horror trailer for "Alien" combines elements of both genres by setting it in space but also creating isolation and tension. Finally, the comedy trailer for "Ted" uses upbeat music, comical scenes and conversations, and light atmosphere rather than the darkness of horror trailers.
Film analysis - The Silence of the Lambs
The document provides an analysis of the opening scenes of the film "The Silence of the Lambs" (1991). It summarizes that the film opens with a tracking shot following the protagonist as she runs through a dark and misty forest, seeming to imply she is being chased. Later scenes show her climbing a fence, with heavy breathing and ominous music suggesting fear and being pursued. The camera then introduces a new character with an FBI hat, revealing the protagonist works for that well-known organization. Subsequent shots show signs for "agony," "pain," and "love-it," connoting suffering and violence central to the film's themes and the psychological thriller genre.
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The document discusses various elements of mise-en-scene, lighting, sound, props, and location used in a film scene. For mise-en-scene and lighting, the only light source is from helmet lights, giving a gloomy, dark vibe and showing what only one actor can see. Sound uses suspenseful music to create a horror atmosphere and build tension. Props include helmet lights and touches to aid navigation in the dark scenery. The location of a deep, cramped cave is effective because if anything happens, escape would be difficult and death is likely.
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Film analysis black swan
The document analyzes the opening scene of the film Black Swan (2010) directed by Darren Aronofsky. It summarizes:
1) The opening scene shows the main character dancing with a partner in a sinister way where she seems chased, trapped, and restricted, foreshadowing how dance will drive her to lose her mind.
2) The dark costumes and low lighting add to the sinister elements and threatening nature of the dance sequence.
3) Techniques like low light, sinister music, and frequent camera angle changes create a sense of confusion and turn the simple act of dance into something threatening.
Film Opening Analysis - Black Swan
1) The opening scene depicts the protagonist's dance in a sinister way, with elements of being chased and trapped, foreshadowing how dance will drive her to lose her mind.
2) Low, dim lighting and a constant spotlight on the protagonist create an unsettling atmosphere and convey her unhappiness. Handheld camerawork makes the scene fluid like a dance but also voyeuristic, as if the protagonist is being watched and confined.
3) Close-ups of the protagonist's feet show her dedication as a dancer as she strives for perfection, which ultimately consumes her mind. As a man enters and dances with her, her fear is emphasized through jerky camerawork, circling shots that
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The document analyzes three horror movie trailers through their use of cinematography, editing, sound, and mise-en-scene. For The Purge, extreme close-ups and tense music are used. Shots focus on villains following victims to build tension. The Women in Black uses dark settings and creepy toys to create an eerie atmosphere. Paranormal Activity 3 appears like shaky homemade videos to seem realistic, with distorted sounds and flashes to previous films adding to the scare factor.
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The document reviews the use of media language techniques in three horror movie trailers. It analyzes the cinematography, editing, sound, and mise-en-scene in each trailer. For cinematography, it notes the frequent use of close-ups to show facial expressions and build tension. The editing is described as generally fast-paced to create suspense. Non-diegetic music and sounds are used to emphasize scary moments. Dark lighting, isolated settings, and other visual elements establish the horror genre conventions.
Film analysis the silence of the lambs
The document analyzes the opening scenes of the film "The Silence of the Lambs" (1991). It notes that the opening shot uses a dolly shot to follow the protagonist as she runs through a forest, creating a sense of being chased. Later scenes show her climbing a net and hearing ominous music, suggesting she will face obstacles. The camera then shows the protagonist's FBI colleague, identifying her occupation. It pans to signs reading "agony," "pain," and "love-it," alluding to themes of suffering and violence central to the psychological thriller genre.
Film trailer analysis
This document analyzes and summarizes three film trailers from different genres: horror, sci-fi/horror, and comedy. For the horror trailer "The Woman in Black," it notes the use of dark imagery, scary music, and supernatural elements that are typical of the genre. The sci-fi/horror trailer for "Alien" combines elements of both genres by setting it in space but also creating isolation and tension. Finally, the comedy trailer for "Ted" uses upbeat music, comical scenes and conversations, and light atmosphere rather than the darkness of horror trailers.
Film analysis - The Silence of the Lambs
The document provides an analysis of the opening scenes of the film "The Silence of the Lambs" (1991). It summarizes that the film opens with a tracking shot following the protagonist as she runs through a dark and misty forest, seeming to imply she is being chased. Later scenes show her climbing a fence, with heavy breathing and ominous music suggesting fear and being pursued. The camera then introduces a new character with an FBI hat, revealing the protagonist works for that well-known organization. Subsequent shots show signs for "agony," "pain," and "love-it," connoting suffering and violence central to the film's themes and the psychological thriller genre.
Cave mise-on-scene
The document discusses various elements of mise-en-scene, lighting, sound, props, and location used in a film scene. For mise-en-scene and lighting, the only light source is from helmet lights, giving a gloomy, dark vibe and showing what only one actor can see. Sound uses suspenseful music to create a horror atmosphere and build tension. Props include helmet lights and touches to aid navigation in the dark scenery. The location of a deep, cramped cave is effective because if anything happens, escape would be difficult and death is likely.
Lovefield
The short film Lovefield by Mathieu Ratthe manipulates the audience by initially making them think it is a thriller about a woman who is murdered in a field by a man, through the use of ominous music, lighting, camerawork, and costumes that make the man seem threatening. However, it is later revealed that the man actually helps the woman give birth to her baby, subverting the audience's expectations and supporting Todorov's theory that films create an initial equilibrium, a disruption, and then a new resolution.
Question 1
The document discusses horror movie title sequences and opening techniques. It analyzes conventions like using dramatic fonts to set the tone, implying themes through visuals. It also discusses using plain fonts and sounds instead of images to establish setting. The document then talks about following conventions like using close-ups and cuts to create tension, while challenging others like using sound over images. It analyzes the film's use of typical horror elements and victims while being similar to "Blair Witch Project" by featuring young people in woods.
Film genres
The document discusses the forms and conventions of three major film genres: horror films, comedy films, and action films. For horror films, it notes that they commonly feature harmful props, dark and abandoned locations, mysterious villains seen briefly in the dark, fast editing that builds tension, eerie music and loud sudden sound effects. For comedy films, it discusses props like alcohol, average locations like cities and schools, "stupid funny" characters, upbeat music, and sound effects for falls/hits. For action films, it mentions weapons, explosions, cities as locations, tough main characters and enemies, average editing pace that speeds up for fights, loud rock music, and impactful gunfire and explosion sound effects.
Cave mise on-scene
The document discusses lighting, sound, props, and location used in a film scene. For lighting, only helmet lights are used, creating a gloomy, dark atmosphere where the characters are vulnerable. Infrared footage shows what is happening and the surroundings. For sound, suspenseful music builds tension and horror. Props include helmet lights and bones on the ground. The location, a deep, cramped cave, traps the characters and increases the likelihood of death if anything happens.
Media Unit 1 AO1b
The 2005 film The Descent was produced by Celador Films to entertain audiences through genres like horror and thriller, attracting those interested in such films and ultimately making a profit. It uses techniques like graphic violence, limited lighting, ominous music and sound to immerse viewers and elicit fear. While the story follows a group of female spelunkers who encounter dangerous cave dwellers, analysts believe the film suggests the women ultimately become monsters themselves.
Inception Trailer Analysis
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Cavemise on-scene-
The scene takes place in a dark cave illuminated only by the actor's helmet lights. This gloomy setting using infrared adds suspense and vulnerability. The sound design uses tense music to create a horror atmosphere and signal that something could happen. Props like the helmet lights and touches are important for navigating the dark scenery, while bones litter the cave floor. The cramped cave location heightens the danger, as escape would be difficult if anything went wrong deep underground. The practical costumes of waterproof clothing, helmets, and harnesses aim to realistically suit the hazardous cave environment.
Analysis of film trailer insidious
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Inception Analysis
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Sound within media
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The document discusses horror movie title sequences and opening techniques. It analyzes conventions like using dramatic fonts to set the tone, implying themes through visuals. It also discusses using plain fonts and sounds instead of images to establish setting. The document then talks about following conventions like using close-ups and cuts to create tension, while challenging others like using sound over images. It analyzes the film's use of typical horror elements and victims while being similar to "Blair Witch Project" by featuring young people in woods.
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Cave mise on-scene
The document discusses lighting, sound, props, and location used in a film scene. For lighting, only helmet lights are used, creating a gloomy, dark atmosphere where the characters are vulnerable. Infrared footage shows what is happening and the surroundings. For sound, suspenseful music builds tension and horror. Props include helmet lights and bones on the ground. The location, a deep, cramped cave, traps the characters and increases the likelihood of death if anything happens.
Media Unit 1 AO1b
The 2005 film The Descent was produced by Celador Films to entertain audiences through genres like horror and thriller, attracting those interested in such films and ultimately making a profit. It uses techniques like graphic violence, limited lighting, ominous music and sound to immerse viewers and elicit fear. While the story follows a group of female spelunkers who encounter dangerous cave dwellers, analysts believe the film suggests the women ultimately become monsters themselves.
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Cavemise on-scene-
The scene takes place in a dark cave illuminated only by the actor's helmet lights. This gloomy setting using infrared adds suspense and vulnerability. The sound design uses tense music to create a horror atmosphere and signal that something could happen. Props like the helmet lights and touches are important for navigating the dark scenery, while bones litter the cave floor. The cramped cave location heightens the danger, as escape would be difficult if anything went wrong deep underground. The practical costumes of waterproof clothing, helmets, and harnesses aim to realistically suit the hazardous cave environment.
Analysis of film trailer insidious
The trailer for the film Insidious uses various techniques to set up suspense and mystery. It introduces the story of a family whose son enters a comatose state and becomes possessed by ghosts. Throughout the trailer, various unanswered questions are posed to pique the audience's curiosity. Tension is built through the use of a slow musical score that gradually increases in pace, as well as dark lighting and ominous diegetic sounds. The trailer effectively establishes the psychological horror genre through its use of mise-en-scene, including creepy props and a seemingly normal family home that becomes terrorized.
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In what ways does your media product use, develop or challenge forms and conventions of real media products?
Love Field - Short Film Research
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Sound within media
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Film opening analysis black swan
The opening scene of Black Swan establishes the psychological horror genre. It introduces the main character Nina, a ballerina dancing gracefully on stage in a white costume. As she dances with a male partner who takes on a dark role, the camera uses close-ups and movement to follow her intricate footwork. Strange unnatural sounds are added to create tension. The scene sets up the film's exploration of Nina's pursuit to play both the innocent White Swan and the sensual Black Swan in Swan Lake.
Film opening analysis black swan
The opening scene of Black Swan establishes the genre of psychological horror through its dark tone, intense music, and black costumes. It introduces the main character Nina, a ballerina dancing gracefully on stage in a white swan costume. Her dance is interrupted by a male dancer in black, who leaves a dark impression on her. The scene is filmed with handheld camera movements to give a natural feel and zooms are used on Nina's intricate footwork. Strange sounds are added to create an unsettling atmosphere. Nina's purity as the white swan is contrasted with the male dancer as the dark "evil swan".
Black swan
The opening sequence of Black Swan features a slow, drawn-out dance between a female dancer in white, representing innocence, and a male dancer in black, representing evil. Through their dance, the female appears trapped by the male, foreshadowing later events in the film. No dialogue is used, relying instead on slow, dramatic music and shadows to set the dark, thriller tone and build tension for the viewer.
Black swan analysis
The trailer for Black Swan uses several techniques to build suspense and intrigue potential viewers. It begins calmly and gradually increases tension through dark cinematography, quick cuts between shots, and a rising musical score. Close-ups on the main character's eyes and injuries hint at her deteriorating psychological state. The trailer also establishes rivalry between the main character and another dancer without providing full context, leaving the audience wanting more information. Text cards advertise the film's stars, directors, and release date to generate interest. Overall, the trailer employs standard thriller conventions to engage viewers through mystery, psychological distress, and a sense that more of the story remains untold.
Black swan opening analysis
The opening scene of Black Swan establishes mystery and suspense through its visuals and audio. A lone ballerina is shown in a long shot on a dark stage [1]. Close ups show her dancing feet [2] and her fearful expression as a dark figure approaches [4]. A long shot reveals the man walking menacingly in the shadows [3]. As the music intensifies, he transforms into a sinister black costume with horns while she becomes a vulnerable white swan [5]. This unsettling opening leaves the viewer with questions about the characters and plot that will unfold.
Film opening analysis
The opening scene of Black Swan establishes the psychological horror genre. It introduces the main character Nina dancing gracefully on stage in a white swan costume. As she dances with a male partner, he leaves a dark impact on her. The scene uses dark music, camera zooms, and unnatural sounds to portray Nina's growing sense of pressure and descent into madness as she competes for the role of the Black Swan.
Opening sequence analasys.pptx black swan
The document provides a summary and analysis of key elements in the opening sequence of the film "Black Swan." It summarizes that the film is a psychological thriller about a ballerina, Nina, whose life is consumed by dance. In the opening, Nina is seen dancing alone in a dark room to unsettling music. When a man enters, the music takes on a dark tone, establishing him as a potential antagonist. Through its analysis of elements like mise-en-scene, camerawork, sound, and editing, the document examines how the opening sequence creates a tense, unnerving atmosphere and introduces the main character and central conflict.
Opening sequence analasys.pptx black swan
The document provides a summary and analysis of key elements in the opening sequence of the film "Black Swan." It summarizes that the film is a psychological thriller about a ballerina, Nina, whose life is consumed by dance. In the opening, Nina is seen dancing alone in a dark room to unsettling music. When a man enters, the music takes on a dark tone, establishing him as a potential antagonist. Through its analysis of mise-en-scene, camerawork, sound, and editing techniques, the document examines how the opening sequence creates a tense, unnerving atmosphere and introduces the main character and central conflict.
Opening sequence analasys
The document provides a summary and analysis of key elements in the opening sequence of the film "Black Swan." It summarizes that the opening credits use dark, bold text on a dark background to set a sinister tone. When the main character, a ballerina, begins dancing, the non-diegetic music starts light but then adds an ominous rumble as a man enters, heightening the tension. Low key lighting is used in the dark room where the ballerina dances alone, establishing an eerie atmosphere. Close ups of her dancing feet are used to suggest the story will move quickly and focus on her life as a dancer. Shot reverse shot editing is used as the ballerina talks with her overbearing mother
Opening film textual analysis point 2
The document provides an analysis of the opening sequences of the films Whiplash and Walk the Line.
For Whiplash, it summarizes that the opening establishes an enigmatic tone through diegetic drumming, a dark lighting, and an approaching figure. This builds intrigue around the mysterious protagonist.
For Walk the Line, it describes the opening as conveying a foreboding tone through images of a prison, a crow as an omen, and a prison guard that implies a repression of freedom. The sequence establishes the film's setting and tone of ominous threat through its visuals and pacing.
Codes and Conventions - Summary
The document summarizes techniques used in film openings to set mood and introduce characters. It discusses how non-diegetic music, camera shots, lighting, settings, and other elements are employed to convey emotion, establish genre, hint at danger or intrigue, and begin developing character roles and relationships without fully revealing plot details. Todorov's theory of equilibrium and Propp's concept of character archetypes are also referenced in relation to analyzing these opening sequences.
Black Swan Trailer Review
This document analyzes the trailer for the film Black Swan. It discusses Vladimir Propp's character archetypes and how they relate to characters in the film. It then examines the purpose of movie trailers in marketing films. Various elements of the Black Swan trailer are analyzed, including title meaning, characters, settings, shots, sound, intended audience, and how effectively the trailer marketed the film.
Film opening analysis forest gump
The opening scene of Forrest Gump uses a tracking shot of a white feather to introduce the main character and set the tone. As the feather floats through the green trees and clean streets, calm non-diegetic music plays to establish a peaceful atmosphere. The music gets louder as the feather approaches the main character, building excitement. It lands on Tom Hanks' character, Forrest Gump, intriguing the audience about what kind of person he is. His dirty shoes contrast with his smart attire, hinting at his background. He places the feather in his suitcase, suggesting he is embarking on a journey, mirroring the feather's.
Script
The document provides details on the script for a thriller film, including the use of sound, mise-en-scene, costume, camerawork, and editing techniques. For sound, a steady drum beat was used to suggest a heartbeat and amplified Foley effects built tension. Mise-en-scene included minimal props like a emphasized knife and collage to reflect characters. Costumes portrayed the male as normal looking and the female as youthful. Camerawork used handheld shots from the antagonist's point of view and panning over the collage. Editing featured grainy filters, clips of "Obsession" in blood, and black and white footage to manipulate time.
Textual analysis challenge
The document analyzes the opening sequence of the film Insidious through its use of camera work, editing, mise-en-scene, sound, and character representation. The opening uses techniques like tracking camera movements, slow pacing through montage editing, and ominous music to set an eerie tone and establish suspense. Iconic horror elements like a moving chair and disturbing toys are used to subtly indicate the supernatural genre. Character roles like the vulnerable boy and threatening antagonist are clearly depicted through lighting and positioning to introduce the narrative.
Dance flick trailer
The trailer uses fast pacing, loud music, and exaggerated scenes and dialogue to establish itself as a parody of dance movies. It references specific movies through recreated scenes, characters, and music to appeal to dance movie fans. Slapstick comedy and unexpected jokes are used to highlight differences from the original movies. The trailer moves quickly between short clips and title screens to keep a comedic and exciting tone throughout.
Silence of the lambs (opening sequence analysis)
Here, I will be analysis the silence of the lambs opening sequence from the perspective of an A-level media student.
Movie introduction analysis
The intro scene shows a woman running through a snowy forest as she is chased by an unknown creature. As she tries to escape, she injures herself and is captured and killed by the creature. Low-key lighting and camerawork create tension and mystery around what is chasing her. The film title is then shown, concluding the intro.
Psychological Horror
The document analyzes common techniques used in the openings of psychological horror films, including titling, camera work, framing of shots, camera angles, mise-en-scene, editing, and sound techniques. It discusses examples from films like Saw, Gothika, The Others, The Silence of the Lambs, and The Ring to illustrate trends like using dark colors and lighting in titles, still camera shots during key moments, close-ups that become medium shots, and natural sound with no fast editing at the beginning.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed horror/thriller film. For Psycho, it describes the unsettling camera movements and sounds that create tension and suggest secrets. For Gone Girl, it explains how a tender moment is undercut by disturbing language to make the character seem untrustworthy. For Black Swan, it analyzes the cinematography, editing, sound, and mise-en-scene that establish themes of isolation and corruption through the protagonist's dance. For the horror film, it notes the high angle shots create an unsettling voyeuristic feeling for the audience.
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Film analysis - Black Swan
- 1. EmilyMorris – Pre production Film Analysis – Black Swan (2010)Directed by Darren Afronofsky The whole firstscene of thisfilmshowsthe maincharacterdancingwitha partner.The whole dance has quite sinisterelementstoitwhere itoftenlooksasthoughthe protagonistisbeing chased, trappedand restrictedwhichare all elementscommonlypresentinpsychological thrillers.The lightingthroughoutthe scene isquite low whichaddstothe sinisterelementsbymakingthe whole dance sequence seemquitethreatening.Bymakingthe dance seemthisway,itacts as a foreshadowingdevice forhowdance isthe thingthat ultimatelydrivesthe protagonisttolose control of hermind. The costume in thisscene isalsoquite darkwithbothof the characters beinginblack.Lateron in the film, the protagonistfailstoimpressthe directorwithherblackswandance and spendsthe whole filmcompetingwiththe characterwhodoesplaythe blackswanwhichresultsinher completelylosinghermind.The factthatshe is showntobe dancinginwhatcan be assumedasthe blackswan costume reflectsthe ideathatthe blackswanwill be of greatimportance toher andvery significantinhermental decline. Upon the darknessof the costumesandthe low light,the camerashotsconstantlyfollow the characters andfrequentlycuttolotsof differentangleswhichcreatesareal sense of confusion withinthe scene.This,coupledwiththe music,makesthe scene become reallysinisterandturnsthe simple actof dance intosomethingquite threatening. I reallylike howthe directorhasmanagedtouse techniquessuchasuse of low light,sinistermusic and camerashots that followthe charactersandchange angle frequentlytomake quite aninnocent act seemominousandscary.I wouldlike tocorporate some of these elementsintomyfilm.