Talk for the Festival of Maintenance in Liverpool https://festivalofmaintenance.org.uk/ My talk notes http://www.openobjects.org.uk/2019/09/festival-of-maintenance-talk-apps-microsites-and-collections-online-innovation-and-maintenance-in-digital-cultural-heritage/
IPI Congress press breakfast - Data Journalism in AfricaJustin Arenstein
An overview of data journalism projects supported by AMI's www.CodeForAfrica.org initiative through CitizenLabs in Ghana, Kenya, Nigeria and South Africa.
Africa Media Initiative's Justin Arenstein on Data Journalism at IPI, Indigo ...Loren Treisman
Justin Arenstein showcases tools from across Africa which increase citizen engagement, support journalists in uncovering and telling stories and holding government to account.
Teaching Digital Preservation at scale on the MA Digital Asset & Media Manage...Simon Tanner
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
IPI Congress press breakfast - Data Journalism in AfricaJustin Arenstein
An overview of data journalism projects supported by AMI's www.CodeForAfrica.org initiative through CitizenLabs in Ghana, Kenya, Nigeria and South Africa.
Africa Media Initiative's Justin Arenstein on Data Journalism at IPI, Indigo ...Loren Treisman
Justin Arenstein showcases tools from across Africa which increase citizen engagement, support journalists in uncovering and telling stories and holding government to account.
Teaching Digital Preservation at scale on the MA Digital Asset & Media Manage...Simon Tanner
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Introducing the Collections Trust's 'Going Digital' programme 2014/15Collections Trust
General introduction to the scope, aims and context of the Collections Trust's 'Going Digital' campaign - supporting museums in reviewing, auditing and developing their use of technology to improve visitor services and organisational management.
NMC Horizon Report: 2013 Museum Edition PresentationAlex Freeman
This Museum Computer Network 2013 session showcased emerging technologies and their applications in interpretation and museum education as cited in the NMC Horizon Report > 2013 Museum Edition from the New Media Consortium.
Connecting Learners and Museums through Educational Metadata InitiativesDarren Milligan
Museums and the Web 2014
How-to Session
Darren Milligan, Smithsonian Institution, Center for Learning and Digital Access, USA
Melissa Wadman, Smithsonian Institution, Center for Learning and Digital Access, USA
James Collins, Smithsonian Institution, Center for Learning and Digital Access, USA
Published paper: http://mw2014.museumsandtheweb.com/paper/connecting-learners-and-museums-through-educational-metadata-initiatives/
Personalized learning involves standardizing and harnessing data being created about specific student learning strengths and weaknesses, and connecting those needs with appropriate learning content. To achieve this, galleries, libraries, archives, and museums (GLAMs), as well as scientific institutions like zoos and aquariums, which already produce open educational content, need to improve the discoverability and retrieval of their digital resources. We must develop complete learning-appropriate descriptions of what we have and share this descriptive language with users in many settings. Two of the most promising programs to address this challenge are the schema.org metadata project, called the Learning Resource Metadata Initiative, and the Learning Registry, a federally created technology infrastructure for the distribution of such metadata and the consolidation of information about its usage. We discuss the history and impacts of both programs, share our methodology for implementing and evaluating a Smithsonian project in progress, and propose recommended next steps for GLAMs.
NMC Horizon Report Project Preview -- 2012 Museum Edition presented by Holly Witchey and Alex Freeman at the 2012 MCN Conference in Seattle, Washington on Thursday, November 8, 2012.
The AI Platform Business Revolution: Matchmaking, Empathetic Technology, and ...Steve Omohundro
Popular media is full of stories about self-driving cars, video deepfakes, and robot citizens. But this kind of popular artificial intelligence is having very little business impact. The actual impact of AI on business is in automating business processes and in creating the "AI Platform Business Revolution". Platform companies create value by facilitating exchanges between two or more groups. AI is central to these businesses for matchmaking between producers and consumers, organizing massive data flows, eliminating malicious content, providing empathetic personalization, and generating engagement through gamification. The platform structure creates moats which generate outsized sustainable profits. This is why platform businesses are now dominating the world economy. The top five companies by market cap, half of the unicorn startups, and most of the biggest IPOs and acquisitions are platforms. For example, the platform startup ByteDance is now worth $75 billion based on three simple AI technologies.
In this talk we survey the current state of AI and show how it will generate massive business value in coming years. A recent McKinsey study estimates that AI will likely create over 70 trillion dollars of value by 2030. Every business must carefully choose its AI strategy now in order to thrive over coming decades. We discuss the limitations of today's deep learning based systems and the "Software 2.0" infrastructure which has arisen to support it. We discuss the likely next steps in natural language, machine vision, machine learning, and robotic systems. We argue that the biggest impact will be created by systems which serve to engage, connect, and help individuals. There is an enormous opportunity to use this technology to create both social and business value.
Engage on the go:Mastering Mobile Content Delivery (presentation at the Ameri...Layla Masri Soares
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Nancy Proctor, Head of Mobile for the Smithsonian Institution
Liz Neely, Director of Digital Information and Access at the Art Institute of Chicago
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Data science and visualization lab presentationiHub Research
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Brief overview of digital activity at the Royal Pavilion and Museums, Brighton & Hove, and strategic thinking behind this.
Delivered at the 'Welcome to the Digital Age' event at the Royal Engineers' Museum, 9 July 2013.
Largely notable for obscure cake metaphors and use of the phrase 'counter-curatorial'.
Presentation of David Evans, Vlad Mihaescu, Andrei Jecza
, Diana Andone, Antonella Poce, Mairéad Nic Giolla Mhichíl. Chiara Zuanni, Hendrik Knoche for EDEN's NAP webinar on 'Designing Online Courses for Digital Skills and Competences for the Creative Industries – DigiCulture' - 27 April 2020, 17:00 CEST
More info:
https://www.eden-online.org/designing-online-courses-for-digital-skills-and-competences-for-the-creative-industries-digiculture/
The volume of user data, generated in museums continues to increase rapidly. Data is collected from the visitor’s physical experience but also from all the different digital touchpoints of that experience: web, social media, ticketing, mobile apps, among others. The application of AI to analyze and visualize this data brings an opportunity for museums to understand better their audiences and create personalized and engaging experiences. These technologies allow museums to demonstrate their continued relevance in an increasingly digital society, and present new ways for museums to collect, tell stories and engage with visitors. However these technologies and the societal changes they have led to, also created important ethical considerations for museums.
Rethink research, illuminate history with the British LibraryMia
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Introducing the Collections Trust's 'Going Digital' programme 2014/15Collections Trust
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Session Overview
-------------------------------------------
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Festival of Maintenance talk: Apps, microsites and collections online: innovation and maintenance in digital cultural heritage
1. Apps, microsites and collections online:
innovation and maintenance in digital cultural
heritage
Mia Ridge @mia_out
2. What does a cultural heritage technologist do?
https://www.flickr.com/photos/nasacommons/9467783474https://www.flickr.com/photos/statelibraryqueensland/8808https://www.flickr.com/photos/statelibraryqueensland/8808717962
2
4. What do GLAMs have to maintain?
Exhibition apps and audio guides. Research
software. Microsites by departments:
marketing, education, fundraising. Catalogues.
More catalogues. Secret spreadsheets. Digital
asset management systems. Collections online
pulled from the catalogue. Collections online
from a random database. Student projects.
Glueware. Ticketing. Ecommerce. APIs.
Content on social media sites, other 3rd party
sites and aggregators. CMS. CRM. VR, AR, MR.
5. Stories considered harmful
• It’s fine for social media to be ephemeral
• ‘Digital’ is just marketing, no-one expects it to be kept
• We have limited resources, and if we spend them all
maintaining things then how will we build the new cool
things the Director wants?
• We're a museum / gallery / library / archive, not a
software development company, what do you mean we
have to maintain things?
• What do you mean, software decays over time?
• ‘Digital’ is just like an exhibition; once it’s launched
you’re done
• That person left, it doesn’t matter anymore
6. If you don’t make conscious
choices about what to
maintain, you’re leaving it
to fate
8. Better stories for the future
• You can’t save everything. Make conscious
decisions about what to maintain and how you’ll
close the things you can’t maintain
• Plan for a graceful exit – for all stakeholders
• Refresh little and often, where possible
• Build on standards, work with communities
• Also:
• Check whether your websites are archiveready.com
• Support GLAMs with the legislative, rights and
technical challenges of collecting digital ephemera
Worked as a cultural heritage technologist for a long time; currently leading a large data science project at the British Library
I’ve worked in a lot of cultural organisations, and generally my job has involved making digitised items available both as individual items, and as computationally-ready data.