FCSarch 04 Early Christianity & Byzantine 2
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The document is a map and diagrams of Hagia Sophia in Constantinople (now Istanbul), including sections, plans, and interior views of the church. It also contains images of mosaics within Hagia Sophia and comparisons to other Byzantine-era churches in Istanbul and Macedonia from the 12th-13th centuries.
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Middle Byzantine art flourished between the 6th and 15th centuries and was characterized by elaborate mosaic and fresco works in churches and monasteries. Icons of Christ and the Virgin Mary produced in the 6th century at Sinai monastery were a central part of personal devotion but also sparked iconoclasm debates between the 8th-9th centuries over whether icon veneration constituted idol worship. Major artistic centers included the Hagia Sophia and Hosios Loukas monasteries, known for their mosaic domes and architectural innovations that influenced Byzantine and post-Byzantine Orthodox church design.
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The document provides an overview of early Christian art found in catacombs and churches, including frescoes depicting Jesus as the Good Shepherd. It also discusses Byzantine art like the Hagia Sophia and mosaics of Justinian and his court. Finally, it outlines the development of Islamic architectural styles seen in mosques from the Umayyad period through the Ottoman era.
Byzantine Art
The document summarizes Byzantine art from the Early Byzantine period through the Late Byzantine period. Some key points include:
- Early Byzantine art flourished under Emperor Justinian in the 6th century, as seen in buildings like Hagia Sophia and mosaics at San Vitale.
- Iconoclasm occurred between the 8th to 9th centuries where icons were destroyed, but were later restored.
- Byzantine art is characterized by abstract mosaics and icons used for religious instruction, with bright colors and symbolic rather than realistic representations.
- Icons were central to Byzantine religion but also controversial during periods of iconoclasm when their use was prohibited.
Early Christian Art
Early Christian art developed between the 3rd and 7th centuries CE as Christianity established itself apart from Judaism. Key art forms included sculptures, carvings, wall paintings and architecture like basilicas. Notable works included the 4th century Basilica of St. John Lateran in Rome, which served ceremonial purposes, and the 5th century Sarcophagus of Junius Bassus, featuring a relief carving of Saint Michael. Symbols like anchors, fish and the Chi-Rho signified Christian meanings and beliefs. Mosaics and frescoes depicted biblical themes like the Good Shepherd to convey God's love and care for humanity. Many artists during this period remain unknown.
Art1204 early christian & byzantine art
The document provides an overview of early Christian and Byzantine art from the 4th century to the 10th century. It discusses how art shifted from realistic styles to focus more on religious symbolism and narratives after the fall of the Western Roman Empire. It also describes the two main church building plans - the basilica and central plans. Key artistic works are highlighted from the Early Christian period in Rome and the Byzantine period in Constantinople under Emperor Justinian, including illuminated manuscripts and icon paintings.
nmb
This document discusses the development of late antique Jewish and Christian art from Roman artistic traditions. It covers early Christian art found in the Roman catacombs and the adoption of basilica and central-plan architectural styles for churches. Key periods discussed include the pre-Constantinian underground movement, Constantine's legalization of Christianity in 313, and the establishment of Ravenna as capital of the Western Roman Empire in the 5th century, where elaborate mosaics were produced.
Jewish and early christian art aneta, ar
Jewish and early Christian art from the 3rd to 5th centuries featured simple symbols like fish and anchors that represented Christianity. Early images depicted stories from the Old Testament and miracles of Christ. Between the 4th and 5th centuries, as Christianity became legalized, images of Christ's life and the Virgin Mary proliferated. Artistic styles remained largely Roman during this period. Important early sites that featured Christian art included the catacombs of Rome and the synagogue at Dura Europos in Syria.
Theo.st.peter's
St. Peter's Basilica is located in Vatican City and is the premier church of the Roman Catholic faith. It was built over the tomb of St. Peter between 1450-1626 after earlier basilicas on the site collapsed. The current basilica was designed by notable architects like Michelangelo, Maderno, Della Porta, and Bernini and features works such as Michelangelo's dome and Pieta sculpture. Its architecture draws from Gothic, Romanesque, and Baroque styles and serves as an important pilgrimage site for Catholics.
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Middle Byzantine art flourished between the 6th and 15th centuries and was characterized by elaborate mosaic and fresco works in churches and monasteries. Icons of Christ and the Virgin Mary produced in the 6th century at Sinai monastery were a central part of personal devotion but also sparked iconoclasm debates between the 8th-9th centuries over whether icon veneration constituted idol worship. Major artistic centers included the Hagia Sophia and Hosios Loukas monasteries, known for their mosaic domes and architectural innovations that influenced Byzantine and post-Byzantine Orthodox church design.
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The document provides an overview of early Christian art found in catacombs and churches, including frescoes depicting Jesus as the Good Shepherd. It also discusses Byzantine art like the Hagia Sophia and mosaics of Justinian and his court. Finally, it outlines the development of Islamic architectural styles seen in mosques from the Umayyad period through the Ottoman era.
Byzantine Art
The document summarizes Byzantine art from the Early Byzantine period through the Late Byzantine period. Some key points include:
- Early Byzantine art flourished under Emperor Justinian in the 6th century, as seen in buildings like Hagia Sophia and mosaics at San Vitale.
- Iconoclasm occurred between the 8th to 9th centuries where icons were destroyed, but were later restored.
- Byzantine art is characterized by abstract mosaics and icons used for religious instruction, with bright colors and symbolic rather than realistic representations.
- Icons were central to Byzantine religion but also controversial during periods of iconoclasm when their use was prohibited.
Early Christian Art
Early Christian art developed between the 3rd and 7th centuries CE as Christianity established itself apart from Judaism. Key art forms included sculptures, carvings, wall paintings and architecture like basilicas. Notable works included the 4th century Basilica of St. John Lateran in Rome, which served ceremonial purposes, and the 5th century Sarcophagus of Junius Bassus, featuring a relief carving of Saint Michael. Symbols like anchors, fish and the Chi-Rho signified Christian meanings and beliefs. Mosaics and frescoes depicted biblical themes like the Good Shepherd to convey God's love and care for humanity. Many artists during this period remain unknown.
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The document provides an overview of early Christian and Byzantine art from the 4th century to the 10th century. It discusses how art shifted from realistic styles to focus more on religious symbolism and narratives after the fall of the Western Roman Empire. It also describes the two main church building plans - the basilica and central plans. Key artistic works are highlighted from the Early Christian period in Rome and the Byzantine period in Constantinople under Emperor Justinian, including illuminated manuscripts and icon paintings.
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This document discusses the development of late antique Jewish and Christian art from Roman artistic traditions. It covers early Christian art found in the Roman catacombs and the adoption of basilica and central-plan architectural styles for churches. Key periods discussed include the pre-Constantinian underground movement, Constantine's legalization of Christianity in 313, and the establishment of Ravenna as capital of the Western Roman Empire in the 5th century, where elaborate mosaics were produced.
Jewish and early christian art aneta, ar
Jewish and early Christian art from the 3rd to 5th centuries featured simple symbols like fish and anchors that represented Christianity. Early images depicted stories from the Old Testament and miracles of Christ. Between the 4th and 5th centuries, as Christianity became legalized, images of Christ's life and the Virgin Mary proliferated. Artistic styles remained largely Roman during this period. Important early sites that featured Christian art included the catacombs of Rome and the synagogue at Dura Europos in Syria.
Theo.st.peter's
St. Peter's Basilica is located in Vatican City and is the premier church of the Roman Catholic faith. It was built over the tomb of St. Peter between 1450-1626 after earlier basilicas on the site collapsed. The current basilica was designed by notable architects like Michelangelo, Maderno, Della Porta, and Bernini and features works such as Michelangelo's dome and Pieta sculpture. Its architecture draws from Gothic, Romanesque, and Baroque styles and serves as an important pilgrimage site for Catholics.
Ahtr byzantine module
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Ah ch10
The document discusses early Christian and Byzantine art from the 4th to 7th centuries CE. It provides information on how Constantine allowed Christianity to spread, how early Christians worshipped in places like catacombs and basilicas, and the significance of Justinian who transformed Roman basilicas. The compulsory style of Byzantine icons is also mentioned. Key architectural terms like apse, narthex, and clerestory are defined. Important Byzantine architectural works discussed include Hagia Sophia, San Vitale in Ravenna, and illuminated manuscripts like the Vienna Genesis.
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The document summarizes key aspects of Byzantine art and architecture from the 4th to 15th centuries. It describes how Constantinople became the capital of the Eastern Roman Empire and remained intact for over 1000 years after the fall of the Western Empire. Byzantine art featured somber religious figures in mosaics and paintings with little shadowing or realism. Major works mentioned include the mosaics of Sant'Apollinare Nuovo depicting New Testament scenes, and the apse mosaics of Emperor Justinian and Empress Theodora in San Vitale.
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The document provides an overview of early Christianity and Byzantine art from the 4th century CE to the 13th century CE. It mentions the beginnings of Old St. Peter's Basilica in Rome in 333 CE and the basilica of Santa Constanza from 350 CE. Important artworks from this period included mosaics depicting wine making and biblical scenes. The document then discusses the rise of the Byzantine Empire and important artistic sites like Hagia Sophia and San Vitale that flourished during the reign of Justinian and Theodora in the 6th century CE, marking the first golden age of Byzantine art. A second golden age occurred later in the 13th century, as seen in the mosaics of
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Early Christian art developed from the 1st to 5th centuries AD. Key events that influenced its development included the spread of Christianity by St. Paul and its acceptance by Emperor Constantine in the 4th century. Art forms included frescoes, mosaics using small cubes called tesserae, sculptures, and illuminated manuscripts with illustrations and ornamental borders. Mosaics became more advanced and were used to decorate walls and vaults of churches. Illuminated manuscripts were decorated gospel books that were costly to produce. Ivory carvings were made into luxury religious objects like boxes and diptychs. The era saw the rise of early Christian basilica churches that set the architectural template for future churches.
Comparison between early christian and byzantine architecture
Early Christian architecture emerged in the 3rd-7th centuries CE as Christianity gained prominence in the Western Roman Empire. Churches were modeled after Roman basilicas with flat roofs. Byzantine architecture developed later between 330-1453 CE in the Eastern Roman Empire after the capital moved to Constantinople. Byzantine churches had central, domed plans and decorative mosaics. They combined Roman traditions with Eastern influences like domes supported by pendentives. Mosaics depicted Christian figures and symbols and emphasized the relationship between church and imperial patronage in the Byzantine Empire.
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This document provides an overview of the syllabus for an art history survey course on Jewish, Early Christian, and Byzantine art. It includes the course details, a timeline of relevant historical periods, descriptions of important works and sites, and brief biographies of significant figures. The syllabus covers the origins and spread of the three monotheistic religions of Judaism, Christianity, and Islam. It then examines early Jewish, Christian, and Byzantine art from the 1st century CE through the fall of Constantinople in 1453 CE, highlighting influential artistic styles, architectural forms, and artistic traditions within each period.
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Jewish and early christian art aneta, ar
Early Christian art from the 3rd to 5th centuries featured simple symbols like fish and anchors that represented Christ. Themes included stories from the Old Testament and miracles of Christ. As Christianity became legalized in the 4th century, images of Jesus and Mary proliferated. Art was found in catacombs, sarcophagi, and churches that emulated Roman architectural styles. Notable early Christian sites included the Dura Europos synagogue in Syria decorated with biblical frescoes.
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Transition from Roman to Byzantine
Constantine the Great initiated major changes when he recognized Christianity as the official Roman religion in the 4th century AD. This included moving away from the naturalistic classical style toward a more symbolic style. Figures under Constantine lost individuality and detail, appearing militaristic with crude carving. In contrast, art from the reign of Augustus in the 1st century AD featured natural poses, spatial depth, and shading to depict volume. Mosaics from the Byzantine period after Constantine further developed this symbolic style with gold backgrounds, frontal figures lacking weight, and emphasis on hierarchy and symmetry rather than naturalism.
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Constantine established Christianity as the official religion of the Roman Empire in 324 CE and moved the capital to Constantinople. Byzantine art developed in the Eastern Roman Empire centered in Constantinople, characterized by central plan churches decorated with colorful mosaics and symbolic religious imagery rather than naturalism. Iconoclasm from 726-843 contributed to the split between the Roman Catholic and Eastern Orthodox churches and resulted in new imagery like the Christ Pantocrator.
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The document discusses early Christian and Byzantine art from the 4th to 7th centuries CE. It provides information on how Constantine allowed Christianity to spread, how early Christians worshipped in places like catacombs and basilicas, and the significance of Justinian who transformed Roman basilicas. The compulsory style of Byzantine icons is also mentioned. Key architectural terms like apse, narthex, and clerestory are defined. Important Byzantine architectural works discussed include Hagia Sophia, San Vitale in Ravenna, and illuminated manuscripts like the Vienna Genesis.
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The document provides an overview of early Christianity and Byzantine art from the 4th century CE to the 13th century CE. It mentions the beginnings of Old St. Peter's Basilica in Rome in 333 CE and the basilica of Santa Constanza from 350 CE. Important artworks from this period included mosaics depicting wine making and biblical scenes. The document then discusses the rise of the Byzantine Empire and important artistic sites like Hagia Sophia and San Vitale that flourished during the reign of Justinian and Theodora in the 6th century CE, marking the first golden age of Byzantine art. A second golden age occurred later in the 13th century, as seen in the mosaics of
Early Christian Art
Early Christian art developed from the 1st to 5th centuries AD. Key events that influenced its development included the spread of Christianity by St. Paul and its acceptance by Emperor Constantine in the 4th century. Art forms included frescoes, mosaics using small cubes called tesserae, sculptures, and illuminated manuscripts with illustrations and ornamental borders. Mosaics became more advanced and were used to decorate walls and vaults of churches. Illuminated manuscripts were decorated gospel books that were costly to produce. Ivory carvings were made into luxury religious objects like boxes and diptychs. The era saw the rise of early Christian basilica churches that set the architectural template for future churches.
Comparison between early christian and byzantine architecture
Early Christian architecture emerged in the 3rd-7th centuries CE as Christianity gained prominence in the Western Roman Empire. Churches were modeled after Roman basilicas with flat roofs. Byzantine architecture developed later between 330-1453 CE in the Eastern Roman Empire after the capital moved to Constantinople. Byzantine churches had central, domed plans and decorative mosaics. They combined Roman traditions with Eastern influences like domes supported by pendentives. Mosaics depicted Christian figures and symbols and emphasized the relationship between church and imperial patronage in the Byzantine Empire.
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This document provides an overview of the syllabus for an art history survey course on Jewish, Early Christian, and Byzantine art. It includes the course details, a timeline of relevant historical periods, descriptions of important works and sites, and brief biographies of significant figures. The syllabus covers the origins and spread of the three monotheistic religions of Judaism, Christianity, and Islam. It then examines early Jewish, Christian, and Byzantine art from the 1st century CE through the fall of Constantinople in 1453 CE, highlighting influential artistic styles, architectural forms, and artistic traditions within each period.
ARTID111 Early Christian Art
The document summarizes the art of the Late Antiquity period, from the 3rd to 6th centuries AD. It describes how Christianity became the dominant religion in the Roman Empire during this time. Art forms such as mosaics, frescoes, and sarcophagi incorporated Christian imagery and themes. Important early Christian sites mentioned include the Dura Europos synagogue, Roman catacombs, the Old St. Peter's Basilica in Rome, and Ravenna churches containing beautiful mosaic artwork. The blending of Greco-Roman and Christian traditions during this period formed the basis of Western art and architecture.
Jewish and early christian art aneta, ar
Early Christian art from the 3rd to 5th centuries featured simple symbols like fish and anchors that represented Christ. Themes included stories from the Old Testament and miracles of Christ. As Christianity became legalized in the 4th century, images of Jesus and Mary proliferated. Art was found in catacombs, sarcophagi, and churches that emulated Roman architectural styles. Notable early Christian sites included the Dura Europos synagogue in Syria decorated with biblical frescoes.
Byzantine part 2
The document discusses the rise of Christianity and Byzantine art and architecture during the Byzantine Era. Roman basilica floor plans were adapted for early Christian churches. Justinian reconquered parts of the former Western Roman Empire and established Ravenna as the new capital, where many new churches were built. His reign marked the Golden Age of Byzantine culture, exemplified by architectural masterpieces like the Hagia Sophia in Constantinople, which featured innovative use of pendentives to support its grand dome. Byzantine art also developed a distinctive style using bright glass mosaics to depict biblical stories and figures.
Early Christian/ Early Jewish Art PowerPoint
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The document provides an overview of Jewish, Christian, and Islamic religious beliefs and art from early periods. It discusses the development of Jewish synagogue art, early Christian catacomb art featuring images like the Good Shepherd, and the transition to architectural forms like basilicas and central plan churches in the 4th century. Mosaics became an important form of Christian art, as seen in examples from the mausoleum of Galla Placidia in Ravenna. Manuscript illumination and ivory carving also emerged as forms of early medieval Christian artistic expression.
Byzantine art
Byzantine art developed out of eastern Roman imperial art and reflected Christian religious themes. It utilized styles like mosaics, icons, and illuminated manuscripts. Major artistic periods included the Early Byzantine era featuring works like the Hagia Sophia and mosaics of Justinian and Theodora, the Iconoclastic controversy which banned religious images, and the Middle Byzantine period when icons were restored. Art was used to convey religious messages and assert political power in monumental church buildings and luxurious objects.
Byzantine y
The Byzantine Empire lasted from 300-1453 AD and was centered in Constantinople after the Roman Empire split. The Hagia Sophia, one of the great architectural achievements of Byzantine architecture, was commissioned by Emperor Justinian and featured a massive dome supported by pendentives. Byzantine architecture influenced many later structures including St. Mark's Cathedral in Venice through the use of domes and mosaics.
Intro to Early Christian Art
Learn how to identify Jesus in early Christian art. Discover the arms-raised woman called the catacomb Orante.
The Easter Story
Passion, Death and Resurrection of Christ among the artworks of the Uffizi Galleries
touching and poetic characters of faith
messages of sacrifice, endurance of pain, hope, and aspiration to eternal life …
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Transition from Roman to Byzantine
Constantine the Great initiated major changes when he recognized Christianity as the official Roman religion in the 4th century AD. This included moving away from the naturalistic classical style toward a more symbolic style. Figures under Constantine lost individuality and detail, appearing militaristic with crude carving. In contrast, art from the reign of Augustus in the 1st century AD featured natural poses, spatial depth, and shading to depict volume. Mosaics from the Byzantine period after Constantine further developed this symbolic style with gold backgrounds, frontal figures lacking weight, and emphasis on hierarchy and symmetry rather than naturalism.
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The document discusses the concept of "significant form" in works of visual art. It states that there is an aesthetic emotion provoked by all forms of visual art, including paintings, sculptures, buildings, and other objects. The central problem of aesthetics is to discover the quality common to all objects that provoke this emotion. The document explores significant form as the only quality common to all works of visual art that move the viewer emotionally. It aims to show that significant form is what defines a work as a piece of visual art.
Hagia sofia presentation
Hagia Sophia is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. It was originally constructed in the 6th century under the Byzantine Empire but has since served as both a mosque and museum. Sources about its history, architecture, and changing religious functions are cited.
Hagia Sophia and the Blue Mosque
The Blue Mosque was built in 1616 C.E. while Hagia Sophia was originally constructed in 360 C.E. and then converted to a mosque in 1453 C.E. after Constantinople fell to the Ottoman Empire. Both structures are significant mosques located in Istanbul, Turkey with Hagia Sophia being one of the most important examples of Byzantine architecture.
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Hagia Sophia, Istanbul
Hagia Sofia was built between 532 and 537, as a Christian church. It has influenced architects ever since. The circular dome covering a square base was developed at the same time as the Basilica plan of the Early Christian churches, in Italy. The Byzantine dome was later adopted into Islamic architecture. However, the Roman dome was constructed differently. Romans placed their dome over a solid circle of walling, best seen in the example of the Pantheon in Rome, instead of using the pendentives (an architectural feature).
However, one shared feature of the time between the two styles was the use of opaque glass mosaics in the interior decoration, covering the walls.
The Hagia Sofia plan is basically an inscribed Greek cross. The hall has four piers at the corners of the square rising in circular arches to support a central dome by means of four pendentives. The upper galleries were used by the women, and were reached by steps inside the building. Much of Hagia Sofia's appeal comes from its size. The inside is dominated by the central dome over 30.5 metres in diameter.
Today after about 1500 years of continue used, Hagia Sofia still dominates the skyline of the Bosphorus. It is truly a milestone, among the world’s greatest architectural achievements, a testament of the sophistication of the 6C Byzantine Empire.
Hagia Sophia, Istanbul,Turkey
This Powerpoint slideshow presentation shows the amzaning 1500 years old building that is still standing today. Together with the Panteon in Rome, they are the two most important historical buildings in the history of European architecture today that are still in use. The building was started as a Christian church in the city of Constantinople, as the Christian rival church in the New Rome of the East. In 1453, the city fell to the Turks. It became a mosque and inspired many to follow its architectural style. Today, it is a museum.
Aya Sofya Hagia Sophia
Hagia Sophia was originally built in 532-537 AD in Istanbul, Turkey as an Eastern Orthodox patriarchal cathedral. It was later converted to a mosque in 1453 after the Ottoman conquest and became a museum in 1935. Some key features include its massive dome supported by pendentives, 40 arched windows that flood the interior with light, and Byzantine-style mosaics depicting emperors and religious scenes. It was an architectural marvel that influenced buildings for centuries and is still one of the most significant surviving examples of Byzantine architecture.
Byzantine empire 2
The document summarizes the history and achievements of the Byzantine Empire. It discusses how Constantine moved the capital of the Roman Empire to Constantinople for strategic reasons. Under Justinian, the Byzantine Empire reached its height, reconquering former Roman lands. Justinian also oversaw the codification of Roman law. The Byzantine Empire helped preserve Greco-Roman knowledge and made important contributions to religion, art, architecture, and law before declining due to invasions and eventually falling to the Ottoman Turks in 1453.
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Mantel Fielding was an architect from 1865 to 1941 who worked on several estates and buildings in Scotland and England. Some of his notable works included the Wistar Morris Estate built from 1862-1893, the Wood Building constructed from 1893-1896, and renovations to the Pollock Estate in Edinburgh, known as St. Leonard Hall, where he added the Lion and Lion architectural feature. Current students refer to Room 25 in one of Fielding's buildings as the "gargoyle room" while older alumni call it the "chapel room".
Wood building (part 1)
The document discusses the history of the Friends' Central School (FCS) buildings in Philadelphia. It describes how FCS moved from its first building at 5th & Cherry to a second building at 15th and Race before announcing a new campus in 1925 in Overbrook, where the Thomas Wood Building, originally the Wistar Morris Estate designed by architect Mantel Fielding in 1893-96, would be transferred to FCS for $1.00.
Africa Images
Africa in the early 20th century was divided among European colonial powers. By 1914, only Ethiopia and Liberia remained independent of European control. Idi Amin later became the military dictator of Uganda from 1971 to 1979, a period known for human rights abuses and economic mismanagement.
Dharavi, mumbai
Dharavi is a densely populated slum in Mumbai, India that is home to over 14 million people and half the size of Center City. Families of up to 12 people live in extremely cramped quarters of just 90 square feet without proper sanitation infrastructure, though the slum also contains over 15,000 small factories that export goods worldwide.
India's Indepencence
The document summarizes key events in the history of India and Pakistan's independence from Britain, their relationship, and ongoing issues. It discusses the founding of the Indian National Congress, key independence leaders like Gandhi and Nehru, the partition and resulting border disputes, and challenges faced by later leaders like Indira Gandhi, Rajiv Gandhi, and Benazir Bhutto. It also outlines ongoing issues both countries continue to face like economic development, political instability, religious tensions, nuclear weapons, and the Kashmir dispute.
Berlin wall & hydrogen bomb
After World War 2, Germany was divided between the Western allies and the Soviet Union, marking the beginning of the Cold War in Europe. Over time tensions increased, culminating in the construction of the Berlin Wall in 1961 to prevent East Berliners from escaping to West Berlin. The Cold War continued for decades with an arms race and ideological battles, until the fall of the Berlin Wall in 1989 and the eventual dissolution of the Soviet Union, ending the Cold War.
Tiananmen square 1989
Maoism was the ruling ideology of China from 1949 to 1975 under Mao Zedong. A 1950 propaganda poster depicted a happy family enjoying life under Mao's image with the caption "Chairman Mao gives us happy lives." In 1989, students from the Central Academy of Fine Arts erected a statue called "The Goddess of Democracy" in Tiananmen Square during protests. Estimates of the deaths that resulted from the Chinese government's response to the protests range from hundreds to thousands.
US Prisons
The document discusses the history and development of the US prison industry from the 1820s to present day. It traces the origins of the modern prison system to the Eastern State Penitentiary in the 1820s, which introduced solitary confinement cells and influenced international prison design. Prisons then spread from the US to other countries over the next centuries, with reforms occurring internationally through the 20th century.
Ottoman Empire & Palestine maps
The document traces the rise and fall of the Ottoman Empire from 1350 to 1918 through maps and images. It shows the Empire's expansion over time, its alliance with the Central Powers in WWI, and the large territorial losses it suffered following WWI. Further images depict the establishment of modern Turkey under Ataturk's leadership after the fall of the Empire, as well as maps illustrating the division and ongoing conflict in the Middle East region throughout the 20th century.
WWII maps with animation
Hitler was named Time's Man of the Year in 1938 for his influence over Germany and threat to democratic nations in Europe. Most Germans enthusiastically supported Hitler at the time as he expanded German territory and power, posing the greatest threat to freedom that the world faced. This led to World War 2 in Europe and divisions in Germany and Eastern Europe that continued after the war during the Cold War era.
East Asia: China & Japanese Imperialism
In the late 1890s, several European powers including the UK, Germany, Russia, and France were dividing up China for their own colonial ambitions. Japan had a victory over China in 1894, establishing itself as an emerging power in East Asia. A 1933 British political cartoon depicted China as a doormat, reflecting its weakened international status at that time due to the colonial activities of other nations in the early 20th century.
Fascism & Cult of Personality
The document discusses symbols of power and authority in Italy, including the Fasces, which was adopted by Mussolini. It mentions Victor Emanuel II, the first king of a unified Italy, and a monument constructed in his honor in Rome between 1885-1925. The document also refers to Franco's tomb in Spain, which was constructed using 20,000 opposition prisoners through forced labor under the guise of allowing them to "redeem themselves" through work.
Fascism, Cult of Personality & Nazi Architecture
The document discusses several large architectural and monument projects in Italy and Germany between 1885-1937. It describes monuments built in Rome to Victor Emanuel II after Italian unification and Franco's tomb in Spain, which was constructed using forced labor of prisoners intended to "redeem themselves". It also shows unrealized plans for the massive Volkshalle in Germany as well as the Zeppelinfeld and Olympic Stadium built in Nuremberg and Berlin in the 1930s under Nazi rule, designed by Albert Speer.
World War I
Russian troops have amassed along the border of Ukraine in recent weeks, numbering over 100,000 according to some estimates. Western leaders have expressed concern this buildup could be preparation for a Russian invasion of Ukraine. There are fears Russia may be pursuing a further incursion and attempt to seize additional Ukrainian territory beyond the Donbas region and Crimea, which Russia annexed in 2014.
The Russian Revolutions
The document discusses Russia during different periods of history including under the Romanovs, in 1866, and in modern times. It provides maps and images from these eras with translations. Several images depict the hardships of World War I for Russian soldiers and civilians, including overcrowded field hospitals and refugees displaced from their homes. Additional images show propaganda posters with messages about choosing sides in the war and portraying Trotsky and the tsar in a positive light.
Depression & hyperinflation
The document discusses economic concepts like the Great Depression, GDP, unemployment, inflation, hyperinflation, and provides examples of countries that experienced hyperinflation in the 20th century. Hyperinflation occurs when prices rapidly increase as a currency loses value, such as in Germany in the 1920s and Zimbabwe in the 2000s. The document includes images related to the economic hardships of the Great Depression and hyperinflation.
Bauhaus
The document discusses the history and influence of the Bauhaus school of architecture and design founded in Germany in 1919. It provides background on founder Walter Gropius and highlights some of the school's key principles of integrating architecture, technology, and functionality. Examples are given of innovative furniture and building designs that emerged from the Bauhaus, including the Dessau building completed in 1926 that came to symbolize the school's ideals.
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How OTT Players Are Transforming Our TV Viewing Experience.pdf
The advent of Over-The-Top (OTT) players has brought a seismic shift in the television industry, transforming how we consume media. These digital platforms, which deliver content directly over the internet, have outpaced traditional cable and satellite television, offering unparalleled convenience, variety, and personalization. Here’s an in-depth look at how OTT players are revolutionizing the TV viewing experience.
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定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
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留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
From country star to global phenomenon, delve into Taylor Swift's incredible journey. Explore chart-topping hits, feuds, & her rise to billionaire status!
The Midnight Sculptor.pdf writer by Ali alsiad
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
The Enigmatic Portrait, In the heart of a sleepy town
In the heart of a sleepy town nestled between rolling hills and whispering pines …
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Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
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Sunny and Rishi 3 Written by Basak Serin
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VR Economy
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原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：95270640】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：95270640】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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FCSarch 04 Early Christianity & Byzantine 2
- 1. Map of Constantinople Early Christian & Byzantine II
- 2. HAGIA SOPHIA Hagia Sophia, c.535CE, Constantinople
- 3. Hagia Sophia
- 4. buttresses
- 5. buttresses
- 6. buttresses
- 9. Site plan
- 10. interior
- 11. interior
- 12. interior
- 13. Pantheon, oculus
- 14. Plastered wall
- 15. Mosaic depicting Justinian (left) presenting model of Hagia Sophia to the Virgin Mary. Constantine to the right presents her with model of Constantinople
- 16. Another Byzantine Church in Istanbul (now a mosque)
- 17. Byzantine Church in Istanbul (now a mosque)
- 18. Monastery Church, St. Panteleimon, village of Nerezi, Macedonia, 1164
- 19. Church of St. Catherine, Thessalonica (late 13 th century)