External Africa
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Presentation by Pieter van der Houwen, as part of the University of Glasgow's UNESCO Chair Black History Month lunchtime talks, October 2019.
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Listed below is the post that was done for class pertaining to the.docx
Listed below is the post that was done for class pertaining to the essay question selected and the rubric:
Rubric
Related questions and post to the essay question:
-What is at least one of Giddings' stated reasons for writing this essay?
-What is at least 2 arguments Giddings makes and how does he support (or not support) same?
-Of the 4 Africanisms (oral, spiritual, communal, & matrifocal) argued to exist in Jay-Z's work, which one is the most convincing to you that African Americans have an African cultural heritage; and how does Giddings support the claim?
-Have you ever witnessed these Africanisms, or cultural values, in action within a Black community; how so?
-After considering Jay-Z’s oeuvre, and that of other emcees, do you view Hip-hop as a strength or a challenge in African American communities; how so?
-What are you left wondering about; what questions remain unanswered in your mind? (required!)
It’s Giddings’s belief that Jay-Z’s work and particularly his lyrics can aid in illustrating African Cultural characteristics. These characteristics are innate to African Americans since, throughout most of U.S history, African Americans were not allowed to integrate into European American culture through practices such as slavery and segregation. Since Jay-Z is arguably one of the most accomplished hip-hop emcees’, his musical works are known world-wide, providing a framework for examining and understanding the value and contribution of hip-hop towards African American cultural core values.
Although Africa is vast and diverse with over 2000 languages, there exists a cultural unity among Africans as a result of some widely share traditions. These traditions include the adoration of ancestors, elders, and motherhood, the inseparability of spirituality and secular realms, matrilineal family organization, bride-wealth practices, and or record keeping. African American artists are compelled by core impulses to innovate Africanism culture across generations. Such impulses are articulated through imperatives as well as questions as the hip-hop culture evolves. Lastly, black culture is a derivative of African culture and according to historian James Sidbury, the idea of Africa is a creation of the socio-historic power of solemn African descendants in varied areas of the vast African migration.
Of the 4 Africanisms argued to exist in Jay-Z's work his notion of spirituality, religiosity and ethics are the most convincing that African Americans culture encompass African original culture. This is supported by Giddings when he claims that Jay-Z’s hip-hop practices such as the use of free-style ciphers. It is evident that in African culture, songs and dances were used during traditional ceremonies used to contact spirits and ancestors. Similarly, beyond the lyrics of Jay-Z’s tracks, the full depth of spirituality is experienced in his ciphers and live performances. Jay-Z mirrors the spiritual orientation manifest by Africa’s cultural perspective in ...
Listed below is the post that was done for class pertaining to the.docx
Listed below is the post that was done for class pertaining to the essay question selected and the rubric:
Rubric
Related questions and post to the essay question:
-What is at least one of Giddings' stated reasons for writing this essay?
-What is at least 2 arguments Giddings makes and how does he support (or not support) same?
-Of the 4 Africanisms (oral, spiritual, communal, & matrifocal) argued to exist in Jay-Z's work, which one is the most convincing to you that African Americans have an African cultural heritage; and how does Giddings support the claim?
-Have you ever witnessed these Africanisms, or cultural values, in action within a Black community; how so?
-After considering Jay-Z’s oeuvre, and that of other emcees, do you view Hip-hop as a strength or a challenge in African American communities; how so?
-What are you left wondering about; what questions remain unanswered in your mind? (required!)
It’s Giddings’s belief that Jay-Z’s work and particularly his lyrics can aid in illustrating African Cultural characteristics. These characteristics are innate to African Americans since, throughout most of U.S history, African Americans were not allowed to integrate into European American culture through practices such as slavery and segregation. Since Jay-Z is arguably one of the most accomplished hip-hop emcees’, his musical works are known world-wide, providing a framework for examining and understanding the value and contribution of hip-hop towards African American cultural core values.
Although Africa is vast and diverse with over 2000 languages, there exists a cultural unity among Africans as a result of some widely share traditions. These traditions include the adoration of ancestors, elders, and motherhood, the inseparability of spirituality and secular realms, matrilineal family organization, bride-wealth practices, and or record keeping. African American artists are compelled by core impulses to innovate Africanism culture across generations. Such impulses are articulated through imperatives as well as questions as the hip-hop culture evolves. Lastly, black culture is a derivative of African culture and according to historian James Sidbury, the idea of Africa is a creation of the socio-historic power of solemn African descendants in varied areas of the vast African migration.
Of the 4 Africanisms argued to exist in Jay-Z's work his notion of spirituality, religiosity and ethics are the most convincing that African Americans culture encompass African original culture. This is supported by Giddings when he claims that Jay-Z’s hip-hop practices such as the use of free-style ciphers. It is evident that in African culture, songs and dances were used during traditional ceremonies used to contact spirits and ancestors. Similarly, beyond the lyrics of Jay-Z’s tracks, the full depth of spirituality is experienced in his ciphers and live performances. Jay-Z mirrors the spiritual orientation manifest by Africa’s cultural perspective in .
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Listed below is the post that was done for class pertaining to the.docx
Listed below is the post that was done for class pertaining to the essay question selected and the rubric:
Rubric
Related questions and post to the essay question:
-What is at least one of Giddings' stated reasons for writing this essay?
-What is at least 2 arguments Giddings makes and how does he support (or not support) same?
-Of the 4 Africanisms (oral, spiritual, communal, & matrifocal) argued to exist in Jay-Z's work, which one is the most convincing to you that African Americans have an African cultural heritage; and how does Giddings support the claim?
-Have you ever witnessed these Africanisms, or cultural values, in action within a Black community; how so?
-After considering Jay-Z’s oeuvre, and that of other emcees, do you view Hip-hop as a strength or a challenge in African American communities; how so?
-What are you left wondering about; what questions remain unanswered in your mind? (required!)
It’s Giddings’s belief that Jay-Z’s work and particularly his lyrics can aid in illustrating African Cultural characteristics. These characteristics are innate to African Americans since, throughout most of U.S history, African Americans were not allowed to integrate into European American culture through practices such as slavery and segregation. Since Jay-Z is arguably one of the most accomplished hip-hop emcees’, his musical works are known world-wide, providing a framework for examining and understanding the value and contribution of hip-hop towards African American cultural core values.
Although Africa is vast and diverse with over 2000 languages, there exists a cultural unity among Africans as a result of some widely share traditions. These traditions include the adoration of ancestors, elders, and motherhood, the inseparability of spirituality and secular realms, matrilineal family organization, bride-wealth practices, and or record keeping. African American artists are compelled by core impulses to innovate Africanism culture across generations. Such impulses are articulated through imperatives as well as questions as the hip-hop culture evolves. Lastly, black culture is a derivative of African culture and according to historian James Sidbury, the idea of Africa is a creation of the socio-historic power of solemn African descendants in varied areas of the vast African migration.
Of the 4 Africanisms argued to exist in Jay-Z's work his notion of spirituality, religiosity and ethics are the most convincing that African Americans culture encompass African original culture. This is supported by Giddings when he claims that Jay-Z’s hip-hop practices such as the use of free-style ciphers. It is evident that in African culture, songs and dances were used during traditional ceremonies used to contact spirits and ancestors. Similarly, beyond the lyrics of Jay-Z’s tracks, the full depth of spirituality is experienced in his ciphers and live performances. Jay-Z mirrors the spiritual orientation manifest by Africa’s cultural perspective in ...
Listed below is the post that was done for class pertaining to the.docx
Listed below is the post that was done for class pertaining to the essay question selected and the rubric:
Rubric
Related questions and post to the essay question:
-What is at least one of Giddings' stated reasons for writing this essay?
-What is at least 2 arguments Giddings makes and how does he support (or not support) same?
-Of the 4 Africanisms (oral, spiritual, communal, & matrifocal) argued to exist in Jay-Z's work, which one is the most convincing to you that African Americans have an African cultural heritage; and how does Giddings support the claim?
-Have you ever witnessed these Africanisms, or cultural values, in action within a Black community; how so?
-After considering Jay-Z’s oeuvre, and that of other emcees, do you view Hip-hop as a strength or a challenge in African American communities; how so?
-What are you left wondering about; what questions remain unanswered in your mind? (required!)
It’s Giddings’s belief that Jay-Z’s work and particularly his lyrics can aid in illustrating African Cultural characteristics. These characteristics are innate to African Americans since, throughout most of U.S history, African Americans were not allowed to integrate into European American culture through practices such as slavery and segregation. Since Jay-Z is arguably one of the most accomplished hip-hop emcees’, his musical works are known world-wide, providing a framework for examining and understanding the value and contribution of hip-hop towards African American cultural core values.
Although Africa is vast and diverse with over 2000 languages, there exists a cultural unity among Africans as a result of some widely share traditions. These traditions include the adoration of ancestors, elders, and motherhood, the inseparability of spirituality and secular realms, matrilineal family organization, bride-wealth practices, and or record keeping. African American artists are compelled by core impulses to innovate Africanism culture across generations. Such impulses are articulated through imperatives as well as questions as the hip-hop culture evolves. Lastly, black culture is a derivative of African culture and according to historian James Sidbury, the idea of Africa is a creation of the socio-historic power of solemn African descendants in varied areas of the vast African migration.
Of the 4 Africanisms argued to exist in Jay-Z's work his notion of spirituality, religiosity and ethics are the most convincing that African Americans culture encompass African original culture. This is supported by Giddings when he claims that Jay-Z’s hip-hop practices such as the use of free-style ciphers. It is evident that in African culture, songs and dances were used during traditional ceremonies used to contact spirits and ancestors. Similarly, beyond the lyrics of Jay-Z’s tracks, the full depth of spirituality is experienced in his ciphers and live performances. Jay-Z mirrors the spiritual orientation manifest by Africa’s cultural perspective in .
Thurs encomienda
The document discusses reasons why people from Central America may immigrate to the United States and Canada. It presents five statements about socioeconomic conditions and opportunities in the modern US to agree or disagree with at different locations in the classroom. Some statements include whether anyone can become a millionaire, if non-white people and women face discrimination, and if social mobility is impacted by parental income levels. It also compares the ease of becoming rich in the US versus Latin America.
Alisha Cinema Final
This document discusses aspects of African American, Maori, and Japanese cultures. For African Americans, it covers identity, politics, culture and history including the film 12 Years a Slave. For Maori, it discusses culture, traditions, the film Whale Rider, and impacts of European colonization. For Japanese culture, it outlines traditions such as weddings and ceremonies, religions including Shintoism and Buddhism, and the film Spirited Away.
Native americans tribes
Native Americans originally lived in various parts of the United States in over 500 different tribes, each with their own unique culture, language, and traditions. The largest tribe is the Navajo, who live primarily in the southwestern states of Arizona, New Mexico, Utah, and Colorado on reservations. Native Americans traditionally lived in structures like teepees, longhouses, or earth lodges called hogans. They wore clothes made of animal skins and practiced subsistence activities like farming, hunting, fishing, and gathering to obtain food. In their free time, Native Americans participated in activities like arts, racing, and spiritual ceremonies.
Shona and great zimbabwe
The document provides information about the Shona people and Great Zimbabwe, an ancient city located in present-day Zimbabwe. It discusses the Shona languages, agricultural economy, gender roles with men hunting/fishing and women creating crafts, their political system of chiefs, ancestral spiritual beliefs, and details that the Shona built Great Zimbabwe around 400 AD, which was a large walled city that could house up to 18,000 people and spanned approximately 150 square miles.
Extra regional influence Rastafari experience
The Rastafari movement originated in Jamaica in the 1920s from Marcus Garvey's Pan African philosophy. It has since experienced marginalization in the Caribbean but has significantly impacted global culture and politics through reggae music. Reggae lyrics often address political and racial issues, and Bob Marley in particular spread Rastafari beliefs and philosophy worldwide through highly influential songs and albums. Rastafari dress, hairstyles, and dietary practices have also been widely adopted both within and outside of the Caribbean community. However, some Rastafari have also been involved in the illegal drug trade and portrayed negatively as a result.
Harlem renaissance
The document discusses the Great Migration of African Americans from the rural South to the urban North during the early 20th century in search of better economic opportunities and safety from violence and discrimination under Jim Crow laws. It led to the development of Harlem in New York City as the central hub of African American culture and the breeding ground of the Harlem Renaissance. The Harlem Renaissance was a cultural, social, and artistic explosion centered in Harlem in the 1920s that featured influential African American figures in literature, art, music, and intellectual thought like Langston Hughes, W.E.B. Du Bois, and Zora Neale Hurston. Elements of this cultural movement like jazz music still influence modern American culture today.
African
Africa is the second largest continent covering about 30.2 million square kilometers. It has an incredibly diverse array of peoples, languages, and cultures. The main language families include Afroasiatic, Nilo-Saharan, and Niger-Congo languages. Africa has a long tradition of oral literature including myths, epics, praise poems, proverbs and more. These oral traditions play an important role in African culture and continue to be an influential form of expression.
Orientalism
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Stereotypes and identity
A presentation for Dr. Vilageliu's English 003-18 Class. This is a group Project that focuses on how stereotypes affect identity.
Neb migration
Migration can involve both internal movement within a country and international movement between countries. Key factors that influence migration decisions include economic, political, environmental, and cultural conditions in both origin and destination locations. The distance between locations, intervening opportunities, and social networks affect the direction and extent of migratory flows. Forced migration of refugees occurs when people flee their home country due to persecution, conflict, or disaster.
African culture
Africa has immense cultural diversity due to its large size and geographical barriers separating peoples. [1] This has led to hundreds of distinct cultures within various nations and the use of European languages as official government languages. [2] Traditional African cultures place heavy emphasis on extended families and community over the individual. [3] Marriage customs, roles of family members, and beliefs surrounding death and the afterlife vary significantly between different ethnic groups across the continent.
Colorism
This document discusses the concept and global impact of colorism. It begins by defining colorism as discrimination that favors those with lighter skin over darker skin. It then explores the origins of colorism through the miscegenation of slaves and colonial ideology of white superiority. The effects in the Black community are examined, such as the brown paper bag test and comb test that privileged lighter features. The document outlines how colorism exists globally in cultures like Asia, Latin America, Africa, and the Caribbean by privileging lighter skin and European features. The psychological impacts of colorism are also addressed, such as depression, low self-esteem, and feeling unattractive based on skin color.
Colorism powerpoint [autosaved]
This document discusses the concept and global impact of colorism. It begins by defining colorism as discrimination that favors those with lighter skin over darker skin. It then explores the origins of colorism through the miscegenation of slaves and colonial ideology of white superiority. The effects in the Black community are examined, such as the brown paper bag test and comb test that privileged lighter features. The document outlines how colorism exists globally in cultures like Asia, Latin America, Africa, and the Caribbean by privileging lighter skin and European features. The psychological impacts of colorism are also addressed, such as depression, low self-esteem, and feeling unattractive based on skin color.
American Culture
This document provides an overview of American culture by examining various regions of the United States. It discusses the population trends, linguistics, cuisine and other cultural aspects of four main regions: the Western US, the Midwest, the South, and the Northeast. Key facts are given for each region's states, cities, dialects, food, and lifestyle. Business attire and celebrations/holidays are also summarized on a national level. The document aims to analyze and describe the diverse cultural practices within the United States.
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Listed below is the post that was done for class pertaining to the.docx
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- 1. ZAM MAGAZINE
- 2. EXTERNAL AFRICA Narratives from within the Contemporary African Diaspora.
- 3. The Long Distance Runner
- 6. REMITTANCES
- 9. Trade • Interpretation ( Prof Adams Bodomo) • Racism • Nigerian / Francophone districts • $ 50 million Per diem • African Unity / Heterogeneous • African / Chinese / entitlement • Visa Application • Customization
- 10. The Tourists
- 11. The Buyer
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- 13. The Manicure
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- 16. • Polarization / Churches • Indigenous / American descent • Conflict Home Country / Comfort zone • No common oppressor • Temporary Protected Status (TPS) • African American / African • Little Senegal ( Rachid bouchareb)
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- 19. Mamie Love Dixon Tucker
- 21. Nejar Gonzeh
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- 23. • Return to Nigeria • Social Hierarchy • Americana / Chiamanda Ngozi Adichie • Cultural Impact / Political Impact.
- 24. The Returnees
- 25. United States
- 26. United Kingdom
- 27. South Africa
- 29. • 87% of African migration • Yeoville • Xenophobia
- 30. The Artist
- 32. The Take Away
- 33. Glasgow
- 34. • Brain drain • Remittances • Western Union • Relative to relative • Zimbabwean initiative
- 35. The Hairdresser
- 36. The Priest
- 43. ZAM MAGAZINE