Evaluation part 2
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The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had creative freedom over the setting, actions, and content of the video. The front cover of the product displays a river and broken tree for direct representation, and the location of shooting was beside the river theme the school is located by for nature representation. A font was chosen to represent the natural elements of the song, and information was included about the song being used in an advert from LoveFilm. The poster created was similar to the front cover to obviously connect it to the product.
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Darcu evaluation q1)
The document discusses how the media product, a film trailer for "Delilah", both follows and challenges conventions of real media products. It follows conventions such as using titles over shots, short visual images to build narrative, and changing music to match changes in action. However, it challenges conventions by using unusual camera angles to imply a non-typical romance, having the female character destroy the relationship rather than the male, and including lyrics in the music rather than using solely instrumental songs. The trailer overall aims to provide an intimate look at the developing and breaking down of relationships through unique visual and audio techniques.
Script
SLK Productions was formed by Sarra, Livvy and Kieran based on their initials. They chose an old fashioned font to make their company seem established.
The title style was inspired by Think ads to resemble road markings, relevant to their film. The opening shot establishes the location to orient the audience, then introduces the main character Ben near a car, but there is a continuity issue with the car's appearance.
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This document discusses how the media product uses and develops conventions from real media. It summarizes how the poster emulates structures from films like "Drive" and "Jacob's Ladder" with title, tagline, reviews, billing, and a distorted main subject. The teaser trailer compares to "Foxcatcher" in duration and including company idents for 1 second each. Both trailers use consistent fonts and effects for text. The music in the teaser builds tension like "Annabelle 2" with a cymbal and rising bass. Shots in the teaser are edited like "The Shining" with juxtaposed, surreal scenes. The magazine cover emulates "Sight &
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The document discusses the production of a short film called "Overdose". It highlights strengths such as effective collaboration, communication, and symbolism. Lighting and sound design were used to convey themes like a character's entrapment and isolation. Production difficulties included changing locations, tight timelines requiring cuts, needing reshoots, workarounds for an actor who couldn't drive, and scheduling actors on different days due to availability. Recurring motifs and archive sound effects were incorporated.
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The document analyzes and summarizes the logos of three film companies - Alcon Entertainment, Spyglass Entertainment, and New Line Cinema. For Alcon Entertainment, the logo animation consists of a man shooting a bow and arrow from different angles on a black background. For Spyglass Entertainment, the logo animation zooms out from a spyglass showing an ocean and mountains, with text above and below a central image. For New Line Cinema, the animation starts with a flipping rectangle and features two film reels on a black background with a blue shadow.
Magazine before and after powerpoint
The document describes changes made to a poster in response to feedback. More text was added to the left side per a suggestion to do so. The title was made lighter and the text graphics changed to make the title more clear after feedback that the title could not be seen well. A brick wall background was added both to address feedback that a background was needed and to better identify the thriller genre by providing a darker tone.
Audience feedback
The document summarizes feedback received on a magazine cover and poster design. For the magazine cover, feedback indicated it looked realistic but could be improved by adding a background and emphasizing the thriller genre more clearly. For the poster, feedback was generally positive about the silhouette image but suggested making the colors darker to better convey the thriller genre and improving the tagline.
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Darcu evaluation q1)
The document discusses how the media product, a film trailer for "Delilah", both follows and challenges conventions of real media products. It follows conventions such as using titles over shots, short visual images to build narrative, and changing music to match changes in action. However, it challenges conventions by using unusual camera angles to imply a non-typical romance, having the female character destroy the relationship rather than the male, and including lyrics in the music rather than using solely instrumental songs. The trailer overall aims to provide an intimate look at the developing and breaking down of relationships through unique visual and audio techniques.
Script
SLK Productions was formed by Sarra, Livvy and Kieran based on their initials. They chose an old fashioned font to make their company seem established.
The title style was inspired by Think ads to resemble road markings, relevant to their film. The opening shot establishes the location to orient the audience, then introduces the main character Ben near a car, but there is a continuity issue with the car's appearance.
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The document summarizes feedback received on a magazine cover and poster design. For the magazine cover, feedback indicated it looked realistic but could be improved by adding a background and emphasizing the thriller genre more clearly. For the poster, feedback was generally positive about the silhouette image but suggested making the colors darker to better convey the thriller genre and improving the tagline.
Evaluation q1
The document discusses how a media product followed conventions of real trailers, posters, and magazines while also challenging some conventions. It summarizes the key conventions used in a teaser trailer like scenes inspiring interest, transitions, voiceover, and music. It also discusses conventions used in the magazine cover and poster like large photos, fonts, reviews. Some conventions were challenged, like the timing of the production company ident in the trailer and elements on the poster and magazine cover. Overall the document analyzes how the media product balanced following real conventions with some original challenges to those conventions.
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The document analyzes and describes the logos of three film companies - Alcon Entertainment, Spyglass Entertainment, and New Line Cinema. For each logo, it discusses the design elements like colors, text, and main images. The Alcon Entertainment logo features the words "ALCON" and "ENTERTAINMENT" alongside an image of a man shooting an arrow. The Spyglass Entertainment logo similarly has two lines of text above and below an image of a man using a spyglass. Finally, the New Line Cinema logo places the text below an image of a black rectangle with attached film reels surrounded by a blue shadow.
Research Into Ancillary Products
This document provides information about ancillary products that can be used to promote films and albums, such as posters, music videos, and merchandise. It then discusses terminology used in film posters, including font, layout, composition, color schemes, and other design elements. Two film posters and two magazine covers are then analyzed, noting elements like fonts, images, colors, layouts, and how they appeal to audiences and represent the promoted work.
Final digi pak photos
This document provides a slideshow and explanations of the editing process used to create final photos for a DigiPak album cover. It includes before and after photos with annotations describing the edits made, such as adding a grain effect to make photos appear more vintage, applying color filters, adjusting lighting and focus, and adding text using a consistent font with outline. The goal was to establish a consistent vintage aesthetic and visual identity for a fictional indie band across the album packaging.
Company logo analysis
The document analyzes and summarizes the logos of three film companies: Alcon Entertainment, Spyglass Entertainment, and New Line Cinema. All three logos use a black background and include both text and a central image. Alcon Entertainment's logo features the text "ALCON" and "ENTERTAINMENT" surrounding an image of a man shooting an arrow. Spyglass Entertainment's logo contains the text "SPYGLASS" and "ENTERTAINMENT" above and below an image looking through a spyglass. New Line Cinema's logo has the text "NEW LINE CINEMA" below an image of a black rectangle with film reels, surrounded by a blue shadow.
Question 2
The document discusses how the magazine front cover, teaser poster, and main film poster for the movie TIME? effectively work together with and summarize the main film. Key elements that connect the ancillary texts to the main film are:
1) The main characters are depicted in the same clothing poses across the texts.
2) A main killer character is shown wearing the same hooded top in the poster, magazine, and trailer.
3) A scene from the trailer of the killers walking is depicted on the film poster.
4) The movie title and tagline are displayed in the same font and layout across the texts.
5) Government housing estates shown in the trailer and poster set the scene and tone
Clip 1
The title sequence establishes the romantic comedy genre through conventions of film titles and a non-diegetic song about finding love that fits the genre. It develops forms and conventions by including a romantic moment between the protagonist and love interest as well as comedic elements through exaggerated dancing and physical comedy to evoke happiness expected of the genre.
question1
The title sequence establishes the romantic comedy genre through conventions of film titles and a non-diegetic song with upbeat lyrics about love lifting one higher. It develops forms characteristic of the genre by showing the protagonist falling romantically into a boy's arms and engaging in clumsy but comedic dancing that will make the audience feel happy. Special effects are used to slow down a clip and emphasize the romantic meeting, signifying it will be important to the rest of the film.
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This document provides an analysis of Rebecca Martin's advanced media production coursework, which involved creating a music video and accompanying promotional materials.
The music video was created to promote a fictional album. Rebecca researched conventions of similar music videos and promotional styles to ensure her work fit genres. Her music video uses shots common to indie music videos like close-ups and long shots. It tells the narrative story of a relationship through scenes of the couple and the artist singing.
Feedback indicated the video and song complemented each other well and the acting seemed natural. Rebecca learned the importance of quality footage, photos and software to create a professional product. She applied skills in editing, camerawork and design to complete her course
Evaluation question 2
The combination of the music video and digipak are effective because they contain both similarities and differences that enhance engagement. Some similarities include using landscape shots from Manchester City that feature in both, as well as identical shots of the performer. Differences, like using separate photographs for the digipak cover, were intentional to make audiences think more about the connections between the two pieces. Black and white color schemes and bold fonts are also used consistently to grab attention and reflect the artist's style.
Media Evaluation, Question 1
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Eval q 1
The media product challenges conventions of real music videos in several ways. It portrays a darker storyline of bullying rather than resolving conflicts. It uses intertextual references by recreating famous movie scenes to show the protagonist escaping through films. Performance clips advance the narrative rather than just exhibiting the artist. Editing matches the beat but varies in pace across the video to set different moods. The color grading and letterbox format aim to give the video a cinematic feel.
Olivia Peacock task 1
The document summarizes the techniques used in a rom-com media product to make it conventional like established rom-coms. It discusses using typical camera angles focused on acting, only non-diegetic sound including a song and voiceover, mise-en-scene with lighting and costumes to set the scene, and quick cutting editing between short scenes to represent the passage of time.
Media Coursework Evaluation
This document discusses a student media project comparing their short film "Dealer" to the films Ocean's Eleven and Adulthood. It covers how the film uses similar music, costumes, editing techniques, and camera work. It also discusses how the film represents the class, age, and gender of the characters similarly to these films. The document suggests distributors like Ska Films or Warner Bros. could distribute the film and that the target audience would be similar to the compared films. It reflects on the filmmaking process and technologies used to create the short film on a low budget.
Media Coursework Evaluation
This document discusses a student media project comparing their short film "Dealer" to the films Ocean's Eleven and Adulthood. It covers how the film uses similar music, costumes, editing techniques, and camera work. It also discusses how the film represents the class, age, and gender of the main characters similarly to these films. The document considers what type of media companies and audience would be interested in the student film. It reflects on what the students have learned about film technologies and the progression of their skills from a preliminary task.
Media evaluation
- The document compares the filmmakers' student project "Dealer" to established films like Ocean's Eleven and Lock, Stock and Two Smoking Barrels in terms of music, costumes, editing, and characters.
- It discusses how they promoted and distributed the low-budget film online using YouTube and social media to get feedback from viewers.
- Challenges of the limited budget are addressed, such as using consumer video and audio editing software instead of professional tools.
Media evaluation
The document discusses the student film "Dealer" and how it compares to other films in its use of conventions. It analyzes the music, costumes, editing, camerawork, representation of class/age/gender, potential distributors, target audience, and technologies used. The students learned about the 180 degree rule, improved their movie and music editing skills between preliminary and final projects using iMovie and Garageband on a low budget.
Let it go- James Bay
The document analyzes the music video for "Let It Go" by James Bay. It discusses how the video uses a narrative structure but focuses heavily on shots of James, reflecting the song's emotional tone. The video has a simple, isolating storyline and basic visuals but effectively conveys James' story of heartbreak. Shots like close-ups are used to showcase emotions, while lighting, costume, and editing fit the song's slow tempo to create a meaningful, connecting experience for viewers.
Evaluation q1
1) The documentary uses a variety of filming techniques like non-linear storytelling, shot-reverse-shot editing, and different shot sizes to develop the genre of a sports drama film about boxing.
2) Sound is used both diegetically and non-diegetically to provide context and emotion. This includes voiceover, music, and adjusted sound levels during editing.
3) Mise-en-scene with costumes, locations, and props link the characters to the sport setting and genre of the film. Typography with bold white subtitles and titles are used for dramatic effect and readability.
Evaluation part 4
This document discusses the equipment and technologies used to construct a music video for evaluation. It describes the main computer used for editing with software like Vegas Movie Maker and Photoshop. A camera and tripod were used to film footage. Additional lighting helped create effective shots. Blogger, Slideshare, YouTube, and Facebook were used to share, receive feedback, and collaborate on the project online. Photoshop was utilized to edit photos for the digital packaging.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had creative freedom over the setting, actions, and content of the video. The front cover of the product displays a river and broken tree for direct representation, and the location of shooting was beside the river theme the school is located by for nature representation. A font was tested that would represent the natural elements of the song, and information was included about the song being used in an advert from LoveFilm. The poster created was similar to the front cover to obviously connect it to the product.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had no influences on the setting, story, or content. The location for shooting was beside a river near their school, and they tested many fonts for the digital packaging to represent the natural elements of the song and river location.
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Evaluation q1
The document discusses how a media product followed conventions of real trailers, posters, and magazines while also challenging some conventions. It summarizes the key conventions used in a teaser trailer like scenes inspiring interest, transitions, voiceover, and music. It also discusses conventions used in the magazine cover and poster like large photos, fonts, reviews. Some conventions were challenged, like the timing of the production company ident in the trailer and elements on the poster and magazine cover. Overall the document analyzes how the media product balanced following real conventions with some original challenges to those conventions.
Company logo analysis
The document analyzes and describes the logos of three film companies - Alcon Entertainment, Spyglass Entertainment, and New Line Cinema. For each logo, it discusses the design elements like colors, text, and main images. The Alcon Entertainment logo features the words "ALCON" and "ENTERTAINMENT" alongside an image of a man shooting an arrow. The Spyglass Entertainment logo similarly has two lines of text above and below an image of a man using a spyglass. Finally, the New Line Cinema logo places the text below an image of a black rectangle with attached film reels surrounded by a blue shadow.
Research Into Ancillary Products
This document provides information about ancillary products that can be used to promote films and albums, such as posters, music videos, and merchandise. It then discusses terminology used in film posters, including font, layout, composition, color schemes, and other design elements. Two film posters and two magazine covers are then analyzed, noting elements like fonts, images, colors, layouts, and how they appeal to audiences and represent the promoted work.
Final digi pak photos
This document provides a slideshow and explanations of the editing process used to create final photos for a DigiPak album cover. It includes before and after photos with annotations describing the edits made, such as adding a grain effect to make photos appear more vintage, applying color filters, adjusting lighting and focus, and adding text using a consistent font with outline. The goal was to establish a consistent vintage aesthetic and visual identity for a fictional indie band across the album packaging.
Company logo analysis
The document analyzes and summarizes the logos of three film companies: Alcon Entertainment, Spyglass Entertainment, and New Line Cinema. All three logos use a black background and include both text and a central image. Alcon Entertainment's logo features the text "ALCON" and "ENTERTAINMENT" surrounding an image of a man shooting an arrow. Spyglass Entertainment's logo contains the text "SPYGLASS" and "ENTERTAINMENT" above and below an image looking through a spyglass. New Line Cinema's logo has the text "NEW LINE CINEMA" below an image of a black rectangle with film reels, surrounded by a blue shadow.
Question 2
The document discusses how the magazine front cover, teaser poster, and main film poster for the movie TIME? effectively work together with and summarize the main film. Key elements that connect the ancillary texts to the main film are:
1) The main characters are depicted in the same clothing poses across the texts.
2) A main killer character is shown wearing the same hooded top in the poster, magazine, and trailer.
3) A scene from the trailer of the killers walking is depicted on the film poster.
4) The movie title and tagline are displayed in the same font and layout across the texts.
5) Government housing estates shown in the trailer and poster set the scene and tone
What's hot (6)
Similar to Evaluation part 2
Clip 1
The title sequence establishes the romantic comedy genre through conventions of film titles and a non-diegetic song about finding love that fits the genre. It develops forms and conventions by including a romantic moment between the protagonist and love interest as well as comedic elements through exaggerated dancing and physical comedy to evoke happiness expected of the genre.
question1
The title sequence establishes the romantic comedy genre through conventions of film titles and a non-diegetic song with upbeat lyrics about love lifting one higher. It develops forms characteristic of the genre by showing the protagonist falling romantically into a boy's arms and engaging in clumsy but comedic dancing that will make the audience feel happy. Special effects are used to slow down a clip and emphasize the romantic meeting, signifying it will be important to the rest of the film.
Advanced media production evaluation
This document provides an analysis of Rebecca Martin's advanced media production coursework, which involved creating a music video and accompanying promotional materials.
The music video was created to promote a fictional album. Rebecca researched conventions of similar music videos and promotional styles to ensure her work fit genres. Her music video uses shots common to indie music videos like close-ups and long shots. It tells the narrative story of a relationship through scenes of the couple and the artist singing.
Feedback indicated the video and song complemented each other well and the acting seemed natural. Rebecca learned the importance of quality footage, photos and software to create a professional product. She applied skills in editing, camerawork and design to complete her course
Evaluation question 2
The combination of the music video and digipak are effective because they contain both similarities and differences that enhance engagement. Some similarities include using landscape shots from Manchester City that feature in both, as well as identical shots of the performer. Differences, like using separate photographs for the digipak cover, were intentional to make audiences think more about the connections between the two pieces. Black and white color schemes and bold fonts are also used consistently to grab attention and reflect the artist's style.
Media Evaluation, Question 1
The document discusses how Amy Edmonds applied Goodwin's principles of matching visuals, music, and lyrics in her music video for Two Door Cinema Club. Key elements that were precisely edited to match the music included scenes in the video as well as motifs like a red heart balloon and clown. Intertextual references to the TV show Skins were also included in the narrative concept and editing style of the music video. Consistent use of color, typography, and layout across the music video, website, and album packaging helped to establish a visual identity and brand for the artist.
Eval q 1
The media product challenges conventions of real music videos in several ways. It portrays a darker storyline of bullying rather than resolving conflicts. It uses intertextual references by recreating famous movie scenes to show the protagonist escaping through films. Performance clips advance the narrative rather than just exhibiting the artist. Editing matches the beat but varies in pace across the video to set different moods. The color grading and letterbox format aim to give the video a cinematic feel.
Olivia Peacock task 1
The document summarizes the techniques used in a rom-com media product to make it conventional like established rom-coms. It discusses using typical camera angles focused on acting, only non-diegetic sound including a song and voiceover, mise-en-scene with lighting and costumes to set the scene, and quick cutting editing between short scenes to represent the passage of time.
Media Coursework Evaluation
This document discusses a student media project comparing their short film "Dealer" to the films Ocean's Eleven and Adulthood. It covers how the film uses similar music, costumes, editing techniques, and camera work. It also discusses how the film represents the class, age, and gender of the characters similarly to these films. The document suggests distributors like Ska Films or Warner Bros. could distribute the film and that the target audience would be similar to the compared films. It reflects on the filmmaking process and technologies used to create the short film on a low budget.
Media Coursework Evaluation
This document discusses a student media project comparing their short film "Dealer" to the films Ocean's Eleven and Adulthood. It covers how the film uses similar music, costumes, editing techniques, and camera work. It also discusses how the film represents the class, age, and gender of the main characters similarly to these films. The document considers what type of media companies and audience would be interested in the student film. It reflects on what the students have learned about film technologies and the progression of their skills from a preliminary task.
Media evaluation
- The document compares the filmmakers' student project "Dealer" to established films like Ocean's Eleven and Lock, Stock and Two Smoking Barrels in terms of music, costumes, editing, and characters.
- It discusses how they promoted and distributed the low-budget film online using YouTube and social media to get feedback from viewers.
- Challenges of the limited budget are addressed, such as using consumer video and audio editing software instead of professional tools.
Media evaluation
The document discusses the student film "Dealer" and how it compares to other films in its use of conventions. It analyzes the music, costumes, editing, camerawork, representation of class/age/gender, potential distributors, target audience, and technologies used. The students learned about the 180 degree rule, improved their movie and music editing skills between preliminary and final projects using iMovie and Garageband on a low budget.
Let it go- James Bay
The document analyzes the music video for "Let It Go" by James Bay. It discusses how the video uses a narrative structure but focuses heavily on shots of James, reflecting the song's emotional tone. The video has a simple, isolating storyline and basic visuals but effectively conveys James' story of heartbreak. Shots like close-ups are used to showcase emotions, while lighting, costume, and editing fit the song's slow tempo to create a meaningful, connecting experience for viewers.
Evaluation q1
1) The documentary uses a variety of filming techniques like non-linear storytelling, shot-reverse-shot editing, and different shot sizes to develop the genre of a sports drama film about boxing.
2) Sound is used both diegetically and non-diegetically to provide context and emotion. This includes voiceover, music, and adjusted sound levels during editing.
3) Mise-en-scene with costumes, locations, and props link the characters to the sport setting and genre of the film. Typography with bold white subtitles and titles are used for dramatic effect and readability.
Similar to Evaluation part 2 (13)
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Evaluation part 4
This document discusses the equipment and technologies used to construct a music video for evaluation. It describes the main computer used for editing with software like Vegas Movie Maker and Photoshop. A camera and tripod were used to film footage. Additional lighting helped create effective shots. Blogger, Slideshare, YouTube, and Facebook were used to share, receive feedback, and collaborate on the project online. Photoshop was utilized to edit photos for the digital packaging.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had creative freedom over the setting, actions, and content of the video. The front cover of the product displays a river and broken tree for direct representation, and the location of shooting was beside the river theme the school is located by for nature representation. A font was tested that would represent the natural elements of the song, and information was included about the song being used in an advert from LoveFilm. The poster created was similar to the front cover to obviously connect it to the product.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had no influences on the setting, story, or content. The location for shooting was beside a river near their school, and they tested many fonts for the digital packaging to represent the natural elements of the song and river location.
Evaluation part 2.
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had creative freedom over the setting, actions, and content of the video. The front cover of the product displays a river and broken tree for direct representation, and the location of shooting was beside the river theme the school is located by for nature representation. A font was chosen to represent the natural elements of the song, and information was included about the song being used in an advert from LoveFilm. The poster created was similar to the front cover to obviously connect it to the product.
Evaluation part 2.
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had no influences on the setting, story, or content. The location for shooting was beside a river near their school, and they tested many fonts for the digital packaging to represent the natural elements of the song and river location.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had creative freedom over the setting, actions, and content of the video. The front cover of the product displays a river and broken tree for direct representation, and the location of shooting was beside the river theme the school is located by for nature representation. A font was tested that would represent the natural elements of the song, and information was included about the song being used in an advert from LoveFilm. The poster created was similar to the front cover to obviously connect it to the product.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had creative freedom over the setting, actions, and content of the video. The front cover of the product displays a river and broken tree for direct representation, and the location of shooting was beside the river theme the school is located by for nature representation. A font was tested that would represent the natural elements of the song, and information was included about the song being used in an advert from LoveFilm. The poster created was similar to the front cover to obviously connect it to the product.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had no influences on the setting, story, or content. It also mentions representing lyrics and nature through direct representation of a bird in the background and shooting on location beside the river for the school project.
Evaluation part 2
The document evaluates how effectively a main product and ancillary texts are combined. It summarizes that a song called "Higher Love" by James Vincent McMorrow was chosen for a music video because no official video already existed, so they had no influences on the setting, story, or content. The location for shooting was beside a river near their school, and they tested many fonts for the digital packaging to represent the natural elements of the song and river location.
Evaluation part 4
The document discusses the equipment and software used to construct a music video. It describes the computer used for editing with software like Movie Maker and Photoshop. A camera and tripod were used to film footage. Blogger was used to post work online for teacher feedback. Slideshare was used to share the evaluation. YouTube was used to broadcast the video and gauge audience response. Sony Movie Vegas was used to edit video clips. Facebook was utilized to coordinate with the group and receive feedback.
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Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
Digital Marketing Trends in 2024 | Guide for Staying Ahead
https://www.wask.co/ebooks/digital-marketing-trends-in-2024
Feeling lost in the digital marketing whirlwind of 2024? Technology is changing, consumer habits are evolving, and staying ahead of the curve feels like a never-ending pursuit. This e-book is your compass. Dive into actionable insights to handle the complexities of modern marketing. From hyper-personalization to the power of user-generated content, learn how to build long-term relationships with your audience and unlock the secrets to success in the ever-shifting digital landscape.
A Comprehensive Guide to DeFi Development Services in 2024
DeFi represents a paradigm shift in the financial industry. Instead of relying on traditional, centralized institutions like banks, DeFi leverages blockchain technology to create a decentralized network of financial services. This means that financial transactions can occur directly between parties, without intermediaries, using smart contracts on platforms like Ethereum.
In 2024, we are witnessing an explosion of new DeFi projects and protocols, each pushing the boundaries of what’s possible in finance.
In summary, DeFi in 2024 is not just a trend; it’s a revolution that democratizes finance, enhances security and transparency, and fosters continuous innovation. As we proceed through this presentation, we'll explore the various components and services of DeFi in detail, shedding light on how they are transforming the financial landscape.
At Intelisync, we specialize in providing comprehensive DeFi development services tailored to meet the unique needs of our clients. From smart contract development to dApp creation and security audits, we ensure that your DeFi project is built with innovation, security, and scalability in mind. Trust Intelisync to guide you through the intricate landscape of decentralized finance and unlock the full potential of blockchain technology.
Ready to take your DeFi project to the next level? Partner with Intelisync for expert DeFi development services today!
Monitoring and Managing Anomaly Detection on OpenShift.pdf
Monitoring and Managing Anomaly Detection on OpenShift
Overview
Dive into the world of anomaly detection on edge devices with our comprehensive hands-on tutorial. This SlideShare presentation will guide you through the entire process, from data collection and model training to edge deployment and real-time monitoring. Perfect for those looking to implement robust anomaly detection systems on resource-constrained IoT/edge devices.
Key Topics Covered
1. Introduction to Anomaly Detection
- Understand the fundamentals of anomaly detection and its importance in identifying unusual behavior or failures in systems.
2. Understanding Edge (IoT)
- Learn about edge computing and IoT, and how they enable real-time data processing and decision-making at the source.
3. What is ArgoCD?
- Discover ArgoCD, a declarative, GitOps continuous delivery tool for Kubernetes, and its role in deploying applications on edge devices.
4. Deployment Using ArgoCD for Edge Devices
- Step-by-step guide on deploying anomaly detection models on edge devices using ArgoCD.
5. Introduction to Apache Kafka and S3
- Explore Apache Kafka for real-time data streaming and Amazon S3 for scalable storage solutions.
6. Viewing Kafka Messages in the Data Lake
- Learn how to view and analyze Kafka messages stored in a data lake for better insights.
7. What is Prometheus?
- Get to know Prometheus, an open-source monitoring and alerting toolkit, and its application in monitoring edge devices.
8. Monitoring Application Metrics with Prometheus
- Detailed instructions on setting up Prometheus to monitor the performance and health of your anomaly detection system.
9. What is Camel K?
- Introduction to Camel K, a lightweight integration framework built on Apache Camel, designed for Kubernetes.
10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
Fueling AI with Great Data with Airbyte Webinar
This talk will focus on how to collect data from a variety of sources, leveraging this data for RAG and other GenAI use cases, and finally charting your course to productionalization.
Programming Foundation Models with DSPy - Meetup Slides
Prompting language models is hard, while programming language models is easy. In this talk, I will discuss the state-of-the-art framework DSPy for programming foundation models with its powerful optimizers and runtime constraint system.
June Patch Tuesday
Ivanti’s Patch Tuesday breakdown goes beyond patching your applications and brings you the intelligence and guidance needed to prioritize where to focus your attention first. Catch early analysis on our Ivanti blog, then join industry expert Chris Goettl for the Patch Tuesday Webinar Event. There we’ll do a deep dive into each of the bulletins and give guidance on the risks associated with the newly-identified vulnerabilities.
Skybuffer SAM4U tool for SAP license adoption
Manage and optimize your license adoption and consumption with SAM4U, an SAP free customer software asset management tool.
SAM4U, an SAP complimentary software asset management tool for customers, delivers a detailed and well-structured overview of license inventory and usage with a user-friendly interface. We offer a hosted, cost-effective, and performance-optimized SAM4U setup in the Skybuffer Cloud environment. You retain ownership of the system and data, while we manage the ABAP 7.58 infrastructure, ensuring fixed Total Cost of Ownership (TCO) and exceptional services through the SAP Fiori interface.
5th LF Energy Power Grid Model Meet-up Slides
5th Power Grid Model Meet-up
It is with great pleasure that we extend to you an invitation to the 5th Power Grid Model Meet-up, scheduled for 6th June 2024. This event will adopt a hybrid format, allowing participants to join us either through an online Mircosoft Teams session or in person at TU/e located at Den Dolech 2, Eindhoven, Netherlands. The meet-up will be hosted by Eindhoven University of Technology (TU/e), a research university specializing in engineering science & technology.
Power Grid Model
The global energy transition is placing new and unprecedented demands on Distribution System Operators (DSOs). Alongside upgrades to grid capacity, processes such as digitization, capacity optimization, and congestion management are becoming vital for delivering reliable services.
Power Grid Model is an open source project from Linux Foundation Energy and provides a calculation engine that is increasingly essential for DSOs. It offers a standards-based foundation enabling real-time power systems analysis, simulations of electrical power grids, and sophisticated what-if analysis. In addition, it enables in-depth studies and analysis of the electrical power grid’s behavior and performance. This comprehensive model incorporates essential factors such as power generation capacity, electrical losses, voltage levels, power flows, and system stability.
Power Grid Model is currently being applied in a wide variety of use cases, including grid planning, expansion, reliability, and congestion studies. It can also help in analyzing the impact of renewable energy integration, assessing the effects of disturbances or faults, and developing strategies for grid control and optimization.
What to expect
For the upcoming meetup we are organizing, we have an exciting lineup of activities planned:
-Insightful presentations covering two practical applications of the Power Grid Model.
-An update on the latest advancements in Power Grid -Model technology during the first and second quarters of 2024.
-An interactive brainstorming session to discuss and propose new feature requests.
-An opportunity to connect with fellow Power Grid Model enthusiasts and users.
Skybuffer AI: Advanced Conversational and Generative AI Solution on SAP Busin...
Skybuffer AI, built on the robust SAP Business Technology Platform (SAP BTP), is the latest and most advanced version of our AI development, reaffirming our commitment to delivering top-tier AI solutions. Skybuffer AI harnesses all the innovative capabilities of the SAP BTP in the AI domain, from Conversational AI to cutting-edge Generative AI and Retrieval-Augmented Generation (RAG). It also helps SAP customers safeguard their investments into SAP Conversational AI and ensure a seamless, one-click transition to SAP Business AI.
With Skybuffer AI, various AI models can be integrated into a single communication channel such as Microsoft Teams. This integration empowers business users with insights drawn from SAP backend systems, enterprise documents, and the expansive knowledge of Generative AI. And the best part of it is that it is all managed through our intuitive no-code Action Server interface, requiring no extensive coding knowledge and making the advanced AI accessible to more users.
Choosing The Best AWS Service For Your Website + API.pptx
Have you ever been confused by the myriad of choices offered by AWS for hosting a website or an API?
Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
Which one is cheapest? Which one is fastest? Which one will scale to meet our needs?
Join me in this session as we dive into each AWS hosting service to determine which one is best for your scenario and explain why!
AWS Cloud Cost Optimization Presentation.pptx
This presentation provides valuable insights into effective cost-saving techniques on AWS. Learn how to optimize your AWS resources by rightsizing, increasing elasticity, picking the right storage class, and choosing the best pricing model. Additionally, discover essential governance mechanisms to ensure continuous cost efficiency. Whether you are new to AWS or an experienced user, this presentation provides clear and practical tips to help you reduce your cloud costs and get the most out of your budget.
System Design Case Study: Building a Scalable E-Commerce Platform - Hiike
This case study explores designing a scalable e-commerce platform, covering key requirements, system components, and best practices.
HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAU
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
TrustArc Webinar - 2024 Global Privacy Survey
How does your privacy program stack up against your peers? What challenges are privacy teams tackling and prioritizing in 2024?
In the fifth annual Global Privacy Benchmarks Survey, we asked over 1,800 global privacy professionals and business executives to share their perspectives on the current state of privacy inside and outside of their organizations. This year’s report focused on emerging areas of importance for privacy and compliance professionals, including considerations and implications of Artificial Intelligence (AI) technologies, building brand trust, and different approaches for achieving higher privacy competence scores.
See how organizational priorities and strategic approaches to data security and privacy are evolving around the globe.
This webinar will review:
- The top 10 privacy insights from the fifth annual Global Privacy Benchmarks Survey
- The top challenges for privacy leaders, practitioners, and organizations in 2024
- Key themes to consider in developing and maintaining your privacy program
Artificial Intelligence for XMLDevelopment
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
Generating privacy-protected synthetic data using Secludy and Milvus
During this demo, the founders of Secludy will demonstrate how their system utilizes Milvus to store and manipulate embeddings for generating privacy-protected synthetic data. Their approach not only maintains the confidentiality of the original data but also enhances the utility and scalability of LLMs under privacy constraints. Attendees, including machine learning engineers, data scientists, and data managers, will witness first-hand how Secludy's integration with Milvus empowers organizations to harness the power of LLMs securely and efficiently.
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Evaluation part 2
- 1. Evaluation part 2 How effective is the combination of your main product and ancillary texts? We chose this song ‘Higher love’ by James Vincent Mcmmorw on many basis but purely down to the fact that because there was no official music video created already therefore we had no influences behind the setting, action and what was to be included in the video.
- 2. Lyrics and nature Direct representation Bird in background! Click to edit Master subtitle style As you can see by my front cover it is displaying the river and the broken tree which has direct
- 3. Location of shooting In addition to this our school is particle located beside the river themes which is surrounded by
- 4. Font type We tested allot of fonts for our digi pack and we wanted something that would represent the n
- 5. Chosen song Our chosen song is used in this advert from LoveFilm and we included information about this in
- 6. Advert/poster The poster we created was quite similar to the front cover because we wished to make an obvi