The document discusses a music video project for a dubstep remix of Professor Green's song "Jungle". It summarizes how the video challenged conventions of the dubstep genre by including a narrative storyline in addition to artist performance shots. Audience feedback was positive about the video and felt the editing, locations, and music fit well together. They also responded positively to the ancillary materials like the digipack and magazine cover that maintained visual and tonal consistency with the video. Various technologies were used in the research, planning, filming and editing stages of the project, including YouTube, Final Cut Pro, and a Canon camera.
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From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Reimagining Classics - What Makes a Remake a Success
Evaluation media
1. 1. In what ways does your media product use, develop or challenge the
forms and conventions of real media products?
Our music video was based on the artist Professor Green with his song “Jungle”.
His genre is R n B and Rap and now is one of the biggest artists in Britain.
However we have gone for the dub-step version of his song so that it would not
be the same and because it is more unique. Dub-step is not a very reputable
style of music as there were no real music videos conventions that we had to
follow according to its genre. This allowed us to be very creative and have a lot
of ideas of our mise-en-scene that are not common, for example, the heavy use
of visual effects such as fade to black and dissolve. Dub-step has roots from
London’s underground urban Dance and Soho; therefore we felt the need to
express this in our music video. We had a large emphasis on both the urban and
Soho settings of Trafalgar Square.
Our narrative structure tracks the established codes and conventions of music
videos by cutting between a narrative storyline that is related to the lyrics of the
song and shots of a performer lip-syncing the lyrics of the song.
Our research on dub-step videos
was fairly limited as we could only
find two. However we analysed the
two videos and both of them were
quiet similar in the sense of effects
and that it wasn’t linear. Of the two
dub-step videos none of them had a
storyline to it. They had flashing
lights and people’s faces popping up
singing the lyrics. Our video has
challenged these codes and conventions and has gone for a different approach
as there is a storyline to ours. From our research dub-step videos are all over
the place and they do not make too much sense. We decided that we wanted to
make the audience understand what was going on with our music video
otherwise they would instantly loose interest in it. On the other hand we have
developed some of the genre’s codes and conventions for example the use of
effects such as fade to black, split screens and making a part of the scene black
and white. We utilised these effects to make the music video more of a dub-step
video.
During our initial ideas as a group we decided that we did not like the approach
of dub-step so in order for us to make our music video as interesting as possible,
we thought we were going to challenge a lot of its codes and conventions. For
example dub-step music videos there are not a lot of vocals in it, mostly just the
rhythm.
When researching dub-stepvideos we found out that they were very fast passed
and the editing was very quick and sharp. We used that code and convention in
2. some part of our music video for example in the beginning of the scene as the
main character is getting ready to go out. We made sure that the shots were
short and concise and the editing was sharp so that the audience would know
what’s going on within the sequence without getting bored. The narrative
sections were comprised with straight
forward styles of shots including
medium shots, long shots close-ups and
also establishing shots. We had to make
some of the shots a bit pacey so that it
would match the song.Following up to
we used many close up shots of the
artist which is emerging to be a big
request from record labels in recent
years. It is used to enforce the concept
of the female gaze.The use of camerawork in our music video follows
conventional, technical and symbolic codes by using a selection of shots to
portray a sense of personal connection between the viewer and the main
character. One way this was accomplished was by using close ups of their faces
and objects of which they were holding to construct a sense of virtual intimacy
that the viewer cannot ever really experience.The shot were the main character
is about to sniff the cocaine is one example of this.We thought it wold be a good
idea to have a main vocalist in our so that the audience could understand what
kind of role he is. The style of presentation was established from film noirs,
which was used to make the audience alert of the character’s cynical personality
when he is under the influence of cocaine.
We created a kind of contrast of how London is, for example on one side we see
the street lights of London at night which shows an encouraging lifestyle. On the
other hand we filmed strip clubs and dark alleyways which may seem like a less
desirable place, contrasting the different place and behaviours of London.
3. 2. How effective is the combination of your main product and ancillary
texts?
For the digipack initially the group thought that it would be best to take a freeze
frame from our music video however when we did this the quality of the picture
was very bad so we thought that we should take a photographed picture that
would relate to the conventions of the music video.
The combination of our main product and ancillary texts flows together and are
very well linked as they managed to adopt the key elements of branding. This
wasfirstly achieved in our video as we tried to differentiate ourselves from
whatalready existed in the current trend of music videos. We noticed that many
of the big acts like Beyonce and Rihanna have music videos that use verysurreal
and creative ideas in terms of mise-en-scene, but no artist/music videohas really
explored in visual effects (other than the use of
CGI). Therefore inour music video, we found it
important to focus on keeping a consistent
moodof obscurity in the stage of editing, rather
than the stage of filming, which wasachieved by
overlaying and modifying colours of clips.
http://www.youtube.com/watch?v=
FHp2KgyQUFk&ob=av2e
By having adopted the key elements of branding, we were able to
developcharacteristics from the video into the digipak. For example, our concept
of Soho was followed by the use of colours of black and green as it is a colour
thatconnotatesa grim and dark atmosphere. The use of this was also so there is
acontinuation of the mood from what the video gives, to what the digipak
givesbecause both products should complement each other. They should
becomplimenting each other because if the viewer were to buy the digipak
after watching the video, they would be expecting to see the digipak cover
withmise-en-scene that was associated with the music video, whether it be
theuse of colours, location, props etc.
The song that we chose to for our music video
was “Jungle” by Professor Green but it was the
dub-step remix. We looked at the official video
and thought that we should use some of the
codes and conventions of the official video and
apply it and make it slightly different to make
our video more unique. We thought straight away that we had to use props such
as hoodies, gangs, knives etc. throughout the product. Our digipack consists of a
dark background with a hint of street lights to give it a very shady Soho
4. atmosphere. We made sure to make sure that the colours and the themes were
very similar so that it would flow together however we had to differentiate
certain aspects so that the audience could recognise that each product was
different.
We were not really heavily influenced by any adverts or magazines when we had
to make our digipak however we were influenced by the original video of
“Jungle”. We took the aspects from a scene were we see a gang group with hats
and hoodies. At that point the group came to a conclusion that it would be
suitable if we had the main character of our music video with a black hood on.
We also thought because the theme of the music video
was based on Soho we had to make the background
dark. We also decided that because the singer of our
video was playing pool we should add a pool table with
a black ball and also a sign saying Soho so that the
audience could get a vague idea of what could happen in the music video
without having to watch it.
In regard to our digi-pack we created a digi-pack front cover and a back cover
for the song “Jungle”. We also made a cover for a magazine and an inside
sleeve.Our digipak follows several established forms and conventions, for
example,an image of the artist, the name of the artist, the name of the song and
atrack-listing.
We also followed the forms and conventions of digipaks by not usingheavy visual
effects on the image of the artist which you would get in a normal dubstep music
video. It is more common that theimage may be modified in colouration, and we
have gone for that kind of image. However we have challenges some of the
conventions of some digipaks as most of them use bright colours to grab the
viewer’s attention. We have gone for a different approach and went for a dark
background and also dark colours to show the viewers that our music video has
a dark and gloomy atmosphere.
We put the main characters image on the front cover of the digipak so that
viewers will be able to familiarize themselves more with the character and feel
more connected with him.
5. We are very happy with the final product of our ancillary texts that is shown
above (figure 1, 2, 3, 4). We thought that the colours that we chose were very
well thought out and the background flows very well. From the feedback we got
from the audience, we feel that we did a very good job and it looks very
professional.
From observing figure one we wanted to make the magazine cover as simple as
possible however as efficient as possible. In my opinion I think we have achieved
this very well as the colours and the style of font works very well. The layout
where you can see the main character in a hood on the right hand side of the
page and then a hint of light on the left hand side to give contrast between light
and dark was very much planned out and has worked very well. The images
have been very well edited of the main character. We have sort of challenged
the conventions as normally you would see the singer on the front cover
however we have gone for a different approach.
Looking at Figure 3 the background was carefully planned out and it had to flow
with the figure 2. The background of figure 2 and 3 are very similar except there
is a tree on the left hand side. The feedback we got was very positive with figure
3 as the colour chosen was good as it allows continuation from the front cover to
the spine.
In figure 4 we have taken a shot of china town near Trafalgar square were we
film and used it for the inside sleeve. The background corresponds with the
other ancillary texts which are very good and the choices of colours are very
similar too.In conclusion our digi-pack has been very effective as it does reflect
what happens within the music video. It also reflects what might happen in the
music video without having to watch it.
3. What have you learned from your audience feedback?
Our music video was aimed at audiences from age 15-25 of all genders and all
different types of ethnicity because it was this age group that can see
themselves relate to our video more. This age group was chosen because it
appealed to the group the most and Dubstep is fairly new genre and has only
recently been receiving mainstream realisation. The younger audience are more
likely to keep up to date with newer artists and music genres.
The majority of people that I showed the
video to responded and thought that the
video was very good. They thought it
was very well edited and the music
video flowed very well. Location was a
very big part of our music video as it
would define the whole film and we got
6. feedback from all apart from one, that our choice of location was very well
thought of. The only criticism we had about our choice of location was when the
main character was playing pool, he thought that the location could have been a
lot better as the location looked like a garage and was covered in boxes.
The majority of the people that we got our feedback from were mainly into R n B
and Hip-Hop and were into a narrative instead of a performance which gave us a
bit of a shock. We noticed that R n B and Hip-Hop music are genres that focs
more on storyline instead of performance for example comparing a music video
of “The Game” and the rock band “Linking Park”
http://www.youtube.com/watch?v=2K0q74jtV8s
http://www.youtube.com/watch?v=eVTXPUF4Oz4&feature=relmfu
Many of the audience that observed the music video were not into dub-step
however they all commented that the music really suited the video and they
actually liked the choice of dub-step song that we chose. The majority of target
audience said it was very catchy and entertaining. After witnessing our music
video most of the observers said that they were going to listen to dubs-step
more and wanted us to make more music videos.
Most of the audience thought that we used too much fade to black effects; they
advised us that we should have just let the video flow a bit more or used
another effect. I told them that we tried to put in different effects into it but the
music video was not as efficient and effective as it is now. Having said that, they
came up with the conclusion to remove one or two fade to black effects from
certain scenes just to see how it looked. The respondents also commented on
our camera work and said that the hand-held shots were done very well as they
were steady. A few commented saying that there was one hand-held shot that
was very shaky, which was when we filmed a Chinese shop that had bright lights
on it. They believed it would have been better if we used zoom in that shot.
I presented the digipack and the magazine cover to the audience for them to
hare their opinions on it. They all said that they were very good as each of them
flows together and they can see how it suits the music video. They really
7. admired the choice of colours used and the type of images and fonts used also.
Not one of them said that they would change anything from it. This proposes
that we put a lot of thought into the layout, the images, the font and also the
colours we wanted to put on it. They all said that it fits the codes and
conventions of our music video.
4. How did you use the media technologies in the construction and
research, planning and evaluation stages?
I used different and multiple types of
technologies during the process of
constructing research, planning and
evaluation. The use of the technologies I
used during these stages helped me to
develop my skills even further as I had to
get used to some of them.
During the research, I used the internet
to help me gain knowledge of codes and
conventions of different music genres and to research different kinds of dub-step
music. Youtube was one of the most popular websites that I used for my
research. It helped us with our textual analysis. We selected the video we were
going to analyse on YouTube because of its wide range of music videos.It
allowed me to look at several dub-step bands and this influenced my music
video as I could observe and take out similar bands even though there were
hardly any dub-step bands. I used Wikipedia and Google as my main search
engine as we did a lot of research on the artist Professor Green since we based
the the music video with a remix dub-step version of his song “Jungle”. This was
very useful to use as we has to do a subject matter. This required us to find
background information about the artist and this improved our knowledge about
the kind of songs and genre he was at. Google also provided us with images and
videos to what we searched, not just web links.We used blogger to post all our
work of research that we did which was very simple to do.
We used Final Cut pro on Mac computers to
edit our music video. This was my first time
using Final Cut Pro as I was used to use
Adobe Premier. However it did not take me
very long to get used to Final Cut Pro as I
found it very easy to use. I feel that Final
Cut Pro is much more efficient than Adobe
Premier as it is much easier to use efficient
effects and keeping the video is sync with
the music was also very simple. We used
effects such as split screens and fade to
8. black. Photo shop CS4and also Adobe Photoshop Element 10 were another use
of technology of computers that we used to construct our magazine and digi-
pack. Each member of our group chose which part of the digi-pack they wanted
to do and we each tried to make it so that each of it flows together e.g. same or
similar use of colours and font.
To film our music video we used a cannonLegriaHF R36digital camera. The
camera was very good quality however the camera man did find it a bit difficult
to begin with however he did get the hang of it. Everybody in the group got a
chance to record so that we could all become familiar with it. We used a tripod
for some parts of the film so that we could get steady shots. The most vital part
of our production was the lighting. We had to
adjust the lighting of the camera because we were
filming at night. I learnt from using this camera
that lighting was one of the main things we had to
adjust before using it otherwise when editing the
video we would not be able to see much.