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To language,
culture
and oneself
through Reading
Elena Nikolaenko
Bryansk state university named after ac. I.G.Petrovsky
What is Reading?
Reading is like a
portal to another
world
Reading a book we
read
- A language
- A writer
- A culture
Problems
- Make reading
interesting and the
author reliable
- Age 19 – 20
- Different tastes
- Not much reading
The book makes us
See the world
with the eyes of a
musician (composer)
who
sees the world
as an interplay of
Music + Arts (painting,
sculpture, acting) +
Religion
“Music hurts us in an
allowable, almost
palatable
way….But nothing
works so well as
real life. It has no
competitors
whatsoever.”
(pp.110-111)
Problem
Ways to provoke interest
Talking about the Writer
Reading online Interviews with writers.
Watching online interviews with writers.
(YouTube)
What facts from his life are interesting and
astonishing for you?
doing quizes, presentations
Reading tasks
• Facts understanding:
the backgrounds should be understandable
for the Russian students
• Finding out things about a different
culture:
the peculiar way of reflecting reality as
different from the Russian one
• Living the character’s life:
the tasks should involve every student into
discussion.
Requirements
Narrative openings
• Dramatic reading of the
Opening Part of the
Chapter.
• Why does the author start
the story like this?
• What do you think will
follow?
“She woke, not howling, but with a noise in her throat trying to be
howling.”
[Maclaverty, B., p. 28]
“The crunch of feet on the gravel of the church driveway stopped when
they reached the door and the coffin was set down on trestles in the
porch. The sound of the tolling bell was strange. Scratchy almost.
Thin.” [Maclaverty, B., p. 56]
“Day crow. Taglied. Morning song. A rooster making a racket from the
Muirs’ place. In Kiev, Olga had a different name for the sound. Ko-ko-
reek-o. A homophone of sorts. Certainly more accurate than the
English cock-a-doodle-dоо. (Dave was gone).” [Maclaverty, B., p. 141]
The character’s feelings,
the book’s atmosphere
OR
• Part 1 Listen to Beethoven Opus III (p.41),
http://www.youtube.com/watch?v=hm2OHmszHs4
• Part 5 (the rhythm of urgency)
Stravinsky Rite of Spring. Scenes of Pagan Russia.
Mussorgsky The Great gate of Kiev
• Part 7 Mahler, Kathleen Ferrier Kindertotenlieder
http://www.youtube.com/watch?v=PMsXvuz3Voc
• Erik Satie Vexation
http://www.youtube.com/watch?v=tQUFbdZdN5o&list=RDdBhjGId
• Part 5, 9 Shostakovitch Seven (Babi Yar symphony)
http://www.youtube.com/watch?v=9FKQUTxDtWg
Making the character’s “aural atlas”
1 page = 1 Part
• What sounds prevail in
the character’s aural
environment? Why?
• Make a list of this “aural
atlas” (p.36) to prove
your ideas.
Write at home on pieces
of paper the sound
words
Colour the paper,
choosing the colours:
positive-negative
Aural atlas
whistling
hammering
crying
sizzling
screaming
Talking about the character:
1. facts
• Are these facts and
people mentioned in
Part … real or
imaginary? What is
the role of their
names in the story?
He looked Liam
Neesonish.
• Liam Neeson
Talking about the character:
2. music and other arts
• Find and comment on the author’s
comparisons btw music / architecture /
sculpture / painting .
What does it tell us about the character?
If, as one of her tutors had once said, architecture was frozen music
then she dreaded to think what kind of music this was. (part 3)
Messiaen – he’s supposed to see sound as colour and I
wondered – what if the reversed happened. People talk
about loud colours – you’d come away from a Matisse
exhibition deafened.” (part 4)
http://www.lunanova.org/podcasts/MerleNoir.mp3
His fingers were square, like chisels, as they moved on the
keys. This music was of the highest order, of Bach-like
proportions - architectural, controlled – but it also cut at
heart. (part 8)
Cross-cultural issues:
universal and unique
• Try to find in the text
examples of the way the
writer depicts reality:
things common to the
Russian and English
cultures (what we do, how
we do smth) and the way
they are expressed; and
things unique for the
English culture.
The students’ reaction:
“yes, we do it too, this very way but…
well…how to say it in Russian?!”
Work form: presentation, example-picture-
words
Presentation
GRACE NOTES
Step 1 pp.3-28
Do you do it?
What’s the Russian for these
phrases?
• p. 3 In the bus she chose a place towards
the back and put her knees up against the
seat in front of her.
Gesture it
p.5
• She took one of her red and grey capsules
and washed it down, gulp-swallowing
water…
p.7
• The fat one had a tanned face which
stopped at his hat line.
p.8
• She tried to keep time with her toes inside
her shoes.
p.16
• Her mother began to wipe the butter off
her hands with her apron.
p.17
• Another of the women, Mrs Steel, was
baking. She had taken a baking tray from
the table and had eased fluted paper buns
from the hollows with a knife.
p.18
• I was always washing the sugar out of the
bottom of your cup.
p.22
• When it did she wiped away the tears from
her face with her right sleeve, the her left.
p.26
• What was she like? Something dragged
through a hedge backward was a phrase
her mother liked to use.
p.26
• The older woman kept swallowing –
keeping her tears back.
Students’ tasks
At home:
Find a (1, 2, 3…) description of the ways we think,
act, feel, speak, etc common for the Russian
and the Irish cultures. Find a picture which
demonstrates it. Or gesture it.
In class:
the student shows the picture / gestures it and
says the page Numb. The other students try to
find this E.g. in the text.
Writing on the Blog
http://englishreadingclass3.blogspot.ru/2013/09/reading
developing
English writing skills
Critical thinking skills
Part 4, pp. 83-114
(up to “If her mother wanted…”)
Evaluation. Comment on Miss Bingham’s
statement: “You are not the only one. I am
where you have been.” What does she imply?
Do you agree with it?
THANK YOU!!

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English reading class

  • 1. To language, culture and oneself through Reading Elena Nikolaenko Bryansk state university named after ac. I.G.Petrovsky
  • 2. What is Reading? Reading is like a portal to another world Reading a book we read - A language - A writer - A culture
  • 3. Problems - Make reading interesting and the author reliable - Age 19 – 20 - Different tastes - Not much reading
  • 4. The book makes us See the world with the eyes of a musician (composer) who sees the world as an interplay of Music + Arts (painting, sculpture, acting) + Religion “Music hurts us in an allowable, almost palatable way….But nothing works so well as real life. It has no competitors whatsoever.” (pp.110-111) Problem
  • 5. Ways to provoke interest Talking about the Writer Reading online Interviews with writers. Watching online interviews with writers. (YouTube) What facts from his life are interesting and astonishing for you? doing quizes, presentations
  • 6. Reading tasks • Facts understanding: the backgrounds should be understandable for the Russian students • Finding out things about a different culture: the peculiar way of reflecting reality as different from the Russian one • Living the character’s life: the tasks should involve every student into discussion. Requirements
  • 7. Narrative openings • Dramatic reading of the Opening Part of the Chapter. • Why does the author start the story like this? • What do you think will follow?
  • 8.
  • 9. “She woke, not howling, but with a noise in her throat trying to be howling.” [Maclaverty, B., p. 28] “The crunch of feet on the gravel of the church driveway stopped when they reached the door and the coffin was set down on trestles in the porch. The sound of the tolling bell was strange. Scratchy almost. Thin.” [Maclaverty, B., p. 56] “Day crow. Taglied. Morning song. A rooster making a racket from the Muirs’ place. In Kiev, Olga had a different name for the sound. Ko-ko- reek-o. A homophone of sorts. Certainly more accurate than the English cock-a-doodle-dоо. (Dave was gone).” [Maclaverty, B., p. 141]
  • 10. The character’s feelings, the book’s atmosphere OR
  • 11. • Part 1 Listen to Beethoven Opus III (p.41), http://www.youtube.com/watch?v=hm2OHmszHs4 • Part 5 (the rhythm of urgency) Stravinsky Rite of Spring. Scenes of Pagan Russia. Mussorgsky The Great gate of Kiev • Part 7 Mahler, Kathleen Ferrier Kindertotenlieder http://www.youtube.com/watch?v=PMsXvuz3Voc • Erik Satie Vexation http://www.youtube.com/watch?v=tQUFbdZdN5o&list=RDdBhjGId • Part 5, 9 Shostakovitch Seven (Babi Yar symphony) http://www.youtube.com/watch?v=9FKQUTxDtWg
  • 12. Making the character’s “aural atlas” 1 page = 1 Part • What sounds prevail in the character’s aural environment? Why? • Make a list of this “aural atlas” (p.36) to prove your ideas. Write at home on pieces of paper the sound words Colour the paper, choosing the colours: positive-negative
  • 14. Talking about the character: 1. facts • Are these facts and people mentioned in Part … real or imaginary? What is the role of their names in the story? He looked Liam Neesonish. • Liam Neeson
  • 15. Talking about the character: 2. music and other arts • Find and comment on the author’s comparisons btw music / architecture / sculpture / painting . What does it tell us about the character?
  • 16. If, as one of her tutors had once said, architecture was frozen music then she dreaded to think what kind of music this was. (part 3)
  • 17. Messiaen – he’s supposed to see sound as colour and I wondered – what if the reversed happened. People talk about loud colours – you’d come away from a Matisse exhibition deafened.” (part 4) http://www.lunanova.org/podcasts/MerleNoir.mp3
  • 18. His fingers were square, like chisels, as they moved on the keys. This music was of the highest order, of Bach-like proportions - architectural, controlled – but it also cut at heart. (part 8)
  • 19. Cross-cultural issues: universal and unique • Try to find in the text examples of the way the writer depicts reality: things common to the Russian and English cultures (what we do, how we do smth) and the way they are expressed; and things unique for the English culture.
  • 20. The students’ reaction: “yes, we do it too, this very way but… well…how to say it in Russian?!” Work form: presentation, example-picture- words
  • 22. Do you do it? What’s the Russian for these phrases? • p. 3 In the bus she chose a place towards the back and put her knees up against the seat in front of her. Gesture it
  • 23. p.5 • She took one of her red and grey capsules and washed it down, gulp-swallowing water…
  • 24. p.7 • The fat one had a tanned face which stopped at his hat line.
  • 25. p.8 • She tried to keep time with her toes inside her shoes.
  • 26. p.16 • Her mother began to wipe the butter off her hands with her apron.
  • 27. p.17 • Another of the women, Mrs Steel, was baking. She had taken a baking tray from the table and had eased fluted paper buns from the hollows with a knife.
  • 28. p.18 • I was always washing the sugar out of the bottom of your cup.
  • 29. p.22 • When it did she wiped away the tears from her face with her right sleeve, the her left.
  • 30. p.26 • What was she like? Something dragged through a hedge backward was a phrase her mother liked to use.
  • 31. p.26 • The older woman kept swallowing – keeping her tears back.
  • 32. Students’ tasks At home: Find a (1, 2, 3…) description of the ways we think, act, feel, speak, etc common for the Russian and the Irish cultures. Find a picture which demonstrates it. Or gesture it. In class: the student shows the picture / gestures it and says the page Numb. The other students try to find this E.g. in the text.
  • 33. Writing on the Blog http://englishreadingclass3.blogspot.ru/2013/09/reading developing English writing skills Critical thinking skills Part 4, pp. 83-114 (up to “If her mother wanted…”) Evaluation. Comment on Miss Bingham’s statement: “You are not the only one. I am where you have been.” What does she imply? Do you agree with it?