Connecting Visitors to Hidden Gems - AB Rural Tourism Conference Feb 2415Tourism Cafe Canada
Every community has amazing people and a story to tell. We call these “Hidden Gems”; treasures that once identified and polished-up can enhance the visitor experience by truly connecting travellers to a destination.
From artisans to musicians, retired school teachers to story tellers, chefs to farmers - these people may never consider themselves to ‘be in the tourism industry’ but, when they are invited to share their passion with visitors, they are magical!
The document summarizes the 2013 annual meeting of the Extreme History Project. It discusses projects including publishing a book on Fort Parker, producing a documentary, and conducting oral history interviews. It also outlines goals such as securing funding for archaeological work at Fort Parker and creating educational events and materials. The financial report reviews fundraising strategies including membership campaigns, merchandise sales, and grant applications.
Think Local: Crash Course in Creativitylindabnorris
This document summarizes observations from visits to two small local businesses - Table on Ten cafe in Bloomville, NY and Barlow's Store in Treadwell, NY. It discusses what "local" means in each context and how the spaces function as community gathering places. It then provides opportunities for museums and cultural organizations to partner with such local businesses by hosting pop-up exhibits, programs, and making their own spaces more accessible and multi-purpose.
Serving Up a Storm! - Food, Tech and TourismPeter Jordan
In its 2016 Travel Megatrends report, Skift described food as 'the leading hook in travel', but where did this trend come from and what does it mean for tourism authorities, and what opportunities could this provide for tech developers?
In June 2016 the European Tourism Association (ETOA) in association with London Technology Week hosted a seminar discussing the increasingly close relationship between food, tourism and technology. Here is Toposophy's opening presentation from that seminar.
The document discusses plans for a new exhibit at The Grove National Historic Landmark focused on the lives of the Kennicott family and the Savannah Prairie. It will include interactive elements to educate visitors about the natural world in an immersive and memorable way. The exhibit team has revised the vision, mission, and goals and developed plans for staffing, funding, sustainability, and creating an experience that connects visitors to the history of the land.
This document provides information about upcoming events organized by the Royal Historical Society of Victoria, including a lecture on the Great Melbourne Telescope and its restoration, a talk on the many lives of Kenneth Myer, and an exhibition celebration for the closing of the Flinders Street Station exhibition. It also discusses the society's involvement in History Week and Melbourne Open House events, and improvements made to the society's building including window renovations. The president reflects on the society's activities and accomplishments over the past few months.
Is your museum struggling to compete in this digital age? Are you unsure of the best marketing techniques that will gain you the most visitors? This session focuses on how three museums have promoted themselves and their brand using creative advertising, public programs, and outreach via social media. Discussions include how to determine a measurable proof of success and provide inspiration for others tasked with how to revitalize their museum to reach a new, technically savvy audience.
Moderator: Nicole Trudeau, Owner, Squid Ink Design
Presenters:
Dana Whitelaw, PhD, President, High Desert Museum
Mara Naiditch, Director of Marketing, Natural History Museum of Los Angeles County
Lisa Riess, Corporate Communications, Las Vegas Valley Water District/Springs Preserve
This document proposes the development of a National Indigenous Art & Culture Centre in Alice Springs, Australia. It would be a living space that brings people together to share and respect Indigenous knowledge, celebrate Indigenous history, and provide hope for the future. The center aims to be community-driven with Indigenous governance and connect existing local culture centers across the nation. It would help address cultural cringe by promoting understanding and respect of Indigenous culture's significance to the national identity.
Connecting Visitors to Hidden Gems - AB Rural Tourism Conference Feb 2415Tourism Cafe Canada
Every community has amazing people and a story to tell. We call these “Hidden Gems”; treasures that once identified and polished-up can enhance the visitor experience by truly connecting travellers to a destination.
From artisans to musicians, retired school teachers to story tellers, chefs to farmers - these people may never consider themselves to ‘be in the tourism industry’ but, when they are invited to share their passion with visitors, they are magical!
The document summarizes the 2013 annual meeting of the Extreme History Project. It discusses projects including publishing a book on Fort Parker, producing a documentary, and conducting oral history interviews. It also outlines goals such as securing funding for archaeological work at Fort Parker and creating educational events and materials. The financial report reviews fundraising strategies including membership campaigns, merchandise sales, and grant applications.
Think Local: Crash Course in Creativitylindabnorris
This document summarizes observations from visits to two small local businesses - Table on Ten cafe in Bloomville, NY and Barlow's Store in Treadwell, NY. It discusses what "local" means in each context and how the spaces function as community gathering places. It then provides opportunities for museums and cultural organizations to partner with such local businesses by hosting pop-up exhibits, programs, and making their own spaces more accessible and multi-purpose.
Serving Up a Storm! - Food, Tech and TourismPeter Jordan
In its 2016 Travel Megatrends report, Skift described food as 'the leading hook in travel', but where did this trend come from and what does it mean for tourism authorities, and what opportunities could this provide for tech developers?
In June 2016 the European Tourism Association (ETOA) in association with London Technology Week hosted a seminar discussing the increasingly close relationship between food, tourism and technology. Here is Toposophy's opening presentation from that seminar.
The document discusses plans for a new exhibit at The Grove National Historic Landmark focused on the lives of the Kennicott family and the Savannah Prairie. It will include interactive elements to educate visitors about the natural world in an immersive and memorable way. The exhibit team has revised the vision, mission, and goals and developed plans for staffing, funding, sustainability, and creating an experience that connects visitors to the history of the land.
This document provides information about upcoming events organized by the Royal Historical Society of Victoria, including a lecture on the Great Melbourne Telescope and its restoration, a talk on the many lives of Kenneth Myer, and an exhibition celebration for the closing of the Flinders Street Station exhibition. It also discusses the society's involvement in History Week and Melbourne Open House events, and improvements made to the society's building including window renovations. The president reflects on the society's activities and accomplishments over the past few months.
Is your museum struggling to compete in this digital age? Are you unsure of the best marketing techniques that will gain you the most visitors? This session focuses on how three museums have promoted themselves and their brand using creative advertising, public programs, and outreach via social media. Discussions include how to determine a measurable proof of success and provide inspiration for others tasked with how to revitalize their museum to reach a new, technically savvy audience.
Moderator: Nicole Trudeau, Owner, Squid Ink Design
Presenters:
Dana Whitelaw, PhD, President, High Desert Museum
Mara Naiditch, Director of Marketing, Natural History Museum of Los Angeles County
Lisa Riess, Corporate Communications, Las Vegas Valley Water District/Springs Preserve
This document proposes the development of a National Indigenous Art & Culture Centre in Alice Springs, Australia. It would be a living space that brings people together to share and respect Indigenous knowledge, celebrate Indigenous history, and provide hope for the future. The center aims to be community-driven with Indigenous governance and connect existing local culture centers across the nation. It would help address cultural cringe by promoting understanding and respect of Indigenous culture's significance to the national identity.
Albury regional museum conference web 2.0Sally Gissing
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
Albury regional museum conference web 2.0Museum Wagga
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
The document discusses museum mission statements and provides examples. It explains that an effective mission statement defines the institution's role and how it makes a difference in society. Mission statements should convey passion for why the museum exists and who it serves. The document provides revised and previous mission statement samples from various museums and discusses key elements like purpose, programs, and audiences.
Reaching People - the new National Library of Scotland Strategy 2020-2025CILIPScotland
The document outlines the National Library of Scotland's new 2020-2025 strategy to better connect with audiences through five strategic priorities: safeguarding collections, improving access, engaging audiences, supporting learning and research, and developing the organization. The strategy aims to make the library more inclusive, responsive, and relevant for current and future generations through initiatives like expanding digital access, community outreach, and partnerships.
The impact of exhibition evaluation on setting priorities for museum educationJenni Fuchs
"'Extremes: Life in Subarctic Canada' - The impact of exhibition evaluation on setting priorities for museum education" Research paper presented at the ICOM CECA Conference 'Museum Education in a Global Context: Priorities and Processes' in Reykjavik, October 2009
This document discusses the concept of "shared guardianship" in museums. It argues that shared guardianship means engaging with museum users on equal terms to balance collecting/preserving objects with facilitating access and telling stories. Shared guardianship acknowledges that museums have ethical responsibilities to both preserve culture and make their collections accessible. Embracing shared guardianship involves giving communities a stake in what the museum does through practices like asserting public access rights, revising acquisition processes, and sharing ownership of collections and the museum's mission. The document urges museums to embrace this model in order to build relationships with the public and remain relevant institutions.
The Community Heritage Grants program provides funding of up to $15,000 to nonprofit organizations to preserve collections of national significance. Since 1994, over 500 projects have received funding totaling $2.5 million. Eligible organizations include museums, libraries, archives, and community groups. Applicants must demonstrate their collection's national significance based on criteria like its association with important people or events or representation of Australia's history and culture. The grants can be used for activities like conservation, digitization, and housing improvements to ensure significant collections are preserved for future generations.
Feeling the fear and doing it anyway - Hannah Fox, Derby MuseumsMuseumNext
This document discusses the reimagining of the Derby Silk Mill as the Museum of Making from 2015-2017. It outlines commitments of £17 million to take the concept to the next stage, and prototypes the architectural and exhibition design ideas using a human-centered design process of defining, understanding, thinking, imagining, modeling, prototyping, testing and evaluating. It emphasizes co-producing the museum and engaging people emotionally, creatively and intellectually through the collections.
The document discusses creating memorable experiences for museum visitors. It provides examples from three museums of events and programs that engage visitors through active participation and multisensory interactions. The Carbon County Museum discusses their annual powwow that blends traditional and contemporary Native culture. The Nelson-Atkins Museum describes interactive elements added to a Roman art exhibit. The Museum of World Treasures discusses their story-based tours that incorporate all senses. Commonalities include immersive experiences that are social, hands-on, and help visitors connect personally with history.
Museum Experience as defined by John Falk & Lynn Dierking 2013Reinwardt Academie
This document discusses factors that influence a museum visitor's experience from three contexts: personal, social, and physical.
The personal context includes the visitor's motivations, interests, prior knowledge, and emotional connection to the content. The social context considers how learning is often a social process, and how interactions with other visitors and museum staff shape the experience.
The physical context examines elements of the museum environment like signage, wayfinding, exhibition design, interactive elements, and amenities that affect the visitor's experience from their initial planning to interacting with the exhibits and other areas of the museum.
The "Dig Deeper" campaign aims to increase awareness of the Pennsylvania Anthracite Heritage Museum and show that it offers more than just coal history. The campaign's objectives over 12 months are to increase awareness by 25%, increase associates group members by 60 people, and increase ticket and gift shop sales by 10% each. The big idea "Dig Deeper...For Knowledge. For Appreciation. For Community" captures that the museum has more to offer beneath the surface in terms of learning, community, and appreciation of history. The media plan utilizes radio sponsorships, billboards, and magazine articles to promote events and boost awareness of the museum.
The document outlines a plan for sustainable cultural tourism in Palau that focuses on experiential tourism. It involves assessing Palau's cultural assets like villages, artisans, legends and natural attractions. This information would be collected in a database to develop tour itineraries targeting specific markets like baby boomers and cultural heritage travelers. A multi-year marketing plan would promote customized experiences and packages to tour operators. The goal is to increase visitation while protecting Palau's cultural values through community collaboration on tourism development.
The document announces a full network meeting for museum professionals in Warwickshire, Coventry and Solihull on September 27th. The agenda includes updates on local museum news, advice on defining audiences and attracting new ones, and information from Arts Council England on new funding opportunities. Attendees will also hear about new museum development programs and opportunities over the next three years, and have a chance to showcase projects or ask questions to their peers.
This document discusses the field of ethnography and its application to business. It defines ethnography as the study of cultures through immersing oneself in people's everyday experiences. Ethnography provides deep insights into how consumers view and experience brands, products, and services. It shifts the focus from needs to exploring the cultural meanings and social practices associated with objects. The document outlines ethnographic research methodologies and provides case studies of how ethnography has helped companies better understand consumer motivations and design more meaningful product experiences.
2011 Annual Report to Donors.
The mission of Stepping Stones Museum for Children is to broaden and enrich the educational opportunities for children ages ten and under and enhance their understanding of the world.
Albury regional museum conference web 2.0Sally Gissing
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
Albury regional museum conference web 2.0Museum Wagga
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
The document discusses museum mission statements and provides examples. It explains that an effective mission statement defines the institution's role and how it makes a difference in society. Mission statements should convey passion for why the museum exists and who it serves. The document provides revised and previous mission statement samples from various museums and discusses key elements like purpose, programs, and audiences.
Reaching People - the new National Library of Scotland Strategy 2020-2025CILIPScotland
The document outlines the National Library of Scotland's new 2020-2025 strategy to better connect with audiences through five strategic priorities: safeguarding collections, improving access, engaging audiences, supporting learning and research, and developing the organization. The strategy aims to make the library more inclusive, responsive, and relevant for current and future generations through initiatives like expanding digital access, community outreach, and partnerships.
The impact of exhibition evaluation on setting priorities for museum educationJenni Fuchs
"'Extremes: Life in Subarctic Canada' - The impact of exhibition evaluation on setting priorities for museum education" Research paper presented at the ICOM CECA Conference 'Museum Education in a Global Context: Priorities and Processes' in Reykjavik, October 2009
This document discusses the concept of "shared guardianship" in museums. It argues that shared guardianship means engaging with museum users on equal terms to balance collecting/preserving objects with facilitating access and telling stories. Shared guardianship acknowledges that museums have ethical responsibilities to both preserve culture and make their collections accessible. Embracing shared guardianship involves giving communities a stake in what the museum does through practices like asserting public access rights, revising acquisition processes, and sharing ownership of collections and the museum's mission. The document urges museums to embrace this model in order to build relationships with the public and remain relevant institutions.
The Community Heritage Grants program provides funding of up to $15,000 to nonprofit organizations to preserve collections of national significance. Since 1994, over 500 projects have received funding totaling $2.5 million. Eligible organizations include museums, libraries, archives, and community groups. Applicants must demonstrate their collection's national significance based on criteria like its association with important people or events or representation of Australia's history and culture. The grants can be used for activities like conservation, digitization, and housing improvements to ensure significant collections are preserved for future generations.
Feeling the fear and doing it anyway - Hannah Fox, Derby MuseumsMuseumNext
This document discusses the reimagining of the Derby Silk Mill as the Museum of Making from 2015-2017. It outlines commitments of £17 million to take the concept to the next stage, and prototypes the architectural and exhibition design ideas using a human-centered design process of defining, understanding, thinking, imagining, modeling, prototyping, testing and evaluating. It emphasizes co-producing the museum and engaging people emotionally, creatively and intellectually through the collections.
The document discusses creating memorable experiences for museum visitors. It provides examples from three museums of events and programs that engage visitors through active participation and multisensory interactions. The Carbon County Museum discusses their annual powwow that blends traditional and contemporary Native culture. The Nelson-Atkins Museum describes interactive elements added to a Roman art exhibit. The Museum of World Treasures discusses their story-based tours that incorporate all senses. Commonalities include immersive experiences that are social, hands-on, and help visitors connect personally with history.
Museum Experience as defined by John Falk & Lynn Dierking 2013Reinwardt Academie
This document discusses factors that influence a museum visitor's experience from three contexts: personal, social, and physical.
The personal context includes the visitor's motivations, interests, prior knowledge, and emotional connection to the content. The social context considers how learning is often a social process, and how interactions with other visitors and museum staff shape the experience.
The physical context examines elements of the museum environment like signage, wayfinding, exhibition design, interactive elements, and amenities that affect the visitor's experience from their initial planning to interacting with the exhibits and other areas of the museum.
The "Dig Deeper" campaign aims to increase awareness of the Pennsylvania Anthracite Heritage Museum and show that it offers more than just coal history. The campaign's objectives over 12 months are to increase awareness by 25%, increase associates group members by 60 people, and increase ticket and gift shop sales by 10% each. The big idea "Dig Deeper...For Knowledge. For Appreciation. For Community" captures that the museum has more to offer beneath the surface in terms of learning, community, and appreciation of history. The media plan utilizes radio sponsorships, billboards, and magazine articles to promote events and boost awareness of the museum.
The document outlines a plan for sustainable cultural tourism in Palau that focuses on experiential tourism. It involves assessing Palau's cultural assets like villages, artisans, legends and natural attractions. This information would be collected in a database to develop tour itineraries targeting specific markets like baby boomers and cultural heritage travelers. A multi-year marketing plan would promote customized experiences and packages to tour operators. The goal is to increase visitation while protecting Palau's cultural values through community collaboration on tourism development.
The document announces a full network meeting for museum professionals in Warwickshire, Coventry and Solihull on September 27th. The agenda includes updates on local museum news, advice on defining audiences and attracting new ones, and information from Arts Council England on new funding opportunities. Attendees will also hear about new museum development programs and opportunities over the next three years, and have a chance to showcase projects or ask questions to their peers.
This document discusses the field of ethnography and its application to business. It defines ethnography as the study of cultures through immersing oneself in people's everyday experiences. Ethnography provides deep insights into how consumers view and experience brands, products, and services. It shifts the focus from needs to exploring the cultural meanings and social practices associated with objects. The document outlines ethnographic research methodologies and provides case studies of how ethnography has helped companies better understand consumer motivations and design more meaningful product experiences.
2011 Annual Report to Donors.
The mission of Stepping Stones Museum for Children is to broaden and enrich the educational opportunities for children ages ten and under and enhance their understanding of the world.
Elysha Rei, Queensland State Archives. Queensland State Archives: it's all about access presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
Jennifer Garcia, Newstead House and Dianne Aylward, Moreton Bay Environmental Education Centre. Theatre in Education: The War Years at Newstead presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
The document discusses a plan to transform a provincial city into an arts capital by rethinking traditional galleries, hosting blockbuster touring exhibitions and multi-arts events, celebrating heritage, and developing arts professionals in the region. Outdoor garden areas would also be activated and contemporary Aboriginal art would be featured to attract new audiences and artists from far away. The key themes are making the arts more accessible, interactive, and representative of the local community.
Michael Wardell, Logan Art Gallery. He kākano āhau (I am a seed) - Logan Art Gallery's recent project with the local Māori Community presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
The document discusses a project called "A Tribute to Modern Pioneers" which aimed to capture stories of contemporary pioneers in Queensland, Australia through portraits and publications. It outlines the process of selecting stories through community nominations and working with local artists to capture the portraits. The project evolved beyond the initial plan, expanding to include supplementary photos, loaned objects, videos, and public programs. Key lessons included focusing on high-quality local content, clear processes, making informed decisions, allowing the project flexibility, and collaborating with the community.
Melissa McQuillan and Melanie Sorenson, Cairns Museum. What are the ingredients for a successful volunteer program? presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
The document discusses the importance of meaningful arts engagement for children's perspectives on community. It acknowledges the Traditional Custodians of the lands where the Bundaberg Regional Galleries is located. It also pays respects to Elders past, present, and emerging. The document references the 2018 Australian Early Development Census and includes images from various artists in the Galleries' collection that depict rural and community scenes.
Ann Kreger, Cairns and District Chinese Association Inc. Walking and Talking: Chinese Culture in Cairns presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
Sarah Lyons and Joel Evans, Bunjil Place Gallery. We're Not Gonna Wreck the Place: Multi-Artform Youth Engagement at a Suburban Arts Centre presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
Jodi Ferrari, Tweed Regional Gallery & Margaret Olley Art Centre. #coolexhibition: New Ways of Thinking About Our Young Audiences presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
Samantha Faulkner, State Library of Queensland. A new exhibitions model, a new engaged exhibition program presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
Museums & Galleries of NSW helps cultural institutions in New South Wales create engaging experiences for visitors and strong communities. It discusses cultural mediation, which involves facilitating understanding of art and ideas through creative exchange. The document also profiles several artists, such as Mel O'Callaghan, and cultural organizations that employ mediation.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
1. Applying the Awesome Principle
to Museums and Galleries
Elspeth McEachern
Senior Cultural Heritage Officer
September 2019
Our heritage Our stories
Cultural Heritage Levy
2. Acknowledgement of Traditional Owners
2
I would like to acknowledge the
Traditional Owners of the land upon
which this event is being held and pay
my respect to Traditional Elders – past,
present and emerging.
Our heritage Our stories
Cultural Heritage Levy
3. Session outline
3
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Cultural Heritage Levy
The session will:
• Set the scene
• Revisit Kaplan ‘Attention Restoration Theory’
• Check statistics – how Australians spend their leisure time
• Discuss ‘The Awesome Principle’ (a phrase coined by me)
• Understand how to apply the Awesome Principle - case
studies
Aspects of psychology and marketing will be also discussed
The basis of this talk is this: ‘For every action there is a reaction’ just keep
this in mind as we go through this session.
4. Setting the scene
4
Our heritage Our stories
Cultural Heritage Levy
A quarter of Australia’s population is experiencing moderate to
extremely severe stress (Dec 2018 Stress and Wellbeing Survey -
Australian Psychology Society)
Reasons for stress (Medibank Survey 2016-2017)
• lack of sleep - 62%
• work pressure -39%
• juggling too many things – 36%
• housing affordability – 17%
• social media pressures – 12%
• global political climate - 11%
People can become fatigued when the brain is too focused
for too long
5. Revisiting Kaplan’s Attention Restoration Theory’
5
Our heritage Our stories
Cultural Heritage Levy
• The brain’s action of focusing is called ‘Directed Attention’
• Directed attention is an important part of the brain’s function, but
if there is no rest for the brain, it can lead to fatigue
• Psychologists Stephen and Rachel Kaplan (1995) looked at
experiences that led to the recovery of fatigue and the
restoration of the brain. They found…
o nature provided true benefits for aiding restoration
o that an integrative framework creates the best results
6. Kaplan’s restorative environments…
6
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Cultural Heritage Levy
• create a sense of ‘being away’ – frees the mind of old and possibly
stressful thoughts
• create a ‘whole other world’ - rich and coherent (not endless stream of
stimuli that consist of unrelated impressions)
• offer sufficient scope to engage the mind and offer enough time to see,
experience and think about what is there - called ‘Fascination Attention’
the result of being absorbed in content (soft fascination)
• involve the ‘extent of space’ which creates a sense of being in a whole
new place – doesn’t have to be large, could be miniature
• are compatible between the environment and a person’s purpose for
going there.
Apply the theory to museums and galleries
7. 7
Our heritage Our stories
Cultural Heritage Levy
How Australians spend their time – cumulative number of activities in 12
month period 2016 to 2018 (showing % increase or decrease)
• Eating or drinking out – 1,335 million (increase 6.4%)
• Playing sport or doing formal exercise – 886 million (increase 1%)
• Visiting or hosting family and friends – 835 million (decline 1.3% )
• Playing video, computer games or board games at home – 704 million
(increase 6.5%)
• Going to the beach – 183 million (decline 3%)
• Going to clubs – 118 million (decline 4.8%)
• Going to movies - 96 million (increase 1%)
• Attending art galleries and museums – 86 million (increase 14.6%)
Research by Roy Morgan - https://www.bandt.com.au/marketing/aussies-spend-leisure-time-eating-playing-xbox-apparently
From stress and restoration to leisure
Setting the scene
8. 8
Our heritage Our stories
Cultural Heritage Levy
How do we create a
restorative environment
that competes
with
limited leisure time?
9. 9
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Cultural Heritage Levy
Apply
The Awesome
Principle
10. 10
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Cultural Heritage Levy
Aware (of the)
Whole
Experience (that is)
Stimulating
Original
Meaningful (and)
Elevating
The Awesome Principle
E. McEachern 2019
11. 11
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Aware - internal and external influences
Whole Experience - from start to finish - everything
Stimulating - offers ‘soft fascination’, answers a question
Original - authentic and lives up to expectation
Meaningful - makes sense, easily understood, context
Elevating - takes us to another level
The Awesome Principle
12. 12
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Cultural Heritage Levy
Revisiting how people spend their leisure time.
What can museum and galleries offer to attract these audiences?
Leisure activities increased
from 2016 to 2018
What to offer
Eating or drinking out Refreshments / café
Playing sport or doing formal exercise Participation in an activity
Playing video, computer games or board games Interactive technology
Going to movies Theatrette – films and documentaries
13. The key is an integrative approach
(putting on the marketing hat)
13
Our heritage Our stories
Cultural Heritage Levy
Everything you do should create new marketing opportunities
• Involve new clients (drama groups, musicians, sponsors)
• Get the media’s attention – hold a publicity event (enactments,
dress-ups, performers)
• Keep the place alive - new activities give you new information for
promotion on website, social media, fliers, eNews, community
announcements, media releases
• Participation in events and festivals – piggyback on their promotion
(film, music etc)
• Regular curated exhibitions – large or small scale (artist corner)
changing themes, coinciding with community celebrations
The result…new audiences
14. 14
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Horsham Regional Art Gallery – experience as
past Director
Expanding exhibition offering – old, new,
mixed media, local input (Artist’s Corner),
fascination – German heritage, Koori
Range of activities - openings, talks,
residencies, workshops
Venue hire –concerts, conferences, fundraising
Aim of events – to get publicity (e.g. Rocky
Horror), Philip Quirk exhibition
New audiences – Artists Corner, local business
sponsorship, fundraising events (e.g. cult film
nights) – soft fascination
Marketing –regular radio segments, TV, press,
newsletters, media, catalogues, posters
The Awesome Principle - Galleries
15. 15
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Caloundra Regional Art Gallery
Activities of colleagues at Sunshine Coast Council
Programming – mixing and matching experience
16. 16
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Cultural Heritage Levy
Founders Heritage Park, Nelson City Council, New
Zealand – experience as past Coordinator/manager
Whole experience – external orientation map
New spaces - new tenants and/or exhibitions
Inclusion - Jazz Festival, Nelson Arts Festival
Increasing venue hire – book fair, antiques event
and other roadshows, weddings, conferences,
meetings
Promotion - green spaces, café, brewery, bakery,
cooper, chocolates, artisans
Case study – grabbing opportunities – starting with
conservation enquiry and finishing with Teddy Bear
exhibition (3 months), Teddy Bear Safari competition
(2 weeks), Ted’s Talk, publicity - marketing success
through creating soft fascination
The Awesome Principle - Heritage
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The Awesome Principle - Case Study
Bankfoot House Heritage Precinct
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Bankfoot House Heritage Precinct – step by step
• Developing an Interpretation Plan, undertaking Preservation Needs
Assessment, Significance Assessment and Conservation Management
Plan
• Identifying stages
o Preservation Housekeeping – cleaning, identifying essential needs
o Conservation – the shed project
o Interpretation
o Promotion
• Taking a broad approach – including and recognition – of First Nations
Peoples and role of the Friends of Bankfoot House
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o Information panels
o Films in small theatrette (documentaries)
o Interactive model and floor maps
o Guided heritage house tours (every 30 minutes)
o Self guided tour of precinct (shed, wagon and grounds)
o Temporary exhibitions programs and associated public
programs
o Interactive games
o Education program
o Events – celebrating community/national occasions
o Inclusion in festivals (Horizon Festival)
Bankfoot House Heritage Precinct -
an integrated approach to visitor experience
Applying The Awesome Principle
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Bankfoot House - offering a variety of interactions and
experiences
Soft fascination – miniaturisation Theatrette showing local heritage documentaries
Information – offer meaning and context Soft fascination – interactive maps
22. Tours – made it easy to
understand
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• Use visual clues to tell the story
• Keep lines clean, but at the same
time, purposeful
Authentic place and items Information - context
Soft fascination – context
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Bankfoot house - self exploration experience
Soft fascination – interactive Authentic – soft fascination – context
25. Opportunities to relax, find out more…
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Shed exhibition – the film, on loop, outlines the Shed Restoration
Project including time-lapse vision
https://heritage.sunshinecoast.qld.gov.au/Stories/Bankfoot-House-Stories/Memories-
Restored
Mary Grigor Centre theatrette – one of the many films on loop tell
the stories of Bankfoot House
https://heritage.sunshinecoast.qld.gov.au/Stories/Bankfoot-House-Stories/Bankfoot-
Mary-Grigor
• Tea/coffee
• Talks
• Films
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Bankfoot House Heritage Precinct
mixing and matching experience
Participation in festivals – Horizon Festival 2019
Hosting talks and events
Events Special occasions
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Evaluation analysis of all theories -
Bankfoot House Heritage Precinct
AWESOME
PRINCIPLE
Meaning Kaplan
Theory
Leisure time BANKFOOT HOUSE
HERITAGE PRECINCT
Aware Understanding
influences
Restorative
Theory
Limited time Aware of other activities that
compete for time and social
pressures
Whole
Experience
Start to finish Compatibility
between the
environment
and person’s
purpose
Café
(increase
6.4%)
Signage, orientation, tour
schedule, self-exploration,
ambience, cleanliness,
timing, WiFi, toilets,
tea/coffee/water, public
programming (inclusion in
festivals, events, films, music)
Stimulating Fascination Soft
Fascination
Attention
Theory
Video,
computer
games
(increase
6.5%)
Interactive 3D model and
floor maps, changing
exhibitions, public programs,
(soon VR experience)
Original Authentic,
unique
Extent - space
creates sense
of being in a
whole new
place
Sport or
exercise
(increase 1%)
Authentic and unique story,
heritage tour, self-guided
tour, heritage games, kids’
activities, miniature 3D
model, interactive maps,
views of natural environment
Meaningful Context, easily
understood,
makes sense
Rich and
coherent,
information
connects
Films
(increase 1%)
New interpretative panels
(context), theatrette (films),
guided tours, self-guided
brochure
Elevating Another level Reflection and
recovery
Museum
gallery (incr
14.6%)
Expanded experience –
reflection and a keep-sake
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“Brilliant display and an incredible history preserved”. “What a treasure!”
Evaluation
Visitor comments:
• Local history celebrated and shared
with such pride is lovely to see.
• Thank you for preserving for future
generations to learn.
• Wonderful step back in time.
• Very informative and well presented.
• Our second visit, everything is much
more orderly.
• Thanks for the time travel.
Graph showing visitor numbers and the outcome since
the new exhibitions from October 2018.
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0
500
1000
1500
2000
2500
3000
Total Visitation by Year
2015 - 2016 2016 - 2017 2017 -2018 2018 -2019
30. Sunshine Coast Cultural Heritage Levy
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The Bankfoot House Heritage Precinct Project was made possible
through the following groups:
Friends of Bankfoot House
Volunteers
Consultants
Cultural Heritage Services
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Remember…
For every action there is a reaction
Thank you
Editor's Notes
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast
OR:
SC50 exhibition – From the Mountains to the Sea: Sunshine Coast Stories Exhibition. To celebrate the 50th Anniversary of the naming of the Sunshine Coast