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Music
7TH Grade
What do you know about the
Are you familiar on the
different types of
Let’s play a game, shall we?
♩
♩
1. Luzon lowland folksongs have a
very distinctive Spanish influence.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
2. Folksongs are generally taught in
schools.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
3. Sitsiritsit is a Tagalog folksong
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
4. An example of a Kapampangan folk song
is Sarung Banggi.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
5. The composers and lyricists of folk
songs are usually unknown.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
6. Naraniag a Bulan is an example of an
Ilocano folk song.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
7. Folk songs are mostly short and
complicated.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
8. Key signatures in folk songs do not
change.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
9. Folk songs are based on the
community’s livelihood, tradition and
culture.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
10.Atin Cu Pung Singsing is an example of
a Bicolano folk song
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
11.Sarung Banggi is a folk song from
Batangas.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
12.Pamulinawen is a folksong with a triple
meter.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
13.Folksongs are usually sung in the
dialect of the people of its place of origin.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
14.Pamulinawen and Manang Biday are
both Tagalog folksongs.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
♩
♩
15.All folksongs have the same story to tell.
♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
ELEMENTS OF MUSIC
MELODY
Organize sequence of
single notes
03
DYNAMIC
The softness and
loudness of music
02
HARMONY
Refers to the chords
produced,
accompaniment style, and
countermelodies
04
TEXTURE
The thickness of the
sound
05 TIMBRE
The quality of the sound 06
01
05
The regular repeated pattern of sounds. It serves as
the pulse of the musical composition. This element
has three components:
RHYTHM
BEAT
Beats are the length of
the musical notes which form
an integral part of a song.
Ex.
a) Tapping of the feet
b) Nodding your head while
listening to music
TEMPO
Is the speed of the beat.
Every music has its own
speed whether its fast or
relatively slow
METER
Which composes of time
signature is the combination
of strong beats (accent) and
weak beats
used for gradually
getting louder
the variation in loudness between notes or phrases.
Dynamics are indicated by specific musical notation, often in
some detail.
DYNAMICS
CRESCENDO
DECRESCEND
O
or diminuendo is used for
gradually getting softer.
C O N J U N
MELODY
It is the main tune of the musical piece. It is what you hear
and what retains in your head. It has two types, the conjunct
and the disjunct.
the melodic phrase
moves in a stepwise
fashion; that is the
subsequent notes
move up or down a
semitone or tone,
but no greater.
C T
the melodic phrase
leaps upwards or
downwards; this
movement is
greater than a
whole tone.
D I S J U N
C T C T
Consonant intervals in
music are more
pleasant and seems like
“everything is ok”.
25%
Dissonant intervals
on the other hand
produce a more
“creepy” sound that
shows tension and
needs to be resolved.
75%
HARMONY
This element can refer to the chords produced, the
accompaniment styles, and the countermelodies. It has two
types, the consonance and the dissonance.
CONSONANCE DISSONANCE
HOMOPHONIC
characterized by having
multiple voices moving
together harmonically at the
same pace
02
POLYPHONIC
a musical texture consisting
of two or more simultaneous
melodic lines
03
MONOPHONIC
a texture comprising a single
line of musical tones: that is,
a single melody, or
intonation, or cantillation.
01
TEXTURE
The effect of the different layers of sound in a piece of music,
and the relationship between them.
TEXTURE
The effect of the different layers of sound in a piece of music,
and the relationship between them.
Guitar
Drums
Flute
TIMBRE
a quality of a musical sound which is used for differentiating
two sounds when they are in the same frequency.
ELEMENTS OF MUSIC
MELODY
Organize sequence of
single notes
03
DYNAMIC
The softness and
loudness of music
02
Refers to the chords
produced,
accompaniment style, and
countermelodies
04
The thickness of the
sound
05
The quality of the sound 06
01
05
THANK YOU FOR LISTENING!
“I haven’t understood a bar of music in my life, but I have
felt it.”
IGOR STRAVISKY

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ELEMENTS OF MUSIC FOR SNENIOR HIGH .pptx

  • 2. What do you know about the Are you familiar on the different types of
  • 3. Let’s play a game, shall we?
  • 4. ♩ ♩ 1. Luzon lowland folksongs have a very distinctive Spanish influence. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 5. ♩ ♩ 2. Folksongs are generally taught in schools. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 6. ♩ ♩ 3. Sitsiritsit is a Tagalog folksong ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 7. ♩ ♩ 4. An example of a Kapampangan folk song is Sarung Banggi. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 8. ♩ ♩ 5. The composers and lyricists of folk songs are usually unknown. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 9. ♩ ♩ 6. Naraniag a Bulan is an example of an Ilocano folk song. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 10. ♩ ♩ 7. Folk songs are mostly short and complicated. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 11. ♩ ♩ 8. Key signatures in folk songs do not change. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 12. ♩ ♩ 9. Folk songs are based on the community’s livelihood, tradition and culture. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 13. ♩ ♩ 10.Atin Cu Pung Singsing is an example of a Bicolano folk song ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 14. ♩ ♩ 11.Sarung Banggi is a folk song from Batangas. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 15. ♩ ♩ 12.Pamulinawen is a folksong with a triple meter. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 16. ♩ ♩ 13.Folksongs are usually sung in the dialect of the people of its place of origin. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 17. ♩ ♩ 14.Pamulinawen and Manang Biday are both Tagalog folksongs. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 18. ♩ ♩ 15.All folksongs have the same story to tell. ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩
  • 19. ELEMENTS OF MUSIC MELODY Organize sequence of single notes 03 DYNAMIC The softness and loudness of music 02 HARMONY Refers to the chords produced, accompaniment style, and countermelodies 04 TEXTURE The thickness of the sound 05 TIMBRE The quality of the sound 06 01 05
  • 20. The regular repeated pattern of sounds. It serves as the pulse of the musical composition. This element has three components: RHYTHM BEAT Beats are the length of the musical notes which form an integral part of a song. Ex. a) Tapping of the feet b) Nodding your head while listening to music TEMPO Is the speed of the beat. Every music has its own speed whether its fast or relatively slow METER Which composes of time signature is the combination of strong beats (accent) and weak beats
  • 21. used for gradually getting louder the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. DYNAMICS CRESCENDO DECRESCEND O or diminuendo is used for gradually getting softer.
  • 22. C O N J U N MELODY It is the main tune of the musical piece. It is what you hear and what retains in your head. It has two types, the conjunct and the disjunct. the melodic phrase moves in a stepwise fashion; that is the subsequent notes move up or down a semitone or tone, but no greater. C T the melodic phrase leaps upwards or downwards; this movement is greater than a whole tone. D I S J U N C T C T
  • 23. Consonant intervals in music are more pleasant and seems like “everything is ok”. 25% Dissonant intervals on the other hand produce a more “creepy” sound that shows tension and needs to be resolved. 75% HARMONY This element can refer to the chords produced, the accompaniment styles, and the countermelodies. It has two types, the consonance and the dissonance. CONSONANCE DISSONANCE
  • 24. HOMOPHONIC characterized by having multiple voices moving together harmonically at the same pace 02 POLYPHONIC a musical texture consisting of two or more simultaneous melodic lines 03 MONOPHONIC a texture comprising a single line of musical tones: that is, a single melody, or intonation, or cantillation. 01 TEXTURE The effect of the different layers of sound in a piece of music, and the relationship between them. TEXTURE The effect of the different layers of sound in a piece of music, and the relationship between them.
  • 25. Guitar Drums Flute TIMBRE a quality of a musical sound which is used for differentiating two sounds when they are in the same frequency.
  • 26. ELEMENTS OF MUSIC MELODY Organize sequence of single notes 03 DYNAMIC The softness and loudness of music 02 Refers to the chords produced, accompaniment style, and countermelodies 04 The thickness of the sound 05 The quality of the sound 06 01 05
  • 27. THANK YOU FOR LISTENING! “I haven’t understood a bar of music in my life, but I have felt it.” IGOR STRAVISKY