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ELEMENTs OF DESIGN
1: LINES
2: SPACE
3: COLOUR
4: TEXTURE
5: SHAPES
LINES
VERTICAL LINES
 Vertical lines simulate height and can create a mood of grandeur or
spirituality. Great examples of this is the vertical line usage in
churches and cathedrals where ceilings are lifted on tall vertical
pillars guiding the eyes upward. In web design vertical lines tend to
represent or create length and indicate to the user that there is more
content below the fold.
VERTICAL
LINES
HORIZONTAL LINES
Horizontal lines generally create relaxation or a calming mood, they tend to be
quiet and subtle whereas vertical lines are more imposing and powerful. In web
design horizontal lines are also known for their ability to organize content. When
you look at gridded layouts you’ll notice that horizontal lines are the elements
creating balance and organization — even though grids are generally laid
vertically.
HORIZONTAL
LINES
DIAGONAL LINES
Diagonal lines are the greatest way to create movement and direction.
Where horizontal lines suggest gravity and are stable, diagonal lines
are more unstable. These lines don’t lay down or stand up in a restful
position, they are in motion and you can actually create a sense of
speed just by simply adjusting the pitch of the lines: the steeper, the
faster.
DIAGONAL
LINES
Thick lines are visually powerful on the canvas, they represent power
and respect. The use of thick lines can build a feeling of power and
boldness. However, the overuse of thick lines can be very
overwhelming and way too demanding so you’ll need to be careful and
balance them off with other visual elements or differing weights of
line.
THICK LINES
THICK
LINES
THIN LINES
Thin lines tend to feel fragile, but their subtle feeling makes them great
for directing the eye without being annoying. They are also empathetic
to the viewer and tend to create a feeling of comfort and tranquility.
Combining thin and thick lines is a great way to create visual interest
and hierarchy by balancing the visually demanding thick lines with
the subtle, comforting thin lines.
THIN LINES
ZIG-ZAG
Zigzag lines are a combination of diagonal lines that connect at points.
They take on the dynamic and high energy characteristics of diagonal
lines. They create excitement and intense movement. They convey
confusion and nervousness as they change direction quickly and
frequently. They can imply danger and destruction as they break
down.
ZIG-ZAG
BROKEN LINES
The dashed line is exquisitely rich with information. A line formed
from a continuous series of dashes is diminished in strength when
compared to a solid line, yet in terms of visual language, it is just as
powerful. The weakness of the dashed line is it’s strength.
BROKEN
LINES

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Element of design

  • 1. ELEMENTs OF DESIGN 1: LINES 2: SPACE 3: COLOUR 4: TEXTURE 5: SHAPES
  • 3. VERTICAL LINES  Vertical lines simulate height and can create a mood of grandeur or spirituality. Great examples of this is the vertical line usage in churches and cathedrals where ceilings are lifted on tall vertical pillars guiding the eyes upward. In web design vertical lines tend to represent or create length and indicate to the user that there is more content below the fold.
  • 5. HORIZONTAL LINES Horizontal lines generally create relaxation or a calming mood, they tend to be quiet and subtle whereas vertical lines are more imposing and powerful. In web design horizontal lines are also known for their ability to organize content. When you look at gridded layouts you’ll notice that horizontal lines are the elements creating balance and organization — even though grids are generally laid vertically.
  • 7. DIAGONAL LINES Diagonal lines are the greatest way to create movement and direction. Where horizontal lines suggest gravity and are stable, diagonal lines are more unstable. These lines don’t lay down or stand up in a restful position, they are in motion and you can actually create a sense of speed just by simply adjusting the pitch of the lines: the steeper, the faster.
  • 9. Thick lines are visually powerful on the canvas, they represent power and respect. The use of thick lines can build a feeling of power and boldness. However, the overuse of thick lines can be very overwhelming and way too demanding so you’ll need to be careful and balance them off with other visual elements or differing weights of line. THICK LINES
  • 11. THIN LINES Thin lines tend to feel fragile, but their subtle feeling makes them great for directing the eye without being annoying. They are also empathetic to the viewer and tend to create a feeling of comfort and tranquility. Combining thin and thick lines is a great way to create visual interest and hierarchy by balancing the visually demanding thick lines with the subtle, comforting thin lines.
  • 13. ZIG-ZAG Zigzag lines are a combination of diagonal lines that connect at points. They take on the dynamic and high energy characteristics of diagonal lines. They create excitement and intense movement. They convey confusion and nervousness as they change direction quickly and frequently. They can imply danger and destruction as they break down.
  • 15. BROKEN LINES The dashed line is exquisitely rich with information. A line formed from a continuous series of dashes is diminished in strength when compared to a solid line, yet in terms of visual language, it is just as powerful. The weakness of the dashed line is it’s strength.