Editing amber shannon emma tina
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This document discusses various editing techniques used in filmmaking. It describes two main types of editing: continuity editing, which gives a sense of chronological time progression, and montage editing, which uses multiple shots without regard for timeline. It then defines different types of transitions like cuts, dissolves, and wipes. It also explains techniques such as jump cuts, cross cutting, cutaways, freeze frames, flashbacks, graphic matches, juxtaposition, and long and short takes.
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Editing notes OCR Media
Continuity editing is commonly used in films to seamlessly move the story and immerse viewers. Editing aims to create atmosphere, engage audiences, and make dramas fluid so construction is invisible. The editing process focuses on creating meaning by connecting shots rather than removing material. Editing pace is manipulated to engage audiences through fast cuts for action or slow cuts to build tension. Common techniques include cuts, match cuts between actions or objects, and transitional devices like fades, dissolves and wipes to suggest changes in scene or time.
Media edit def
There are several editing techniques used to transition between shots or scenes, including cuts, fades, dissolves, and wipes. Continuity editing aims to make transitions seem seamless. Matching actions and locations between shots maintains continuity. Cross-cutting suggests two locations simultaneously. Jump cuts omit parts of action. Long takes allow shots to remain for longer. Superimposing adds images or text over existing images. Slow motion edits footage to slow actions for effect. Sound can be diegetic, heard by characters, or non-diegetic, for audiences only. Incidental music enhances atmosphere.
05. editing notes sheet
Continuity editing aims to immerse the audience in the story and characters. Editing techniques include cuts between shots to create meaning and establish relationships. Common techniques include match cuts between actions, jump cuts to transition between time periods, and cross-cutting between different locations happening simultaneously. Sound bridges may be used to smooth transitions between scenes. Editing pace and techniques like reaction shots are used to convey emotion and guide audience response.
Editing
Editing techniques are used to craft meaning and move the story forward in a fluid manner. Editing focuses on pace and continuity to keep audiences immersed and sympathetic to characters. Different techniques like match cuts, jump cuts, and cross cuts are used to transition between scenes and indicate the passage of time. The juxtaposition of shots through cutting creates meaning and allows the audience to have reactions. There are many standard editing techniques that editors use purposefully to tell the story and convey meaning or emotion through visuals.
Media presentation
1) Continuity editing implies spatial relationships between shots and ensures a smooth flow from one shot to the next to help audiences make sense of the action within a scene.
2) Transitions like cuts, dissolves, and wipes are used to connect shots, with dissolves and wipes providing a more gradual and contemplative transition than cuts.
3) Techniques like ellipses and non-continuity can be used to compress time within a scene or show the passage of time through a montage. This can help show emotion but may disorient audiences.
Understanding and using editing
Editing is used to adjust film clips, change their order and viewpoint, and alter the pace. Common transitions include cuts, fades, dissolves, and wipes. Most editing creates continuity of time through ellipses while extending time with techniques like elliptical editing. When editing for production, the editor structures the narrative chronologically, develops characters through varied techniques, and manipulates atmosphere with different editing styles.
Editing
This document discusses various techniques used in film editing. It explains that most films use continuity editing to seamlessly move the story along and immerse viewers. Common goals of editing in drama include character identification, highlighting conflict, and intensifying scenes. It then defines and provides examples of different types of cuts (match cuts, jump cuts, cross-cuts, cutaways, reaction shots) and transitions (fades, dissolves, wipes, superimpositions) that film editors employ to craft meaning and pace scenes. The document stresses that editing is about creating, not just removing, meaning through techniques like montage, slow motion, long takes, and split screens.
05. editing notes sheet FIX
Continuity editing is commonly used in films to seamlessly move the story and immerse viewers. Editing techniques like cuts, match cuts, and cross-cuts are employed to develop characters, intensify conflict or drama, and create meaning through juxtaposing different shots. Transitions between scenes like dissolves or sound bridges make edits less noticeable. The editing pace through frequent or infrequent cuts also helps set the tone of a scene or genre.
Recommended
Editing notes OCR Media
Continuity editing is commonly used in films to seamlessly move the story and immerse viewers. Editing aims to create atmosphere, engage audiences, and make dramas fluid so construction is invisible. The editing process focuses on creating meaning by connecting shots rather than removing material. Editing pace is manipulated to engage audiences through fast cuts for action or slow cuts to build tension. Common techniques include cuts, match cuts between actions or objects, and transitional devices like fades, dissolves and wipes to suggest changes in scene or time.
Media edit def
There are several editing techniques used to transition between shots or scenes, including cuts, fades, dissolves, and wipes. Continuity editing aims to make transitions seem seamless. Matching actions and locations between shots maintains continuity. Cross-cutting suggests two locations simultaneously. Jump cuts omit parts of action. Long takes allow shots to remain for longer. Superimposing adds images or text over existing images. Slow motion edits footage to slow actions for effect. Sound can be diegetic, heard by characters, or non-diegetic, for audiences only. Incidental music enhances atmosphere.
05. editing notes sheet
Continuity editing aims to immerse the audience in the story and characters. Editing techniques include cuts between shots to create meaning and establish relationships. Common techniques include match cuts between actions, jump cuts to transition between time periods, and cross-cutting between different locations happening simultaneously. Sound bridges may be used to smooth transitions between scenes. Editing pace and techniques like reaction shots are used to convey emotion and guide audience response.
Editing
Editing techniques are used to craft meaning and move the story forward in a fluid manner. Editing focuses on pace and continuity to keep audiences immersed and sympathetic to characters. Different techniques like match cuts, jump cuts, and cross cuts are used to transition between scenes and indicate the passage of time. The juxtaposition of shots through cutting creates meaning and allows the audience to have reactions. There are many standard editing techniques that editors use purposefully to tell the story and convey meaning or emotion through visuals.
Media presentation
1) Continuity editing implies spatial relationships between shots and ensures a smooth flow from one shot to the next to help audiences make sense of the action within a scene.
2) Transitions like cuts, dissolves, and wipes are used to connect shots, with dissolves and wipes providing a more gradual and contemplative transition than cuts.
3) Techniques like ellipses and non-continuity can be used to compress time within a scene or show the passage of time through a montage. This can help show emotion but may disorient audiences.
Understanding and using editing
Editing is used to adjust film clips, change their order and viewpoint, and alter the pace. Common transitions include cuts, fades, dissolves, and wipes. Most editing creates continuity of time through ellipses while extending time with techniques like elliptical editing. When editing for production, the editor structures the narrative chronologically, develops characters through varied techniques, and manipulates atmosphere with different editing styles.
Editing
This document discusses various techniques used in film editing. It explains that most films use continuity editing to seamlessly move the story along and immerse viewers. Common goals of editing in drama include character identification, highlighting conflict, and intensifying scenes. It then defines and provides examples of different types of cuts (match cuts, jump cuts, cross-cuts, cutaways, reaction shots) and transitions (fades, dissolves, wipes, superimpositions) that film editors employ to craft meaning and pace scenes. The document stresses that editing is about creating, not just removing, meaning through techniques like montage, slow motion, long takes, and split screens.
05. editing notes sheet FIX
Continuity editing is commonly used in films to seamlessly move the story and immerse viewers. Editing techniques like cuts, match cuts, and cross-cuts are employed to develop characters, intensify conflict or drama, and create meaning through juxtaposing different shots. Transitions between scenes like dissolves or sound bridges make edits less noticeable. The editing pace through frequent or infrequent cuts also helps set the tone of a scene or genre.
editing
To edit their film, the document discusses several editing techniques used in Final Cut including transitions between scenes like dissolves where one image fades into another, wipes where a black screen is drawn across the image to introduce a new scene, and shot reverse shot cuts between two actors in conversation. The most basic editing technique is simply cutting between different lengths of filmed footage.
EDITING NOTES
This document discusses various techniques used in film editing. It begins by explaining that most films use continuity editing to seamlessly move the story along and immerse viewers. It then provides examples of editing techniques like match cuts, jump cuts, cross-cuts, cutaways, and reaction shots that are used to guide audience attention and create meaning through juxtaposition. It also discusses transitional effects between shots like fades, dissolves, and wipes. The purpose of editing is to craft a fluid narrative through strategic shot selection and arrangement rather than just removing excess footage.
Technical Aspects of Moving Images
The document provides an overview of key technical aspects of mise-en-scene in film including setting, props, costumes, performance, lighting, camerawork, editing, and sound. It defines concepts such as three point lighting, high and low key lighting, angles, shot duration, transitions, continuity, and diegetic and non-diegetic sound. Examples are provided for many of the techniques discussed.
Technical aspects of moving image
The document provides an overview of key technical aspects of mise-en-scene in film including setting, props, costumes, performance, lighting, camerawork, editing, and sound. It defines concepts such as high key and low key lighting, shot types and angles, continuity editing techniques, and diegetic and non-diegetic sound. Examples are provided for many of the techniques discussed.
Editingtechniques 1
The document discusses various cinematic techniques for editing video, including cutting rhythms, reaction shots, matched cuts, jump cuts, fades, dissolves, and sound design. It explains that frequent or quickened cuts can increase tension, while slowed cuts draw attention to details. Matched cuts make transitions between shots seem smooth by maintaining continuity. Fades and dissolves are gradual transitions between shots that can indicate passage of time or differences in location.
Editingtechniques 1
The document discusses various cinematic techniques for editing video, including cutting rhythm, quickening and shortening cuts, motivated cuts, reaction shots, matched cuts, cutaways, jump cuts, fades, dissolves, and reverse shots. It explains how these techniques can be used to emphasize points, build tension, change scenes or viewpoints, compress time, and suggest the passage of time through gradual transitions between shots.
editing notes
Most films use continuity editing to seamlessly move the story along and immerse audiences in the plot and characters. Editing techniques are used to show conflict, intensification, and focus on characters. The purpose is to make the story flow smoothly so audiences are unaware of the construction process. Common editing techniques include cuts between shots to create meaning, match cuts that match the action between shots, and cross-cuts that switch between different narrative lines occurring simultaneously. Other transitions like fades, dissolves, and wipes are used to indicate changes in time or place or connect two scenes. Montage and slow motion are also editing techniques used to emphasize emotion or action.
Editing glossary
A dissolve is a slow transition between two images merging together and can suggest a difference in time or place, as well as a strong connection between the two scenes. A montage is a series of shots connected to reinforce or create meaning, intensifying and controlling emotion through collection. Slow-motion literally slows down the action with the text to prolong tension, add style, or dramatic effect to the film.
Technical aspects of moving image g322
Mise en scene refers to everything within the frame of a shot that can be used to convey meaning, including setting, props, costumes, lighting, and performance. Elements of mise en scene like lighting can be used realistically or expressively to set a mood. Camera techniques like shot size, angle, movement, and focus can also be manipulated to influence meaning. In film editing, continuity is maintained through matching shots and following conventions like the 180-degree rule, while sound can be diegetic elements natural to the scene or non-diegetic music added to set atmosphere.
05. editing notes sheet
This document discusses various techniques of film editing. It begins by explaining that most films use continuity editing to seamlessly move the story and immerse viewers. It then outlines some purposes of editing in drama, such as identification, conflict, and intensification. The document goes on to describe specific editing techniques like match cuts, jump cuts, cross-cuts, cutaways, and reaction shots. It also discusses the use of transitions like fades and dissolves. The key role of editing is to create meaning through techniques like montage and juxtaposition of shots.
05 editing notes sheet
Film editing uses techniques like continuity editing to seamlessly advance the plot and immerse viewers. Editing aims to identify characters, create conflict, and intensify drama through techniques like matching actions between shots, cross-cutting between locations, and reaction shots to guide audience responses. Editors strategically employ a variety of cuts, dissolves, and other transitions to craft meaning and manipulate tempo, emotion, and viewers' understanding of the story.
05. editing notes sheet
Most films use continuity editing to seamlessly move the story along and immerse audiences. Editing aims to create identification with characters and conflict through techniques like match cuts, cross-cuts, cutaways, and reaction shots. The editor's goal is to make the drama as fluid as possible so viewers are unaware of the construction process. Editing pace can suggest emotion, with slow cuts for emotion and fast cuts for tension. Through juxtaposition of shots, editing creates meaning between scenes.
editing notes sheet
This document discusses various techniques used in film editing. It begins by explaining that most films use continuity editing to seamlessly move the story and immerse viewers. It then describes some purposes of editing in drama, such as identification, conflict, and intensification. Several specific editing techniques are defined, such as match cuts, jump cuts, cross-cuts, cutaways, and reaction shots. Transitional effects like fades, dissolves, and wipes are also discussed. The document stresses that editing is used to create meaning rather than just removing material. It closes by noting that editing pace and juxtaposition of shots are also used to convey meaning.
05. editing notes sheet
Most films use continuity editing to seamlessly move the story along and immerse viewers. Editing techniques like matches on action, cutaways, and reaction shots guide audience reactions without drawing attention. The pace of cuts also influences meaning, with fast cuts suggesting tension and slow cuts implying emotion. Through juxtaposition of shots, editing creates relationships between scenes and narratives. Common techniques include cuts, fades, dissolves, wipes, and montages.
The day after (1983)
Well, I can’t say that this is my favourite film. It would be just the wrong word. This is the film, that impressed me. This is the film, that shocked me. This is the film, that covers my body with goosebumps every time when I hear about it. This is the only film that really scares me…
It is about consequences after a Nuclear Attack or, honesty speaking, after a play between two persons in which everyone is a looser. Especially simple people, who suffers mostly.
Critics tended to claim the film was too tame, but still, being directed by Nicholas Meyer, it received twelve Emmy nominations and won two Emmy awards for an Outstanding Film Sound Editing and for an Outstanding Achievement In Special Visual Effects.
But my task was not to write about the whole film ( what I wish I could), but to write about my favourite scene in it ( and again, I would like to replace the word favourite to the most impressive one). Why does my “favourite” scene end on 3.27? Because everything what is happening after is too cruel even for non-sensitive people like me.
First of all, I must point out again that I don’t like it. I am impressed by it. Why? It shows us peoples reaction to a disaster! It shows us the end of their world and how they are trying to survive. But do they have a chance? Most of them definitely not! And the audience see it and wholly understands… how terrifying is that? So, this piece shows the naturalness of emotions.
My second reason is cleanliness of the shots. They are very straight and senseful. The picture explains what it has to, but avoids too much drama. Yes, it is very dramatic scene, but everywhere have to be a measure. People are still hoping and I see it, I understand it, I believe it and I am worry about it.
My third point is talking about a film structure, which includes several things like: great use of the sound, camera, different angles, colours and how genius everything is put together! Each movement, gesture, posture, appearances, spatial behaviour… everything what is happening on the screen puts and keeps you under a pressure.
But I should tell more about my last point, because, obviously, there is what to pay attention for. Firstly, the great sound work that really adds even more tension to this scene.
So what can I say about camera work in this scene? It’s spectacular! I identified a lot of different methods of what I had learned and I want to tell about several of them.
Editing
1. Continuity editing aims to seamlessly move the story along and immerse the audience. Editing techniques like matching shots help establish logic and relationships between scenes.
2. Common editing techniques include cuts, match cuts, reaction shots, cross-cuts, and cutaways. Cuts change viewpoint or location, while match cuts connect actions across shots to imply continuity.
3. Transitions besides cuts include dissolves, fades, and wipes, which suggest changes in time or place. Montages and long takes can prolong tension and add style.
Film Language Editing
Most films use continuity editing to seamlessly move the story along and immerse viewers in the plot. Editing aims to create identification with characters, establish conflict, and intensify drama through techniques like match cuts, jump cuts, cross-cuts, cutaways, and reaction shots. The purpose is to make the story flow smoothly so viewers are unaware of the construction process. Editing creates meaning through juxtaposing different shots and employs transitions like dissolves to connect scenes or suggest changes in time or place.
Editing notes sheet
Continuity editing is commonly used in films to seamlessly move the story and immerse viewers. Editing techniques like cuts, match cuts, and cross-cuts are employed to identify characters, create conflict, and intensify drama while making the construction invisible. The purpose is to fluidly convey meaning rather than just presenting footage. Editing pace, shot length, and transitions between shots like dissolves also communicate mood and tension. Filmmakers have many editing tools to craft their story and guide the audience's experience.
Terminology overview
This document defines key terminology used in film studies, including different types of sounds used in films, elements of mise-en-scene, editing techniques, camera shots and angles, and aspects of film distribution and audiences. It covers diegetic and non-diegetic sound, music, and stings. For mise-en-scene, it discusses location, costumes, props, lighting, weather, color, and positioning. Editing techniques include cuts, transitions, pacing, shot reverse shot, and match cuts. Camera shots include establishing shots, close-ups, angles, pans, tracks, and focus techniques. Distribution topics are global/local audiences, conglomerates, integration, release strategies, and convergence across platforms.
Editing terminology
Most films use continuity editing to seamlessly move the story along and immerse viewers. Editing aims to create identification with characters, conflict, and intensification to make drama fluid. The editor cuts between shots to create meaning and guide audience reaction, employing techniques like match cuts, reaction shots, and cross-cutting. Transitions like dissolves and fades also link shots to suggest differences or connections in time, place, or tone.
The Art of Editing #8
This document discusses discontinuity editing techniques, how to give constructive criticism, and how to manage receiving criticism. It provides examples of films that use discontinuity editing such as Last Year at Marienbad. It recommends that constructive criticism be clear, specific, detailed, and actionable. When managing criticism, it advises taking notes, listening without getting defensive, being open to different viewpoints, and not taking all criticism on board. It also provides guidelines for giving constructive criticism such as making sure it is truly constructive, necessary, and that the critic has earned the right to provide feedback. It includes sample questions to ask when testing video edits to provide helpful feedback.
Editing in trailers2
The document discusses various editing techniques used in film trailers, including continuity editing, montage, and discontinuity editing. It explains how continuity editing maintains spatial and temporal relationships between shots through techniques like the 180-degree rule. Montage can compress events through a series of short shots. Discontinuity editing can create narrative ambiguity by omitting context between shots. Overall, the document provides an overview of editing techniques that can be used to engage audiences and create narrative tension in film trailers through the strategic arrangement of shots.
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editing
To edit their film, the document discusses several editing techniques used in Final Cut including transitions between scenes like dissolves where one image fades into another, wipes where a black screen is drawn across the image to introduce a new scene, and shot reverse shot cuts between two actors in conversation. The most basic editing technique is simply cutting between different lengths of filmed footage.
EDITING NOTES
This document discusses various techniques used in film editing. It begins by explaining that most films use continuity editing to seamlessly move the story along and immerse viewers. It then provides examples of editing techniques like match cuts, jump cuts, cross-cuts, cutaways, and reaction shots that are used to guide audience attention and create meaning through juxtaposition. It also discusses transitional effects between shots like fades, dissolves, and wipes. The purpose of editing is to craft a fluid narrative through strategic shot selection and arrangement rather than just removing excess footage.
Technical Aspects of Moving Images
The document provides an overview of key technical aspects of mise-en-scene in film including setting, props, costumes, performance, lighting, camerawork, editing, and sound. It defines concepts such as three point lighting, high and low key lighting, angles, shot duration, transitions, continuity, and diegetic and non-diegetic sound. Examples are provided for many of the techniques discussed.
Technical aspects of moving image
The document provides an overview of key technical aspects of mise-en-scene in film including setting, props, costumes, performance, lighting, camerawork, editing, and sound. It defines concepts such as high key and low key lighting, shot types and angles, continuity editing techniques, and diegetic and non-diegetic sound. Examples are provided for many of the techniques discussed.
Editingtechniques 1
The document discusses various cinematic techniques for editing video, including cutting rhythms, reaction shots, matched cuts, jump cuts, fades, dissolves, and sound design. It explains that frequent or quickened cuts can increase tension, while slowed cuts draw attention to details. Matched cuts make transitions between shots seem smooth by maintaining continuity. Fades and dissolves are gradual transitions between shots that can indicate passage of time or differences in location.
Editingtechniques 1
The document discusses various cinematic techniques for editing video, including cutting rhythm, quickening and shortening cuts, motivated cuts, reaction shots, matched cuts, cutaways, jump cuts, fades, dissolves, and reverse shots. It explains how these techniques can be used to emphasize points, build tension, change scenes or viewpoints, compress time, and suggest the passage of time through gradual transitions between shots.
editing notes
Most films use continuity editing to seamlessly move the story along and immerse audiences in the plot and characters. Editing techniques are used to show conflict, intensification, and focus on characters. The purpose is to make the story flow smoothly so audiences are unaware of the construction process. Common editing techniques include cuts between shots to create meaning, match cuts that match the action between shots, and cross-cuts that switch between different narrative lines occurring simultaneously. Other transitions like fades, dissolves, and wipes are used to indicate changes in time or place or connect two scenes. Montage and slow motion are also editing techniques used to emphasize emotion or action.
Editing glossary
A dissolve is a slow transition between two images merging together and can suggest a difference in time or place, as well as a strong connection between the two scenes. A montage is a series of shots connected to reinforce or create meaning, intensifying and controlling emotion through collection. Slow-motion literally slows down the action with the text to prolong tension, add style, or dramatic effect to the film.
Technical aspects of moving image g322
Mise en scene refers to everything within the frame of a shot that can be used to convey meaning, including setting, props, costumes, lighting, and performance. Elements of mise en scene like lighting can be used realistically or expressively to set a mood. Camera techniques like shot size, angle, movement, and focus can also be manipulated to influence meaning. In film editing, continuity is maintained through matching shots and following conventions like the 180-degree rule, while sound can be diegetic elements natural to the scene or non-diegetic music added to set atmosphere.
05. editing notes sheet
This document discusses various techniques of film editing. It begins by explaining that most films use continuity editing to seamlessly move the story and immerse viewers. It then outlines some purposes of editing in drama, such as identification, conflict, and intensification. The document goes on to describe specific editing techniques like match cuts, jump cuts, cross-cuts, cutaways, and reaction shots. It also discusses the use of transitions like fades and dissolves. The key role of editing is to create meaning through techniques like montage and juxtaposition of shots.
05 editing notes sheet
Film editing uses techniques like continuity editing to seamlessly advance the plot and immerse viewers. Editing aims to identify characters, create conflict, and intensify drama through techniques like matching actions between shots, cross-cutting between locations, and reaction shots to guide audience responses. Editors strategically employ a variety of cuts, dissolves, and other transitions to craft meaning and manipulate tempo, emotion, and viewers' understanding of the story.
05. editing notes sheet
Most films use continuity editing to seamlessly move the story along and immerse audiences. Editing aims to create identification with characters and conflict through techniques like match cuts, cross-cuts, cutaways, and reaction shots. The editor's goal is to make the drama as fluid as possible so viewers are unaware of the construction process. Editing pace can suggest emotion, with slow cuts for emotion and fast cuts for tension. Through juxtaposition of shots, editing creates meaning between scenes.
editing notes sheet
This document discusses various techniques used in film editing. It begins by explaining that most films use continuity editing to seamlessly move the story and immerse viewers. It then describes some purposes of editing in drama, such as identification, conflict, and intensification. Several specific editing techniques are defined, such as match cuts, jump cuts, cross-cuts, cutaways, and reaction shots. Transitional effects like fades, dissolves, and wipes are also discussed. The document stresses that editing is used to create meaning rather than just removing material. It closes by noting that editing pace and juxtaposition of shots are also used to convey meaning.
05. editing notes sheet
Most films use continuity editing to seamlessly move the story along and immerse viewers. Editing techniques like matches on action, cutaways, and reaction shots guide audience reactions without drawing attention. The pace of cuts also influences meaning, with fast cuts suggesting tension and slow cuts implying emotion. Through juxtaposition of shots, editing creates relationships between scenes and narratives. Common techniques include cuts, fades, dissolves, wipes, and montages.
The day after (1983)
Well, I can’t say that this is my favourite film. It would be just the wrong word. This is the film, that impressed me. This is the film, that shocked me. This is the film, that covers my body with goosebumps every time when I hear about it. This is the only film that really scares me…
It is about consequences after a Nuclear Attack or, honesty speaking, after a play between two persons in which everyone is a looser. Especially simple people, who suffers mostly.
Critics tended to claim the film was too tame, but still, being directed by Nicholas Meyer, it received twelve Emmy nominations and won two Emmy awards for an Outstanding Film Sound Editing and for an Outstanding Achievement In Special Visual Effects.
But my task was not to write about the whole film ( what I wish I could), but to write about my favourite scene in it ( and again, I would like to replace the word favourite to the most impressive one). Why does my “favourite” scene end on 3.27? Because everything what is happening after is too cruel even for non-sensitive people like me.
First of all, I must point out again that I don’t like it. I am impressed by it. Why? It shows us peoples reaction to a disaster! It shows us the end of their world and how they are trying to survive. But do they have a chance? Most of them definitely not! And the audience see it and wholly understands… how terrifying is that? So, this piece shows the naturalness of emotions.
My second reason is cleanliness of the shots. They are very straight and senseful. The picture explains what it has to, but avoids too much drama. Yes, it is very dramatic scene, but everywhere have to be a measure. People are still hoping and I see it, I understand it, I believe it and I am worry about it.
My third point is talking about a film structure, which includes several things like: great use of the sound, camera, different angles, colours and how genius everything is put together! Each movement, gesture, posture, appearances, spatial behaviour… everything what is happening on the screen puts and keeps you under a pressure.
But I should tell more about my last point, because, obviously, there is what to pay attention for. Firstly, the great sound work that really adds even more tension to this scene.
So what can I say about camera work in this scene? It’s spectacular! I identified a lot of different methods of what I had learned and I want to tell about several of them.
Editing
1. Continuity editing aims to seamlessly move the story along and immerse the audience. Editing techniques like matching shots help establish logic and relationships between scenes.
2. Common editing techniques include cuts, match cuts, reaction shots, cross-cuts, and cutaways. Cuts change viewpoint or location, while match cuts connect actions across shots to imply continuity.
3. Transitions besides cuts include dissolves, fades, and wipes, which suggest changes in time or place. Montages and long takes can prolong tension and add style.
Film Language Editing
Most films use continuity editing to seamlessly move the story along and immerse viewers in the plot. Editing aims to create identification with characters, establish conflict, and intensify drama through techniques like match cuts, jump cuts, cross-cuts, cutaways, and reaction shots. The purpose is to make the story flow smoothly so viewers are unaware of the construction process. Editing creates meaning through juxtaposing different shots and employs transitions like dissolves to connect scenes or suggest changes in time or place.
Editing notes sheet
Continuity editing is commonly used in films to seamlessly move the story and immerse viewers. Editing techniques like cuts, match cuts, and cross-cuts are employed to identify characters, create conflict, and intensify drama while making the construction invisible. The purpose is to fluidly convey meaning rather than just presenting footage. Editing pace, shot length, and transitions between shots like dissolves also communicate mood and tension. Filmmakers have many editing tools to craft their story and guide the audience's experience.
Terminology overview
This document defines key terminology used in film studies, including different types of sounds used in films, elements of mise-en-scene, editing techniques, camera shots and angles, and aspects of film distribution and audiences. It covers diegetic and non-diegetic sound, music, and stings. For mise-en-scene, it discusses location, costumes, props, lighting, weather, color, and positioning. Editing techniques include cuts, transitions, pacing, shot reverse shot, and match cuts. Camera shots include establishing shots, close-ups, angles, pans, tracks, and focus techniques. Distribution topics are global/local audiences, conglomerates, integration, release strategies, and convergence across platforms.
Editing terminology
Most films use continuity editing to seamlessly move the story along and immerse viewers. Editing aims to create identification with characters, conflict, and intensification to make drama fluid. The editor cuts between shots to create meaning and guide audience reaction, employing techniques like match cuts, reaction shots, and cross-cutting. Transitions like dissolves and fades also link shots to suggest differences or connections in time, place, or tone.
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The Art of Editing #8
This document discusses discontinuity editing techniques, how to give constructive criticism, and how to manage receiving criticism. It provides examples of films that use discontinuity editing such as Last Year at Marienbad. It recommends that constructive criticism be clear, specific, detailed, and actionable. When managing criticism, it advises taking notes, listening without getting defensive, being open to different viewpoints, and not taking all criticism on board. It also provides guidelines for giving constructive criticism such as making sure it is truly constructive, necessary, and that the critic has earned the right to provide feedback. It includes sample questions to ask when testing video edits to provide helpful feedback.
Editing in trailers2
The document discusses various editing techniques used in film trailers, including continuity editing, montage, and discontinuity editing. It explains how continuity editing maintains spatial and temporal relationships between shots through techniques like the 180-degree rule. Montage can compress events through a series of short shots. Discontinuity editing can create narrative ambiguity by omitting context between shots. Overall, the document provides an overview of editing techniques that can be used to engage audiences and create narrative tension in film trailers through the strategic arrangement of shots.
Editing
Editing involves assembling shots in a way that shapes the rhythm and pace of a film. There are different types of transitions between shots, such as fades, dissolves, and wipes, which can blend or connect two shots. Editing techniques like cross-cutting, montages, and adjusting the length of shots can impact the pace and emphasize changes in mood or action within a film.
The Art of Editing #2
This document provides an overview of continuity editing techniques in film. It discusses match on action cuts, shot/reverse shot editing, and the 180-degree rule. It also covers basic transitions like cuts, dissolves, and wipes. Experiments in early cinema from directors like Dziga Vertov and Luis Bunuel are mentioned. Walter Murch's "Rule of 6" priorities for ideal cuts are outlined, with emotion cited as the most important factor. Examples are given of techniques like shot/reverse shot from films like Raging Bull and Dirty Harry.
Lecture 2) Motivational editing, shot reverse shot & the 180 degree rule
The document discusses various editing techniques including motivated editing, shot reverse shot, eyeline matching, and the 180-degree rule. Motivated editing involves cuts that are motivated by elements like story, character, emotion, or suspense. Shot reverse shot establishes spatial relationships between characters through alternating shots. Eyeline matching matches a character's look to what they are looking at. The 180-degree rule dictates that shots must only be filmed on one side of an imaginary line between characters.
Prelim task continuity editing
The document discusses three continuity editing techniques:
1. The 180-degree rule maintains the spatial relationship between characters and the audience's perspective. It creates a consistent sense of location.
2. Match on action uses cuts between shots that continue the same action, creating a sense of continuity. It draws attention away from edits.
3. Shot reverse shot structures a conversation by alternating between one character's perspective and the other's, applying the 180-degree rule to retain spatial logic. It is commonly used with match on action.
The techniques allow for smooth storytelling by preserving spatial and temporal coherence across shots through strategic camera placement and editing. Breaking conventions can confuse audiences by distorting the perceived location or
Editing: Continuity and Discontinuity
There are two main approaches to film editing: continuity editing and discontinuity editing. Continuity editing emphasizes smooth, coherent transitions between shots to tell a narrative in an invisible way, while discontinuity editing emphasizes differences between shots and calls attention to itself by creating new meaning through juxtaposition of individual shots. Both aim to manipulate time and space but in different ways - continuity seeks temporal and spatial continuity and illusion, while discontinuity violates expectations of continuity.
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Lecture 2) Motivational editing, shot reverse shot & the 180 degree rule
Lecture 2) Motivational editing, shot reverse shot & the 180 degree rule
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There are two main types of editing: continuity editing, which gives a sense of chronological time passing, and montage editing, which uses multiple shots without regard for time. Transitions like cuts, dissolves, and wipes are used to connect shots. Other editing techniques include jump cuts, cross cutting, cutaways, freeze frames, and flashbacks. Editing choices also reflect characteristics like age, with longer takes used for important elderly characters and flashbacks showing a character's past.
Editing
Continuity editing tells a story in chronological order through short shots that are pieced together, while montage editing uses longer shots that are not necessarily in order. Slow motion edits video slower than normal to slow down action. Ellipsis skips over parts of time through leaping edits captioned with time passed. Post-production visual effects manipulate or add imagery after filming. Shot/reverse shot alternates between two characters looking at each other, while match cuts link shots through graphic or action similarities. Jump cuts appear to jump forward in time through slightly differing camera positions.
Editing
Cuts, transitions, and camera movements are editing techniques that provide narrative structure in film, similar to punctuation in writing. Different types of cuts include jump cuts, which provide abrupt transitions typically to cover mistakes, and cross-cutting, which cuts back and forth between events happening simultaneously. Other techniques include reverse cutting in conversations, cutaways to show character reactions, establishing shots to set a scene's context, expanding time to build suspense, and transitions like fades and dissolves to signify changes in time or location.
Week 5
This document provides an overview of various film editing techniques, including:
- Montage, which combines quick cuts to convey passage of time or emotional transition.
- Parallel editing, which cuts back and forth between two scenes to create a sense of simultaneous action.
- Split screen, which shows two shots side-by-side to also create simultaneous action.
- Dissolves, which blend one shot into another to soften cuts or show passage of time.
- Overlapping action, which adds dramatic value by extending scenes through cutaways and reaction shots.
- Match cuts and visual match cuts, which link scenes through similar shapes, colors, or ideas.
- Fast motion, which compresses
Glossary of terms-editing techniques
This document defines and explains various cinematography and editing techniques used in filmmaking. It defines continuity editing as a system that maintains clear narrative action through a set of rules governing shot sequencing. Transitions like dissolves and fades are described as ways to gradually transition between shots to make the film seem continuous. Other techniques explained include cross cutting, wipes, jump cuts, shot reverse shot editing, and the 180-degree rule for establishing spatial relationships in scenes.
Editing
Editing techniques are used to move a story along through continuity and the strategic placement of cuts between shots. The most common technique is a cut, which trims footage to show what is most relevant to the narrative in a logical sequence. Match cuts match the action between consecutive clips to create a seamless transition, while jump cuts are more abrupt and meant to be noticed, sometimes to indicate passage of time. Cross cuts alternate between different narratives occurring simultaneously. Reaction cuts show a character responding to an action scene. Transitions like fades, dissolves and wipes are also used to connect shots. Montages and slow motion can intensify emotion, while long takes linger on a single shot and split screens show contrasting shots
Editing
This document outlines and defines various film editing techniques. Montage editing uses frequent cuts and close-ups to make it clear footage has been edited. Continuity editing maintains a clear narrative through following rules like shot reverse shot. Discontinuity editing distorts viewers' perspective by seeming out of logical order. Match cutting suggests relationships between objects spatially.
EDITING
This document provides an introduction to micro features of film editing. It defines editing as selecting and combining shots to tell a story and convey meaning. It discusses techniques like montage, parallel editing, split screens, dissolves, overlapping action, graphic matches, match cuts, fast/slow motion, and establishing rhythm and pace. The goal of editing is to communicate the film's narrative in a seamless way even though it is composed of many different shots.
Editing
Editing techniques include match on action cuts, overlapping edits, graphic matches, parallel edits, montage edits, jump cuts, dissolves, fades, and wipes. Match on action cuts and overlapping edits match the beginning and end of the same action across two shots for continuity. Graphic matches connect shots thematically through similar compositions. Parallel edits cut between two sequences happening simultaneously. Montage edits condense time through short shots and transitions. Jump cuts skip time within a sequence. Dissolves and fades transition smoothly between shots. Wipes move one shot across the screen to replace another.
Editing
Editing is essential to filmmaking as it takes all the recorded shots and pieces them together to form a coherent film. There are different editing techniques like continuity editing which makes shots seem natural by maintaining consistent details between shots, montage editing which compresses time by quickly splicing together many scenes, and parallel/cross cutting which show simultaneous or out-of-order storylines by cutting between them. Fades are also used to transition between scenes or indicate shifts in time/location.
Editing
Continuity editing aims to make cuts between shots flow naturally and go unnoticed by the viewer. It involves matching shots so the action flows seamlessly. Montage editing assembles different cuts to convey an impression or topic, either by juxtaposing unrelated shots to create new meaning ("Soviet" style) or presenting narrative information concisely ("Hollywood" style). Cross-cutting, or parallel editing, alternates between two simultaneous actions to build tension without slowing the pace. Transitions like dissolves and wipes are used to smoothly flow between shots and set the mood, while jump cuts draw attention by appearing disjointed.
Cuts & transitions
This document discusses various types of cuts and transitions that can be used in film editing. It describes cutting on action to provide better views of situations or emphasize actions. Cutaways can provide additional context or omit information. Cross-cutting builds tension by cutting between two locations. Jump cuts speed up scenes or show complex movements. Match cuts transition between similar movements. Fades transition between scenes or indicate passing time. Smash cuts contrast high tension with low tension. Iris shots focus on one object while blocking others. Whip transitions are meant to be noticeable. Invisible cuts make transitions seem seamless. L-cuts and J-cuts use overlapping sound to connect shots.
Media terminology
This document defines various media terminology related to camera movements, camera shots, soundtracks, and editing techniques. It explains that camera tilting involves moving the lens up and down while panning is moving it from side to side. Zooming changes the focal length to make a subject appear closer or further. Shots are defined from extreme long to close up. Sound can be diegetic from the scene or non-diegetic added effects. Editing techniques include cuts, dissolves, and fades to transition between scenes.
Media terminology
This document defines various camera movements, camera shots, types of sound, and editing techniques used in media. Camera movements include tilting, panning, and zooming. Camera shots range from extreme long shots to close ups. Sound can be diegetic, non-diegetic, or sound effects. Editing techniques involve cuts, dissolves, jumps cuts, fades, and montages to transition between scenes.
Lesson 5 editing techniques
This document provides information and instructions for a blog post assignment on the conventions of editing in film. It lists learning aims around understanding editing techniques and evaluating their usefulness. It instructs students to cover topics like developments in editing conventions over time, techniques like montage and parallel editing, and transitions like dissolves and wipes. Students are told to use examples and discuss all points in their blog post, and to consider the grading criteria. Key terms are highlighted and explanations are provided for techniques like montage, parallel editing, and transitions like fades and dissolves. YouTube video examples are included for several techniques.
Editing
This document discusses key concepts in film editing, including the importance of shot order in establishing meaning and connections, using continuity techniques like establishing shots and match cuts to create a smooth narrative flow, and how transitions and shot duration can be manipulated to influence the pace and tone of a scene. It explains that an editor's invisible work helps the action appear realistic and guides the viewer's perspective.
Editing terms
The document defines various editing techniques used to structure narrative and control pacing in film and television. It discusses techniques like shot/reverse shot cutting between speakers in dialogue, graphic matches that transition between similar shapes on screen, and montages that compress time through a series of short shots. It also covers transitions like dissolves and crossfades, and special effects created in post-production like computer-generated imagery.
Editing.
Editing involves assembling shots in a film to shape its rhythm, pace and narrative. Key techniques include cuts between shots, dissolves where shots blend together, and transitions like fades. Editing styles include parallel editing of simultaneous actions, matching shots for continuity, montage using unrelated shots to imply meaning, and adjusting shot length to control pace. Famous examples like the Odessa Steps sequence in Battleship Potemkin demonstrate how editing can emphasize drama through a rapid, discontinuous style.
editing
Editing involves assembling shots in a film to shape its rhythm, pace and narrative. Key techniques include cuts between shots, dissolves where shots blend together, and transitions like fades. Editing styles include parallel editing of simultaneous actions, matching shots for continuity, montage using unrelated shots to imply meaning, and adjusting shot length to control pace. Famous examples like the Odessa Steps sequence in Battleship Potemkin demonstrate how editing can emphasize drama through a rapid, discontinuous style.
Technical aspects of moving image
This document provides information on various technical aspects of mise-en-scene, performance and movement, lighting, camerawork, editing, and sound in film. It defines key cinematic techniques such as shot types, lighting approaches, editing transitions, and the distinction between diegetic and non-diegetic sound. Examples are provided to illustrate techniques like three-point lighting, low-key lighting, shot duration, match cuts, and the use of non-diegetic music to set mood. The document is intended as a reference for analyzing elements of cinematography, directing, and film production.
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Shots vt1
This document contains a list of 57 potential shots for filming in and around the city of Bath, England. The shots include exterior and interior locations such as shops, cafes, tourist attractions like the Roman Baths and Abbey, and activities like ice skating and mini golf. For each shot, the camera movement, angle, and brief description are provided to showcase different areas, people, and points of interest in Bath.
1 log line
The Better Date is a short comedy drama about two friends competing to prove who was the better date while waiting for paternity test results from the same girl to determine who fathered her child.
Pitch for 'bottoms up'
- The proposed show "Bottoms Up" is a daytime drinking show aimed at university students that will feature segments on alcohol production, cocktails, and safety in a lively studio atmosphere resembling a club/bar
- The show will include pre-recorded video segments like a "how it's made" piece on local ale production and vox pops asking students about drinking spots, as well as live cocktail-making contests
- Two Bath Spa students, Taquan and Taylor, are proposed to host, and filming locations are identified as the student union bar, a local brewery, and town center for vox pops
- Elements like mood board, music selection, crew assignments and use of green screen are outlined to achieve
The better date sophia gawler, tina hartnell, duda jaques and pearl neilson
Joe and Albie are waiting anxiously for important test results to arrive in the mail. It is revealed that they both slept with the same girl, Emma, who is now pregnant. Unsure of who the father is, Joe and Albie begin exaggerating stories of their dates with Emma to one another to prove who would be the better father. Through comedic flashbacks, it is shown that Joe actually took Emma to McDonald's, while Albie only sent her emoji flowers, contrasting their embellished tales. The two friends continue trying to one-up each other until they realize neither wants the responsibility of parenthood yet.
Electronic portfolio
This document appears to contain a series of animated GIF images. It does not contain any written text or clear narrative. As such, it is difficult to provide a high-level summary in 3 sentences or less without making assumptions about the intent or meaning of the images. The document seems to be primarily visual in nature without an obvious overall message to summarize.
Electronic portfolio
This document is a 40 page report that includes images and graphics. It covers various topics over its 40 pages but provides no other contextual information or identifiable content.
Eval 3
The document summarizes feedback from the target audience, aged 18-25, on various aspects of an advertising campaign. The audience felt the TV ads would be effective at raising awareness due to their realistic portrayal of common situations. They thought the radio ad would reach a wide audience but the pop-up may be ignored. Overall, the campaign appealed to the target age group as binge drinking is a common issue they face. Suggestions to improve included showing different characters and concluding the story.
Evaluation q 4
During the construction of their media project, the student used various technologies at different stages:
- A camera and tripod to film videos and take photographs for their pop-up advertisements. Software like Photoshop and Premier Pro were used to edit the footage.
- An Apple Mac to store, save, and edit filmed/photographed content. It also allowed exporting finished pieces to sites like YouTube.
- Word was used to create documentation during planning. Premier Pro and Photoshop were used to create the finished advertisements.
- Online platforms like YouTube, Google, and social media were used for research, feedback, and uploading finished work.
Photographer
This document profiles 20 photographers and their artistic styles. It summarizes each photographer's approach, such as combining family portraits across generations, challenging gender stereotypes, using props to create magical illusions, adding digital elements like liquid, incorporating drawings, and more. The photographers use techniques like facial expressions, unusual settings and objects, overlays, and altered body parts to achieve unique and imaginative portraiture.
Pop up edit decision
This document contains a list of radio advertisement audio clips with their lengths, quality ratings, and notes on whether they were used. The clips range from 1 to 6 minutes in length. Most are rated as good quality, though a few have comments noting they are quiet or have nothing. Only one clip, 1 minute long, is marked as having been used.
Advert 2 edit decision
This document contains a list of 36 video files with their reference durations, shot types, video quality ratings, and comments. Two of the videos, DSC_0007.MOV and DSC_0016.MOV, were marked as having good quality and being used. Many of the other videos were noted as being too dark, fuzzy, or having people cut out of the frame and were therefore not used.
Advert 1 edit decision
This document contains a summary of video clips for an advert, listing the file name, duration, shot type, video quality, and whether each clip was used or not. Of the 43 total clips, 9 were used that had close up shots between 3 to 5 minutes in length and good video quality, along with 2 longer shots between 7 to 19 minutes that were used. The rest of the clips were not used due to being too dark, short, low quality, or having issues like being blurry or containing cuts.
Best personal photos
Tina Hartnell has a personal project documenting photos. The project involves photos that are important to her. She has compiled her top twenty favorite photos from the collection.
Best personal photos
Tina Hartnell has a personal project documenting photos. The project involves photos that are important to her. She has compiled her top twenty favorite photos from the collection.
Edit desision ancillary
This document lists various sounds with their duration, whether they were good or bad, and a brief comment. It records the names of 16 different sounds, ranging from 2 to 20 seconds in length. Most sounds were rated as good, with a few described as bad or fuzzy. The sounds included things like bubbles, gargling, spraying, a hair dryer, phone ringing, and text notifications.
Unfinished call sheet
The document contains scheduling information for a "Think before you drink" campaign including a pop-up photo shoot on January 21st, radio advertisement recordings also on January 21st, and television advertisement filming on January 24th. The photo shoot and recordings will take place at Harlow College and require models Amelia Scott and Paul Jarvis. The television advertisements will be filmed in Much Hadham and require several female models including Amelia Scott, Jessica Scott, and Charlotte Hartnell, as well as one unnamed male model, with all wearing going out clothing and makeup.
Call sheet and list of required shots
This document contains schedules and shot lists for filming two advertising videos. The first shoot on January 17th includes shots of girls getting ready and leaving the house. The second shoot on January 24th involves shots of girls at a club including dancing, drinking, and one girl getting sick outside. A third shoot is scheduled for January 24th at Much Hadham Village Hall. The second advertising video will require additional shots of a girl being helped into a car by a boy after getting sick.
Best personal photos
Tina Hartnell has a personal project documenting photos. The project involves photos that are important to her. She has compiled her top twenty favorite photos from the collection.
Stuio plan
This document provides a list of items found in a media class room including backdrops, cupboards, stairs, a toilet, changing room, and first aid area. The class room contains multiple backdrops and cupboards as well as other facilities.
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The better date sophia gawler, tina hartnell, duda jaques and pearl neilson
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Editing amber shannon emma tina
- 2. EDITING There are two types of editing: • Continuity – this is the most common type of editing and gives the feeling that time is moving forward. • Montage – This is where the sequence contains many different images and doesn’t give any sense of moving forward but can still be full of meaning.
- 3. TRANSITIONS Cuts • Most common • Unnoticeable • Retains reality • Keeps suspension Dissolves • One shot fades out and another fades in • Both images are visible this makes the connection between the two images Fades • Gradual darken to black or lighten to white • Fades in or out • Can be used to signal the end of a particular section • Can suggest importance to the image just faded Wipes • When one image is ‘pushed’ off • Most commonly pushed to the right to give a sense of time moving forward
- 4. JUMP CUT • Creates discontinuity • Used in the middle of a continuous shot to show an advance in time.
- 5. CROSS CUTTING • Suggests parallel action • Interweaves different scenes which are usually in different locations • Used to build tension • Also known as parallel editing.
- 6. CUTAWAYS • In a brief shot it interrupts continuous action by inserting another related action • Followed by a cutback to the original shot
- 7. FREEZE FRAME • Stopping the scene in order to focus on one event.
- 8. FLASHBACKS • A scene in which the audience are shown an event which happened earlier in the films narrative.
- 9. GRAPHIC MATCH • Two different objects from different scenes are dissolved into one and other that are the same shape. • For example a round traffic light that fades into a shot of the rising sun.
- 10. JUXTAPOSITION The placement of two apposed images on either side of an edit to create effect.
- 11. LONG AND SHORT TAKES Refers to the length of time the camera is running between edits. A long take shows a scene for a long period of time and can be used to slow time or create the impression of a busy place. A short takes are shown for a short amount of time and are used in montage editing.