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EASY STEPS TO BETTER MAPS
DESIGN CONSIDERATIONS AND POINTERS
FOR NOVICE CARTOGRAPHERS
MIKE FOSTER
DEPT. OF URBAN STUDIES AND PLANNING
MASSACHUSETTS INSTITUTE OF TECHNOLOGY
TUESDAY, NOVEMBER 12, 2013
OUTLINE
CARTOGRAPHIC DESIGN
HIERARCHY
FONT
COLOR
ARCGIS TO ADOBE ILLUSTRATOR
CARTOGRAPHIC DESIGN
WHAT IS THE MAP’S AGENDA?
ELIMINATE CHARACTERISTICS NOT
RELEVANT TO THE MAP AGENDA
ORCHESTRATE REMAINING ELEMENTS
TO BEST CONVEY THE MAP AGENDA
before you make a map...
THREE OF THE FUNDAMENTALS
1
2
3
HIERARCHY
FONT
COLOR
1HIERARCHY
WHAT ARE THE DIFFERENT ELEMENTS AROUND THE
MAP, AND WHAT ARE THEIR RELATIVE IMPORTANCE?
IN ALL MAPS AND GRAPHICS,
SOME ELEMENTS STAND OUT, SOME FALL TO THE BACK
INTELLECTUAL HIERARCHY
KRYGIER AND WOOD, 2011
1HIERARCHY
INTELLECTUAL HIERARCHY
WHERE DOES YOUR EYE GO FIRST
KRYGIER AND WOOD, 2011
1HIERARCHY
WHAT ARE THE DIFFERENT ELEMENTS AROUND THE
MAP, AND WHAT ARE THEIR RELATIVE IMPORTANCE?
INTELLECTUAL HIERARCHY
OLSON AND BREWER, 1997
KRYGIER AND WOOD, 2011
1HIERARCHY
VISUAL HIERARCHY
CHOOSE YOUR VISUAL HEIRARCHY THAT REFLECTS
THE INTELLECTUAL HEIRARCHY
POINT, LINE, POLYGON, TEXT, COLOR, ETC.
KRYGIER AND WOOD, 2011
1HIERARCHY
VISUAL HIERARCHY
1HIERARCHY
ESTABLISHMENT OF FIGURE/GROUND
EASILY DISTINGUISH BETWEEN MAIN MAP FIGURE
AND BACKGROUND INFORMATION
1HIERARCHY
ESTABLISHMENT OF FIGURE/GROUND
METHODS
1HIERARCHY
BERTIN’S VISUAL VARIABLES
HOW CAN I BEST DISPLAY THE DATA ON MY MAP?
2FONT
USE OF FONT IS IMPORTANT
IN COMMUNICATING YOUR MESSAGE
MOVE BEYOND ARIAL!
2FONT
USE OF FONT IS IMPORTANT
IN COMMUNICATING YOUR MESSAGE
MOVE BEYOND ARIAL!
BUT PLEASE DON‛T USE COMIC SANS!
BE CREATIVE!
2FONT
CHOOSE NO MORE THAN 2-3 FONTS
ENCODE YOUR CARTOGRAPHIC
MESSAGES INTO THE FONT
AT LEAST ONE SERIF FONT,
AND ONE SANS SERIF FONT
2FONT
2FONT
WAYS YOU CAN VARY A TYPEFACE
SIZESIZE SIZE
BOLDBOLD
ITALICSITALICS
T R A C K I N GTRACKING
LEADING
LEADING
LEADING
LEADING
COLOR COLOR COLOR
2FONT
THE CARTOGRAPHIC STANDARDS
USE SANS SERIF FOR MANMADE OBJECTS
ITALICIZE FOR PARKS AND POINTS OF INTEREST
USE SERIF FOR NATURAL OBJECTS
ITALICIZE FOR BODIES OF WATER
2FONT
HEDBERG MAPS, 2008
2FONT
RESOURCES
www.typebrewer.com
www.typecache.com
www.typographydeconstructed.com
3COLOR
EFFECTIVE COLOR CHOICE IS IMPORTANT
THE LESS YOU USE, THE BETTER.
RULE OF THUMB:
USE NO MORE THAN 6-7 DISTINCT
COLORS IN ONE MAP
(VARY LIGHTNESS AND SATURATION)
AVOID OVERLY SATURATED AND BOLD
COLORS.
SCHEMES
SEQUENTIAL
DIVERGENT
CATEGORICAL
CHOOSE BASED
ON YOUR DATA
3COLOR
CHOOSE COLOR BASED ON
MODE OF FINAL CARTOGRAPHIC PRODUCT
CMYK FOR PRINT
RGB OR HEX FOR SCREEN
3COLOR
CONSIDERATIONS
IMPLICATION: COLOR CANNOT BE SELECTED OUTSIDE OF CONTEXT
SIMULTANEOUS CONTRAST
VISUAL ACUITY ADVANCE AND RETREAT
SUCCESSIVE CONTRAST
KRYGIER, 2013
ADVANCE AND RETREAT
3COLOR
CARTOGRAPHIC CONVENTIONS
DIFFERENT COLORS HAVE CONVENTIONAL MEANINGS
BLUE: WATER, COOL, POSITIVE, SERENITY, MELANCHOLY, ETC.
GREEN: VEGETATION, LOWLANDS, FORESTS, SPRING, ETC.
RED: IMPORTANT, WARM, ACTION, LIFE, FIRE, DANGER, ETC.
YELLOW/TAN: DRY, HOT, INTERMEDIATE, LACK OF VEG, ETC.
ORANGE: ABUNDANCE, WARNING, HARVEST, FALL, ETC.
BROWN: LAND, CONTOURS, DULL, ETC.
PURPLE: DIGNITY, ROYALTY, RICH, SORROW, ETC.
WHITE: PURITY, CLEAN, FAITH, ETC.
BLACK: MYSTERY, STRENGTH, ETC.
GRAY: QUIET, SOPHISTICATED, CONTROLLED, ETC.
KRYGIER, 2013
3COLOR
CARTOGRAPHIC CONVENTIONS
2
2
2
71
53
169
169
53
2
35
35
73
3
8
4
1
3
133
6
6
6
38
38
46
46
1
84
65
65
65
73
73
37
23
61
61
33
1
210
200
200
371
194
210
6
7
7
5
169
169
53 135
16973
65
1
1
1
65
4
4
49
44
9
37
12
15
2
2
61
12
16
110
116
24
24
23
18
169
1
1
12
53
53
217
71
4
Orr
Ely
Cook
Buhl
Bena
Warba
Tower
Remer
Emily
Effie
BoveyZemple
Wright
Winton
Nisswa
Mizpah
Marble
CuyunaTrommald
Crosby Barnum
Aurora
Arnold
Aitkin
Thomson
Scanlon
Proctor
ins
Hibbing Gilbert
Eveleth
Carlton
Calumet
Biwabik
Bigfork
Babbitt
Virginia
Tamarack
Riverton
Palisade
orthome
Nashwauk
McGregor
Leonidas
Keewatin
Cromwell
Chisholm
Wrenshall
Longville Hill City
Floodwood
Coleraine
Brookston
Boy River
Big Falls
Squaw Lake
Silver Bay
Moose Lake
e
La Prairie
Hoyt Lakes
ack
Deer River
Cross Lake
Beaver Bay
Two Harbors
Meadowlands
Fifty
Lakes
Federal Dam
akes
Kettle
River
Grand Rapids
Breezy Point
Mountain
Iron
Iron Junction
Manhattan
Beach
Cloquet
CARLTON
AITKIN
CROW WING
CASS
ITASCA
KOOCHICHING
ST. LOUIS
LAKE
Hermantown
Savanna
State
Forest
Fond du Lac
State Forest
Chippewa National
Forest
Superior National
Forest
George Washington
State Forest
ech
ake
Lake
Woman
Lake
Mabel
Lake
Pokegama
Lake
Deer
Lake
Swan
Lake
Lake
Winnibigoshish
Big Sandy
Lake
Lake
Minnewawa
Rice
Lake
Mississippi
River
M
ississippiR.
Island Lake
Res.
Fish Lake
Res.
Wild Rice Lake
Res.
Koochiching
State Forest
Pine Island
State Forest
Cloquet Valley
State Forest
Superior National
Forest
Superior Na
Fores
Boundary Waters
Canoe Area WildernessBoundary Waters
Canoe Area Wilderness
Whiteface
Res.
Indian
Lake
Seagull
Lake
Sawbill
Lake
Snowbank
Lake
Basswood
Lake
Knife Lake
Insula
Lake
Silver
Island
Lake
Lake
Supe
rior
White Iron
Lake
Burntside
Lake
Lake
La Croix
Vermillion
Lake
Nett
Lake
Pelican
Lake
Bowstring
Lake
Sturgeon
Lake
Big Rice
Lake
Sand
Lake
Deer
Lake
Island
Lake
Duluth Int’l
Airport
Chisholm-
Hibbing Airport
Sand Point
Lake
Birch
LakeBear Head
Lake
Round
Lake
Seven
Beaver
Lake
Greenwood
Lake
Bois Forte
Indian Reservation
ake
vation
Fond du Lac
Indian Reservation
Duluth
Tofte
Embarrass
Nett
Lake
French River
Knife River
Isabella
Duluth >50,000
10,000 – 49,999
5,000 – 9,999
1,000 – 4,999
0 – 999
Hibbing
Moose Lake
Lutsen
Lege
Virginia
Towns and Cities
3COLOR
COLORBLIND USERS
MAPS OFTEN ENCODE IN COLOR, BE AWARE!
RED -> BLUE OR YELLOW -> BLUE ARE GENERALLY SAFE
RED -> GREEN IS BAD!
TEST PRINTING YOUR MAP IN GREYSCALE TO SEE IF YOU CAN STILL
SEE DIFFERENCES BETWEEN YOUR MAPPED CONTENT
COLORBLIND USERS
3COLOR
MORE CARTOGRAPHIC CONVENTIONS
Boston
Back Bay
MASSACHUSETTS
Boston Harbor
Charles River
ATLANTIC OCEAN
NEW ENGLAND
UNITED STATES OF AMERICA
Wild Rice Lake
Logan Int’l Airport
Leech Lake
Indian Reservation
Savanna State Forest
SUPERIOR NATIONAL FOREST
Boundary Waters
Canoe Area Wilderness
Beaver Point
CAPE COD
ADMINISTRATIVE REGIONS
CITIES, NEIGHBORHOODS, STATES
ADMINISTRATIVE REGIONS
CITIES, NEIGHBORHOODS, STATES
WATER FEATURES
RIVERS, LAKES, OCEANS
MANMADE FEATURES
POINTS OF INTEREST
NATURAL FEATURES
POINTS OF INTEREST
COMBINING FONT AND COLOR
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
REMOVE
EFFECTS
THIS TEN STEP WORKFLOW WILL ALLOW
FOR FULL CONTROL OVER YOUR MAP IN
ADOBE ILLUSTRATORCREATE
BOOKMARK
SEPARATE
LAYERS
1. Using File > Page and Print Setup, set Page Layout (Portrait, Letter Size)
2. Using Data Frame Properties, set page margins and layout
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
REMOVE
EFFECTS
CREATE
BOOKMARK
SEPARATE
LAYERS
1. Add Data to the Layout, determine extent that covers full subject area
2. Set projection, scale, and any other map parameters
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
1. Bookmarks > Create Bookmark
2. Name it“export extent”, this will be what you export from from now on
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
1. Open Attribute Table > Select by Attributes ... Select Road Types
2. Right click on layer > Selection > Create Layer from Selected Features
3. Logically name layer“Highways, Primary Roads, etc.”, repeat
http://www.mass.gov/anf/research-and-tech/it-serv-and-support/application-serv/
office-of-geographic-information-massgis/datalayers/eotroads.html
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
1. Adobe will rasterize all effects (transparencies, etc.)
2. Remove them, we will add them back in the Graphics Software
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
1. Place your basic map elements (scale, north arrow, graticule)
2. These will transfer to Adobe as vectors we can modify
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
1. Turn off all Raster - Export Vector to AI format
2. Turn off all Vector - Export Raster to image format
REMEMBER: SET YOUR COLOR
TO CMYK FOR PRINT, AND
VECTORIZE MARKERS
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
ADD GRIDS/
SCALE/LABELS
1. Open up your file in Adobe Illustrator
2. Remove the Clipping Masks and Ungroup all your objects
3. Place all rasters on new layer
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
ADD GRIDS/
SCALE/LABELS
1. Stylize your layers, incorporating cartographic principles
2. Label freely, and remember to keep your file organized
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS
1. If you need an additional layer, return to ArcGIS
2. Export from your bookmarked export extent, save as secondary AI file
ARCGIS TO ADOBE ILLUSTRATOR
SET LAYOUT
EXPORT
COMPILE IN
AI
ADD LAYERS
AS NEEDED
ADD GRIDS/
SCALE/LABELS
STYLIZE
ADD DATA/
PARAMETERS
CREATE
BOOKMARK
SEPARATE
LAYERS
REMOVE
EFFECTS

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Easy Steps to Better Maps

  • 1. EASY STEPS TO BETTER MAPS DESIGN CONSIDERATIONS AND POINTERS FOR NOVICE CARTOGRAPHERS MIKE FOSTER DEPT. OF URBAN STUDIES AND PLANNING MASSACHUSETTS INSTITUTE OF TECHNOLOGY TUESDAY, NOVEMBER 12, 2013
  • 3. CARTOGRAPHIC DESIGN WHAT IS THE MAP’S AGENDA? ELIMINATE CHARACTERISTICS NOT RELEVANT TO THE MAP AGENDA ORCHESTRATE REMAINING ELEMENTS TO BEST CONVEY THE MAP AGENDA before you make a map...
  • 4. THREE OF THE FUNDAMENTALS 1 2 3 HIERARCHY FONT COLOR
  • 5. 1HIERARCHY WHAT ARE THE DIFFERENT ELEMENTS AROUND THE MAP, AND WHAT ARE THEIR RELATIVE IMPORTANCE? IN ALL MAPS AND GRAPHICS, SOME ELEMENTS STAND OUT, SOME FALL TO THE BACK INTELLECTUAL HIERARCHY KRYGIER AND WOOD, 2011
  • 6. 1HIERARCHY INTELLECTUAL HIERARCHY WHERE DOES YOUR EYE GO FIRST KRYGIER AND WOOD, 2011
  • 7. 1HIERARCHY WHAT ARE THE DIFFERENT ELEMENTS AROUND THE MAP, AND WHAT ARE THEIR RELATIVE IMPORTANCE? INTELLECTUAL HIERARCHY OLSON AND BREWER, 1997
  • 8. KRYGIER AND WOOD, 2011 1HIERARCHY VISUAL HIERARCHY CHOOSE YOUR VISUAL HEIRARCHY THAT REFLECTS THE INTELLECTUAL HEIRARCHY POINT, LINE, POLYGON, TEXT, COLOR, ETC.
  • 9. KRYGIER AND WOOD, 2011 1HIERARCHY VISUAL HIERARCHY
  • 10. 1HIERARCHY ESTABLISHMENT OF FIGURE/GROUND EASILY DISTINGUISH BETWEEN MAIN MAP FIGURE AND BACKGROUND INFORMATION
  • 12. 1HIERARCHY BERTIN’S VISUAL VARIABLES HOW CAN I BEST DISPLAY THE DATA ON MY MAP?
  • 13. 2FONT USE OF FONT IS IMPORTANT IN COMMUNICATING YOUR MESSAGE MOVE BEYOND ARIAL!
  • 14. 2FONT USE OF FONT IS IMPORTANT IN COMMUNICATING YOUR MESSAGE MOVE BEYOND ARIAL! BUT PLEASE DON‛T USE COMIC SANS! BE CREATIVE!
  • 15. 2FONT CHOOSE NO MORE THAN 2-3 FONTS ENCODE YOUR CARTOGRAPHIC MESSAGES INTO THE FONT AT LEAST ONE SERIF FONT, AND ONE SANS SERIF FONT
  • 16. 2FONT
  • 17. 2FONT WAYS YOU CAN VARY A TYPEFACE SIZESIZE SIZE BOLDBOLD ITALICSITALICS T R A C K I N GTRACKING LEADING LEADING LEADING LEADING COLOR COLOR COLOR
  • 18. 2FONT THE CARTOGRAPHIC STANDARDS USE SANS SERIF FOR MANMADE OBJECTS ITALICIZE FOR PARKS AND POINTS OF INTEREST USE SERIF FOR NATURAL OBJECTS ITALICIZE FOR BODIES OF WATER
  • 21. 3COLOR EFFECTIVE COLOR CHOICE IS IMPORTANT THE LESS YOU USE, THE BETTER. RULE OF THUMB: USE NO MORE THAN 6-7 DISTINCT COLORS IN ONE MAP (VARY LIGHTNESS AND SATURATION) AVOID OVERLY SATURATED AND BOLD COLORS.
  • 23. CHOOSE COLOR BASED ON MODE OF FINAL CARTOGRAPHIC PRODUCT CMYK FOR PRINT RGB OR HEX FOR SCREEN 3COLOR
  • 24. CONSIDERATIONS IMPLICATION: COLOR CANNOT BE SELECTED OUTSIDE OF CONTEXT SIMULTANEOUS CONTRAST VISUAL ACUITY ADVANCE AND RETREAT SUCCESSIVE CONTRAST KRYGIER, 2013 ADVANCE AND RETREAT 3COLOR
  • 25. CARTOGRAPHIC CONVENTIONS DIFFERENT COLORS HAVE CONVENTIONAL MEANINGS BLUE: WATER, COOL, POSITIVE, SERENITY, MELANCHOLY, ETC. GREEN: VEGETATION, LOWLANDS, FORESTS, SPRING, ETC. RED: IMPORTANT, WARM, ACTION, LIFE, FIRE, DANGER, ETC. YELLOW/TAN: DRY, HOT, INTERMEDIATE, LACK OF VEG, ETC. ORANGE: ABUNDANCE, WARNING, HARVEST, FALL, ETC. BROWN: LAND, CONTOURS, DULL, ETC. PURPLE: DIGNITY, ROYALTY, RICH, SORROW, ETC. WHITE: PURITY, CLEAN, FAITH, ETC. BLACK: MYSTERY, STRENGTH, ETC. GRAY: QUIET, SOPHISTICATED, CONTROLLED, ETC. KRYGIER, 2013 3COLOR
  • 26. CARTOGRAPHIC CONVENTIONS 2 2 2 71 53 169 169 53 2 35 35 73 3 8 4 1 3 133 6 6 6 38 38 46 46 1 84 65 65 65 73 73 37 23 61 61 33 1 210 200 200 371 194 210 6 7 7 5 169 169 53 135 16973 65 1 1 1 65 4 4 49 44 9 37 12 15 2 2 61 12 16 110 116 24 24 23 18 169 1 1 12 53 53 217 71 4 Orr Ely Cook Buhl Bena Warba Tower Remer Emily Effie BoveyZemple Wright Winton Nisswa Mizpah Marble CuyunaTrommald Crosby Barnum Aurora Arnold Aitkin Thomson Scanlon Proctor ins Hibbing Gilbert Eveleth Carlton Calumet Biwabik Bigfork Babbitt Virginia Tamarack Riverton Palisade orthome Nashwauk McGregor Leonidas Keewatin Cromwell Chisholm Wrenshall Longville Hill City Floodwood Coleraine Brookston Boy River Big Falls Squaw Lake Silver Bay Moose Lake e La Prairie Hoyt Lakes ack Deer River Cross Lake Beaver Bay Two Harbors Meadowlands Fifty Lakes Federal Dam akes Kettle River Grand Rapids Breezy Point Mountain Iron Iron Junction Manhattan Beach Cloquet CARLTON AITKIN CROW WING CASS ITASCA KOOCHICHING ST. LOUIS LAKE Hermantown Savanna State Forest Fond du Lac State Forest Chippewa National Forest Superior National Forest George Washington State Forest ech ake Lake Woman Lake Mabel Lake Pokegama Lake Deer Lake Swan Lake Lake Winnibigoshish Big Sandy Lake Lake Minnewawa Rice Lake Mississippi River M ississippiR. Island Lake Res. Fish Lake Res. Wild Rice Lake Res. Koochiching State Forest Pine Island State Forest Cloquet Valley State Forest Superior National Forest Superior Na Fores Boundary Waters Canoe Area WildernessBoundary Waters Canoe Area Wilderness Whiteface Res. Indian Lake Seagull Lake Sawbill Lake Snowbank Lake Basswood Lake Knife Lake Insula Lake Silver Island Lake Lake Supe rior White Iron Lake Burntside Lake Lake La Croix Vermillion Lake Nett Lake Pelican Lake Bowstring Lake Sturgeon Lake Big Rice Lake Sand Lake Deer Lake Island Lake Duluth Int’l Airport Chisholm- Hibbing Airport Sand Point Lake Birch LakeBear Head Lake Round Lake Seven Beaver Lake Greenwood Lake Bois Forte Indian Reservation ake vation Fond du Lac Indian Reservation Duluth Tofte Embarrass Nett Lake French River Knife River Isabella Duluth >50,000 10,000 – 49,999 5,000 – 9,999 1,000 – 4,999 0 – 999 Hibbing Moose Lake Lutsen Lege Virginia Towns and Cities 3COLOR
  • 27. COLORBLIND USERS MAPS OFTEN ENCODE IN COLOR, BE AWARE! RED -> BLUE OR YELLOW -> BLUE ARE GENERALLY SAFE RED -> GREEN IS BAD! TEST PRINTING YOUR MAP IN GREYSCALE TO SEE IF YOU CAN STILL SEE DIFFERENCES BETWEEN YOUR MAPPED CONTENT COLORBLIND USERS 3COLOR
  • 28. MORE CARTOGRAPHIC CONVENTIONS Boston Back Bay MASSACHUSETTS Boston Harbor Charles River ATLANTIC OCEAN NEW ENGLAND UNITED STATES OF AMERICA Wild Rice Lake Logan Int’l Airport Leech Lake Indian Reservation Savanna State Forest SUPERIOR NATIONAL FOREST Boundary Waters Canoe Area Wilderness Beaver Point CAPE COD ADMINISTRATIVE REGIONS CITIES, NEIGHBORHOODS, STATES ADMINISTRATIVE REGIONS CITIES, NEIGHBORHOODS, STATES WATER FEATURES RIVERS, LAKES, OCEANS MANMADE FEATURES POINTS OF INTEREST NATURAL FEATURES POINTS OF INTEREST COMBINING FONT AND COLOR
  • 29. ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS REMOVE EFFECTS THIS TEN STEP WORKFLOW WILL ALLOW FOR FULL CONTROL OVER YOUR MAP IN ADOBE ILLUSTRATORCREATE BOOKMARK SEPARATE LAYERS
  • 30. 1. Using File > Page and Print Setup, set Page Layout (Portrait, Letter Size) 2. Using Data Frame Properties, set page margins and layout ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS REMOVE EFFECTS CREATE BOOKMARK SEPARATE LAYERS
  • 31. 1. Add Data to the Layout, determine extent that covers full subject area 2. Set projection, scale, and any other map parameters ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS
  • 32. 1. Bookmarks > Create Bookmark 2. Name it“export extent”, this will be what you export from from now on ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS
  • 33. 1. Open Attribute Table > Select by Attributes ... Select Road Types 2. Right click on layer > Selection > Create Layer from Selected Features 3. Logically name layer“Highways, Primary Roads, etc.”, repeat http://www.mass.gov/anf/research-and-tech/it-serv-and-support/application-serv/ office-of-geographic-information-massgis/datalayers/eotroads.html ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS
  • 34. 1. Adobe will rasterize all effects (transparencies, etc.) 2. Remove them, we will add them back in the Graphics Software ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS
  • 35. 1. Place your basic map elements (scale, north arrow, graticule) 2. These will transfer to Adobe as vectors we can modify ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS
  • 36. 1. Turn off all Raster - Export Vector to AI format 2. Turn off all Vector - Export Raster to image format REMEMBER: SET YOUR COLOR TO CMYK FOR PRINT, AND VECTORIZE MARKERS ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS ADD GRIDS/ SCALE/LABELS
  • 37. 1. Open up your file in Adobe Illustrator 2. Remove the Clipping Masks and Ungroup all your objects 3. Place all rasters on new layer ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS ADD GRIDS/ SCALE/LABELS
  • 38. 1. Stylize your layers, incorporating cartographic principles 2. Label freely, and remember to keep your file organized ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS
  • 39. 1. If you need an additional layer, return to ArcGIS 2. Export from your bookmarked export extent, save as secondary AI file ARCGIS TO ADOBE ILLUSTRATOR SET LAYOUT EXPORT COMPILE IN AI ADD LAYERS AS NEEDED ADD GRIDS/ SCALE/LABELS STYLIZE ADD DATA/ PARAMETERS CREATE BOOKMARK SEPARATE LAYERS REMOVE EFFECTS