The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
The Italian Renaissance was a period between the 14th and 16th centuries that saw a rebirth in the arts. Three influential artists were Masaccio in painting, Donatello in sculpture, and Brunelleschi in architecture. Masaccio's fresco of the Expulsion from the Garden of Eden demonstrated mastery of anatomy and perspective. Donatello's statue of David was one of the first free-standing nude sculptures and captured emotion through its realistic form. Brunelleschi's Foundling Hospital in Florence was one of the first Renaissance buildings to incorporate classical Roman elements through its proportions and architectural features.
This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
Italy shouldn't get all the credit.. Van Eyck figured out how to do oil painting (or at least perfect it) and realism started here in Flanders.
For Ms. Fuentes AP Art History Class
The summary is:
1) 15th century Italy was made up of independent city-states like Florence, Milan, and Padua that were sometimes at war. Wealthy merchant families like the Medici rose to power and became major art patrons, helping launch the Italian Renaissance.
2) Early Renaissance art in Italy showed a greater focus on realistic human forms and classical influences compared to Northern Renaissance art, using techniques like linear perspective pioneered by Brunelleschi.
3) Major artists included Donatello, who created the first life-size nude statue since antiquity, and Masaccio, a pioneer of linear perspective and realistic human emotion in frescoes. Their innovations spread throughout Italy and influenced other
The document provides an overview of early Renaissance art in Northern Europe during the 15th century. It focuses on Flanders, which was a wealthy region under Burgundian rule. Oil painting became popular among Flemish artists, allowing for richer colors than previous techniques. Notable painters mentioned include the Limbourg Brothers, Robert Campin, Jan van Eyck, Rogier van der Weyden, Hans Memling, and Hugo van der Goes. Their works, such as van Eyck's Ghent Altarpiece and Arnolfini Portrait, were renowned for their luminous colors, intricate details, and naturalistic style.
The document provides an overview of the Early Renaissance period in Italy from 1400-1490. It summarizes the rise of prominent city-states like Florence and key families that sponsored the arts, such as the Medicis. Major artists that emerged during this time are also profiled, including painters like Masaccio, Botticelli, and Ghirlandaio who pioneered techniques like linear perspective. Contemporary architects like Brunelleschi and Alberti are highlighted for their classical designs of buildings and structures. Leading sculptors of the era included Ghiberti, Donatello, and Verrocchio, who drew inspiration from Roman and Greek works.
The document provides an overview of Northern Renaissance art from 1500-1600 in Northern Europe and Spain. It discusses major artists and styles that emerged in this period in countries like Germany, France, the Netherlands, and Spain. Key figures mentioned include Matthias Grünewald, Albrecht Dürer, Hans Holbein, Hieronymus Bosch, and El Greco. The document also examines how the Protestant Reformation and Catholic Counter-Reformation impacted religious art in different regions.
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
The Italian Renaissance was a period between the 14th and 16th centuries that saw a rebirth in the arts. Three influential artists were Masaccio in painting, Donatello in sculpture, and Brunelleschi in architecture. Masaccio's fresco of the Expulsion from the Garden of Eden demonstrated mastery of anatomy and perspective. Donatello's statue of David was one of the first free-standing nude sculptures and captured emotion through its realistic form. Brunelleschi's Foundling Hospital in Florence was one of the first Renaissance buildings to incorporate classical Roman elements through its proportions and architectural features.
This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
Italy shouldn't get all the credit.. Van Eyck figured out how to do oil painting (or at least perfect it) and realism started here in Flanders.
For Ms. Fuentes AP Art History Class
The summary is:
1) 15th century Italy was made up of independent city-states like Florence, Milan, and Padua that were sometimes at war. Wealthy merchant families like the Medici rose to power and became major art patrons, helping launch the Italian Renaissance.
2) Early Renaissance art in Italy showed a greater focus on realistic human forms and classical influences compared to Northern Renaissance art, using techniques like linear perspective pioneered by Brunelleschi.
3) Major artists included Donatello, who created the first life-size nude statue since antiquity, and Masaccio, a pioneer of linear perspective and realistic human emotion in frescoes. Their innovations spread throughout Italy and influenced other
The document provides an overview of early Renaissance art in Northern Europe during the 15th century. It focuses on Flanders, which was a wealthy region under Burgundian rule. Oil painting became popular among Flemish artists, allowing for richer colors than previous techniques. Notable painters mentioned include the Limbourg Brothers, Robert Campin, Jan van Eyck, Rogier van der Weyden, Hans Memling, and Hugo van der Goes. Their works, such as van Eyck's Ghent Altarpiece and Arnolfini Portrait, were renowned for their luminous colors, intricate details, and naturalistic style.
The document provides an overview of the Early Renaissance period in Italy from 1400-1490. It summarizes the rise of prominent city-states like Florence and key families that sponsored the arts, such as the Medicis. Major artists that emerged during this time are also profiled, including painters like Masaccio, Botticelli, and Ghirlandaio who pioneered techniques like linear perspective. Contemporary architects like Brunelleschi and Alberti are highlighted for their classical designs of buildings and structures. Leading sculptors of the era included Ghiberti, Donatello, and Verrocchio, who drew inspiration from Roman and Greek works.
The document provides an overview of Northern Renaissance art from 1500-1600 in Northern Europe and Spain. It discusses major artists and styles that emerged in this period in countries like Germany, France, the Netherlands, and Spain. Key figures mentioned include Matthias Grünewald, Albrecht Dürer, Hans Holbein, Hieronymus Bosch, and El Greco. The document also examines how the Protestant Reformation and Catholic Counter-Reformation impacted religious art in different regions.
Este documento describe la obra de arte "El Tributo" de Masaccio, pintada en la Capilla Brancacci de Florencia. Consiste en tres escenas que muestran tres momentos de la historia del tributo pagado a César, representadas en un espacio naturalista e ilimitado influenciado por Brunelleschi y con figuras volumétricas inspiradas en Donatello. La composición estructura la obra en detalles que enfatizan la expresión y los gestos de los protagonistas humanos.
Este documento describe las obras del pintor renacentista Masaccio, incluyendo sus frescos en la Capilla Brancacci en Florencia y su famoso fresco "La Trinidad" en la iglesia de Santa María Novella. Resume las escenas de los frescos de Masaccio en la Capilla Brancacci y proporciona detalles sobre su innovador uso de la perspectiva en "La Trinidad".
The document provides an overview of art and architecture in 15th century Florence during the early Renaissance period. It discusses the increased influence of classical art and humanism, as well as the patronage of wealthy families. Important artistic achievements are highlighted, including the development of linear perspective, modeling forms with chiaroscuro, and incorporating classical elements into architecture. Key artists such as Brunelleschi, Ghiberti, Donatello, Masaccio, and Botticelli are mentioned, along with some of their most famous works that exemplified Renaissance styles and ideals.
The document discusses several early Northern Renaissance artists including the Limbourg Brothers, Claus Sluter, Melchior Broderlam, Jan van Eyck, Rogier van der Weyden, Dirk Bout, Hugo van der Goes, and Hans Memling. It provides details on specific works such as the Très Riches Heures du Duc de Berry illuminated by the Limbourg Brothers, the Well of Moses sculpted by Claus Sluter, and the Ghent Altarpiece painted by Jan van Eyck. It also discusses characteristics of Northern Renaissance art including the use of oil paints to depict fine details and lifelike textures.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
Este documento describe la obra de arte "El Tributo" de Masaccio, pintada en la Capilla Brancacci de Florencia. Consiste en tres escenas que muestran tres momentos de la historia del tributo pagado a César, representadas en un espacio naturalista e ilimitado influenciado por Brunelleschi y con figuras volumétricas inspiradas en Donatello. La composición estructura la obra en detalles que enfatizan la expresión y los gestos de los protagonistas humanos.
Este documento describe las obras del pintor renacentista Masaccio, incluyendo sus frescos en la Capilla Brancacci en Florencia y su famoso fresco "La Trinidad" en la iglesia de Santa María Novella. Resume las escenas de los frescos de Masaccio en la Capilla Brancacci y proporciona detalles sobre su innovador uso de la perspectiva en "La Trinidad".
The document provides an overview of art and architecture in 15th century Florence during the early Renaissance period. It discusses the increased influence of classical art and humanism, as well as the patronage of wealthy families. Important artistic achievements are highlighted, including the development of linear perspective, modeling forms with chiaroscuro, and incorporating classical elements into architecture. Key artists such as Brunelleschi, Ghiberti, Donatello, Masaccio, and Botticelli are mentioned, along with some of their most famous works that exemplified Renaissance styles and ideals.
The document discusses several early Northern Renaissance artists including the Limbourg Brothers, Claus Sluter, Melchior Broderlam, Jan van Eyck, Rogier van der Weyden, Dirk Bout, Hugo van der Goes, and Hans Memling. It provides details on specific works such as the Très Riches Heures du Duc de Berry illuminated by the Limbourg Brothers, the Well of Moses sculpted by Claus Sluter, and the Ghent Altarpiece painted by Jan van Eyck. It also discusses characteristics of Northern Renaissance art including the use of oil paints to depict fine details and lifelike textures.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Title: Florence, Distant View\r\nWork Type: documentary photograph\r\nLocation: Florence, Italy\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Florence, Distant View\r\nWork Type: documentary photograph\r\nLocation: Florence, Italy\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Florence, Distant View\r\nWork Type: documentary photograph\r\nLocation: Florence, Italy\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masaccio\r\nTitle: The Holy Trinity\r\nDate: 1427\r\nLocation: S. Maria Novella, Florence, Italy\r\nMaterial: fresco\r\nMeasurements: 667 x 317 cm\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-08-18/34\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Alberti, Leon Battista, 1404-1472\r\nTitle: Perspective Diagram: Distance Point Construction\r\nDescription: Drawn by Samuel Y. Edgerton\r\nSubject: Art Doc. Ref.: Theories: Perspective\r\nSubject: Perspective\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masaccio ; Brunelleschi\r\nCulture: European Renaissance\r\nTitle: Trinity. Perspective\r\nWork Type: painting\r\nDescription: crucifiction, christ and father, tomb, donor, patrons, coffered ceiling\r\n\r\n\r\nSubject: Trinity. Perspective painting European Renaissance crucifiction, christ and father, tomb, donor, patrons, coffered ceiling\r\nID Number: 2009.03.3267\r\nSource: Edgerton. II-1, p.28\r\nRights: see publication
Title: Santa Maria del Carmine; Brancacci Chapel, interior\r\nWork Type: architecture\r\nDate: begun 1386\r\nLocation: Florence\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Masaccio, Florentine\r\nTitle: Brancacci Chapel, Santa Maria del Carmine: overview of fresco cycle\r\nDate: ca. 1425-1428\r\nLocation: Santa Maria del Carmine, Florence\r\nMaterial: fresco\r\nRelated Item: Adams AAT: 14.25\r\nRelated Item: Janson 5R: 553\r\nRelated Item: Janson 5R: 554\r\nRelated Item: W&S 3: 5-16\r\nRelated Item: Stokstad R: 17-49\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Masaccio\r\nTitle: Brancacci Chapel: Expulsion of Adam and Eve from the Garden of Eden\r\nWork Type: painting\r\nDate: 1424-27\r\nLocation: Cappella Brancacci (Santa Maria del Carmine, Florence)\r\nMaterial: fresco\r\nMeasurements: 214 x 90 cm\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Masaccio, Florentine\r\nTitle: The Tribute Money, fresco from the Brancacci Chapel\r\nDate: ca. 1427\r\nLocation: Santa Maria del Carmine, Florence\r\nMaterial: fresco\r\nMeasurements: 8'1"x19'7"\r\nRelated Item: Adams AAT: 14.26\r\nRelated Item: Hartt 4: 20-38\r\nRelated Item: Gardner 10: 21-23\r\nRelated Item: H&F 4: 10.7\r\nRelated Item: Janson 5R: 555\r\nRelated Item: Stokstad R: 17-50\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Masaccio, Florentine\r\nTitle: The Tribute Money, fresco from the Brancacci Chapel\r\nDate: ca. 1427\r\nLocation: Santa Maria del Carmine, Florence\r\nMaterial: fresco\r\nMeasurements: 8'1"x19'7"\r\nRelated Item: Adams AAT: 14.26\r\nRelated Item: Hartt 4: 20-38\r\nRelated Item: Gardner 10: 21-23\r\nRelated Item: H&F 4: 10.7\r\nRelated Item: Janson 5R: 555\r\nRelated Item: Stokstad R: 17-50\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Masaccio, 1401-1428\r\nTitle: Florence, Brancacci Chapel: general view of frescoes Stories from the Life of St. Peter\r\nTitle: Florence: Santa Maria del Carmine, Cappella Brancacci\r\nDate: c.1427 (restored 1988)\r\nLocation: Florence (Italy)\r\nLocation: Italy\r\nMaterial: fresco\r\nSubject: Adam (Biblical figure)\r\nSubject: Eve (Biblical figure)\r\nSubject: Peter, the Apostle, Saint--Life\r\nSubject: Florence (Italy)--Santa Maria del Carmine--Brancacci Chapel\r\nSubject: Mural painting--Italy\r\nSubject: Painting--Italy--15th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masaccio\r\nTitle: Brancacci Chapel: Tribute Money\r\nWork Type: painting\r\nDate: 1424-27\r\nLocation: Cappella Brancacci (Santa Maria del Carmine, Florence)\r\nMaterial: fresco\r\nMeasurements: 247 x 597 cm\r\nDescription: detail of Saint Peter paying the tax collector\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Masaccio\r\nTitle: The Tribute Money\r\nDate: circa 1427\r\nLocation: Brancacci Chapel, S. Maria del Carmine, Florence, Italy\r\nMaterial: fresco\r\nMeasurements: 2.3 x 6 m. overall\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-07-08/ 2\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Masaccio, 1401-1428\r\nTitle: Florence, Brancacci Chapel: Tribute Money: det.: Peter extracting money from a fish's mouth\r\nTitle: Florence: Santa Maria del Carmine, Cappella Brancacci\r\nDate: 1427\r\nLocation: Florence (Italy)\r\nMaterial: fresco\r\nMeasurements: 255 x 598 cm\r\nSubject: Florence (Italy)--Santa Maria del Carmine--Brancacci Chapel\r\nSubject: Painting--Italy--15th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masolino da Panicale and Masaccio\r\nTitle: Brancacci Chapel: Tribute Money and Saint Peter Preaching\r\nWork Type: painting\r\nDate: 1424-27\r\nLocation: Cappella Brancacci (Santa Maria del Carmine, Florence)\r\nMaterial: fresco\r\nMeasurements: left: 247 x 597 cm; right: 247 x 168 cm\r\nDescription: detail of corner with Saint Peter paying the tax collector and Saint Peter preaching\r\nDescription: background landscape attributed to Masaccio\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Masaccio ; Brunelleschi\r\nCulture: European Renaissance\r\nTitle: Tribute money. Perspective\r\nWork Type: painting\r\nLocation: Brancacci chapel, Santa Maria della Carmine, Florence\r\nDescription: fresco, perspective, natural light source, scenes from the life of christ\r\nSubject: Tribute money. Perspective painting European Renaissance Brancacci chapel, Santa Maria della Carmine, Florence fresco, perspective, natural light source, scenes from the life of christ\r\nID Number: 2009.03.3266\r\nSource: Edgerton, Samuel. Renaissance rediscovery of linear perspective. II-2, p.29\r\nRights: see publication
Creator: Masaccio, 1401-1428\r\nTitle: Florence, Brancacci Chapel: general view of frescoes Stories from the Life of St. Peter\r\nTitle: Florence: Santa Maria del Carmine, Cappella Brancacci\r\nDate: c.1427 (restored 1988)\r\nLocation: Florence (Italy)\r\nLocation: Italy\r\nMaterial: fresco\r\nSubject: Adam (Biblical figure)\r\nSubject: Eve (Biblical figure)\r\nSubject: Peter, the Apostle, Saint--Life\r\nSubject: Florence (Italy)--Santa Maria del Carmine--Brancacci Chapel\r\nSubject: Mural painting--Italy\r\nSubject: Painting--Italy--15th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masaccio, 1401-1428\r\nTitle: Florence, Brancacci Chapel: general view of frescoes Stories from the Life of St. Peter\r\nTitle: Florence: Santa Maria del Carmine, Cappella Brancacci\r\nDate: c.1427 (restored 1988)\r\nLocation: Florence (Italy)\r\nLocation: Italy\r\nMaterial: fresco\r\nSubject: Adam (Biblical figure)\r\nSubject: Eve (Biblical figure)\r\nSubject: Peter, the Apostle, Saint--Life\r\nSubject: Florence (Italy)--Santa Maria del Carmine--Brancacci Chapel\r\nSubject: Mural painting--Italy\r\nSubject: Painting--Italy--15th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masaccio, 1401-1428\r\nTitle: Florence, Brancacci Chapel: general view of frescoes Stories from the Life of St. Peter\r\nTitle: Florence: Santa Maria del Carmine, Cappella Brancacci\r\nDate: c.1427 (restored 1988)\r\nLocation: Florence (Italy)\r\nLocation: Italy\r\nMaterial: fresco\r\nSubject: Adam (Biblical figure)\r\nSubject: Eve (Biblical figure)\r\nSubject: Peter, the Apostle, Saint--Life\r\nSubject: Florence (Italy)--Santa Maria del Carmine--Brancacci Chapel\r\nSubject: Mural painting--Italy\r\nSubject: Painting--Italy--15th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Masaccio, 1401-1428\r\nTitle: Florence, Brancacci Chapel: general view of frescoes Stories from the Life of St. Peter\r\nTitle: Florence: Santa Maria del Carmine, Cappella Brancacci\r\nDate: c.1427 (restored 1988)\r\nLocation: Florence (Italy)\r\nLocation: Italy\r\nMaterial: fresco\r\nSubject: Adam (Biblical figure)\r\nSubject: Eve (Biblical figure)\r\nSubject: Peter, the Apostle, Saint--Life\r\nSubject: Florence (Italy)--Santa Maria del Carmine--Brancacci Chapel\r\nSubject: Mural painting--Italy\r\nSubject: Painting--Italy--15th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Sandro Botticelli\r\nTitle: Birth of Venus\r\nWork Type: paintings\r\nDate: c. 1482\r\nMaterial: tempera on canvas\r\nMeasurements: 185.5 x 285.5 cm\r\nRepository: Florence, Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Sandro Botticelli\r\nTitle: Birth of Venus\r\nWork Type: paintings\r\nDate: c. 1482\r\nMaterial: tempera on canvas\r\nMeasurements: 185.5 x 285.5 cm\r\nRepository: Florence, Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Sandro Botticelli\r\nTitle: Birth of Venus\r\nWork Type: paintings\r\nDate: c. 1482\r\nMaterial: tempera on canvas\r\nMeasurements: 185.5 x 285.5 cm\r\nRepository: Florence, Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek\r\nTitle: Aphrodite (Venus dei Medici)\r\nDate: copy of a Greek original of the 2nd c. BCE\r\nMaterial: Greek marble\r\nMeasurements: 1.53 m\r\nStyle Period: Hellenistic\r\nRepository: Galleria degli Uffizi (inv. no. 224)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Piero della Francesca\r\nTitle: Portrait of the Duke and Duchess of Urbino\r\nWork Type: paintings\r\nDate: after 1472\r\nMaterial: tempera on wood\r\nMeasurements: 47 x 33 cm each panel\r\nRepository: Florence, Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.