Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and serve as a healthy means of stress management.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and serve as a healthy means of stress management.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
The document discusses human freedom and the formation of conscience. It defines freedom as the power to act or not act, rooted in reason and will. True freedom involves freedom from restraints like ignorance, disordered passions, and sins. It also involves freedom for growing in love. Conscience is defined as the voice of God calling us to do good and avoid evil. A well-formed conscience results from prayer, reflection on scripture and church teachings, and making moral choices guided by God. The human person is defined by our creation in God's image, redemption through Christ, and destiny for eternal life with God. We are relational by nature and find meaning through relationships with others and God.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
This document discusses multilevel corporate governance in multinational corporations (MNCs). It defines multilevel governance and describes three types of subsidiary board structures: boards of listed subsidiaries, boards required by host country law, and boards established for the parent's strategic reasons. It also summarizes research on how Japanese and Swedish MNCs view the advantages of active subsidiary boards. Finally, it examines how corporate strategies like multi-domestic, global, and transnational strategies affect the design of an MNC's corporate governance system.
Slide presentation for "Digital Natives, Digital Immigrants" , by MarK Prensky, in "Theoretical foundations of teaching/learning English as a second language" course - Prof.Reinildes Dias - 30.08.2011
The Introduction to the Arts course for Fall 2011 will provide an overview of visual arts, music, theatre and dance. Students will learn about elements and principles of each art form through lectures, readings, videos and visits to local cultural institutions. The goal is for students to gain an appreciation of the arts and an understanding of how the different art forms are interrelated.
Chap. 6 adaptive selling for relationship buildingMara Bañez
Salespeople are most effective when they can tailor their presentations to each customer through adaptive selling. They analyze the customer's needs and buying process to select the best sales strategy. Companies train salespeople on products, customers, and how to adapt their communication style using methods like the social style matrix. Having knowledge of customers and effectively practicing adaptive selling increases sales performance.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
Ancient Egypt was a civilization located along the lower reaches of the Nile River in northeastern Africa. The civilization coalesced around 3100 BC and lasted until 332 BC when it was conquered by Alexander the Great. For most of its history, Ancient Egyptian kings maintained control over territories in surrounding areas, including Nubia and parts of the Near East.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
The document discusses human freedom and the formation of conscience. It defines freedom as the power to act or not act, rooted in reason and will. True freedom involves freedom from restraints like ignorance, disordered passions, and sins. It also involves freedom for growing in love. Conscience is defined as the voice of God calling us to do good and avoid evil. A well-formed conscience results from prayer, reflection on scripture and church teachings, and making moral choices guided by God. The human person is defined by our creation in God's image, redemption through Christ, and destiny for eternal life with God. We are relational by nature and find meaning through relationships with others and God.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
This document discusses multilevel corporate governance in multinational corporations (MNCs). It defines multilevel governance and describes three types of subsidiary board structures: boards of listed subsidiaries, boards required by host country law, and boards established for the parent's strategic reasons. It also summarizes research on how Japanese and Swedish MNCs view the advantages of active subsidiary boards. Finally, it examines how corporate strategies like multi-domestic, global, and transnational strategies affect the design of an MNC's corporate governance system.
Slide presentation for "Digital Natives, Digital Immigrants" , by MarK Prensky, in "Theoretical foundations of teaching/learning English as a second language" course - Prof.Reinildes Dias - 30.08.2011
The Introduction to the Arts course for Fall 2011 will provide an overview of visual arts, music, theatre and dance. Students will learn about elements and principles of each art form through lectures, readings, videos and visits to local cultural institutions. The goal is for students to gain an appreciation of the arts and an understanding of how the different art forms are interrelated.
Chap. 6 adaptive selling for relationship buildingMara Bañez
Salespeople are most effective when they can tailor their presentations to each customer through adaptive selling. They analyze the customer's needs and buying process to select the best sales strategy. Companies train salespeople on products, customers, and how to adapt their communication style using methods like the social style matrix. Having knowledge of customers and effectively practicing adaptive selling increases sales performance.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
Ancient Egypt was a civilization located along the lower reaches of the Nile River in northeastern Africa. The civilization coalesced around 3100 BC and lasted until 332 BC when it was conquered by Alexander the Great. For most of its history, Ancient Egyptian kings maintained control over territories in surrounding areas, including Nubia and parts of the Near East.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
Art that predates written language played an important role in communicating ideas and beliefs. Cave paintings from over 30,000 years ago provide some of the earliest evidence of art and helped pass knowledge between generations without a written language. These early art forms allowed humans to develop their thinking and share aspects of their culture before the invention of writing systems.
Title: Angel Gabriel revealing the Qur'an\r\nDate: 14th C\r\nDescription: Egyptian or Syrian manuscript\r\nSubject: Angels\r\nSubject: Gabriel (Archangel)\r\nSubject: Islam\r\nSubject: Koran\r\nSubject: Religion: Islam: Koran\r\nSubject: Trumpets\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Angel Gabriel revealing the Qur'an\r\nDate: 14th C\r\nDescription: Egyptian or Syrian manuscript\r\nSubject: Angels\r\nSubject: Gabriel (Archangel)\r\nSubject: Islam\r\nSubject: Koran\r\nSubject: Religion: Islam: Koran\r\nSubject: Trumpets\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Angel Gabriel revealing the Qur'an\r\nDate: 14th C\r\nDescription: Egyptian or Syrian manuscript\r\nSubject: Angels\r\nSubject: Gabriel (Archangel)\r\nSubject: Islam\r\nSubject: Koran\r\nSubject: Religion: Islam: Koran\r\nSubject: Trumpets\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Islamic\r\nTitle: MECCA. Ka'aba, Umayyad. Court of Mosque of the Haram\r\nWork Type: Religious & ceremonial structures\r\nDate: 630, later additions\r\nRepository: CCA Libraries - Oakland slides \r\nSubject: MECCA. Ka'aba, Umayyad. Court of Mosque of the Haram Religious & ceremonial structures Islamic 630, later additions\r\nID Number: 1996.09.0509\r\nSource: Mitchell, 1978, pl. 1 (p. 17)\r\nRights: see publication
Culture: Islamic\r\nTitle: MECCA. Ka'aba, Umayyad. Court of Mosque of the Haram\r\nWork Type: Religious & ceremonial structures\r\nDate: 630, later additions\r\nRepository: CCA Libraries - Oakland slides \r\nSubject: MECCA. Ka'aba, Umayyad. Court of Mosque of the Haram Religious & ceremonial structures Islamic 630, later additions\r\nID Number: 1996.09.0509\r\nSource: Mitchell, 1978, pl. 1 (p. 17)\r\nRights: see publication
Title: Koran: ms. No. T360: fol. A/B: det.\r\nWork Type: manuscript folio\r\nDate: 11th/12th C\r\nMaterial: ink on parchment\r\nMeasurements: 570 x 540 mm\r\nDescription: Andalusian Koran\r\nRepository: Türk ve Islâm Eserleri Müzesi\r\nSubject: Calligraphy--Islamic\r\nSubject: Manuscripts--Islamic--11th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Koran: ms. Or. 1405: fol. A/B\r\nWork Type: manuscript folio\r\nDate: 1568\r\nMaterial: ink\r\nDescription: Created for Sharifi Sultan 'Abd Allah ibn Muhammad\r\nDescription: Moroccan Koran\r\nRepository: British Library\r\nSubject: Calligraphy--Islamic\r\nSubject: Manuscripts--Islamic--16th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Koran: ms. Or. 1405: fol. A/B\r\nWork Type: manuscript folio\r\nDate: 1568\r\nMaterial: ink\r\nDescription: Created for Sharifi Sultan 'Abd Allah ibn Muhammad\r\nDescription: Moroccan Koran\r\nRepository: British Library\r\nSubject: Calligraphy--Islamic\r\nSubject: Manuscripts--Islamic--16th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Koran: ms. Or. 1405: fol. A/B\r\nWork Type: manuscript folio\r\nDate: 1568\r\nMaterial: ink\r\nDescription: Created for Sharifi Sultan 'Abd Allah ibn Muhammad\r\nDescription: Moroccan Koran\r\nRepository: British Library\r\nSubject: Calligraphy--Islamic\r\nSubject: Manuscripts--Islamic--16th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Koran: ms. Or. 1405: fol. A/B\r\nWork Type: manuscript folio\r\nDate: 1568\r\nMaterial: ink\r\nDescription: Created for Sharifi Sultan 'Abd Allah ibn Muhammad\r\nDescription: Moroccan Koran\r\nRepository: British Library\r\nSubject: Calligraphy--Islamic\r\nSubject: Manuscripts--Islamic--16th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Koran: ms. Or. 1405: fol. A/B\r\nWork Type: manuscript folio\r\nDate: 1568\r\nMaterial: ink\r\nDescription: Created for Sharifi Sultan 'Abd Allah ibn Muhammad\r\nDescription: Moroccan Koran\r\nRepository: British Library\r\nSubject: Calligraphy--Islamic\r\nSubject: Manuscripts--Islamic--16th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nTitle: detail of tiles\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: tile\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1924\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Islamic : Dynastic\r\nTitle: Dome of the Rock (Qubbat al-Sakhra); Umayyad. Exterior: aerial view\r\nWork Type: Religious & ceremonial structures\r\nDate: 685/86 or 687/88-692\r\nLocation: Israel: Jerusalem\r\nRepository: CCA Libraries - Oakland slides\r\nSubject: Dome of the Rock (Qubbat al-Sakhra); Umayyad. Exterior: aerial view Religious & ceremonial structures Islamic : Dynastic Israel: Jerusalem 685/86 or 687/88-692\r\nID Number: 1983.06.0129\r\nSource: National Geographic, 163:4, April 1983, p. 503\r\nRights: see publication
Title: Temple Mount with Wailing Wall and Dome of the Rock\r\nWork Type: Religious & ceremonial structures\r\nLocation: Jerusalem\r\nSubject: Temple Mount with Wailing Wall and Dome of the Rock Religious & ceremonial structures Jerusalem\r\nID Number: 2009.02.2042\r\nSource: postcard\r\nRights: see publication
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1921\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Islamic\r\nTitle: Dome of the Rock, Exterior\r\nWork Type: architecture\r\nDate: c. 687-91\r\nLocation: Qubbat al-?akhrah (Jerusalem)\r\nMaterial: golden dome replaced with aluminum covered with gold leaf; exterior: marble, tiles\r\nMeasurements: each outer wall: 67 feet long; dome's diameter: 67 feet\r\nStyle Period: Umayyad\r\nDescription: built by Caliph Abd al-Malik\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Jerusalem: Dome of the Rock isometric elevation\r\nDate: late 7th C\r\nSubject: Architecture:Site--Israel--7th C. A.D\r\nSubject: Mosques\r\nSubject: Qubbat al-Sakhrah (Mosque : Jerusalem)\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Dome of the Rock. Interior\r\nWork Type: Religious & ceremonial structures\r\nLocation: Jerusalem\r\nSubject: Dome of the Rock. Interior Religious & ceremonial structures Jerusalem\r\nID Number: 2009.02.2043\r\nSource: Stokstad, Art: A Brief History, 3rd. edition\r\nRights: see publication
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: interior\r\nTitle: from southwest\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: mosaic\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1928\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Jerusalem: Dome of the Rock: Int.: view of sacred rock\r\nTitle: Dome of the Rock\r\nTitle: Qubbat al-Sakhrah\r\nWork Type: Mosque: reference\r\nDate: 7th C\r\nSubject: Qubbat al-Sakhrah (Mosque : Jerusalem)\r\nSubject: Architecture:Site--Israel--7th C. A.D\r\nSubject: Historic sites\r\nSubject: Mosques\r\nSubject: Shrines (structures)\r\nSubject: Temples\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: interior\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1929\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: interior\r\nTitle: inner ambulatory; detail of inscription\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: mosaic\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1930\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: interior\r\nTitle: from southwest; detail of rinceaux mosaics\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nMaterial: mosaic\r\nDescription: Date of photograph: 1977\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1931\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Caliph Abd al-Malik; exterior restoration ordered by Sultan Süleyman I\r\nTitle: Haram al-Sharif; Dome of the Rock\r\nTitle: exterior\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad, with Ottoman redecoration\r\nDate: 691\r\nLocation: Jerusalem, Israel\r\nDescription: Date of photograph: 1994\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-1922\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Cordoba: Great Mosque: plan as it appeared after additions of al-Hakam II\r\nTitle: Mosque of Abd al-Rahman I\r\nTitle: Great Mosque\r\nWork Type: Mosque\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque--Plan\r\nSubject: Architecture: Site--Spain--8th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Cordoba: Great Mosque: plan as it appeared after additions of al-Hakam II\r\nTitle: Mosque of Abd al-Rahman I\r\nTitle: Great Mosque\r\nWork Type: Mosque\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque--Plan\r\nSubject: Architecture: Site--Spain--8th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Cordoba: Great Mosque: plan as it appeared after additions of al-Hakam II\r\nTitle: Mosque of Abd al-Rahman I\r\nTitle: Great Mosque\r\nWork Type: Mosque\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque--Plan\r\nSubject: Architecture: Site--Spain--8th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Cordoba: Great Mosque: plan as it appeared after additions of al-Hakam II\r\nTitle: Mosque of Abd al-Rahman I\r\nTitle: Great Mosque\r\nWork Type: Mosque\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque--Plan\r\nSubject: Architecture: Site--Spain--8th C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: founded by Caliph 'Abd al-Rahman I; additions and renovations made by Caliph 'Abd al-Rahman II, Caliph al-Hakam II, minister al-Mansur\r\nTitle: Great Mosque\r\nTitle: exterior\r\nTitle: minaret\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad\r\nDate: 784-86; additions c. 833-52, 961-76, 987\r\nLocation: Cordoba, Spain\r\nMeasurements: approximately 190 x 140 metres\r\nDescription: Date of photograph: 1987\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 007\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Caliph 'Abd al-Rahman I; additions and renovations made by Caliph 'Abd al-Rahman II, Caliph al-Hakam II, minister al-Mansur\r\nTitle: Great Mosque\r\nTitle: interior\r\nTitle: prayer hall\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad\r\nDate: 784-86; additions c. 833-52, 961-76, 987\r\nLocation: Cordoba, Spain\r\nMeasurements: approximately 190 x 140 metres\r\nDescription: Date of photograph: 1987\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 030a\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Islamic : Dynastic\r\nTitle: Great Mosque. Interior, view with altar\r\nWork Type: Religious & ceremonial structures\r\nDate: begun 785, 961-66, 1285\r\nLocation: Spain: (Umayyad) Cordova\r\nRepository: \r\nCCA Libraries - SF slides \r\nSubject: Great Mosque. Interior, view with altar Religious & ceremonial structures Islamic : Dynastic Spain: (Umayyad) Cordova begun 785, 961-66, 1285\r\nID Number: 1980.12.0015\r\nSource: Art, 3rd ed. / F. Hartt. 1989. pl. 472\r\nRights: check w/Oakland
Title: Cordoba: Great Mosque: Int.: mihrab: view through maqsura to mihrab\r\nDate: begun 785 A.D\r\nLocation: Córdoba (Spain)\r\nLocation: Spain\r\nSubject: Córdoba (Spain)--Great Mosque\r\nSubject: Architecture--Islamic--Spain\r\nSubject: Architecture:Site--Spain--8th C. A.D\r\nSubject: Maqsuras\r\nSubject: Mihrabs\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: founded by Caliph `Abd al-Rahman I; additions and renovations made by Caliph `Abd al-Rahman II, Caliph al-Hakam II, minister al-Mansur\r\nTitle: Great Mosque\r\nTitle: interior\r\nTitle: dome in front of the main mihrab\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Umayyad\r\nDate: 784-86; additions c. 833-52, 961-76, 987\r\nLocation: Cordoba, Spain\r\nMeasurements: approximately 190 x 140 metres\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0456\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Cordoba: Great Mosque Dome of the mihrab\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque Dome of the mihrab\r\nSubject: Architecture--Islamic\r\nSubject: Architecture:Site--Spain--8th C. A.D\r\nSubject: Domes\r\nSubject: Mihrabs\r\nSubject: Mosques\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Cordoba: Great Mosque Dome of the mihrab\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque Dome of the mihrab\r\nSubject: Architecture--Islamic\r\nSubject: Architecture:Site--Spain--8th C. A.D\r\nSubject: Domes\r\nSubject: Mihrabs\r\nSubject: Mosques\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Cordoba: Great Mosque Dome of the mihrab\r\nDate: begun 785\r\nLocation: Córdoba (Spain)\r\nSubject: Córdoba (Spain)--Great Mosque Dome of the mihrab\r\nSubject: Architecture--Islamic\r\nSubject: Architecture:Site--Spain--8th C. A.D\r\nSubject: Domes\r\nSubject: Mihrabs\r\nSubject: Mosques\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Constantinople: Haghia Sophia: aerial view\r\nDate: 532-37 A.D\r\nLocation: Constantinople (Ancient City)\r\nLocation: Asia Minor (Turkey)\r\nSubject: Constantinople (Ancient City)--Haghia Sophia\r\nSubject: Architecture:Site--Asia Minor (Turkey)--6th C. A.D\r\nSubject: Bosporus River\r\nSubject: Churches--Asia Minor (Turkey)\r\nSubject: Mosques\r\nSubject: Museums\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Edirine, Selimiye complex. Exterior, overview, Slimiye Cami (Mosque of Selim)\r\nWork Type: Religious & ceremonial structures\r\nDate: 1570-74 (Sinan)\r\nSubject: Edirine, Selimiye complex. Exterior, overview, Slimiye Cami (Mosque of Selim) Religious & ceremonial structures 1570-74 (Sinan)\r\nID Number: 2009.02.2047\r\nSource: M. Stokstad, 1995, Art History, v. 1, pl. 8-16\r\nRights: see publication
Creator: ordered by Sultan Selim II; designed and supervised by Mimar Sinan\r\nTitle: Selimiye Complex; Mosque\r\nTitle: interior\r\nTitle: courtyard; ablution fountain\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Ottoman\r\nDate: 1568-74\r\nLocation: Edirne, Turkey\r\nDescription: Date of photograph: 2004\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AA 417 B\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Sultan Selim II; designed and supervised by Mimar Sinan\r\nTitle: Selimiye Complex; Mosque\r\nTitle: interior\r\nTitle: toward qibla wall\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Ottoman\r\nDate: 1568-74\r\nLocation: Edirne, Turkey\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AA 422 A\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Anthemius & Isidorus, arch'ts.\r\nTitle: Istanbul, Hagia Sophia (532-37). Interior: Dome. (Byzantine).\r\nWork Type: Architecture: Religious/ceremonial structures\r\nPeriod: Early Christian-Byzantine\r\nStyle Period: Early Christian and Byzantine art and architecture\r\nCollection: MegaRom Art History Survey\r\nID Number: 575\r\nID Number: 29112\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Creator: ordered by Sultan Selim II; designed and supervised by Mimar Sinan\r\nTitle: Selimiye Complex; Mosque\r\nTitle: interior\r\nTitle: muezzin platform (mahfil)\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Ottoman\r\nDate: 1568-74\r\nLocation: Edirne, Turkey\r\nDescription: Date of photograph: 1990\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AA 424\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: ordered by Sultan Selim II; designed and supervised by Mimar Sinan\r\nTitle: Selimiye Complex; Mosque\r\nTitle: interior\r\nTitle: mihrab\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Ottoman\r\nDate: 1568-74\r\nLocation: Edirne, Turkey\r\nDescription: Date of photograph: 1990\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AA 422 E\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Islamic\r\nTitle: Prayer carpet with the Kabba, from western or central Turkey\r\nWork Type: Textiles & surface designs\r\nDate: 18th century\r\nLocation: Musum of Turkish & Islamic Arts, Istanbul\r\nMaterial: wool\r\nMeasurements: 57 1/2 x 43 3/4 inches (146 x 111 centimeters)\r\nSubject: Prayer carpet with the Kabba, from western or central Turkey Textiles & surface designs Islamic Musum of Turkish & Islamic Arts, Istanbul wool 18th century\r\nID Number: 2009.02.2038\r\nSource: M. Stokstad, 1995, v. 1, pl. 8-24\r\nRights: see publication
Title: Garden carpet, from central Iran\r\nWork Type: Textiles & surface designs\r\nDate: c. 1650-1700\r\nLocation: Burrell Collection, Glasgow Museums, Scotland\r\nMaterial: weaving, rug. dyed silk with metallic thread\r\nMeasurements: 17 feet 5 inches x 14 feet 2 inches (5.31 x 4.32 meters)\r\nSubject: Garden carpet, from central Iran Textiles & surface designs Burrell Collection, Glasgow Museums, Scotland weaving, rug. dyed silk with metallic thread c. 1650-1700\r\nID Number: 2009.02.2044\r\nSource: M. Stokstad, 1995, Art History, v. 1, pl. 8-23\r\nRights: see publication
Creator: founded by Sultan Muhammad I\r\nTitle: Alhambra\r\nTitle: exterior\r\nTitle: from south\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1987\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 088\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I\r\nTitle: Alhambra; East Wall\r\nTitle: from the Generalife\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0501\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Islamic\r\nTitle: Alhambra, Granada; Nasrid. Perspective (detail of 1612 engraving based on 1596 drawing by Amborsio de Vico)\r\nWork Type: Official residences\r\nDate: 1354-1391\r\nLocation: Granada, Spain\r\nDescription: palaces / courtyards / fountains / Islamic /\r\nRepository: CCA Libraries - Oakland slides\r\nSubject: Alhambra, Granada; Nasrid. Perspective (detail of 1612 engraving based on 1596 drawing by Amborsio de Vico) Official residences Islamic Granada, Spain palaces / courtyards / fountains / Islamic / Moorish palaces / courtyards / fountains / Islamic / Moorish 1354-1391\r\nID Number: 1993.01.0082\r\nSource: E. Rosenthal, Palace of Charles V in Granada, pl. 22\r\nRights: see publication
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court\r\nTitle: interior\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1987\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 119\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court\r\nTitle: interior\r\nTitle: from west\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1987\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 123\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court\r\nTitle: interior\r\nTitle: detail of fountain\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91; Lions from Zirid period (11th century)\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0559\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court; West Pavililon\r\nTitle: interior\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0561\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court\r\nTitle: interior\r\nTitle: axial angle\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0562\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court\r\nTitle: interior\r\nTitle: east pavilion\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1987\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 127\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Court\r\nTitle: interior\r\nTitle: east pavilion; upper portion\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1977\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 128\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I\r\nTitle: Alhambra; unidentified location\r\nTitle: detail of decoration and inscription\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries\r\nLocation: Granada, Spain\r\nMaterial: stucco\r\nStyle Period: interlace kufic style script\r\nDescription: Date of photograph: 1979\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: AH 182\r\nSource: Image and original data provided by Walter B. Denny\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Hall of Abencerrajes\r\nTitle: interior\r\nTitle: dome from below, showing muqarnas\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0570\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Islamic, Spain (Nasrid period)\r\nTitle: Alhambra: Sala de los Abencerrajes, detail of dome showing stucco mocarabes, muqarnas, and attawriq stylized foliate designs, 14th-15th century\r\nLocation: Granada, Andalusia, Spain\r\nRelated Item: Gardner 11: 13-18\r\nRelated Item: Stokstad R: 8-12\r\nRelated Item: Kostof R: 16.32\r\nRelated Item: Kostof: 16.32\r\nRelated Item: Stokstad 2: 8-11\r\nRelated Item: Janson 5: 356\r\nRelated Item: Stokstad: 8-12\r\nRelated Item: Trachtenberg: 340 [alt.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Hall of Abencerrajes\r\nTitle: interior\r\nTitle: dome from below, showing muqarnas\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0569\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: founded by Sultan Muhammad I; Palace of the Lions likely built by Muhammad V\r\nTitle: Alhambra; Palace of the Lions; Hall of Abencerrajes\r\nTitle: interior\r\nTitle: southwest squinch; detail of muqarnas\r\nWork Type: Architecture and City Planning\r\nWork Type: Architecture\r\nDynasty: Nasrid\r\nDate: founded in 1238, additions in the 13th and 14th centuries; Palace of the Lions added c. 1370-91\r\nLocation: Granada, Spain\r\nDescription: Date of photograph: 1978\r\nCollection: Islamic Art and Architecture Collection (Sheila Blair, Jonathan Bloom, Walter Denny)\r\nID Number: BB-0574\r\nSource: Image and original data provided by Sheila S. Blair and Jonathan M. Bloom\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.