Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
This document summarizes chapters 18 and 19 from Gardner's Art Through the Ages, covering the High Renaissance and Mannerism in Northern Europe and Spain, as well as the Baroque in Italy and Spain. It discusses key artists of the time like Albrecht Dürer, Hans Holbein the Younger, Hieronymus Bosch, Pieter Bruegel the Elder, El Greco, and Bernini. It also covers the Protestant Reformation's impact on art and the development of the Baroque style with its emphasis on dynamism, theatricality, and elaborate ornamentation.
The document summarizes art in 16th century Europe during the High Renaissance and Mannerism periods. It discusses major artists of the High Renaissance like Michelangelo and his work on the Sistine Chapel. It then explains how Mannerism and the Baroque styles emerged in reaction to the Renaissance amid the Protestant Reformation and Catholic Counter-Reformation. Specific mannerist and baroque artists mentioned include El Greco, Caravaggio, Bernini, Rembrandt, and Vermeer.
The document discusses art in 16th century Europe during the High Renaissance and Mannerism periods. It provides examples of works from prominent artists of the time like Michelangelo, Cranach, Perugino, and El Greco. It then discusses how art evolved during the Baroque period in response to Mannerism and the Renaissance. Examples are given of Baroque works from Italian artists like Caravaggio and Bernini as well as Northern European artists like Rembrandt and Vermeer.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
This document summarizes chapters 18 and 19 from Gardner's Art Through the Ages, covering the High Renaissance and Mannerism in Northern Europe and Spain, as well as the Baroque in Italy and Spain. It discusses key artists of the time like Albrecht Dürer, Hans Holbein the Younger, Hieronymus Bosch, Pieter Bruegel the Elder, El Greco, and Bernini. It also covers the Protestant Reformation's impact on art and the development of the Baroque style with its emphasis on dynamism, theatricality, and elaborate ornamentation.
The document summarizes art in 16th century Europe during the High Renaissance and Mannerism periods. It discusses major artists of the High Renaissance like Michelangelo and his work on the Sistine Chapel. It then explains how Mannerism and the Baroque styles emerged in reaction to the Renaissance amid the Protestant Reformation and Catholic Counter-Reformation. Specific mannerist and baroque artists mentioned include El Greco, Caravaggio, Bernini, Rembrandt, and Vermeer.
The document discusses art in 16th century Europe during the High Renaissance and Mannerism periods. It provides examples of works from prominent artists of the time like Michelangelo, Cranach, Perugino, and El Greco. It then discusses how art evolved during the Baroque period in response to Mannerism and the Renaissance. Examples are given of Baroque works from Italian artists like Caravaggio and Bernini as well as Northern European artists like Rembrandt and Vermeer.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
Ancient Egypt was a civilization located along the lower reaches of the Nile River in northeastern Africa. The civilization coalesced around 3100 BC and lasted until 332 BC when it was conquered by Alexander the Great. For most of its history, Ancient Egyptian kings maintained control over territories in surrounding areas, including Nubia and parts of the Near East.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
Art that predates written language played an important role in communicating ideas and beliefs. Cave paintings from over 30,000 years ago provide some of the earliest evidence of art and helped pass knowledge between generations without a written language. These early art forms allowed humans to develop their thinking and share aspects of their culture before the invention of writing systems.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
Ancient Egypt was a civilization located along the lower reaches of the Nile River in northeastern Africa. The civilization coalesced around 3100 BC and lasted until 332 BC when it was conquered by Alexander the Great. For most of its history, Ancient Egyptian kings maintained control over territories in surrounding areas, including Nubia and parts of the Near East.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
Art that predates written language played an important role in communicating ideas and beliefs. Cave paintings from over 30,000 years ago provide some of the earliest evidence of art and helped pass knowledge between generations without a written language. These early art forms allowed humans to develop their thinking and share aspects of their culture before the invention of writing systems.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Everything You Need to Know About IPTV Ireland.pdfXtreame HDTV
The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdfkenid14983
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
Christian Louboutin: Innovating with Red Solesget joys
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
From Teacher to OnlyFans: Brianna Coppage's Story at 28get joys
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfoliogreendigital
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Titian\r\nTitle: Venus of Urbino\r\nWork Type: painting\r\nDate: 1538\r\nMaterial: oil on canvas\r\nMeasurements: 119 x 165 cm\r\nRepository: Galleria degli Uffizi\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Campin, Robert, d. 1444\r\nTitle: Merode Altarpiece: det.: center panel: áAnnunciation'\r\nDate: 1426\r\nMaterial: oil on wood\r\nMeasurements: 25 3/16x24 7/8"\r\nSubject: Painting--Flanders (Belgium)--15th C. A.D\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego
Creator: Campin, Robert, d. 1444\r\nTitle: Merode Altarpiece: det.: left wing doors\r\nDate: 1426\r\nMaterial: oil on wood\r\nMeasurements: 25 3/8x10 3/4"\r\nSubject: Painting--Flanders (Belgium)--15th C. A.D\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego
Creator: Campin, Robert, d. 1444\r\nTitle: Merode Altarpiece: det.: left wing doors\r\nDate: 1426\r\nMaterial: oil on wood\r\nMeasurements: 25 3/8x10 3/4"\r\nSubject: Painting--Flanders (Belgium)--15th C. A.D\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego
Creator: Campin, Robert (Master of Flemalle), Flemish\r\nTitle: The Merode Altarpiece: Joseph in his Carpenter's Shop, detail, R. wing of triptych,\r\nDate: ca. 1425-1428\r\nLocation: Metropolitan Museum of Art, N.Y. (Cloisters)\r\nMaterial: tempera, oil/panel\r\nMeasurements: R. panel 64.5x27.6m.\r\nRelated Item: Stokstad R: 17-4\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Campin, Robert (Master of Flemalle), Flemish\r\nTitle: The Merode Altarpiece: Joseph in his Carpenter's Shop, detail, R. wing of triptych,\r\nDate: ca. 1425-1428\r\nLocation: Metropolitan Museum of Art, N.Y. (Cloisters)\r\nMaterial: tempera, oil/panel\r\nMeasurements: R. panel 64.5x27.6m.\r\nRelated Item: Stokstad R: 17-4\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Jan van Eyck\r\nTitle: Man in a Red Turban (Self Portrait?)\r\nDate: 1433\r\nMaterial: oil on wood\r\nMeasurements: 26 x 19 cm\r\nRepository: National Gallery, London\r\nRepository: NG 222\r\nARTstor Collection: The Image Gallery\r\nID Number: 39-19-02/54\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Jan van Eyck\r\nTitle: Man in a Red Turban (Self Portrait?)\r\nDate: 1433\r\nMaterial: oil on wood\r\nMeasurements: 26 x 19 cm\r\nRepository: National Gallery, London\r\nRepository: NG 222\r\nARTstor Collection: The Image Gallery\r\nID Number: 39-19-02/54\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Jan van Eyck\r\nTitle: The Arnolfini Portrait\r\nDate: 1434\r\nMaterial: oil on oak\r\nMeasurements: 82.2 x 60 cm\r\nRepository: National Gallery, London\r\nRepository: NG 186\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-03-01/ 6\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Van Eyck, Jan\r\nCulture: European Renaissance\r\nTitle: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier\r\nWork Type: painting\r\nDate: 1434\r\nLocation: London, National Gallery\r\nMaterial: oil, panel\r\nDescription: Renaissance in northern Europe, mirror, chandelier, cameo, self portrait\r\nRepository: CCA Libraries - Galleries project\r\nSubject: Marriage of Giovanni Arnolfini and Jeanne Cenami. Detail: mirror and chandelier painting European Renaissance London, National Gallery Renaissance in northern Europe, mirror, chandelier, cameo, self portrait oil, panel 1434\r\nID Number: 1991.10.0321\r\nSource: T. Foote. Word of Breughel. p 33\r\nRights: see publication
Creator: Albrecht Dürer\r\nTitle: Pond in the Woods\r\nWork Type: watercolor\r\nDate: c. 1496\r\nMaterial: watercolor and gouache on paper\r\nRepository: British Museum\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-13-02/24\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Albrecht Dürer\r\nTitle: Pond in the Woods\r\nWork Type: watercolor\r\nDate: c. 1496\r\nMaterial: watercolor and gouache on paper\r\nRepository: British Museum\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-13-02/24\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Albrecht Dürer\r\nTitle: Pond in the Woods\r\nWork Type: watercolor\r\nDate: c. 1496\r\nMaterial: watercolor and gouache on paper\r\nRepository: British Museum\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-13-02/24\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Albrecht Dürer\r\nTitle: Pond in the Woods\r\nWork Type: watercolor\r\nDate: c. 1496\r\nMaterial: watercolor and gouache on paper\r\nRepository: British Museum\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-13-02/24\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Albrecht Dürer\r\nTitle: Large Piece of Turf (The Great Turf)\r\nWork Type: watercolor\r\nDate: 1503\r\nMaterial: watercolor and tempera on paper, mounted on cardboard\r\nMeasurements: 410 x 315 mm\r\nRepository: Graphische Sammlung Albertina\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-13-02/39\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Durer, Albrecht, 1471-1528\r\nTitle: Wing of a Blue Roller\r\nDate: c.1512\r\nMaterial: watercolor, gouache on vellum\r\nMeasurements: 19.7 x 20 cm\r\nSubject: Painting--Germany--16th C. A.D\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego
Creator: Albrecht Dürer\r\nTitle: Hare (A Young Hare)\r\nWork Type: watercolor\r\nDate: 1502\r\nMaterial: watercolor\r\nMeasurements: 251 x 226 mm\r\nRepository: Graphische Sammlung Albertina\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-13-02/37\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Engraving diagram\r\nWork Type: Printmaking\r\nDescription: technical diagram, print, plate, engraving press\r\nSubject: Engraving diagram Printmaking technical diagram, print, plate, engraving press\r\nID Number: 2009.03.3274\r\nSource: Stokstad. Art: A Brief History. p 317\r\nRights: see publication
Title: Engraving diagram\r\nWork Type: Printmaking\r\nDescription: technical diagram, print, plate, engraving press\r\nSubject: Engraving diagram Printmaking technical diagram, print, plate, engraving press\r\nID Number: 2009.03.3274\r\nSource: Stokstad. Art: A Brief History. p 317\r\nRights: see publication
Creator: Durer, Albrecht, 1471-1528\r\nTitle: On Human Proportion: the well-proportioned man\r\nWork Type: woodcut\r\nDate: 1528\r\nDescription: Nuremberg: from 1532 edition\r\nSubject: Book and Magazine Illustration--Germany--16th C. A.D\r\nSubject: Nude--Male\r\nSubject: drawing techniques\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Durer, Albrecht, 1471-1528\r\nTitle: On Human Proportion (V. Menschlicher Proportion) Stout man\r\nDate: 1603, Arnheim\r\nMaterial: woodcut\r\nDescription: second German edition\r\nSubject: Book and Magazine Illustration--Germany--17th C. A.D\r\nSubject: Overweight persons\r\nSubject: handbooks\r\nSubject: human proportions\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Durer, Albrecht, 1471-1528\r\nTitle: On Human Proportion (V. Menschlicher Proportion) Slim woman\r\nDate: 1528, Nuremberg\r\nMaterial: woodcut\r\nSubject: Book and Magazine Illustration--Germany--16th C. A.D\r\nSubject: Nude--Female\r\nSubject: handbooks\r\nSubject: human proportions\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Durer, Albrecht, 1471-1528\r\nTitle: On Human Proportion (V. Menschlicher Proportion) Variations of a face\r\nDate: 1603, Arnheim\r\nMaterial: woodcut\r\nDescription: second German edition\r\nSubject: Book and Magazine Illustration--Germany--17th C. A.D\r\nSubject: Physiognomy\r\nSubject: faces\r\nSubject: handbooks\r\nSubject: human proportions\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Albrecht Dürer, European; Northern European; German, 1471 - 1528, (artist)\r\nTitle: The Apocalypse: The Four Horsemen\r\nWork Type: Prints\r\nDate: c. 1497-1498\r\nMaterial: woodcut\r\nMeasurements: Sheet: 40cm x 28.8cm\r\nDescription: Full View\r\nRepository: The Cleveland Museum of Art\r\nRepository: Cleveland, Ohio, USA\r\nRepository: Gift of The Print Club of Cleveland\r\nRepository: 1932.313\r\nRepository: http://www.clemusart.com/\r\nARTstor Collection: The Image Gallery\r\nARTstor Collection: Formerly in The AMICO Library\r\nID Number: CMA_.1932.313\r\nSource: Data from: The Cleveland Museum of Art\r\nRights: This image was provided by The Cleveland Museum of Art. Contact information: Kathleen Kornell, Rights and Reproductions Coordinator, The Cleveland Museum of Art, 11150 East Blvd., Cleveland OH 44106, (216) 707-2498 (ph), (216) 421-8815 (fax), Kkornell@clevelandart.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Albrecht Dürer\r\nCreator: German, 1471-1528, European; Northern European; German\r\nTitle: The Fall of Man (Adam and Eve)\r\nWork Type: Prints\r\nDate: 1504\r\nMaterial: Engraving\r\nMeasurements: Platemark: 25.2 x 19.4 cm (9 15/16 x 7 5/8 in.)\r\nDescription: Full View\r\nRepository: Museum of Fine Arts, Boston\r\nRepository: Boston, Massachusetts, USA\r\nRepository: Centennial Gift of Landon T. Clay\r\nRepository: 68.187\r\nRepository: http://www.mfa.org/\r\nARTstor Collection: The Image Gallery\r\nARTstor Collection: Formerly in The AMICO Library\r\nID Number: BMFA.68.187\r\nSource: Data From: Museum of Fine Arts, Boston\r\nRights: This image was provided by Museum of Fine Arts, Boston. Contact information: Debra LaKind, Head of Rights & Licensing, Museum of Fine Arts, Boston, 465 Huntington Avenue, Boston, MA 02115, (617) 369-4386 (ph), (617) 369-4340 (fax), dlakind@mfa.org.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Durer, Albrecht, German\r\nTitle: Self-portrait in a Fur Cloak\r\nDate: 1500\r\nLocation: Alte Pinakothek, Munich\r\nMaterial: oil/wood\r\nMeasurements: 67x49cm.\r\nRelated Item: H&F 4: 10.58\r\nRelated Item: Janson 5R: 701\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Durer, Albrecht, German\r\nTitle: Self-portrait at age 13\r\nDate: 1484\r\nLocation: Albertina, Vienna\r\nMaterial: silverpoint\r\nMeasurements: 27.5x19.6cm.\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Albrecht Dürer\r\nTitle: Self Portrait with Gloves\r\nDate: 1498\r\nMaterial: oil on panel\r\nMeasurements: 52 x 41 cm\r\nDescription: Inscription: Das malt ich nach meiner gestalt / Ich was sex und zwanzig Jor alt / Albrecht Dürer\r\nRepository: Museo del Prado\r\nARTstor Collection: The Image Gallery\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Albrecht Dürer\r\nTitle: Self-portrait\r\nDate: 1493\r\nMaterial: oil on parchment mounted on canvas\r\nMeasurements: 56 x 44 cm\r\nRepository: Musée du Louvre\r\nARTstor Collection: The Image Gallery\r\nID Number: 40-05-01/45\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Durer, Albrecht, German\r\nTitle: Self-portrait in a Fur Cloak\r\nDate: 1500\r\nLocation: Alte Pinakothek, Munich\r\nMaterial: oil/wood\r\nMeasurements: 67x49cm.\r\nRelated Item: H&F 4: 10.58\r\nRelated Item: Janson 5R: 701\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Durer, Albrecht, German\r\nTitle: Self-portrait in a Fur Cloak\r\nDate: 1500\r\nLocation: Alte Pinakothek, Munich\r\nMaterial: oil/wood\r\nMeasurements: 67x49cm.\r\nRelated Item: H&F 4: 10.58\r\nRelated Item: Janson 5R: 701\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Matthias Grünewald\r\nTitle: Isenheim Altarpiece; Crucifixion\r\nWork Type: painting\r\nDate: Begun in 1512-1513 and believed to have been completed in 1515\r\nRepository: Musée d'Unterlinden (Colmar, France)\r\nARTstor Collection: The Image Gallery\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Grünewald, Matthias, 16th cent\r\nTitle: Isenheim Altarpiece: Int.: Wing: Annunciation, Angelic Concert, Madonna and Child, Resurrection\r\nDate: c.1512-15\r\nMaterial: oil on panel\r\nSubject: Jesus Christ--Resurrection\r\nSubject: Mary, Blessed Virgin, Saint--And Child\r\nSubject: Mary, Blessed Virgin, Saint--Annunciation\r\nSubject: Painting--Germany--16th C. A.D\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego
Creator: Matthias Grünewald (c. 1480-1528)\r\nTitle: Isenheim Altarpiece: Temptation of Saint Anthony, right panel, open position, detail of tormenting demons\r\nWork Type: painting\r\nDate: c. 1512-1515\r\nMaterial: oil on limewood\r\nDescription: Painted for the monastery chapel of the Antonite Order in Isenheim, a community of monks devoted to the care of the sick\r\nRepository: Musée d'Unterlinden, Colmar, France\r\nARTstor Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-13-01/34\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Matthias Grünewald (c. 1480-1528)\r\nTitle: Isenheim Altarpiece: Temptation of Saint Anthony, right panel, open position, detail of tormenting demons\r\nWork Type: painting\r\nDate: c. 1512-1515\r\nMaterial: oil on limewood\r\nDescription: Painted for the monastery chapel of the Antonite Order in Isenheim, a community of monks devoted to the care of the sick\r\nRepository: Musée d'Unterlinden, Colmar, France\r\nARTstor Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 40-13-01/34\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Matthias Grünewald\r\nTitle: Isenheim Altarpiece; Crucifixion\r\nWork Type: painting\r\nDate: Begun in 1512-1513 and believed to have been completed in 1515\r\nRepository: Musée d'Unterlinden (Colmar, France)\r\nARTstor Collection: The Image Gallery\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Bosch, Hieronymus, Flemish\r\nTitle: The Garden of Earthly Delights (triptych): [L.] The Creation; [C.] The Garden of Delights; [R.] Hell\r\nDate: ca. 1505-1510\r\nLocation: Prado, Madrid [#2823]\r\nMaterial: oil/wood\r\nMeasurements: 195x220cm.\r\nRelated Item: Adams AAT: 17.4\r\nRelated Item: Hartt 4: 21-29\r\nRelated Item: Gardner 10: 20-17\r\nRelated Item: H&F 4: 11.3\r\nRelated Item: Janson 5R: 684\r\nRelated Item: W&S 3: 6-37\r\nRelated Item: Stokstad R: 18-58\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Bosch, Hieronymus, Flemish\r\nTitle: The Garden of Earthly Delights (triptych): [L.] The Creation; [C.] The Garden of Delights; [R.] Hell\r\nDate: ca. 1505-1510\r\nLocation: Prado, Madrid [#2823]\r\nMaterial: oil/wood\r\nMeasurements: 195x220cm.\r\nRelated Item: Adams AAT: 17.4\r\nRelated Item: Hartt 4: 21-29\r\nRelated Item: Gardner 10: 20-17\r\nRelated Item: H&F 4: 11.3\r\nRelated Item: Janson 5R: 684\r\nRelated Item: W&S 3: 6-37\r\nRelated Item: Stokstad R: 18-58\r\nARTstor Collection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Creator: Bosch, Hieronymus, d. 1516\r\nTitle: Garden of Earthly Delights Altar: Interior: det.: left wing lower quarter\r\nMaterial: oil on wood\r\nRepository: Museo del Prado\r\nSubject: Painting--Netherlands--A.D\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego
Creator: Bosch, Hieronymus, d. 1516\r\nTitle: Triptych: Garden of Earthly Delights Int.: center panel: det.: couple in bubble\r\nDate: 1505-1510\r\nMaterial: oil on wood\r\nRepository: Museo del Prado\r\nSubject: Painting--Netherlands--16th C. A.D\r\nSubject: Triptychs\r\nSubject: fruit\r\nARTstor Collection: The Image Gallery\r\nSource: Data from: University of California, San Diego