This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
PD2 Coaches Walking Together in SolidarityTBuegler
This document outlines a theology of accompaniment for faith formation. It provides a framework for understanding how we are called to love God, self, and others through authentic, meaningful, just and transformative relationships. The theology is grounded in the incarnation of God and calls us to meet people in their deepest suffering through mutuality, inclusivity, vulnerability and empowerment. Practicing this theology forms relationships that are authentic, meaningful, just and transformative.
Trinity Kings World Leadership(Family Archives): Leadership In The HomeTerrell Patillo
Ephesians 5:22-25
Amplified Bible (AMP)
Marriage Like Christ("The King") and the Church("The Queen*) Bride...
22 Wives, be subject [a]to your own husbands, as [a service] to the Lord. 23 For the husband is head of the wife, as Christ is head of the church, Himself being the Savior of the body. 24But as the church is subject to Christ, so also wives should be subject to their husbands in everything [respecting both their position as protector and their responsibility to God as head of the house].
25 Husbands, love your wives [seek the highest good for her and surround her with a caring, unselfish love], just as Christ also loved the church and gave Himself up for her,
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and serve as a healthy means of stress management.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
PD2 Coaches Walking Together in SolidarityTBuegler
This document outlines a theology of accompaniment for faith formation. It provides a framework for understanding how we are called to love God, self, and others through authentic, meaningful, just and transformative relationships. The theology is grounded in the incarnation of God and calls us to meet people in their deepest suffering through mutuality, inclusivity, vulnerability and empowerment. Practicing this theology forms relationships that are authentic, meaningful, just and transformative.
Trinity Kings World Leadership(Family Archives): Leadership In The HomeTerrell Patillo
Ephesians 5:22-25
Amplified Bible (AMP)
Marriage Like Christ("The King") and the Church("The Queen*) Bride...
22 Wives, be subject [a]to your own husbands, as [a service] to the Lord. 23 For the husband is head of the wife, as Christ is head of the church, Himself being the Savior of the body. 24But as the church is subject to Christ, so also wives should be subject to their husbands in everything [respecting both their position as protector and their responsibility to God as head of the house].
25 Husbands, love your wives [seek the highest good for her and surround her with a caring, unselfish love], just as Christ also loved the church and gave Himself up for her,
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and serve as a healthy means of stress management.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses human freedom and the formation of conscience. It defines freedom as the power to act or not act, rooted in reason and will. True freedom involves freedom from restraints like ignorance, disordered passions, and sins. It also involves freedom for growing in love. Conscience is defined as the voice of God calling us to do good and avoid evil. A well-formed conscience results from prayer, reflection on scripture and church teachings, and making moral choices guided by God. The human person is defined by our creation in God's image, redemption through Christ, and destiny for eternal life with God. We are relational by nature and find meaning through relationships with others and God.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
This document discusses multilevel corporate governance in multinational corporations (MNCs). It defines multilevel governance and describes three types of subsidiary board structures: boards of listed subsidiaries, boards required by host country law, and boards established for the parent's strategic reasons. It also summarizes research on how Japanese and Swedish MNCs view the advantages of active subsidiary boards. Finally, it examines how corporate strategies like multi-domestic, global, and transnational strategies affect the design of an MNC's corporate governance system.
Slide presentation for "Digital Natives, Digital Immigrants" , by MarK Prensky, in "Theoretical foundations of teaching/learning English as a second language" course - Prof.Reinildes Dias - 30.08.2011
The Introduction to the Arts course for Fall 2011 will provide an overview of visual arts, music, theatre and dance. Students will learn about elements and principles of each art form through lectures, readings, videos and visits to local cultural institutions. The goal is for students to gain an appreciation of the arts and an understanding of how the different art forms are interrelated.
Chap. 6 adaptive selling for relationship buildingMara Bañez
Salespeople are most effective when they can tailor their presentations to each customer through adaptive selling. They analyze the customer's needs and buying process to select the best sales strategy. Companies train salespeople on products, customers, and how to adapt their communication style using methods like the social style matrix. Having knowledge of customers and effectively practicing adaptive selling increases sales performance.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses human freedom and the formation of conscience. It defines freedom as the power to act or not act, rooted in reason and will. True freedom involves freedom from restraints like ignorance, disordered passions, and sins. It also involves freedom for growing in love. Conscience is defined as the voice of God calling us to do good and avoid evil. A well-formed conscience results from prayer, reflection on scripture and church teachings, and making moral choices guided by God. The human person is defined by our creation in God's image, redemption through Christ, and destiny for eternal life with God. We are relational by nature and find meaning through relationships with others and God.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
This document discusses multilevel corporate governance in multinational corporations (MNCs). It defines multilevel governance and describes three types of subsidiary board structures: boards of listed subsidiaries, boards required by host country law, and boards established for the parent's strategic reasons. It also summarizes research on how Japanese and Swedish MNCs view the advantages of active subsidiary boards. Finally, it examines how corporate strategies like multi-domestic, global, and transnational strategies affect the design of an MNC's corporate governance system.
Slide presentation for "Digital Natives, Digital Immigrants" , by MarK Prensky, in "Theoretical foundations of teaching/learning English as a second language" course - Prof.Reinildes Dias - 30.08.2011
The Introduction to the Arts course for Fall 2011 will provide an overview of visual arts, music, theatre and dance. Students will learn about elements and principles of each art form through lectures, readings, videos and visits to local cultural institutions. The goal is for students to gain an appreciation of the arts and an understanding of how the different art forms are interrelated.
Chap. 6 adaptive selling for relationship buildingMara Bañez
Salespeople are most effective when they can tailor their presentations to each customer through adaptive selling. They analyze the customer's needs and buying process to select the best sales strategy. Companies train salespeople on products, customers, and how to adapt their communication style using methods like the social style matrix. Having knowledge of customers and effectively practicing adaptive selling increases sales performance.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
Ancient Egypt was a civilization located along the lower reaches of the Nile River in northeastern Africa. The civilization coalesced around 3100 BC and lasted until 332 BC when it was conquered by Alexander the Great. For most of its history, Ancient Egyptian kings maintained control over territories in surrounding areas, including Nubia and parts of the Near East.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
Art that predates written language played an important role in communicating ideas and beliefs. Cave paintings from over 30,000 years ago provide some of the earliest evidence of art and helped pass knowledge between generations without a written language. These early art forms allowed humans to develop their thinking and share aspects of their culture before the invention of writing systems.
A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...OH TEIK BIN
A free eBook comprising 5 sets of PowerPoint presentations of meaningful stories /Inspirational pieces that teach important Dhamma/Life lessons. For reflection and practice to develop the mind to grow in love, compassion and wisdom. The texts are in English and Chinese.
My other free eBooks can be obtained from the following Links:
https://www.slideshare.net/ohteikbin/presentations
https://www.slideshare.net/ohteikbin/documents
A375 Example Taste the taste of the Lord, the taste of the Lord The taste of...franktsao4
It seems that current missionary work requires spending a lot of money, preparing a lot of materials, and traveling to far away places, so that it feels like missionary work. But what was the result they brought back? It's just a lot of photos of activities, fun eating, drinking and some playing games. And then we have to do the same thing next year, never ending. The church once mentioned that a certain missionary would go to the field where she used to work before the end of his life. It seemed that if she had not gone, no one would be willing to go. The reason why these missionary work is so difficult is that no one obeys God’s words, and the Bible is not the main content during missionary work, because in the eyes of those who do not obey God’s words, the Bible is just words and cannot be connected with life, so Reading out God's words is boring because it doesn't have any life experience, so it cannot be connected with human life. I will give a few examples in the hope that this situation can be changed. A375
Why is this So? ~ Do Seek to KNOW (English & Chinese).pptxOH TEIK BIN
A PowerPoint Presentation based on the Dhamma teaching of Kamma-Vipaka (Intentional Actions-Ripening Effects).
A Presentation for developing morality, concentration and wisdom and to spur us to practice the Dhamma diligently.
The texts are in English and Chinese.
The Hope of Salvation - Jude 1:24-25 - MessageCole Hartman
Jude gives us hope at the end of a dark letter. In a dark world like today, we need the light of Christ to shine brighter and brighter. Jude shows us where to fix our focus so we can be filled with God's goodness and glory. Join us to explore this incredible passage.
The forces involved in this witchcraft spell will re-establish the loving bond between you and help to build a strong, loving relationship from which to start anew. Despite any previous hardships or problems, the spell work will re-establish the strong bonds of friendship and love upon which the marriage and relationship originated. Have faith, these stop divorce and stop separation spells are extremely powerful and will reconnect you and your partner in a strong and harmonious relationship.
My ritual will not only stop separation and divorce, but rebuild a strong bond between you and your partner that is based on truth, honesty, and unconditional love. For an even stronger effect, you may want to consider using the Eternal Love Bond spell to ensure your relationship and love will last through all tests of time. If you have not yet determined if your partner is considering separation or divorce, but are aware of rifts in the relationship, try the Love Spells to remove problems in a relationship or marriage. Keep in mind that all my love spells are 100% customized and that you'll only need 1 spell to address all problems/wishes.
Save your marriage from divorce & make your relationship stronger using anti divorce spells to make him or her fall back in love with you. End your marriage if you are no longer in love with your husband or wife. Permanently end your marriage using divorce spells that work fast. Protect your marriage from divorce using love spells to boost commitment, love & bind your hearts together for a stronger marriage that will last. Get your ex lover who has remarried using divorce spells to break up a couple & make your ex lost lover come back to you permanently.
Visit https://www.profbalaj.com/love-spells-loves-spells-that-work/
Call/WhatsApp +27836633417 for more info.
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...Phoenix O
This manual will guide you through basic skills and tasks to help you get started with various aspects of Magic. Each section is designed to be easy to follow, with step-by-step instructions.
Culture: Paleolithic (Magdalenian period)\r\nTitle: "Well Scene," mural from the cave at Lascaux, ca. 15,000-13,000 B.C.E.\r\nLocation: Lascaux, Dordogne, France\r\nMeasurements: L. 9'\r\nRelated Item: Stokstad: 43-45\r\nRelated Item: [1-12]\r\nCollection: Art History Survey Collection\r\nSource: Data from: Art Images for College Teaching
Culture: Greek, Helladic (Mycenaean)\r\nTitle: Tholos ("beehive") tomb (called the "Treasury of Atreus"): dromos and entrance, view from E., ca. 1300 B.C.\r\nLocation: Mycenae, Argolis, Greece\r\nRelated Item: Adams AAT: 5.26 [cont.]\r\nRelated Item: Gardner 10: 4-22 [cont.]\r\nRelated Item: Adams 2: 6.17 [cont.]\r\nRelated Item: Hartt 4: 6-17 [cont.]\r\nRelated Item: H&F 4: 2.55 [full]\r\nRelated Item: Stokstad R: 4-21 [cont.]\r\nRelated Item: Kostof R: 5.18 [cont.]\r\nRelated Item: Kostof: 5.18 [cont.]\r\nRelated Item: Stokstad 2: 4-20 [cont.]\r\nRelated Item: Janson 5 R: 130 [cont.]\r\nRelated Item: Janson 5: 133 [cont.]\r\nRelated Item: Stokstad: 4-21 [cont.]\r\nRelated Item: Trachtenberg: 65 [alt.]\r\nRelated Item: W&S 3: 3-37 [cont.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Title: Lion capital of a column erected by Ashoka (ruled 272-232 BC)\r\nWork Type: Sculpture\r\nLocation: India, Pataliputra\r\nMeasurements: 7' high\r\n\r\n\r\nRepository: CCA Libraries - Oakland slides \r\nSubject: Lion capital of a column erected by Ashoka (ruled 272-232 BC) Sculpture India, Pataliputra\r\nID Number: 2009.01.2056\r\nSource: Art Beyond the West\r\nRights: see publication
Culture: Sumerian: Ur\r\nTitle: Harp (or lyre) from the tomb of Queen Puabi, discovered in the Royal Necropolis at Ur (modern Muqaiyir, Iraq)\r\nDate: ca. 2685 B.C.E.\r\nLocation: Archeological Museum, University of Pennsylvania, Philadelphia\r\nMaterial: wood inlaid with gold, shell, lapis lazuli\r\nRelated Item: Gardner 10: 2-9\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Minoan\r\nTitle: Bull Jumping, from the palace complex at Knossos, Crete\r\nDate: 1500 BCE\r\nMaterial: fresco\r\nMeasurements: height 62.3 cm\r\nRepository: Archaeological Museum of Herakleion\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-02-01/ 7\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Paleolithic (Magdalenian period)\r\nTitle: Bison, sculpted reliefs from Tuc d'Audoubert cave, Ariege, France, ca. 13,000 B.C.E.\r\nLocation: Le Tuc d'Audoubert Cave, Ariege, France\r\nMaterial: clay\r\nMeasurements: L. 25" and 24"\r\nRelated Item: Stokstad: 45-46\r\nRelated Item: [1-13]\r\nCollection: Art History Survey Collection\r\nSource: Data from: Art Images for College Teaching
Title: Lyre sound box front view (reconstructed): det.: Bull's head from Ur, tomb of Queen Puabi\r\nDate: 2600 B.C\r\nLocation: Ur (Extinct city)\r\nMaterial: wood with inlaid gold, lapis lazuli\r\nRepository: University of Pennsylvania. University Museum\r\nSubject: Ur (Extinct city)\r\nSubject: Bulls\r\nSubject: Lyres\r\nSubject: Sculpture--Mesopotamia: Early-Dynastic--3000-2340 B.C\r\nSubject: funerary art\r\nSubject: musical instruments\r\nSubject: royal tombs\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Kritios Kouros\r\nDate: c.480 B.C\r\nMaterial: marble\r\nSubject: Sculpture--Greek: Transitional--480-450 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Byzantine\r\nTitle: Justinian and His Court, apse, north wall\r\nWork Type: mosaic\r\nDate: c. 546-548\r\nLocation: San Vitale, Ravenna, Italy\r\nMaterial: mosaic\r\nStyle Period: Early Byzantine\r\nDescription: Inscription: MAXIMIANVS\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek\r\nTitle: Kouros from Anavyssos\r\nWork Type: sculpture\r\nDate: c. 540-500 BCE\r\nMaterial: marble\r\nStyle Period: Archaic\r\nRepository: National Museum of Archaeology (Greece)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Egyptian\r\nTitle: Pharaoh Menkaure (Mycerinus) and his Wife\r\nDate: 2490¿2472 BCE (4th Dynasty)\r\nMaterial: graywacke\r\nMeasurements: 142.2 x 57.1 x 55.2 cm (56 x 22 1/2 x 21 3/4 in.)\r\nDescription: from Giza\r\nRepository: Museum of Fine Arts, Boston\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 08-01-18/37\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Roman, Republican period\r\nTitle: Patrician with busts of his ancestors\r\nDate: ca. late 1st century B.C.E.\r\nLocation: Museo Capitolino, Rome\r\nMaterial: marble\r\nRelated Item: Adams AAT: 8.47\r\nRelated Item: Hartt 4: 9-1\r\nRelated Item: H&F 4: 5.57\r\nRelated Item: Janson 5R: 263\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Roman, Early Empire (Augustan period)\r\nTitle: Augustus of Primaporta\r\nDate: ca. 20 B.C.E. (or early 1st century C.E. copy)\r\nLocation: Vatican Museums, Rome\r\nMaterial: marble, copy after bronze original\r\nMeasurements: h. 6'8"\r\nRelated Item: Adams AAT: 8.50\r\nRelated Item: Hartt 4: 9-19\r\nRelated Item: Gardner 10: 7-28\r\nRelated Item: Gardner 10: 7-29\r\nRelated Item: H&F 4: 5.54\r\nRelated Item: Janson 5R: 264\r\nRelated Item: Janson 5R: 265\r\nRelated Item: Stokstad R: 6-30\r\nRelated Item: W&S 3: 3-92\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Title: Statues from the Favissa of the Temple of Abu\r\nDate: 3000-2400 B.C\r\nSubject: Sculpture--Mesopotamia: Early-Dynastic--3000-2340 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Yakshi bracket. Figure from east gate of Great Stupa at Sanchi\r\nWork Type: Sculpture\r\nPeriod: Early Audrha\r\nDate: 1st BC\r\nRepository: CCA Libraries - Oakland slides \r\nSubject: Yakshi bracket. Figure from east gate of Great Stupa at Sanchi Sculpture Early Audrha, 1st BC\r\nID Number: 2009.01.2058\r\nSource: Art Beyond the West\r\nRights: see publication
Culture: Greek, Archaic\r\nTitle: Peplos Kore\r\nDate: ca. 530 B.C.E.\r\nLocation: Acropolis Museum, Athens [#679]\r\nMaterial: marble with polychromy\r\nMeasurements: h. 48"\r\nRelated Item: Adams AAT: 6.21\r\nRelated Item: Hartt 4: 7-11\r\nRelated Item: Gardner 10: 5-12\r\nRelated Item: Janson 5R: 152\r\nRelated Item: Stokstad R: 5-23\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Egyptian\r\nTitle: Pharaoh Menkaure (Mycerinus) and his Wife\r\nDate: 2490¿2472 BCE (4th Dynasty)\r\nMaterial: graywacke\r\nMeasurements: 142.2 x 57.1 x 55.2 cm (56 x 22 1/2 x 21 3/4 in.)\r\nDescription: from Giza\r\nRepository: Museum of Fine Arts, Boston\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 08-01-18/37\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Ravenna: S. Vitale: Apse Wall Mosaic: Theodora and her court\r\nDate: 526-48 A.D\r\nLocation: Ravenna (Italy)\r\nSubject: Theodora, Empress, consort of Justinian I, Emperor of the East, d. 548\r\nSubject: Ravenna (Italy)--S. Vitale\r\nSubject: Mosaics--Italy--6th C. A.D\r\nSubject: Portraits--Empresses\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Statues from the Favissa of the Temple of Abu\r\nDate: 3000-2400 B.C\r\nSubject: Sculpture--Mesopotamia: Early-Dynastic--3000-2340 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Aphrodite, called the Venus de Milo.\r\nWork Type: sculpture\r\nDate: c. 100 BCE\r\nMaterial: marble\r\nMeasurements: height 2.02 m\r\nDescription: From the Isle of Melos, Cyclades.\r\nRepository: Musée du Louvre, inv. LL 299 (Ma 399).\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-01-01/36\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Egypt, New Kingdom\r\nTitle: Queen Nefertiti, bust from Akhetaten (modern Tell el-Amarna)\r\nDate: ca. 1348-1335 B.C.E. (Dynasty XVIII)\r\nLocation: Aegyptisches Museum, Berlin\r\nMaterial: painted limestone\r\nMeasurements: h. 20"\r\nRelated Item: Adams AAT: 4.42\r\nRelated Item: Hartt 4: 3-42\r\nRelated Item: Gardner 10: 3-37\r\nRelated Item: H&F 4: 3.16\r\nRelated Item: Janson 5R: 79\r\nRelated Item: Stokstad R: 3-38\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Byzantine\r\nTitle: Virgin and Child with Two Saints\r\nDate: second half of 6th century\r\nMaterial: encaustic on wood\r\nMeasurements: 69 x 48 cm\r\nRepository: St. Catherine Monastery, Mount Sinai, Egypt\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 15-03-04/19\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek\r\nTitle: Nike of Samothrace (Victory of Samothrace)\r\nWork Type: sculpture\r\nDate: c. 200-190 BCE\r\nMaterial: marble\r\nMeasurements: H: 8 feet\r\nStyle Period: Hellenistic\r\nRepository: Louvre (Paris, France)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Gravettian culture; Palaeolithic\r\nTitle: Venus of Willendorf\r\nTitle: front view\r\nDate: circa 30,000-25,000 BCE\r\nMaterial: limestone\r\nMeasurements: height: 110 mm\r\nRepository: Naturhistorisches Museum, Vienna, Austria\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 06-01-01/24\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Dura-Europas: Synagogue: Int.: view of walls\r\nDate: 244-45 A.D\r\nLocation: Dura-Europos (Extinct city)\r\nSubject: Dura-Europos (Extinct city)--Synagogue\r\nSubject: Mural painting\r\nSubject: Painting--Syro-Mesopotamia (Dura Europas)--3rd C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Anthemius of Tralles, Byzantine\r\nCreator: Isidorus of Miletus, Byzantine\r\nTitle: Church of Hagia Sophia (Holy Wisdom), Constantinople: interior, central space and dome\r\nDate: 532-537\r\nLocation: Istanbul, Turkey\r\nRelated Item: Adams AAT: 9.32\r\nRelated Item: H&F 4: 7.35\r\nRelated Item: H&F 4: 7.40\r\nRelated Item: Hartt 4: 10-39\r\nRelated Item: Gardner 10: 9-2\r\nRelated Item: Kostof: 11.28\r\nRelated Item: Kostof: p. 244\r\nRelated Item: Janson 5R: 328\r\nRelated Item: Watkins: 90\r\nRelated Item: Stokstad R: 7-27\r\nRelated Item: Tracht: 252\r\nRelated Item: Tracht: cl.pl. 16\r\nRelated Item: W&S 3: 4-22\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Title: Stonehenge: general view\r\nDate: 2000 B.C\r\nLocation: Stonehenge (England)\r\nSubject: Stonehenge (England)\r\nSubject: Architecture:Site--Prehistoric\r\nSubject: Cromlechs\r\nSubject: Megalithic monuments\r\nSubject: Menhirs\r\nSubject: Stone circles\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Korea\r\nTitle: Great Wild Goose pagoda at Ci'en Temple, Xian, Shanxi, Tangdyn\r\nDate: first erected 645 CE, rebuilt mid-8th\r\nSubject: Great Wild Goose pagoda at Ci'en Temple, Xian, Shanxi, Tangdyn Korea first erected 645 CE, rebuilt mid-8th\r\nID Number: 2009.02.2016\r\nSource: Stokstad, pl. 10-18\r\nRights: see publication
Culture: Sumerian: Ur\r\nTitle: Ziggurat of the mood-god Nanna at Ur\r\nDate: ca. 2100-2050 B.C.E.\r\nLocation: Ur (modern Muqaiyir, Iraq)\r\nMaterial: brick\r\nMeasurements: base 210x150' original h. 70'\r\nRelated Item: Hartt 4: 4-4\r\nRelated Item: Gardner 10: 2-4\r\nRelated Item: H&F 4: 2.12\r\nRelated Item: Janson 5R: 87\r\nRelated Item: Stokstad R: 2-5\r\nRelated Item: Tracht: 47\r\nRelated Item: W&S 3: 3-7\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Early Christian : Byzantine : Jewish\r\n\r\n\r\nTitle: Old St. Peter's. Plan\r\nWork Type: Religious & ceremonial structures\r\nDate: 326+\r\nRepository: CCA Libraries - Oakland slides \r\nSubject: Old St. Peterâs. Plan Religious & ceremonial structures Early Christian : Byzantine : Jewish Italy: Rome 326+\r\nID Number: 1988.04.0440\r\nSource: Stokstad, Medieval World, p. 32 top\r\nRights: see publication
Creator: Thomas Struth, German, born 1954\r\nTitle: Pantheon, Rome\r\nWork Type: photographs\r\nDate: 1990, printed 1991\r\nLocation: Place depicted: Rome, Italy\r\nMaterial: chromogenic print\r\nMeasurements: image: 54 x 76 1/2 in. (137.2 x 194.3 cm); framed: 73 3/4 x 95 3/8 x 2 in. (187.3 x 242.3 x 5.1 cm)\r\nRepository: Saint Louis Art Museum, Funds given by Mr. and Mrs. Donald L. Bryant Jr., the Honorable and Mrs. Thomas F. Eagleton, Mr. and Mrs. James D. Burke, Dr. and Mrs. Alvin R. Frank, Dr. and Mrs. Robert D. Fry, Suzy and Richard Grote, Bob and Signa Hermann, Mr. and Mrs. John Peters MacCarthy, Eleanor J. Moore, Mr. and Mrs. Joseph Pulitzer Jr., and the Contemporary Art Society in honor of Michael and Lisa Shapiro\r\nAccession Number: 229:1992\r\nCollection: Saint Louis Art Museum\r\n: Saint Louis Art Museum, One Fine Arts Drive, Forest Park, St. Louis, Missouri 63110; image.request@slam.org\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Roman, Early Empire (Augustan period)\r\nTitle: Augustus of Primaporta\r\nDate: ca. 20 B.C.E. (or early 1st century C.E. copy)\r\nLocation: Vatican Museums, Rome\r\nMaterial: marble, copy after bronze original\r\nMeasurements: h. 6'8"\r\nRelated Item: Adams AAT: 8.50\r\nRelated Item: Hartt 4: 9-19\r\nRelated Item: Gardner 10: 7-28\r\nRelated Item: Gardner 10: 7-29\r\nRelated Item: H&F 4: 5.54\r\nRelated Item: Janson 5R: 264\r\nRelated Item: Janson 5R: 265\r\nRelated Item: Stokstad R: 6-30\r\nRelated Item: W&S 3: 3-92\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Egypt (New Kingdom)\r\nTitle: Akhenaten, Nefertiti, and the Royal Princesses: sunk relief fragment from Tell el-Amarna, ca. 1350 B.C. [Dynasty XVIII]\r\nLocation: Aegiptisches Museum, Berlin\r\nMaterial: limestone \r\nRelated Item: Adams 2: 5.25\r\nRelated Item: Gombrich 16: 39\r\nRelated Item: Stokstad 2: 3-36\r\nRelated Item: Stokstad: 3-36\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Title: Ara Pacis Augustae\r\nWork Type: architecture\r\nDate: consecrated 13 BCE, dedicated 9 BCE\r\nLocation: Rome\r\nMaterial: marble\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Palette of Narmer (slate). Obverse. From Hierakonpolis. Dynasties I-II, 3200-2786 B.C.\r\nWork Type: Art: Sculpture\r\nPeriod: Egypt-Early dynastic\r\nStyle Period: Egyptian art and architecture\r\nRepository: Cairo, Mus.\r\nCollection: MegaRom Art History Survey\r\nID Number: 23\r\nID Number: 28349\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Culture: Roman, Early Empire\r\nTitle: Arch of Titus, entrance to the Forum Romanorum, Rome\r\nDate: ca. 81 C.E. [A.D.]\r\nLocation: Rome, Italy\r\nMaterial: marble, concrete\r\nMeasurements: h. 50''\r\nRelated Item: Adams AAT: 8.40\r\nRelated Item: Hartt 4: 9-35\r\nRelated Item: Gardner 10: 7-43\r\nRelated Item: H&F 4: 5.62\r\nRelated Item: Stokstad R: 6-40\r\nRelated Item: Tracht: 194\r\nRelated Item: W&S 3: 3-97\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Roman, Early Empire\r\nTitle: Spoils from the Temple in Jerusalem, relief from the Arch of Titus\r\nDate: ca. 81 C.E. [A.D.]\r\nLocation: Rome, Italy\r\nMaterial: marble\r\nMeasurements: h. 6'8"\r\nRelated Item: Adams AAT: 8.41\r\nRelated Item: Hartt 4: 9-37\r\nRelated Item: Gardner 10: 7-44\r\nRelated Item: H&F 4: 5.63\r\nRelated Item: Janson 5R: 271\r\nRelated Item: Stokstad R: 6-41\r\nRelated Item: W&S 3: 3-98\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Ancient Rome\r\nTitle: Marcus Aurelius\r\nWork Type: Sculpture\r\nDate: 161-180 CE\r\nMaterial: bronze, originally gilded\r\nMeasurements: 11 feet 6 inches\r\nDescription: sculpture, statue, monument, equestrian, emperor, tunic, original bronze\r\nRepository: Capitoline Museum, Rome\r\nID Number: 2009.08.3064\r\nSource: Stokstad, Art: A Brief History, 3rd. edition, 2007, p. 156, pl. 6-29\r\nRights: see publication
Culture: Byzantine\r\nTitle: Virgin and Child with Two Saints\r\nDate: second half of 6th century\r\nMaterial: encaustic on wood\r\nMeasurements: 69 x 48 cm\r\nRepository: St. Catherine Monastery, Mount Sinai, Egypt\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 15-03-04/19\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Incense burner from tomb of Princess Dowan in Nanching-Xian\r\nWork Type: Funerary structures\r\nMaterial: bronze with gold inlay\r\nMeasurements: 25.4 centimeters\r\nSubject: Incense burner from tomb of Princess Dowan in Nanching-Xian Funerary structures bronze with gold inlay\r\nID Number: 2009.02.2011\r\nSource: Watson, Arts of China, pl. 160\r\nRights: see publication
Culture: Minoan\r\nTitle: Bull Jumping, from the palace complex at Knossos, Crete\r\nDate: 1500 BCE\r\nMaterial: fresco\r\nMeasurements: height 62.3 cm\r\nRepository: Archaeological Museum of Herakleion\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-02-01/ 7\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Paleolithic (Magdalenian period)\r\nTitle: "Well Scene," mural from the cave at Lascaux, ca. 15,000-13,000 B.C.E.\r\nLocation: Lascaux, Dordogne, France\r\nMeasurements: L. 9'\r\nRelated Item: Stokstad: 43-45\r\nRelated Item: [1-12]\r\nCollection: Art History Survey Collection\r\nSource: Data from: Art Images for College Teaching
Title: Buddha and attendants, from the Katra Keshauder Mathura, Madhya Pradu\r\nWork Type: Sculpture\r\nPeriod: Kushan period\r\nDate: late 1st, early 2nd century\r\nMaterial: red sandstone\r\nSubject: Buddha and attendants, from the Katra Keshauder Mathura, Madhya Pradu Sculpture red sandstone Kushan period - late 1st, early 2nd century\r\nID Number: 2009.01.2062\r\nSource: Grose, In the Footsteps of the Buddha, pl. 212\r\nRights: see publication
Title: Statues from the Favissa of the Temple of Abu\r\nDate: 3000-2400 B.C\r\nSubject: Sculpture--Mesopotamia: Early-Dynastic--3000-2340 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Standing Buddha from Gandhara (Pakistan)\r\nPeriod: Kusha period\r\nDate: c. 2nd - 3rd century\r\nSubject: Standing Buddha from Gandhara (Pakistan) Sculpture Kusha period, c. 2nd - 3rd century\r\nID Number: 2009.01.2059\r\nSource: Stokstad, 2nd edition, pl. 9-13\r\nRights: see publication
Culture: Egypt, New Kingdom\r\nTitle: Psychostasis scene (judgment of the dead before Osiris, god of the underworld) from a Book of the Dead (Hunefer Papyrus)\r\nDate: ca. 1317-1285 B.C.E. (Dynasty XIX)\r\nLocation: British Museum, London\r\nMaterial: painted papyrus\r\nMeasurements: h. 39.8cm.\r\nRelated Item: Adams AAT: 4.40\r\nRelated Item: Hartt 4: 3-48\r\nRelated Item: Gardner 10: 3-44\r\nRelated Item: H&F 4: 3.21\r\nRelated Item: Stokstad R: 3-44\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Egyptian\r\nTitle: Funerary Mask of Tutankhamun\r\nWork Type: metalwork\r\nDate: Reign of Tutankhamun; 1333-1323 BCE\r\nMaterial: gold, lapis lazuli, carnelian, quartz, obsidian, turquoise, colored glass\r\nMeasurements: height: 54 cm; width: 39.3 cm; weight: 11 kg\r\nStyle Period: New Kingdom, Eighteenth Dynasty\r\nDescription: Tomb of Tutankhamun, Valley of the Kings, Thebes\r\nRepository: Egyptian Museum, Cairo, Egypt\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Exekias\r\nCulture: Greek\r\nTitle: Black-figure amphora with Achilles and Ajax playing dice\r\nWork Type: ceramic\r\nDate: c. 550-525 BCE\r\nRepository: Museo gregoriano etrusco\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Early Christian : Byzantine : Jewish\r\nTitle: Villa Torlonia. Jewish catacomb painting depicting menorahs and the Ark of the Covenant\r\nWork Type: Funerary structures\r\nDate: 3 century\r\nLocation: Italy: Rome\r\nMaterial: wall painting\r\nMeasurements: 3 feet 11 inches x 5 feet 9 inches\r\nRepository: CCA Libraries - Oakland slides\r\nSubject: Villa Torlonia. Jewish catacomb painting depicting menorahs and the Ark of the Covenant Funerary structures Early Christian : Byzantine : Jewish Italy: Rome wall painting 3 century\r\nID Number: 1996.10.0411\r\nSource: Stokstad 1995 v.1, pl. 7-3\r\nRights: see publication
Culture: Etruscan\r\nTitle: Sarcophagus, called the Sarcophagus of the Married Couple.\r\nWork Type: sculpture\r\nDate: c. 520-510 BCE\r\nMaterial: polychromed terracotta\r\nMeasurements: 1.11 x 1.94 x 0.69 m\r\nDescription: From Cerveteri, Necropolis of Banditaccia.\r\nRepository: Musée du Louvre, inv. Cp 5194.\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-03-05/68\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Tomb of Ch'in Shih-Huang-Ti: interior view: ceramic soldiers and horses in pits\r\nLocation: Shaanxi Sheng (China)\r\nLocation: China\r\nSubject: Shaanxi Sheng (China)--Tomb of Ch'in Shih-Huang-Ti\r\nSubject: Archaeology--China: Qin--211-206 B.C\r\nSubject: Excavations (Archaeology)--China\r\nSubject: Horses\r\nSubject: Soldiers\r\nSubject: Tombs--China\r\nSubject: Qin Shihuang, Emperor of China, 259-210 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Tomb of Ch'in Shih-Huang-Ti: Pit I: charioteer and attendant officers\r\nLocation: Shaanxi Sheng (China)\r\nLocation: China\r\nSubject: Shaanxi Sheng (China)--Tomb of Ch'in Shih-Huang-Ti\r\nSubject: Archaeology--China: Qin--211-206 B.C\r\nSubject: Chariots\r\nSubject: Excavations (Archaeology)--China\r\nSubject: Soldiers\r\nSubject: Tombs--China\r\nSubject: Qin Shihuang, Emperor of China, 259-210 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Roman\r\nTitle: Colosseum, Exterior\r\nWork Type: architecture\r\nDate: 70-82 CE\r\nLocation: Rome, Italy\r\nMeasurements: height: 166 1/2 feet; maximum width: 510 1/2 feet\r\nStyle Period: Early Roman Imperial\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Anthemius of Tralles, Byzantine\r\nCreator: Isidorus of Miletus, Byzantine\r\nTitle: Church of Hagia Sophia (Holy Wisdom), Constantinople: interior, central space and dome\r\nDate: 532-537\r\nLocation: Istanbul, Turkey\r\nRelated Item: Adams AAT: 9.32\r\nRelated Item: H&F 4: 7.35\r\nRelated Item: H&F 4: 7.40\r\nRelated Item: Hartt 4: 10-39\r\nRelated Item: Gardner 10: 9-2\r\nRelated Item: Kostof: 11.28\r\nRelated Item: Kostof: p. 244\r\nRelated Item: Janson 5R: 328\r\nRelated Item: Watkins: 90\r\nRelated Item: Stokstad R: 7-27\r\nRelated Item: Tracht: 252\r\nRelated Item: Tracht: cl.pl. 16\r\nRelated Item: W&S 3: 4-22\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Roman (Gaul)\r\nTitle: Pont-du-Gard aqueduct, ca. 19 B.C. - 14 A.D.\r\nLocation: Provence, France\r\nMeasurements: total original length of topmost level 275m.\r\nRelated Item: Fleming 9: 4.21\r\nRelated Item: Adams 2: 9.13\r\nRelated Item: Gardner 11: 10-31\r\nRelated Item: Kostof R: 9.3\r\nRelated Item: Stokstad 2: 6-12\r\nRelated Item: Janson 5 R: 243\r\nRelated Item: Janson 5: 246\r\nRelated Item: Stokstad: 6-22\r\nRelated Item: Trachtenberg: col. pl. 13 [full]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Title: Doric Order: elevation\r\nSubject: Architectural orders\r\nSubject: Architecture Reference: General\r\nSubject: Doric order\r\nSubject: Reference\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Iktinos\r\nTitle: The Parthenon; view from northwest section of Acropolis\r\nWork Type: architecture\r\nDate: 447 BCE-432 BCE\r\nLocation: Athens\r\nLocation: Greece\r\nStyle Period: Greek Classical Period\r\nDescription: Photographer: Arielle Kozloff Brodkey\r\nCollection: Egyptian and other Ancient Art (Arielle Kozloff Brodkey)\r\nID Number: K_2703\r\nSource: Image and original data provided by Arielle Kozloff Brodkey\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Sumerian: Ur\r\nTitle: Ziggurat of the mood-god Nanna at Ur\r\nDate: ca. 2100-2050 B.C.E.\r\nLocation: Ur (modern Muqaiyir, Iraq)\r\nMaterial: brick\r\nMeasurements: base 210x150' original h. 70'\r\nRelated Item: Hartt 4: 4-4\r\nRelated Item: Gardner 10: 2-4\r\nRelated Item: H&F 4: 2.12\r\nRelated Item: Janson 5R: 87\r\nRelated Item: Stokstad R: 2-5\r\nRelated Item: Tracht: 47\r\nRelated Item: W&S 3: 3-7\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Egypt : New Kingdom\r\nTitle: Karnak. Temple of Amun: hypostyle hall, clerestory in background\r\nWork Type: Religious & ceremonial structures\r\nDynasty: XIX dynasty\r\nSubject: Karnak. Temple of Amun: hypostyle hall, clerestory in background Religious & ceremonial structures Egypt : New Kingdom XIX dynasty\r\nID Number: 2009.01.2096\r\nSource: Jane McKinne-Mayer slide from own photo.\r\nRights: (c) the photographer
Creator: Thomas Struth, German, born 1954\r\nTitle: Pantheon, Rome\r\nWork Type: photographs\r\nDate: 1990, printed 1991\r\nLocation: Place depicted: Rome, Italy\r\nMaterial: chromogenic print\r\nMeasurements: image: 54 x 76 1/2 in. (137.2 x 194.3 cm); framed: 73 3/4 x 95 3/8 x 2 in. (187.3 x 242.3 x 5.1 cm)\r\nRepository: Saint Louis Art Museum, Funds given by Mr. and Mrs. Donald L. Bryant Jr., the Honorable and Mrs. Thomas F. Eagleton, Mr. and Mrs. James D. Burke, Dr. and Mrs. Alvin R. Frank, Dr. and Mrs. Robert D. Fry, Suzy and Richard Grote, Bob and Signa Hermann, Mr. and Mrs. John Peters MacCarthy, Eleanor J. Moore, Mr. and Mrs. Joseph Pulitzer Jr., and the Contemporary Art Society in honor of Michael and Lisa Shapiro\r\nAccession Number: 229:1992\r\nCollection: Saint Louis Art Museum\r\n: Saint Louis Art Museum, One Fine Arts Drive, Forest Park, St. Louis, Missouri 63110; image.request@slam.org\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Apollodorus of Damascus, arch't.\r\nTitle: Rome, Pantheon (118-125 A. D.). Entrance facade.\r\nWork Type: Architecture: Religious/ceremonial structures\r\nPeriod: Ancient Rome-Imperial\r\nStyle Period: Roman art and architecture\r\nCollection: MegaRom Art History Survey\r\nID Number: 510\r\nID Number: 17617\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Title: Karnak. Hypostyle hall\r\nWork Type: Architectural drawings\r\nSubject: Karnak. Hypostyle hall Architectural drawings\r\nID Number: 2009.01.2028\r\nSource: Stokstad, Art: A Brief History, pl. 2-29\r\nRights: see publication
Culture: Egypt (New Kingdom)\r\nTitle: Akhenaten, Nefertiti, and the Royal Princesses: sunk relief fragment from Tell el-Amarna, ca. 1350 B.C. [Dynasty XVIII]\r\nLocation: Aegiptisches Museum, Berlin\r\nMaterial: limestone \r\nRelated Item: Adams 2: 5.25\r\nRelated Item: Gombrich 16: 39\r\nRelated Item: Stokstad 2: 3-36\r\nRelated Item: Stokstad: 3-36\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Culture: Greek, Classical (designed by Phidias)\r\nTitle: East pediment of the Parthenon (Olympian deities attend the birth of Athena)\r\nDate: ca. 438-432 B.C.E.\r\nLocation: British Museum, London\r\nMaterial: marble\r\nRelated Item: Adams AAT: 6.51\r\nRelated Item: Adams AAT: 6.52\r\nRelated Item: Hartt 4: 7-53\r\nRelated Item: Gardner 10: 5-52\r\nRelated Item: Gardner 10: 5-53\r\nRelated Item: H&F 4: 4.32\r\nRelated Item: Janson 5R: 191\r\nRelated Item: Janson 5R: 192\r\nRelated Item: Stokstad R: 5-43\r\nRelated Item: Stokstad R: 5-44\r\nRelated Item: W&S 3: 3-74\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Greek, Classical (designed by Phidias)\r\nTitle: Lapith and Centaur; metopes from the Parthenon,\r\nDate: ca. 447-438 B.C.E.\r\nLocation: British Museum, London\r\nMaterial: marble\r\nMeasurements: h. 56"\r\nRelated Item: Adams AAT: 6.53\r\nRelated Item: Hartt 4: 7-54\r\nRelated Item: Gardner 10: 5-51\r\nRelated Item: H&F 4: 4.30\r\nRelated Item: Kostof: 7.22\r\nRelated Item: Janson 5R: 195\r\nRelated Item: Stokstad R: 5-45\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Title: Athens: Acropolis: Parthenon: Ext.: E Cella Frieze Panthenaic 7 "Girls and Men"\r\nDate: 447-436 B.C\r\nLocation: Athens (Greece)\r\nSubject: Athens (Greece)--Acropolis--Parthenon\r\nSubject: Architecture:Site--Greek--5th C. B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Egyptian\r\nTitle: Pyramid of Khufu (Cheops)\r\nWork Type: architecture\r\nDate: 26th century BCE\r\nLocation: Giza\r\nStyle Period: 4th Dynasty\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Roman\r\nTitle: Ara Pacis\r\nTitle: detail of the south frieze showing the procession of the imperial family, with Agrippa and Livia on the left\r\nDate: 13 - 9 BCE\r\nMaterial: marble\r\nMeasurements: height of frieze 1.6 meters\r\nStyle Period: Imperial (Roman)\r\nRepository: Museo dell'Ara Pacis\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Herakleitos, after a work by Sosos\r\nCulture: Greek\r\nTitle: Asaroton (Unswept Floor); detail showing the leftovers of a feast\r\nDate: 2nd century CE mosaic variant of a 2nd century BCE painting\r\nMaterial: mosaic\r\nStyle Period: Hellenistic\r\nDescription: after a work by Sosos at Pergamum\r\nRepository: Museo gregoriano profano ex lateranense\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Pompeii: House of the Silver Wedding Atrium\r\nLocation: Pompeii (Extinct city)\r\nSubject: Pompeii (Extinct city)--House of the Silver Wedding\r\nSubject: Architecture:Site--Roman Italy--2nd C. B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Pompeii: House of the Vetti: Ixion Room: wall paintings\r\nDate: 62-68 A.D\r\nLocation: Pompeii (Extinct city)\r\nLocation: Roman Italy\r\nDescription: 4th style\r\nSubject: Pompeii (Extinct city)--House of the Vetti\r\nSubject: Mural painting--Roman Italy\r\nSubject: Painting--Roman Italy--1st C. A.D\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego