Europe Iconography - Laboratorio del cittadinoSimone Petrucci
Europa is a figure from Greek mythology who gave her name to the continent of Europe. She was abducted by Zeus, who took the form of a bull to seduce her. The myth of Europa and the bull has been depicted in ancient art and literature and continues to be a symbol of the movement of civilization from East to West.
This document provides an overview of ancient Greek creation stories as told in Hesiod's Theogony. It discusses Hesiod's account of the origins of the gods and the world, including tales of Prometheus and Pandora. The document also places Hesiod's stories in historical and comparative contexts, examining how Greek myths may have been influenced by Near Eastern myths and how they served social functions. Finally, it notes how modern artists have depicted Titans like Prometheus and Atlas as symbols of rebellion and human progress.
Women in Ancient and Medieval Europe Lecture 1 - Osher Lifelong Learning at UNMUNM Continuing Education
Traditionally, classes and textbooks on Western history have had little to say about the lives of women in Western civilization. This lack of attention was largely due to the fact that women were officially excluded from politics and the military in such formative civilizations as Classical Greece and Rome, as well as being excluded from official positions within the early Christian Church. In fact, when women did draw the attention of historians in the Classical and Medieval eras, it was usually because these women were transgressing accepted norms in these male-dominated, hierarchical societies. However, as we now know, women contributed to these early societies in very important ways, not just as wives and mothers but, occasionally, as political leaders and even military figures. In this class, we’ll examine the political, social, and cultural forces that shaped women’s lives, and we’ll examine the lives of a few of the remarkable women who challenged these forces, both successfully and unsuccessfully.
This document provides an overview of the Greek goddess Aphrodite, her origins and associations, including her relationships with other gods. It discusses how she was associated with love, beauty, and sexuality. It also summarizes the myths around her relationships and offspring, particularly with Hephaestus, Ares, and Eros. The document then compares Aphrodite to the Near Eastern goddesses Ishtar and Astarte, noting their shared attributes. Finally, it discusses modern retellings of the myth of Pygmalion in film.
This document provides an overview of Chinese art from several dynastic periods, including the Han Dynasty (206 BCE-220 CE), Tang Dynasty (618-907 CE), and Song Dynasty (960-1279 CE). It lists many artworks created during these periods across various mediums such as bronze, jade, ceramics, paintings, and gardens. The artworks depict people, animals, plants, landscapes, and other natural subjects. Chinese art flourished during these dynasties, with artists capturing daily life, nature, and cultural themes through different styles.
This document summarizes information about Athena and Poseidon from Classical Greek mythology. It discusses Athena's association with wisdom, war, intelligence and practical skills. She favors and aids heroes and soldiers. Poseidon rules the sea and is associated with horses and earthquakes. The document also examines their competition to rule Athens and how each god is depicted in Athenian worship. It analyzes interpretations of Greek myths from Freud, Jung and Levi-Strauss and compares Athena to the Egyptian goddess Neith. Finally, it discusses how Athena became an allegory for political concepts like liberty and how she inspired figures like Marianne and the Statue of Liberty.
The Etruscans were an ancient civilization that inhabited parts of central Italy from the 8th to 3rd centuries BC. They developed a thriving culture with advanced art and religious practices, though their language remains largely unknown. Etruscan art flourished especially in tomb painting, sculpture used to decorate temples, and ornate objects buried with the dead. Their art showed influences from Greece but maintained a distinctive style, providing insights into Etruscan life and beliefs through depictions of daily activities and religious ceremonies.
The document provides an overview of key concepts in Egyptian art, including their fascination with the afterlife and the artistic revolution during the Amarna period. It discusses the importance of patronage and symbolism in Egyptian art and compares it to Near Eastern examples. Several works of art are described in brief, including the Palette of King Narmer, the Stepped Pyramid of Djoser, the Great Pyramids at Giza, and sculptures from the Old Kingdom including the Great Sphinx and statues of Khafre, Menkaure and Khamerernebty, and a Seated Scribe. A chronology of major periods of Egyptian history is also included.
Europe Iconography - Laboratorio del cittadinoSimone Petrucci
Europa is a figure from Greek mythology who gave her name to the continent of Europe. She was abducted by Zeus, who took the form of a bull to seduce her. The myth of Europa and the bull has been depicted in ancient art and literature and continues to be a symbol of the movement of civilization from East to West.
This document provides an overview of ancient Greek creation stories as told in Hesiod's Theogony. It discusses Hesiod's account of the origins of the gods and the world, including tales of Prometheus and Pandora. The document also places Hesiod's stories in historical and comparative contexts, examining how Greek myths may have been influenced by Near Eastern myths and how they served social functions. Finally, it notes how modern artists have depicted Titans like Prometheus and Atlas as symbols of rebellion and human progress.
Women in Ancient and Medieval Europe Lecture 1 - Osher Lifelong Learning at UNMUNM Continuing Education
Traditionally, classes and textbooks on Western history have had little to say about the lives of women in Western civilization. This lack of attention was largely due to the fact that women were officially excluded from politics and the military in such formative civilizations as Classical Greece and Rome, as well as being excluded from official positions within the early Christian Church. In fact, when women did draw the attention of historians in the Classical and Medieval eras, it was usually because these women were transgressing accepted norms in these male-dominated, hierarchical societies. However, as we now know, women contributed to these early societies in very important ways, not just as wives and mothers but, occasionally, as political leaders and even military figures. In this class, we’ll examine the political, social, and cultural forces that shaped women’s lives, and we’ll examine the lives of a few of the remarkable women who challenged these forces, both successfully and unsuccessfully.
This document provides an overview of the Greek goddess Aphrodite, her origins and associations, including her relationships with other gods. It discusses how she was associated with love, beauty, and sexuality. It also summarizes the myths around her relationships and offspring, particularly with Hephaestus, Ares, and Eros. The document then compares Aphrodite to the Near Eastern goddesses Ishtar and Astarte, noting their shared attributes. Finally, it discusses modern retellings of the myth of Pygmalion in film.
This document provides an overview of Chinese art from several dynastic periods, including the Han Dynasty (206 BCE-220 CE), Tang Dynasty (618-907 CE), and Song Dynasty (960-1279 CE). It lists many artworks created during these periods across various mediums such as bronze, jade, ceramics, paintings, and gardens. The artworks depict people, animals, plants, landscapes, and other natural subjects. Chinese art flourished during these dynasties, with artists capturing daily life, nature, and cultural themes through different styles.
This document summarizes information about Athena and Poseidon from Classical Greek mythology. It discusses Athena's association with wisdom, war, intelligence and practical skills. She favors and aids heroes and soldiers. Poseidon rules the sea and is associated with horses and earthquakes. The document also examines their competition to rule Athens and how each god is depicted in Athenian worship. It analyzes interpretations of Greek myths from Freud, Jung and Levi-Strauss and compares Athena to the Egyptian goddess Neith. Finally, it discusses how Athena became an allegory for political concepts like liberty and how she inspired figures like Marianne and the Statue of Liberty.
The Etruscans were an ancient civilization that inhabited parts of central Italy from the 8th to 3rd centuries BC. They developed a thriving culture with advanced art and religious practices, though their language remains largely unknown. Etruscan art flourished especially in tomb painting, sculpture used to decorate temples, and ornate objects buried with the dead. Their art showed influences from Greece but maintained a distinctive style, providing insights into Etruscan life and beliefs through depictions of daily activities and religious ceremonies.
The document provides an overview of key concepts in Egyptian art, including their fascination with the afterlife and the artistic revolution during the Amarna period. It discusses the importance of patronage and symbolism in Egyptian art and compares it to Near Eastern examples. Several works of art are described in brief, including the Palette of King Narmer, the Stepped Pyramid of Djoser, the Great Pyramids at Giza, and sculptures from the Old Kingdom including the Great Sphinx and statues of Khafre, Menkaure and Khamerernebty, and a Seated Scribe. A chronology of major periods of Egyptian history is also included.
Venus is the Roman goddess of love, beauty, desire, prosperity, and victory. She was adapted from the Greek goddess Aphrodite. Venus and Aphrodite are considered to be the same goddess. According to myth, Venus was born from sea foam and floated ashore on a seashell. She was later married to the god Hephaestus but often had affairs with Mars. Venus was known for her great beauty and was often depicted nude in sculptures and paintings.
Dionysus was the Greek god of wine, fertility, theater, and religious ecstasy. He was the son of Zeus and the mortal Semele. His myths featured those who suffered or were torn apart during his worship. He was associated with wine, agriculture, fertility, theater, and mystery cults. Rituals in his honor encouraged freedom of expression and questioning of social norms through activities like drinking, dancing, and theater. Modern works have drawn upon Dionysus and his cult to comment on themes of political and sexual liberation.
This document discusses classical Greek texts and culture. It provides an overview of a lecture on identifying classical texts by their author, title, and genre. The lecture uses Homer's Odyssey as an example, identifying it as an epic poem written by the Greek author Homer around 750 BCE. Key points about the Odyssey discussed include the Trojan War being a possible historical event, debates about the location of Ithaca, and summaries of events in Books 1-3 of the Odyssey. The document also examines concepts in classical Greek culture like xenia (hospitality) and the roles of women and public speaking.
This document provides an overview of the Greek gods Artemis and Apollo based on classical mythology. It discusses their origins and associations, including Artemis as the eternal virgin associated with nature and young girls, and as the protector of virginity. It describes Apollo as associated with music, poetry, healing, prophecy, and overseeing initiations of boys into adulthood. The document also examines myths and rituals connected to Artemis and Apollo, such as initiation rituals for girls and boys, and compares their worship in Greece and Anatolia. Finally, it discusses contemporary reinterpretations of myths involving Artemis and Apollo.
This sculpture depicts Pan, the Greek god of the wild, shepherds and flocks, nature, and fertility. The sculpture was made by Marcus Cossutius Cerdo, a Greek artist living in Rome in the late 1st century BC. Cerdo signed both marble sculptures of Pan, emphasizing his links to Bacchus, the god of wine. The sculptures were discovered in a villa near Rome and purchased by Sir Charles Townley in 1774. Cerdo's signature and three Roman names suggest he was a freedman of Greek origin who gained Roman citizenship.
The document provides an overview of notable works of art from Mesopotamian through Roman eras, including descriptions and context for each. Some highlights include: Lamassu guardian figures from Assyria with human-animal combinations; the Seated Scribe statue from ancient Egypt; the Step Pyramid of Djoser from Saqqara, Egypt; the Pont du Gard aqueduct and amphitheater from Roman times; and the Ara Pacis altar from Rome depicting the imperial family in procession. Wall paintings from Pompeii showcase styles like the Dionysiac Mystery Frieze and architectural schemes with mythological scenes.
The document provides summaries of several Greek myths and legends, including how Athens got its name from a competition between Athena and Poseidon to be the city's patron, the myth of Europa explaining how a beautiful girl gave her name to the whole continent of Europe, and how the Aegean Sea got its name from King Aegeas of Athens who waited for his son Theseus' return from slaying the Minotaur.
This document provides an overview of Geometric art from 900-700 BCE in Greece. It describes the three phases of the Geometric style and the dominant medium of vase painting. Vases from this period are decorated with geometric patterns like triangles and zigzags. Sculptures begin to depict heroes and myths. Important works highlighted include a 10th century BCE Athenian vase and two 8th century BCE bronze sculptures - a horse and a scene of a man and centaur. The artistic styles of this period were defined by geometric shapes.
This document discusses Greek heroines and the myth of Medea in three parts. It begins by outlining five traits shared by Greek heroines, including that they performed extraordinary deeds and obtained immortality through song and cult. It then examines Medea's story and role as a heroine, noting her divine ancestry and acts of killing her brother and sons. The document concludes by exploring how Medea has been received and interpreted in different contexts, such as in Roman art and literature and more modern African American works that draw parallels between Medea and the experiences of slaves.
The document summarizes the ancient Greek god Dionysus and the festivals held in his honor known as the Dionysia. Dionysus was the god of wine, theatre, fertility and ecstasy. The largest festival in his honor was the City Dionysia held annually in Athens, which featured a procession, sacrifices, theatrical performances of tragedies and comedies, and competitions. The Theatre of Dionysus hosted the plays and was the birthplace of classical Greek theatre.
Greek coinage originated in Asia Minor and was adopted by the Greeks in the 600s BCE to make trade more efficient. Initially coins were made of electrum, then silver and bronze, with the occasional gold coin. Coins evolved from simple stamped designs to imprinted images related to myths, gods, and sports.
1) Aphrodite was the Greek goddess of love, beauty, pleasure, and procreation. She was born from sea foam near Cyprus, which is why she was also known as Cypris.
2) Her most famous sanctuaries were in Paphos, Cyprus, believed to be her birthplace. Notable sites there associated with her include Petra tou Romiou, where she emerged, her temple, her baths, and the Fountain of Love.
3) Aphrodite has been depicted in many famous works of art, like the Aphrodite of Cnidus, Aphrodite of Melos (Venus de Milo), Botticelli
Classical Greek religious beliefs were polytheistic and focused on rituals rather than specific beliefs or doctrines. Many gods and goddesses were worshipped, including Gaia, Artemis, Aphrodite, Apollo, Demeter, Persephone, and Dionysus. Important religious sites included temples like the Temple of Artemis at Ephesus and the Delphi Oracle of Apollo. Mystery religions such as the Eleusinian Mysteries honored Demeter and Persephone. Theater and drama also had religious aspects, with plays performed in honor of Dionysus and depictions of myths and legends.
1. Greek vase paintings provide insight into Greek painting styles because no Greek paintings survive. Vase paintings progressed from geometric styles to more naturalistic illustrations of myths and daily life.
2. Early styles featured stylized figures in registers but later developed realistic anatomy and perspective. Popular themes included myths, warriors, and drinking parties.
3. Red figure technique replaced black figure in the 5th century, allowing even more naturalistic rendering through use of added color and fine line work. Major artists achieved remarkable illusionism in their figures.
Greek temples were decorated with colorful sculptures depicting scenes from mythology. A prominent place for sculptures was the pediment, or triangular area above the entrance. Pediment sculptures evolved over time from bas-relief to fully three-dimensional figures fitted within the triangular space. One example is the Temple of Aphaia pediments showing Greeks battling their enemies with the goddess Athena at the center. These pediment sculptures illustrated important myths and represented ideals of Greek civilization triumphing over barbarism.
The document provides an overview of various artworks from Pacific cultures, including Easter Island heads, Aboriginal cave paintings from Australia, painted bark cloths from New Guinea, and woodcarvings and meeting houses from Maori culture. The artworks showcase stylistic traditions like x-ray imagery, geometric patterns, and ancestral figures. They also served important cultural functions like symbolizing status, recording creation myths, and honoring the dead through ceremonies and rituals.
1) Pre-historic sculptures included megaliths like menhirs, dolmens, and cromlechs which were often arranged in patterns and associated with rituals and burials.
2) Egyptian architecture featured thick sloping walls with symbolic carvings and alignments with astronomical events. Temples served as homes for gods and centers of economic activity.
3) Romanesque architecture displayed solid masonry, rounded arches, and vaults. Church doors had grand sculpted portals with zones of stone sculptures fitting the architecture.
The document summarizes sculptures from various early ages and periods. It describes pre-historic sculptures like the Venus of Willendorf and Venus of Brassempouy. Egyptian sculptures often had symbolic elements and used materials like wood, ivory, and stone. Examples given are portraits of Queen Nefertiti and Pharaoh Menkaure. Greek sculptures evolved from stiff poses to showing anatomy, while Roman sculptures commonly used relief. Byzantine sculptures had religious and natural motifs. Gothic sculptures became more lively and realistic projecting from walls.
Early sculptures from prehistoric times used materials native to their regions, such as limestone and ivory. Notable examples include the Venus of Willendorf from 28,000-25,000 BCE, known for its exaggerated breasts and abdomen, and the Venus of Brassempouy from the Upper Paleolithic era, which realistically depicts the human face and hairstyle. Sculptures from Ancient Egypt commonly used wood, ivory, and stone, and were characterized by symbolic representations of gods as composite creatures, relief compositions arranged in horizontal lines, larger depictions of gods and kings compared to humans, and hieroglyphics filling empty spaces. Famous Egyptian sculptures include the limestone portrait of Queen Nefer
The document provides instructions for an activity where students will view Egyptian and Mesopotamian artifacts in a slideshow and identify which features of civilization each artifact exemplifies. It then lists several Egyptian and Mesopotamian artifacts, providing a brief description and image of each.
Ancient, Classical and Medieval Arts - SculptureLezzie Borromeo
Ancient sculpture began with prehistoric works like the Lady with the Hood statue. Egyptian sculpture used symbolism including hieroglyphics and relative size to represent gods and record events. Notable works include Queen Nefertiti and Pharaoh Menkaure and his Queen. Greek sculpture evolved from stiff early works to the naturalistic Hellenistic style exemplified by The Discus Thrower. Roman sculpture included reliefs on triumphal columns and sarcophagi depicting battles. Medieval works included religious themes in Byzantine art and individual devotional pieces in Romanesque and Gothic styles which began to project outward more freely.
Gordon Eckholm brought cultural diffusion back into the mainstream of science in the 1960s by recognizing common decorative motifs between India, Southeast Asia, and the Indus Valley civilizations. These motifs included cherubic figures, sea monsters, lotuses, and decorative bands. Eckholm and his associates mentioned probable transpacific contacts starting as early as 3000 BC, with cultural exchanges transmitting traits like pottery, figurines, and artifacts across the Pacific before 500 BC. This early exchange included traits resembling those used in Dongson trade networks in Indonesia, and likely originated in southern India before spreading.
Venus is the Roman goddess of love, beauty, desire, prosperity, and victory. She was adapted from the Greek goddess Aphrodite. Venus and Aphrodite are considered to be the same goddess. According to myth, Venus was born from sea foam and floated ashore on a seashell. She was later married to the god Hephaestus but often had affairs with Mars. Venus was known for her great beauty and was often depicted nude in sculptures and paintings.
Dionysus was the Greek god of wine, fertility, theater, and religious ecstasy. He was the son of Zeus and the mortal Semele. His myths featured those who suffered or were torn apart during his worship. He was associated with wine, agriculture, fertility, theater, and mystery cults. Rituals in his honor encouraged freedom of expression and questioning of social norms through activities like drinking, dancing, and theater. Modern works have drawn upon Dionysus and his cult to comment on themes of political and sexual liberation.
This document discusses classical Greek texts and culture. It provides an overview of a lecture on identifying classical texts by their author, title, and genre. The lecture uses Homer's Odyssey as an example, identifying it as an epic poem written by the Greek author Homer around 750 BCE. Key points about the Odyssey discussed include the Trojan War being a possible historical event, debates about the location of Ithaca, and summaries of events in Books 1-3 of the Odyssey. The document also examines concepts in classical Greek culture like xenia (hospitality) and the roles of women and public speaking.
This document provides an overview of the Greek gods Artemis and Apollo based on classical mythology. It discusses their origins and associations, including Artemis as the eternal virgin associated with nature and young girls, and as the protector of virginity. It describes Apollo as associated with music, poetry, healing, prophecy, and overseeing initiations of boys into adulthood. The document also examines myths and rituals connected to Artemis and Apollo, such as initiation rituals for girls and boys, and compares their worship in Greece and Anatolia. Finally, it discusses contemporary reinterpretations of myths involving Artemis and Apollo.
This sculpture depicts Pan, the Greek god of the wild, shepherds and flocks, nature, and fertility. The sculpture was made by Marcus Cossutius Cerdo, a Greek artist living in Rome in the late 1st century BC. Cerdo signed both marble sculptures of Pan, emphasizing his links to Bacchus, the god of wine. The sculptures were discovered in a villa near Rome and purchased by Sir Charles Townley in 1774. Cerdo's signature and three Roman names suggest he was a freedman of Greek origin who gained Roman citizenship.
The document provides an overview of notable works of art from Mesopotamian through Roman eras, including descriptions and context for each. Some highlights include: Lamassu guardian figures from Assyria with human-animal combinations; the Seated Scribe statue from ancient Egypt; the Step Pyramid of Djoser from Saqqara, Egypt; the Pont du Gard aqueduct and amphitheater from Roman times; and the Ara Pacis altar from Rome depicting the imperial family in procession. Wall paintings from Pompeii showcase styles like the Dionysiac Mystery Frieze and architectural schemes with mythological scenes.
The document provides summaries of several Greek myths and legends, including how Athens got its name from a competition between Athena and Poseidon to be the city's patron, the myth of Europa explaining how a beautiful girl gave her name to the whole continent of Europe, and how the Aegean Sea got its name from King Aegeas of Athens who waited for his son Theseus' return from slaying the Minotaur.
This document provides an overview of Geometric art from 900-700 BCE in Greece. It describes the three phases of the Geometric style and the dominant medium of vase painting. Vases from this period are decorated with geometric patterns like triangles and zigzags. Sculptures begin to depict heroes and myths. Important works highlighted include a 10th century BCE Athenian vase and two 8th century BCE bronze sculptures - a horse and a scene of a man and centaur. The artistic styles of this period were defined by geometric shapes.
This document discusses Greek heroines and the myth of Medea in three parts. It begins by outlining five traits shared by Greek heroines, including that they performed extraordinary deeds and obtained immortality through song and cult. It then examines Medea's story and role as a heroine, noting her divine ancestry and acts of killing her brother and sons. The document concludes by exploring how Medea has been received and interpreted in different contexts, such as in Roman art and literature and more modern African American works that draw parallels between Medea and the experiences of slaves.
The document summarizes the ancient Greek god Dionysus and the festivals held in his honor known as the Dionysia. Dionysus was the god of wine, theatre, fertility and ecstasy. The largest festival in his honor was the City Dionysia held annually in Athens, which featured a procession, sacrifices, theatrical performances of tragedies and comedies, and competitions. The Theatre of Dionysus hosted the plays and was the birthplace of classical Greek theatre.
Greek coinage originated in Asia Minor and was adopted by the Greeks in the 600s BCE to make trade more efficient. Initially coins were made of electrum, then silver and bronze, with the occasional gold coin. Coins evolved from simple stamped designs to imprinted images related to myths, gods, and sports.
1) Aphrodite was the Greek goddess of love, beauty, pleasure, and procreation. She was born from sea foam near Cyprus, which is why she was also known as Cypris.
2) Her most famous sanctuaries were in Paphos, Cyprus, believed to be her birthplace. Notable sites there associated with her include Petra tou Romiou, where she emerged, her temple, her baths, and the Fountain of Love.
3) Aphrodite has been depicted in many famous works of art, like the Aphrodite of Cnidus, Aphrodite of Melos (Venus de Milo), Botticelli
Classical Greek religious beliefs were polytheistic and focused on rituals rather than specific beliefs or doctrines. Many gods and goddesses were worshipped, including Gaia, Artemis, Aphrodite, Apollo, Demeter, Persephone, and Dionysus. Important religious sites included temples like the Temple of Artemis at Ephesus and the Delphi Oracle of Apollo. Mystery religions such as the Eleusinian Mysteries honored Demeter and Persephone. Theater and drama also had religious aspects, with plays performed in honor of Dionysus and depictions of myths and legends.
1. Greek vase paintings provide insight into Greek painting styles because no Greek paintings survive. Vase paintings progressed from geometric styles to more naturalistic illustrations of myths and daily life.
2. Early styles featured stylized figures in registers but later developed realistic anatomy and perspective. Popular themes included myths, warriors, and drinking parties.
3. Red figure technique replaced black figure in the 5th century, allowing even more naturalistic rendering through use of added color and fine line work. Major artists achieved remarkable illusionism in their figures.
Greek temples were decorated with colorful sculptures depicting scenes from mythology. A prominent place for sculptures was the pediment, or triangular area above the entrance. Pediment sculptures evolved over time from bas-relief to fully three-dimensional figures fitted within the triangular space. One example is the Temple of Aphaia pediments showing Greeks battling their enemies with the goddess Athena at the center. These pediment sculptures illustrated important myths and represented ideals of Greek civilization triumphing over barbarism.
The document provides an overview of various artworks from Pacific cultures, including Easter Island heads, Aboriginal cave paintings from Australia, painted bark cloths from New Guinea, and woodcarvings and meeting houses from Maori culture. The artworks showcase stylistic traditions like x-ray imagery, geometric patterns, and ancestral figures. They also served important cultural functions like symbolizing status, recording creation myths, and honoring the dead through ceremonies and rituals.
1) Pre-historic sculptures included megaliths like menhirs, dolmens, and cromlechs which were often arranged in patterns and associated with rituals and burials.
2) Egyptian architecture featured thick sloping walls with symbolic carvings and alignments with astronomical events. Temples served as homes for gods and centers of economic activity.
3) Romanesque architecture displayed solid masonry, rounded arches, and vaults. Church doors had grand sculpted portals with zones of stone sculptures fitting the architecture.
The document summarizes sculptures from various early ages and periods. It describes pre-historic sculptures like the Venus of Willendorf and Venus of Brassempouy. Egyptian sculptures often had symbolic elements and used materials like wood, ivory, and stone. Examples given are portraits of Queen Nefertiti and Pharaoh Menkaure. Greek sculptures evolved from stiff poses to showing anatomy, while Roman sculptures commonly used relief. Byzantine sculptures had religious and natural motifs. Gothic sculptures became more lively and realistic projecting from walls.
Early sculptures from prehistoric times used materials native to their regions, such as limestone and ivory. Notable examples include the Venus of Willendorf from 28,000-25,000 BCE, known for its exaggerated breasts and abdomen, and the Venus of Brassempouy from the Upper Paleolithic era, which realistically depicts the human face and hairstyle. Sculptures from Ancient Egypt commonly used wood, ivory, and stone, and were characterized by symbolic representations of gods as composite creatures, relief compositions arranged in horizontal lines, larger depictions of gods and kings compared to humans, and hieroglyphics filling empty spaces. Famous Egyptian sculptures include the limestone portrait of Queen Nefer
The document provides instructions for an activity where students will view Egyptian and Mesopotamian artifacts in a slideshow and identify which features of civilization each artifact exemplifies. It then lists several Egyptian and Mesopotamian artifacts, providing a brief description and image of each.
Ancient, Classical and Medieval Arts - SculptureLezzie Borromeo
Ancient sculpture began with prehistoric works like the Lady with the Hood statue. Egyptian sculpture used symbolism including hieroglyphics and relative size to represent gods and record events. Notable works include Queen Nefertiti and Pharaoh Menkaure and his Queen. Greek sculpture evolved from stiff early works to the naturalistic Hellenistic style exemplified by The Discus Thrower. Roman sculpture included reliefs on triumphal columns and sarcophagi depicting battles. Medieval works included religious themes in Byzantine art and individual devotional pieces in Romanesque and Gothic styles which began to project outward more freely.
Gordon Eckholm brought cultural diffusion back into the mainstream of science in the 1960s by recognizing common decorative motifs between India, Southeast Asia, and the Indus Valley civilizations. These motifs included cherubic figures, sea monsters, lotuses, and decorative bands. Eckholm and his associates mentioned probable transpacific contacts starting as early as 3000 BC, with cultural exchanges transmitting traits like pottery, figurines, and artifacts across the Pacific before 500 BC. This early exchange included traits resembling those used in Dongson trade networks in Indonesia, and likely originated in southern India before spreading.
The document discusses Predynastic and Dynastic Egyptian arts from 5000 BC to 30 BC. It provides details on the following:
- Predynastic Egyptians created art using materials like bone, clay and stone to make figurines and decorate combs and pots starting around 5000 BC.
- During the Dynastic period starting 3000 BC, Egypt was unified and the most important buildings were temples to worship gods, tombs for burials, and palaces for the king.
- Egyptian arts included sculpture, usually of gods and kings housed in temples, and painting and relief decorations on temple and tomb walls depicting offerings and the deceased. The ankh symbol represented life.
This document provides an overview of sculptures from prehistoric through Gothic periods. It describes key sculptures such as the Venus of Willendorf and Venus of Brassempouy from the prehistoric period. Sculptures from Egyptian times featured symbolic elements and hieroglyphics and the pharaoh and queen were depicted in rigid postures with little emotion. Greek sculptures evolved to show human anatomy, while Roman sculptures often featured reliefs. Byzantine sculptures had religious and nature themes. Romanesque sculptures included reliquaries and devotional images, while Gothic sculptures projected outward more and figures had individual attitudes. Ivory carving was an important Byzantine sculpture technique.
An introduction to Chinese Culture - MeetMandarinMeetMandarin
Understanding Chinese culture will help you better learn Chinese language. In this presentation, we take tour to a brief introduction of Chinese culture!
The document summarizes pre-Hispanic Philippine literature which was primarily oral and focused on rituals, myths, and folktales. It also discusses the types of early musical instruments used including bamboo zithers and various percussion and wind instruments. Additionally, it outlines the development of art forms under Spanish colonial rule such as religious sculptures and paintings as well as traditional Filipino dances and plays that incorporated Spanish influences.
The document provides information about various historical art periods including Prehistoric, Ancient Egyptian, Classical Greek, Roman, Byzantine, Romanesque, and Gothic. It discusses the characteristics of paintings, sculptures, and architecture from each period. Key highlights include cave paintings from the Prehistoric era, hieroglyphics and symbolic artwork from Ancient Egypt, frescoes and vase paintings of Classical Greece, and well-known structures like the Pyramids of Giza and the Parthenon. The document requests students to create recyclable artwork using principles of design and have it ready as home decoration by February 10th.
This document discusses the depiction of reproduction and sexuality in art throughout history. It begins by exploring ancient fertility figures and symbols meant to aid human reproduction. Examples shown include the Venus of Willendorf and Cycladic figures. It then examines depictions of idealized human couples from various cultures, including the Dogon primordial couple and the Arnolfini Portrait. The document also analyzes representations of lovemaking, sexuality, and the human form from different time periods and regions, such as Shunga prints, works by Koons and O'Keeffe, and photographs by Mapplethorpe and Opie. Finally, it looks at images related to pregnancy, childbirth, and progeny in cultures like the Maya
This document discusses various symbols used in Celtic, astrological, and magical traditions. It provides descriptions and meanings for many symbols including the circle, pentacle, runes, elements, and symbols representing concepts like rebirth, fertility, and transformation. The document suggests that many ancient symbols had layers of meaning that evolved over time and were used to represent cosmological and spiritual ideas. Symbols from traditions like Celtic, Egyptian, and Kabbalistic magic are said to share a common symbolic language dating back before the development of writing systems.
This document provides information on religious iconography in Eastern and Western art through several examples. It begins with definitions of the term "iconography" and discusses its origins and meaning. It then provides descriptions and background information on several religious artworks, including sculptures of Buddha from Gandhara, a wood carving of Guanyin from China, a stone carving of Vishnu from Vietnam, a marble bas-relief by Wiligelmo, an Annunciation triptych by Robert Campin, a mixed media work by Gonkar Gyatso, and Andy Warhol's large-scale adaptation of Da Vinci's The Last Supper. The artifacts represent Buddhist, Hindu and Christian religious traditions from various time periods
Mesopotamians attended strict schools attached to temples where boys learned reading, writing, and skills to find jobs. Priests served as religious and medical leaders, with some dressing as fish to speak to water gods. Kings went on carefully planned hunts to prove their strength and legitimacy, killing lions and other beasts. Popular sports included boxing, wrestling, and a form of polo played with men atop other men. Board games like the Game of 20 Squares were played for entertainment using dice, stones, and game pieces. Children played with toys mimicking adult roles and activities as well as miniature vehicles, animals, and furniture for pretend. Music was an important part of celebrations, played on instruments like harps, lyres
The document summarizes the Birkat Kohanim, or Priestly Blessing, in Judaism. It is an ancient Jewish custom where members of the Kohanim, or priestly class, administer a blessing on holidays with their hands in the shape of the Hebrew letter Shin. The blessing comes directly from Numbers 6:24-26. The gesture was the inspiration for Spock's "Live long and prosper" salute on Star Trek due to actor Leonard Nimoy's Jewish heritage.
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2. Intricate Artwork
From its beginnings in the first millennia BC to the
present day, Chinese furniture-making has often
incorporated symbolic images from its rich cultural
tradition. Whether it’s a lacquered chair featuring
carvings of bats or a cabinet depicting dragons flying
through the sky, Chinese furniture and art convey
messages through images.
Chinese furniture historically progressed from simple,
low-to-the-ground essentials such as mats and
scholars’ tables, to the intricately joined, polished
hardwood and lacquered works of the cabinetmaker’s
art now recognized as cultural highwater marks. Many
of these pieces speak eloquently through symbols.
3. Resources on symbolism in furniture
The book Hidden Meanings in Chinese Art, by Terese Tse Bartholomew and published
by San Francisco’s Asian Art Museum, is a wide-ranging study on symbols in Chinese
furnishings. A Dictionary of Chinese Symbols by Wolfram Eberhard, published by
Routledge, is also useful.
The book Symbols and Rebuses in Chinese Art: Figures, Bugs, Beasts, and Flowers, by
Fang Jing Pei, published by Ten Speed Press, offers examples of furnishings and art
incorporating rebus puzzles, in which images represent words or syllables.
4. Puzzles that unlock symbols
An example of a rebus puzzle in Chinese
furniture might include a picture of bats and
peaches. Together, these symbols depict
longevity and blessings.
Here’s how it works out, as shown in a Qing
dynasty porcelain dish housed at the Art
Institute of Chicago: The word for “peach,”
“tao,” sounds like “longevity.” “Fu,” meaning
“bat,” sounds like the word for good fortune.
Five bats then symbolize the five blessings of
health, long life, virtue, wealth, and a tranquil
death.
5. Symbolism
So, wishing someone through pictorial
symbols “peaches and bats” is a wonderful
way to show friendship and caring in a
creative way.
Another example: A squirrel scampering amid
bunches of grapes also signifies longevity, as
shown in embroidered hangings and other
decor. Squirrels are “pine tree mice” (pines
also connote longevity) in Chinese, and the
word for “grapes” (“tao”) sounds like
“peaches.”
6. A menagerie of meaning
Whether carved, scrolled, inlaid, painted on
porcelain, or forged from metal, images in
Chinese furniture and everyday household items
are rich with meaning, conveyed through
rebuses or in one-to-one symbols.
Dragons typically symbolize authority and
power and are a supreme symbol of good luck.
The dragon (“long”), traditionally in the first
rank among real and mythical beasts, bears
connotations of cosmic energy. Art and
clothing, as well as furniture, were often
adorned with dragons to show high personal
rank.
7. Perfect Union
A dragon is sometimes depicted with a
phoenix, a mythical bird known for its
benevolence. With the phoenix representing the
empress and the dragon symbolizing the
emperor, the two images together symbolize a
perfect union in marriage, or the harmonious
combination of male and female.
By itself, a phoenix symbolizes prosperity and
opportunity. As the king of birds, four parts of
its body were designated as the four symbols of
noble generosity. The pheasant is sometimes
interchanged with the phoenix as a symbol of
beauty, fortune, and other positive attributes.
8. Long Life
Like peaches and evergreen pines, the crane also
symbolizes long life. One legend tells of an old couple
who lived for hundreds of years near a lonely,
towering pine tree. After the couple died, each
transformed into a crane and flew around the pine
tree together. Numerous Chinese painters have
depicted pines and cranes together.
The word for “fish,” “yu,” sounds similar to the word
signifying material abundance. So fish images on
furniture often symbolize affluence and high rank.
Additionally, the fact that fish reproduce so
abundantly has made them symbols for marriage and
childbirth.
9. Gardens of delight
As a symbol for immortality, peaches also figure in the
story of the Queen Mother of the West and her
orchard, filled with peaches with magical powers that
could make anyone live forever. She figures
prominently in Chinese art: two beautiful examples
include the 17th-18th century handscroll painting “The
Peach Festival of the Queen Mother of the West” and
an 18th century tapestry depicting a similar feast of
the peaches.
Other botanical symbols include peony flowers,
which symbolize righteous conduct and royalty.
Known variously as the “king” of the flowers, the
peony also represents such “kingly” virtues as honor
and wealth.
10. Purity
Meanwhile, the lotus is recognized as a
symbol of purity because it blooms out of
mud. It is among the eight auspicious
symbols associated with Buddhism. A lotus
can also stand for a harmonious, stable home
life. An early 20th century cabinet from Gansu
uses lotus images to set “calm” against the
main motif of a roaring tiger, a symbol of
courage.