Draft magazine
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This magazine page layout includes a main headline and image at the top relating to the cover story, with additional minor headlines below advertising other inside articles. At the bottom are images advertising giveaways and extras contained in the magazine.
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Codes and conventions of magazine covers
Magazine covers follow certain conventions to attract readers' attention, including displaying the masthead name in bold font at the top, a barcode on the bottom, and a main cover line highlighting the featured article through a celebrity image. Additional cover lines promote other stories using smaller text, while subsidiary images relate to further articles inside. Essential details like the issue number, date, price and website are also typically included.
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Shooting schedule 1
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Codes and conventions of magazine covers
Magazine covers follow certain conventions to attract readers' attention, including displaying the masthead name in bold font at the top, a barcode on the bottom, and a main cover line highlighting the featured article through a celebrity image. Additional cover lines promote other stories using smaller text, while subsidiary images relate to further articles inside. Essential details like the issue number, date, price and website are also typically included.
Orlando Social Media
The document summarizes several social media contests run by Red Bull Orlando to promote events and gain followers. It describes contests giving away tickets to Snap! Orlando, #WoodStixWings with local brands, and #EDCOrlando that required entries on Instagram and Twitter. Leveraging influencers and additional third party accounts helped drive more interactions and entries for each contest. The contests were an effective way to promote Red Bull Orlando's events and increase their social media reach.
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Este experimento simula los efectos de la lluvia ácida al exponer tizas a vinagre, jugo de limón y agua. Los resultados mostraron que la tiza en jugo de limón se desintegró completamente, formando una sustancia extraña, debido a la reacción química entre el ácido cítrico del limón y el carbonato de calcio de la tiza. Esto demuestra cómo la lluvia ácida puede dañar edificaciones de piedra caliza al convertir el carbonato de calcio en yeso.
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The document provides a detailed shooting schedule for a music video with 32 shots. It lists the shot number, description, location, time, and actors/props needed for each shot. Many shots involve actors in masks (rabbit, horse) at a house party by a pool. Shots will include establishing shots, close-ups, and group shots of up to 20 people dancing, swimming, and enjoying themselves at the party. Special effects like smoke, lights, and lasers will be used to add to the atmosphere. Costumes, props, and locations needed include masks, cigarettes, alcohol, bean bags, and the pool area.
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La gaviota se posó sola en la farola y se preguntó qué hacía allí sola, sintiéndose fuera de lugar.
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- Technical components include a shift register to control LEDs, pressure sensors to detect player input, and a GUI for stats. A BeagleBone interfaces with these and runs the game logic.
- It communicates with components using SPI, ADC, and UDP - SPI to control LEDs, ADC to read sensors, and UDP for game events between the BeagleBone and GUI.
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Technology i have used in my ancillary products
Ryan Talmage used various technologies to create ancillary products for a post-apocalyptic horror film. He used image editing software like Fontspace to select fonts that appealed to his target audience and fit the genre conventions. Photoshop allowed him to edit images and remove backgrounds, improving the quality and making elements stand out more. Finally, he utilized social media sites like Survey Monkey and Facebook to collect audience feedback, which helped him further refine the products to better match the expectations of his target demographic.
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The document summarizes audience feedback received on a film trailer, poster, and magazine cover created for a post-apocalyptic horror film. Feedback indicated the products effectively portrayed themes of violence and hopelessness fitting the genre. Strengths included a professionally made promotional package fitting genre conventions. Weaknesses included limited font/color variation and potential for more effective costumes/props. Feedback methods like surveys, social media comments, and focus groups provided useful insights to further improve the products and appeal to the target audience.
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The document analyzes the layout, design elements, and effectiveness of appealing to the target audience in a film poster, magazine cover, and within the horror genre. It discusses how the simplistic layout of the film poster draws attention through its large central image and minimal text. The magazine cover uses conventional fonts, colors, and positioning of elements like the masthead and main image to engage readers. Both the poster and magazine cover employ shock value, fear, and disgust through their visuals and text to attract horror fans.
Conventions of a horror poster and magazine
The document discusses conventions found in horror film posters and magazine covers. It analyzes examples of each, identifying several common conventions:
Horror posters typically feature isolated locations, antagonists threatening protagonists, and use of black and white colors to convey a dark tone. The layout draws the eye to the film title and tagline to intrigue audiences.
Horror magazine covers commonly include a main image related to their headline article. They utilize red and sans-serif fonts, and place articles, images and additional content in a clear layout. Imagery of death, blood and recognizable icons attract readers interested in horror.
Overall, the key is to incorporate familiar elements like these conventions to effectively promote horror content
Audience feedback summary
From feedback on his film trailer, poster, and magazine cover from his target audience, the student learned that:
- His use of genre conventions was effective in appealing to the audience.
- The products fit the post-apocalyptic horror genre well and received positive reactions.
- The film trailer conveyed themes of survival and hopelessness successfully.
- Strengths included effective use of conventions, professional appearance, fitting the genre well, and creating relatable protagonists.
- Weaknesses were unclear typography in the poster and need for more variation in settings and eye-catching elements in the trailer.
How i created a brand identity
The document discusses how the author created a consistent brand identity across promotional materials for a film. This was done by incorporating similar themes, imagery, layouts, colors and typography that appealed to the target audience and established the post-apocalyptic horror genre. Key elements like protagonists, violence and survival were featured in all products to clearly link them under the same brand. The consistent visual style and use of genre conventions made the brand instantly recognizable to the audience.
Questionnaire results
The document summarizes the results of a questionnaire given to 10 people about Ryan Talmage's film trailer, poster, and magazine cover for a post-apocalyptic horror project. Most respondents felt the trailer effectively conveyed the genre conventions. The magazine cover was also seen as professional and fitting conventions well, though some improvements were suggested for layout and images. The film poster was found to be more mixed, with conventions portrayed effectively but some elements like colors and layout seen as needing improvement. Overall, the production was deemed a success at conveying the genre through technical elements and conventions, with only minor revisions suggested. All agreed Ryan created a clear brand identity.
Editing my film trailer
The document discusses editing techniques used in a film trailer. It describes using royalty-free music edited to fit scenes and change the tempo to balance dialogue. Fade ins and outs were used to smooth music transitions. Transitions between scenes were added to break scenes up clearly and make the trailer flow better. Text and titles were included to fit film trailer conventions by adding the tagline, title, and production company to address the audience and break up scenes. Overall editing skills were improved by learning to use sound and text to enhance video quality.
Production plan d
The production plan outlines five days of filming from May 10th to October 20th at various farm and nature locations. It lists the cameras, tripods, scripts, and props needed each day, and describes the dirty, layered costumes for the two main protagonists and the ragged clothing for the infected extras. It also identifies the director, camera operator, and actors playing the protagonists and bandits.
Audience presentation
The target audience for a post-apocalyptic horror film trailer is males and females aged 17-25 who enjoy activities with friends and regularly visit the cinema. They find scares, isolated environments, and survivalist characters appealing as these conventions represent familiarity within the genre. An outnumbered and against all odds scenario is also appealing as it creates fear and tension. The target audience wants a trailer with fast-paced editing to create fear, effective scares, a deadly threat, conventions, an isolated setting, violence, and a creepy soundtrack.
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Per y-Pecias
La gaviota se posó sola en la farola y se preguntó qué hacía allí sola, sintiéndose fuera de lugar.
I love art
This document summarizes the author's life story and passion for art from a young age. It describes how the author discovered an interest in music at age 5 and later found a passion for drawing in middle school. The author pursued art professionally by joining an art class and learning Chinese painting and calligraphy. Throughout high school and college, the author continued practicing oil painting and spent hours practicing to improve skills and gain patience. Dancing is also described as another creative outlet. The author feels most content and confident when creating art and wants to continue learning and sharing experiences with others also pursuing careers in art.
Astonishing Astronomy 101 – Chapters 9, 10 and 11
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Chapter 11 - Jupiter
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This document provides a recipe for bigos, a Polish stew. It lists ingredients like sauerkraut, onions, sausage, beef, veal, bacon, wine, tomatoes, mushrooms, and plums. The preparation instructions describe rinsing and braising the sauerkraut, cooking the meats, and then combining all ingredients in a pot to simmer together. Various seasonings are added to finish the bigos. Sources with related images are also cited.
Soundcloud PPT-3
Soundcloud is an online audio distribution platform that allows users to upload, record, promote, share and listen to originally created sounds. It was founded in 2007 in Sweden and now has 175 million monthly listeners, making it the second largest streaming music service after YouTube. Soundcloud allows users to upload music with unique URLs, create and join groups, make playlists, and access music through its online and mobile apps. It offers free accounts with limited upload hours and downloads, as well as PRO accounts with unlimited uploads and downloads for a fee. Soundcloud's target market includes a worldwide, music-oriented audience aged 26-35.
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Ideas don't matter. People do. Leverage and build communities to serve as foundations for your ideas. The first step toward doing so is to really know yourself.
Video:
https://www.youtube.com/watch?v=6Wxf8wz26jw
What is cooperative extension trainingppt2015
This is a power point presentation to assist with the training of new and current staff at university cooperative extension programs.
Cronología
Este documento presenta una cronología de los principales hitos en el desarrollo de la realidad virtual y aumentada desde 1962 hasta 2013. Algunos de los hitos incluyen la creación del primer simulador de realidad virtual por Morton Heilig en 1962, el desarrollo de las primeras interfaces de realidad virtual por Ivan Sutherland en 1973 y Myron Krueger en 1985, la acuñación del término "realidad virtual" por Jaron Lanier en 1990, y el lanzamiento de prototipos y productos comerciales por parte de empresas como Nintendo, Sony y Google entre
Poster
The document describes a two-player reaction test game called The Reflexor. It contains the following key points:
- The game uses a countdown sequence with LEDs to start the reaction test, and measures the time it takes players to press sensors after a random green light. It detects false starts and ends the game.
- Technical components include a shift register to control LEDs, pressure sensors to detect player input, and a GUI for stats. A BeagleBone interfaces with these and runs the game logic.
- It communicates with components using SPI, ADC, and UDP - SPI to control LEDs, ADC to read sensors, and UDP for game events between the BeagleBone and GUI.
2015 Yellow Edition Launch Plan
The document outlines Yellow Edition launch plans for several major markets, including New Orleans. It lists over 100 target accounts in the New Orleans region that will be focused on during different phases. Launch activities outlined for New Orleans include seeding accounts with product, a SIN sunrise party, a bar crawl on Bourbon Street following a "yellow brick road", and deploying a costumed "Yellow Musketeer" for events. The goal is to drive awareness, trial, and listings of Yellow Edition in on-premise accounts leading up to and during launch.
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More from Ryan Talmage
Technology i have used in my ancillary products
Ryan Talmage used various technologies to create ancillary products for a post-apocalyptic horror film. He used image editing software like Fontspace to select fonts that appealed to his target audience and fit the genre conventions. Photoshop allowed him to edit images and remove backgrounds, improving the quality and making elements stand out more. Finally, he utilized social media sites like Survey Monkey and Facebook to collect audience feedback, which helped him further refine the products to better match the expectations of his target demographic.
Audience feedback summary
The document summarizes audience feedback received on a film trailer, poster, and magazine cover created for a post-apocalyptic horror film. Feedback indicated the products effectively portrayed themes of violence and hopelessness fitting the genre. Strengths included a professionally made promotional package fitting genre conventions. Weaknesses included limited font/color variation and potential for more effective costumes/props. Feedback methods like surveys, social media comments, and focus groups provided useful insights to further improve the products and appeal to the target audience.
Analysis
The document analyzes the layout, design elements, and effectiveness of appealing to the target audience in a film poster, magazine cover, and within the horror genre. It discusses how the simplistic layout of the film poster draws attention through its large central image and minimal text. The magazine cover uses conventional fonts, colors, and positioning of elements like the masthead and main image to engage readers. Both the poster and magazine cover employ shock value, fear, and disgust through their visuals and text to attract horror fans.
Conventions of a horror poster and magazine
The document discusses conventions found in horror film posters and magazine covers. It analyzes examples of each, identifying several common conventions:
Horror posters typically feature isolated locations, antagonists threatening protagonists, and use of black and white colors to convey a dark tone. The layout draws the eye to the film title and tagline to intrigue audiences.
Horror magazine covers commonly include a main image related to their headline article. They utilize red and sans-serif fonts, and place articles, images and additional content in a clear layout. Imagery of death, blood and recognizable icons attract readers interested in horror.
Overall, the key is to incorporate familiar elements like these conventions to effectively promote horror content
Audience feedback summary
From feedback on his film trailer, poster, and magazine cover from his target audience, the student learned that:
- His use of genre conventions was effective in appealing to the audience.
- The products fit the post-apocalyptic horror genre well and received positive reactions.
- The film trailer conveyed themes of survival and hopelessness successfully.
- Strengths included effective use of conventions, professional appearance, fitting the genre well, and creating relatable protagonists.
- Weaknesses were unclear typography in the poster and need for more variation in settings and eye-catching elements in the trailer.
How i created a brand identity
The document discusses how the author created a consistent brand identity across promotional materials for a film. This was done by incorporating similar themes, imagery, layouts, colors and typography that appealed to the target audience and established the post-apocalyptic horror genre. Key elements like protagonists, violence and survival were featured in all products to clearly link them under the same brand. The consistent visual style and use of genre conventions made the brand instantly recognizable to the audience.
Questionnaire results
The document summarizes the results of a questionnaire given to 10 people about Ryan Talmage's film trailer, poster, and magazine cover for a post-apocalyptic horror project. Most respondents felt the trailer effectively conveyed the genre conventions. The magazine cover was also seen as professional and fitting conventions well, though some improvements were suggested for layout and images. The film poster was found to be more mixed, with conventions portrayed effectively but some elements like colors and layout seen as needing improvement. Overall, the production was deemed a success at conveying the genre through technical elements and conventions, with only minor revisions suggested. All agreed Ryan created a clear brand identity.
Editing my film trailer
The document discusses editing techniques used in a film trailer. It describes using royalty-free music edited to fit scenes and change the tempo to balance dialogue. Fade ins and outs were used to smooth music transitions. Transitions between scenes were added to break scenes up clearly and make the trailer flow better. Text and titles were included to fit film trailer conventions by adding the tagline, title, and production company to address the audience and break up scenes. Overall editing skills were improved by learning to use sound and text to enhance video quality.
Production plan d
The production plan outlines five days of filming from May 10th to October 20th at various farm and nature locations. It lists the cameras, tripods, scripts, and props needed each day, and describes the dirty, layered costumes for the two main protagonists and the ragged clothing for the infected extras. It also identifies the director, camera operator, and actors playing the protagonists and bandits.
Audience presentation
The target audience for a post-apocalyptic horror film trailer is males and females aged 17-25 who enjoy activities with friends and regularly visit the cinema. They find scares, isolated environments, and survivalist characters appealing as these conventions represent familiarity within the genre. An outnumbered and against all odds scenario is also appealing as it creates fear and tension. The target audience wants a trailer with fast-paced editing to create fear, effective scares, a deadly threat, conventions, an isolated setting, violence, and a creepy soundtrack.
Promotional package
The document discusses various promotional methods used for the 2004 film Dawn of the Dead, which target its demographic of 17-25 year old males and females who enjoy post-apocalyptic horror films. Trailers, television and online ads, magazine articles, and promotional websites were used to generate awareness of the film. Press interviews and reviews aimed to create star appeal and buzz. Posters and DVD covers featured threatening imagery of zombies that appealed to genre conventions. A flash game online helped promote the film virally to its computer-savvy target audience.
Script for film trailer (updated)
1) The two protagonists, Charlie and Jacob, are hiding from infected in an abandoned building. Charlie hears a noise and they realize the infected are nearby.
2) Struggling to find food and morale fading, Charlie and Jacob hope to find safety at a new location shown on a map.
3) As they move from place to place fighting to survive, Charlie questions if it is even worth it anymore as the infected are everywhere. In a panic, Jacob flashes his light in a new building and sees two infected running at them.
Script for film trailer (updated)
1) The two main characters, Charlie and Jacob, are hiding from infected in an abandoned building. Charlie hears a noise and they hide, seeing the infected's feet pass by.
2) Struggling to survive with low food and morale, Charlie and Jacob hope to find safety at a new location shown on a map.
3) During their travels to new locations, they must constantly fight to survive attacks from infected. Reaching safety seems impossible as moving exposes them to danger while staying puts kills them.
Research presentation
The document discusses conventions for post-apocalyptic horror film trailers based on research. It identifies several key conventions including fast-paced editing to create chaos; isolated and abandoned settings; weapons used for violence; and dangerous antagonists that threaten the protagonists. Musical conventions include a loud, tense soundtrack. Visual conventions include establishing shots of desolate settings, and cinematography like low angles. By including these common elements and themes of danger, violence, and survival, the author's film trailer will appeal to audiences and fit within the genre.
Draft fonts and colours for ancillary products of the post
This document provides draft fonts and colors for ancillary products related to a post-apocalyptic horror film genre. It outlines design considerations for a film poster and magazine that would promote this genre. The document aims to establish a cohesive visual style across promotional materials to effectively market to fans of post-apocalyptic horror.
Pitch
The document is a pitch by Ryan Talmage to the British film studio DNA Films to produce his post-apocalyptic horror film "All that Remains". The film follows two friends trying to survive in a world overrun by infected people. It will feature isolated environments, dangerous threats, and vulnerable protagonists engaging in violence and survival. The film resembles DNA Film's previous successful films like "28 Days Later" and "28 Weeks Later" in genre. Producing with DNA Films will help the film reach its target audience of 15-25 year old males and females and be successfully distributed.
Draft
The document appears to be a movie or product review that includes a critic's image and credits. It likely contains the critic's name, their opinion on the movie or product reviewed in 1-2 sentences, and acknowledges any additional sources or individuals that contributed to the review.
Script for film trailer
Two characters, Charlie and Jacob, are hiding from infected in an abandoned building. They hear a noise and hide, but one of the infected finds Charlie. They are struggling to survive with little food and supplies. Jacob reads a letter about a potentially safe location, and they decide to risk traveling there, though Charlie worries that the journey could be what ends up killing them.
Shot list
The document provides a shot list for a film, outlining various shots that will be used: close-ups to show the protagonists' defiance and terror; over the shoulder shots to put the audience in their perspective; establishing shots of abandoned buildings to show the destruction caused by an infection; low-angle shots of bandits attacking to show their dominance; and mid-shots of protagonists with weapons and food to show they are prepared. Tracking shots of infected feet and pans of empty surroundings are meant to convey the threats and isolation the protagonists face.
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Draft fonts and colours for ancillary products of the post
Draft fonts and colours for ancillary products of the post
Draft magazine
- 1. Left thirdIncludes main headlines featured Main Image Headline relating to main Image Barcode Headlines relating to minor articles featured inside the magazine Minor Images relating to Giveaways and other content included inside the magazine