The Fort Dodge Community School District approved a new 5-year contract with Frontier Communications to install a telephone in every classroom at no additional cost. This will allow teachers and staff to more easily communicate with parents, students, and each other. By bundling local and long distance calls at a standard fee, the new contract is expected to eventually lower the district's monthly telephone payments. Installation of the new phone system will be completed before the start of the 2011-2012 school year.
El programa de lengua castellana y comunicación tiene como objetivo formar a los estudiantes para que puedan influir positivamente en su entorno a través del desarrollo de competencias comunicativas, académicas e investigativas que les permitan interactuar con diferentes textos y contextos. El programa busca despertar el interés de los estudiantes por la interpretación y análisis de todo tipo de textos desde diferentes perspectivas para enriquecer su capacidad lectora, habilidad comunicativa y desempeño social.
This document discusses organizational culture and how to diagnose and benchmark a company's culture. It defines organizational culture as a set of shared values, beliefs, understandings, and ways of thinking among members. It outlines four dimensions to assess: power orientation, role orientation, achievement orientation, and support orientation. An organization's existing culture index and preferred index can be calculated and the culture gap determined to identify areas for change.
Technology i have used in my ancillary productsRyan Talmage
Ryan Talmage used various technologies to create ancillary products for a post-apocalyptic horror film. He used image editing software like Fontspace to select fonts that appealed to his target audience and fit the genre conventions. Photoshop allowed him to edit images and remove backgrounds, improving the quality and making elements stand out more. Finally, he utilized social media sites like Survey Monkey and Facebook to collect audience feedback, which helped him further refine the products to better match the expectations of his target demographic.
The Fort Dodge Community School District approved a new 5-year contract with Frontier Communications to install a telephone in every classroom at no additional cost. This will allow teachers and staff to more easily communicate with parents, students, and each other. By bundling local and long distance calls at a standard fee, the new contract is expected to eventually lower the district's monthly telephone payments. Installation of the new phone system will be completed before the start of the 2011-2012 school year.
El programa de lengua castellana y comunicación tiene como objetivo formar a los estudiantes para que puedan influir positivamente en su entorno a través del desarrollo de competencias comunicativas, académicas e investigativas que les permitan interactuar con diferentes textos y contextos. El programa busca despertar el interés de los estudiantes por la interpretación y análisis de todo tipo de textos desde diferentes perspectivas para enriquecer su capacidad lectora, habilidad comunicativa y desempeño social.
This document discusses organizational culture and how to diagnose and benchmark a company's culture. It defines organizational culture as a set of shared values, beliefs, understandings, and ways of thinking among members. It outlines four dimensions to assess: power orientation, role orientation, achievement orientation, and support orientation. An organization's existing culture index and preferred index can be calculated and the culture gap determined to identify areas for change.
Technology i have used in my ancillary productsRyan Talmage
Ryan Talmage used various technologies to create ancillary products for a post-apocalyptic horror film. He used image editing software like Fontspace to select fonts that appealed to his target audience and fit the genre conventions. Photoshop allowed him to edit images and remove backgrounds, improving the quality and making elements stand out more. Finally, he utilized social media sites like Survey Monkey and Facebook to collect audience feedback, which helped him further refine the products to better match the expectations of his target demographic.
The document summarizes audience feedback received on a film trailer, poster, and magazine cover created for a post-apocalyptic horror film. Feedback indicated the products effectively portrayed themes of violence and hopelessness fitting the genre. Strengths included a professionally made promotional package fitting genre conventions. Weaknesses included limited font/color variation and potential for more effective costumes/props. Feedback methods like surveys, social media comments, and focus groups provided useful insights to further improve the products and appeal to the target audience.
The document analyzes the layout, design elements, and effectiveness of appealing to the target audience in a film poster, magazine cover, and within the horror genre. It discusses how the simplistic layout of the film poster draws attention through its large central image and minimal text. The magazine cover uses conventional fonts, colors, and positioning of elements like the masthead and main image to engage readers. Both the poster and magazine cover employ shock value, fear, and disgust through their visuals and text to attract horror fans.
Conventions of a horror poster and magazineRyan Talmage
The document discusses conventions found in horror film posters and magazine covers. It analyzes examples of each, identifying several common conventions:
Horror posters typically feature isolated locations, antagonists threatening protagonists, and use of black and white colors to convey a dark tone. The layout draws the eye to the film title and tagline to intrigue audiences.
Horror magazine covers commonly include a main image related to their headline article. They utilize red and sans-serif fonts, and place articles, images and additional content in a clear layout. Imagery of death, blood and recognizable icons attract readers interested in horror.
Overall, the key is to incorporate familiar elements like these conventions to effectively promote horror content
From feedback on his film trailer, poster, and magazine cover from his target audience, the student learned that:
- His use of genre conventions was effective in appealing to the audience.
- The products fit the post-apocalyptic horror genre well and received positive reactions.
- The film trailer conveyed themes of survival and hopelessness successfully.
- Strengths included effective use of conventions, professional appearance, fitting the genre well, and creating relatable protagonists.
- Weaknesses were unclear typography in the poster and need for more variation in settings and eye-catching elements in the trailer.
The document discusses how the author created a consistent brand identity across promotional materials for a film. This was done by incorporating similar themes, imagery, layouts, colors and typography that appealed to the target audience and established the post-apocalyptic horror genre. Key elements like protagonists, violence and survival were featured in all products to clearly link them under the same brand. The consistent visual style and use of genre conventions made the brand instantly recognizable to the audience.
The document summarizes the results of a questionnaire given to 10 people about Ryan Talmage's film trailer, poster, and magazine cover for a post-apocalyptic horror project. Most respondents felt the trailer effectively conveyed the genre conventions. The magazine cover was also seen as professional and fitting conventions well, though some improvements were suggested for layout and images. The film poster was found to be more mixed, with conventions portrayed effectively but some elements like colors and layout seen as needing improvement. Overall, the production was deemed a success at conveying the genre through technical elements and conventions, with only minor revisions suggested. All agreed Ryan created a clear brand identity.
The document discusses editing techniques used in a film trailer. It describes using royalty-free music edited to fit scenes and change the tempo to balance dialogue. Fade ins and outs were used to smooth music transitions. Transitions between scenes were added to break scenes up clearly and make the trailer flow better. Text and titles were included to fit film trailer conventions by adding the tagline, title, and production company to address the audience and break up scenes. Overall editing skills were improved by learning to use sound and text to enhance video quality.
The production plan outlines five days of filming from May 10th to October 20th at various farm and nature locations. It lists the cameras, tripods, scripts, and props needed each day, and describes the dirty, layered costumes for the two main protagonists and the ragged clothing for the infected extras. It also identifies the director, camera operator, and actors playing the protagonists and bandits.
The target audience for a post-apocalyptic horror film trailer is males and females aged 17-25 who enjoy activities with friends and regularly visit the cinema. They find scares, isolated environments, and survivalist characters appealing as these conventions represent familiarity within the genre. An outnumbered and against all odds scenario is also appealing as it creates fear and tension. The target audience wants a trailer with fast-paced editing to create fear, effective scares, a deadly threat, conventions, an isolated setting, violence, and a creepy soundtrack.
The document discusses various promotional methods used for the 2004 film Dawn of the Dead, which target its demographic of 17-25 year old males and females who enjoy post-apocalyptic horror films. Trailers, television and online ads, magazine articles, and promotional websites were used to generate awareness of the film. Press interviews and reviews aimed to create star appeal and buzz. Posters and DVD covers featured threatening imagery of zombies that appealed to genre conventions. A flash game online helped promote the film virally to its computer-savvy target audience.
1) The two protagonists, Charlie and Jacob, are hiding from infected in an abandoned building. Charlie hears a noise and they realize the infected are nearby.
2) Struggling to find food and morale fading, Charlie and Jacob hope to find safety at a new location shown on a map.
3) As they move from place to place fighting to survive, Charlie questions if it is even worth it anymore as the infected are everywhere. In a panic, Jacob flashes his light in a new building and sees two infected running at them.
1) The two main characters, Charlie and Jacob, are hiding from infected in an abandoned building. Charlie hears a noise and they hide, seeing the infected's feet pass by.
2) Struggling to survive with low food and morale, Charlie and Jacob hope to find safety at a new location shown on a map.
3) During their travels to new locations, they must constantly fight to survive attacks from infected. Reaching safety seems impossible as moving exposes them to danger while staying puts kills them.
The document discusses conventions for post-apocalyptic horror film trailers based on research. It identifies several key conventions including fast-paced editing to create chaos; isolated and abandoned settings; weapons used for violence; and dangerous antagonists that threaten the protagonists. Musical conventions include a loud, tense soundtrack. Visual conventions include establishing shots of desolate settings, and cinematography like low angles. By including these common elements and themes of danger, violence, and survival, the author's film trailer will appeal to audiences and fit within the genre.
Draft fonts and colours for ancillary products of the postRyan Talmage
This document provides draft fonts and colors for ancillary products related to a post-apocalyptic horror film genre. It outlines design considerations for a film poster and magazine that would promote this genre. The document aims to establish a cohesive visual style across promotional materials to effectively market to fans of post-apocalyptic horror.
The document is a pitch by Ryan Talmage to the British film studio DNA Films to produce his post-apocalyptic horror film "All that Remains". The film follows two friends trying to survive in a world overrun by infected people. It will feature isolated environments, dangerous threats, and vulnerable protagonists engaging in violence and survival. The film resembles DNA Film's previous successful films like "28 Days Later" and "28 Weeks Later" in genre. Producing with DNA Films will help the film reach its target audience of 15-25 year old males and females and be successfully distributed.
This magazine page layout includes a main headline and image at the top relating to the cover story, with additional minor headlines below advertising other inside articles. At the bottom are images advertising giveaways and extras contained in the magazine.
The document appears to be a movie or product review that includes a critic's image and credits. It likely contains the critic's name, their opinion on the movie or product reviewed in 1-2 sentences, and acknowledges any additional sources or individuals that contributed to the review.
Two characters, Charlie and Jacob, are hiding from infected in an abandoned building. They hear a noise and hide, but one of the infected finds Charlie. They are struggling to survive with little food and supplies. Jacob reads a letter about a potentially safe location, and they decide to risk traveling there, though Charlie worries that the journey could be what ends up killing them.
The document provides a shot list for a film, outlining various shots that will be used: close-ups to show the protagonists' defiance and terror; over the shoulder shots to put the audience in their perspective; establishing shots of abandoned buildings to show the destruction caused by an infection; low-angle shots of bandits attacking to show their dominance; and mid-shots of protagonists with weapons and food to show they are prepared. Tracking shots of infected feet and pans of empty surroundings are meant to convey the threats and isolation the protagonists face.
This production plan outlines the filming schedule and locations for a movie trailer over 5 days in October 2013, primarily shooting in warehouses, fields, parks and a nature reserve. It details the equipment needed each day including cameras, tripods and scripts. It also describes the props and costumes for the two main protagonists, infected extras and bandit extras, including dirty clothing and weapons like bats. The personnel listed are the director, cameraman, two lead actors and various extras.
The document summarizes audience feedback received on a film trailer, poster, and magazine cover created for a post-apocalyptic horror film. Feedback indicated the products effectively portrayed themes of violence and hopelessness fitting the genre. Strengths included a professionally made promotional package fitting genre conventions. Weaknesses included limited font/color variation and potential for more effective costumes/props. Feedback methods like surveys, social media comments, and focus groups provided useful insights to further improve the products and appeal to the target audience.
The document analyzes the layout, design elements, and effectiveness of appealing to the target audience in a film poster, magazine cover, and within the horror genre. It discusses how the simplistic layout of the film poster draws attention through its large central image and minimal text. The magazine cover uses conventional fonts, colors, and positioning of elements like the masthead and main image to engage readers. Both the poster and magazine cover employ shock value, fear, and disgust through their visuals and text to attract horror fans.
Conventions of a horror poster and magazineRyan Talmage
The document discusses conventions found in horror film posters and magazine covers. It analyzes examples of each, identifying several common conventions:
Horror posters typically feature isolated locations, antagonists threatening protagonists, and use of black and white colors to convey a dark tone. The layout draws the eye to the film title and tagline to intrigue audiences.
Horror magazine covers commonly include a main image related to their headline article. They utilize red and sans-serif fonts, and place articles, images and additional content in a clear layout. Imagery of death, blood and recognizable icons attract readers interested in horror.
Overall, the key is to incorporate familiar elements like these conventions to effectively promote horror content
From feedback on his film trailer, poster, and magazine cover from his target audience, the student learned that:
- His use of genre conventions was effective in appealing to the audience.
- The products fit the post-apocalyptic horror genre well and received positive reactions.
- The film trailer conveyed themes of survival and hopelessness successfully.
- Strengths included effective use of conventions, professional appearance, fitting the genre well, and creating relatable protagonists.
- Weaknesses were unclear typography in the poster and need for more variation in settings and eye-catching elements in the trailer.
The document discusses how the author created a consistent brand identity across promotional materials for a film. This was done by incorporating similar themes, imagery, layouts, colors and typography that appealed to the target audience and established the post-apocalyptic horror genre. Key elements like protagonists, violence and survival were featured in all products to clearly link them under the same brand. The consistent visual style and use of genre conventions made the brand instantly recognizable to the audience.
The document summarizes the results of a questionnaire given to 10 people about Ryan Talmage's film trailer, poster, and magazine cover for a post-apocalyptic horror project. Most respondents felt the trailer effectively conveyed the genre conventions. The magazine cover was also seen as professional and fitting conventions well, though some improvements were suggested for layout and images. The film poster was found to be more mixed, with conventions portrayed effectively but some elements like colors and layout seen as needing improvement. Overall, the production was deemed a success at conveying the genre through technical elements and conventions, with only minor revisions suggested. All agreed Ryan created a clear brand identity.
The document discusses editing techniques used in a film trailer. It describes using royalty-free music edited to fit scenes and change the tempo to balance dialogue. Fade ins and outs were used to smooth music transitions. Transitions between scenes were added to break scenes up clearly and make the trailer flow better. Text and titles were included to fit film trailer conventions by adding the tagline, title, and production company to address the audience and break up scenes. Overall editing skills were improved by learning to use sound and text to enhance video quality.
The production plan outlines five days of filming from May 10th to October 20th at various farm and nature locations. It lists the cameras, tripods, scripts, and props needed each day, and describes the dirty, layered costumes for the two main protagonists and the ragged clothing for the infected extras. It also identifies the director, camera operator, and actors playing the protagonists and bandits.
The target audience for a post-apocalyptic horror film trailer is males and females aged 17-25 who enjoy activities with friends and regularly visit the cinema. They find scares, isolated environments, and survivalist characters appealing as these conventions represent familiarity within the genre. An outnumbered and against all odds scenario is also appealing as it creates fear and tension. The target audience wants a trailer with fast-paced editing to create fear, effective scares, a deadly threat, conventions, an isolated setting, violence, and a creepy soundtrack.
The document discusses various promotional methods used for the 2004 film Dawn of the Dead, which target its demographic of 17-25 year old males and females who enjoy post-apocalyptic horror films. Trailers, television and online ads, magazine articles, and promotional websites were used to generate awareness of the film. Press interviews and reviews aimed to create star appeal and buzz. Posters and DVD covers featured threatening imagery of zombies that appealed to genre conventions. A flash game online helped promote the film virally to its computer-savvy target audience.
1) The two protagonists, Charlie and Jacob, are hiding from infected in an abandoned building. Charlie hears a noise and they realize the infected are nearby.
2) Struggling to find food and morale fading, Charlie and Jacob hope to find safety at a new location shown on a map.
3) As they move from place to place fighting to survive, Charlie questions if it is even worth it anymore as the infected are everywhere. In a panic, Jacob flashes his light in a new building and sees two infected running at them.
1) The two main characters, Charlie and Jacob, are hiding from infected in an abandoned building. Charlie hears a noise and they hide, seeing the infected's feet pass by.
2) Struggling to survive with low food and morale, Charlie and Jacob hope to find safety at a new location shown on a map.
3) During their travels to new locations, they must constantly fight to survive attacks from infected. Reaching safety seems impossible as moving exposes them to danger while staying puts kills them.
The document discusses conventions for post-apocalyptic horror film trailers based on research. It identifies several key conventions including fast-paced editing to create chaos; isolated and abandoned settings; weapons used for violence; and dangerous antagonists that threaten the protagonists. Musical conventions include a loud, tense soundtrack. Visual conventions include establishing shots of desolate settings, and cinematography like low angles. By including these common elements and themes of danger, violence, and survival, the author's film trailer will appeal to audiences and fit within the genre.
Draft fonts and colours for ancillary products of the postRyan Talmage
This document provides draft fonts and colors for ancillary products related to a post-apocalyptic horror film genre. It outlines design considerations for a film poster and magazine that would promote this genre. The document aims to establish a cohesive visual style across promotional materials to effectively market to fans of post-apocalyptic horror.
The document is a pitch by Ryan Talmage to the British film studio DNA Films to produce his post-apocalyptic horror film "All that Remains". The film follows two friends trying to survive in a world overrun by infected people. It will feature isolated environments, dangerous threats, and vulnerable protagonists engaging in violence and survival. The film resembles DNA Film's previous successful films like "28 Days Later" and "28 Weeks Later" in genre. Producing with DNA Films will help the film reach its target audience of 15-25 year old males and females and be successfully distributed.
This magazine page layout includes a main headline and image at the top relating to the cover story, with additional minor headlines below advertising other inside articles. At the bottom are images advertising giveaways and extras contained in the magazine.
The document appears to be a movie or product review that includes a critic's image and credits. It likely contains the critic's name, their opinion on the movie or product reviewed in 1-2 sentences, and acknowledges any additional sources or individuals that contributed to the review.
Two characters, Charlie and Jacob, are hiding from infected in an abandoned building. They hear a noise and hide, but one of the infected finds Charlie. They are struggling to survive with little food and supplies. Jacob reads a letter about a potentially safe location, and they decide to risk traveling there, though Charlie worries that the journey could be what ends up killing them.
The document provides a shot list for a film, outlining various shots that will be used: close-ups to show the protagonists' defiance and terror; over the shoulder shots to put the audience in their perspective; establishing shots of abandoned buildings to show the destruction caused by an infection; low-angle shots of bandits attacking to show their dominance; and mid-shots of protagonists with weapons and food to show they are prepared. Tracking shots of infected feet and pans of empty surroundings are meant to convey the threats and isolation the protagonists face.
This production plan outlines the filming schedule and locations for a movie trailer over 5 days in October 2013, primarily shooting in warehouses, fields, parks and a nature reserve. It details the equipment needed each day including cameras, tripods and scripts. It also describes the props and costumes for the two main protagonists, infected extras and bandit extras, including dirty clothing and weapons like bats. The personnel listed are the director, cameraman, two lead actors and various extras.