A woman decides to wear more makeup for a new storyline in her work. She is seen applying makeup and having a drink on her break before filming outside with her colleague Paula, who is setting up a tripod for their shoot.
The document discusses ideas for an opening sequence for a drama film project. It begins by introducing three students - Ramina, Carolle, and Ina - who will each propose ideas. Ramina's idea involves a jealous girl bullying her boyfriend's girlfriend, ending with the girlfriend bloodied. Carolle's involves a girl trying to cut herself while flashing back to happier times with her boyfriend. Ina's involves a couple getting engaged but then flashing forward to the girl stalking the boyfriend with another girl. The group discusses combining elements of Ramina and Ina's ideas. Their final draft involves a couple getting engaged in a park but then the girl sees her boyfriend there with another girl the next day. The document also covers choosing
This document lists common daily activities in brief phrases without full sentences, including personal hygiene tasks like flossing and shaving, household chores like doing laundry and dishes, leisure activities like going for a walk, and errands like going grocery shopping. It also mentions driving to work, making coffee, reading the paper, cleaning the house, taking a nap, and making dinner.
This document discusses using picture stories in the classroom and provides guidance for teachers. It outlines the advantages and disadvantages of using picture stories, such as being enjoyable for learners but potentially limited if only used for narratives. The document also provides suggestions for finding and using picture stories, such as telling stories, predicting outcomes, and rearranging pictures. Finally, it presents examples of picture stories for different language levels and abilities.
This document outlines four listening lesson sequences that integrate listening with other skills. The sequences are: 1) Live Listening, which involves listening to strangers and then roleplaying interviews; 2) Ordering Pictures, where students listen to and then retell a story while focusing on sequence; 3) Listening to a Monologue and using given vocabulary in a cloze exercise; and 4) Being Observant of film conversations and then describing events. Each sequence involves focusing on specific skills while listening and then practicing related skills like speaking, writing, and reading after listening. The conclusion recommends using listening materials to practice multiple skills and as sources for other classroom activities.
The third document instructs students to read a news article, sequence at least 5 events, and draw pictures representing each event. It then provides a follow-up activity where students can arrange comic strips or news stories
1. The document describes a sequencing activity for students involving listening to words, phrases, and sentences to identify if they refer to a character, setting, or event.
2. It then provides examples for students to practice sequencing, including sequencing the events in the story of "The Very Hungry Caterpillar".
3. The document aims to teach students how to identify and order characters, settings, and events in stories.
This document presents a series of pairs of items and asks "What Comes First?". The pairs include meals (breakfast and lunch), stages of an insect's life cycle (caterpillar and butterfly), tasks (doing the dishes and eating), hygiene routines (getting in the shower and putting clothes on), seasons (fall and winter), numbers (one and two), and life stages (adult and baby). The document concludes by congratulating the reader for completing the assessment.
The document discusses ideas for an opening sequence for a drama film project. It begins by introducing three students - Ramina, Carolle, and Ina - who will each propose ideas. Ramina's idea involves a jealous girl bullying her boyfriend's girlfriend, ending with the girlfriend bloodied. Carolle's involves a girl trying to cut herself while flashing back to happier times with her boyfriend. Ina's involves a couple getting engaged but then flashing forward to the girl stalking the boyfriend with another girl. The group discusses combining elements of Ramina and Ina's ideas. Their final draft involves a couple getting engaged in a park but then the girl sees her boyfriend there with another girl the next day. The document also covers choosing
This document lists common daily activities in brief phrases without full sentences, including personal hygiene tasks like flossing and shaving, household chores like doing laundry and dishes, leisure activities like going for a walk, and errands like going grocery shopping. It also mentions driving to work, making coffee, reading the paper, cleaning the house, taking a nap, and making dinner.
This document discusses using picture stories in the classroom and provides guidance for teachers. It outlines the advantages and disadvantages of using picture stories, such as being enjoyable for learners but potentially limited if only used for narratives. The document also provides suggestions for finding and using picture stories, such as telling stories, predicting outcomes, and rearranging pictures. Finally, it presents examples of picture stories for different language levels and abilities.
This document outlines four listening lesson sequences that integrate listening with other skills. The sequences are: 1) Live Listening, which involves listening to strangers and then roleplaying interviews; 2) Ordering Pictures, where students listen to and then retell a story while focusing on sequence; 3) Listening to a Monologue and using given vocabulary in a cloze exercise; and 4) Being Observant of film conversations and then describing events. Each sequence involves focusing on specific skills while listening and then practicing related skills like speaking, writing, and reading after listening. The conclusion recommends using listening materials to practice multiple skills and as sources for other classroom activities.
The third document instructs students to read a news article, sequence at least 5 events, and draw pictures representing each event. It then provides a follow-up activity where students can arrange comic strips or news stories
1. The document describes a sequencing activity for students involving listening to words, phrases, and sentences to identify if they refer to a character, setting, or event.
2. It then provides examples for students to practice sequencing, including sequencing the events in the story of "The Very Hungry Caterpillar".
3. The document aims to teach students how to identify and order characters, settings, and events in stories.
This document presents a series of pairs of items and asks "What Comes First?". The pairs include meals (breakfast and lunch), stages of an insect's life cycle (caterpillar and butterfly), tasks (doing the dishes and eating), hygiene routines (getting in the shower and putting clothes on), seasons (fall and winter), numbers (one and two), and life stages (adult and baby). The document concludes by congratulating the reader for completing the assessment.
This document discusses sequences of events and chronological order. It defines sequence as the order in which events happen, also known as chronological order. It provides examples of signal words that indicate a transition of time such as first, then, and finally. Timelines are presented as a visual way to show sequences and chronological order. The document emphasizes that passages organized in sequence will contain these signal words to guide the order of events.
The document provides examples and explanations of different types of chronological order and narrative techniques:
1. It defines chronological order as events presented in the actual sequence in which they occurred.
2. It explains "story-within-a-story" as a narrative technique where the story jumps from present events to the past through flashbacks to explain how the characters arrived at their current situation.
3. It demonstrates these concepts through examples of ordering events chronologically and using alternating scene formats to signify flashbacks in a story.
The document provides guidance on teaching writing skills to students. It discusses the needs for developing writing abilities, such as for academic study and examinations. It then offers advice for teachers on how to structure writing courses, including setting writing tasks, collecting assignments, and providing feedback. The document outlines stages of the writing process like planning, drafting, revising, and editing. It also contrasts traditional and creative approaches to teaching writing and provides examples of classroom activities that can help develop students' writing skills.
MRI sequences utilize the magnetic spin property of hydrogen protons to generate images. T1-weighted images highlight fat and tissues with slow-flowing blood while T2-weighted images highlight edema, inflammation and fluid. FLAIR sequences suppress the signal from cerebrospinal fluid to improve detection of lesions near CSF-containing spaces such as in multiple sclerosis or mesial temporal sclerosis. Choosing the appropriate sequence depends on the desired tissue contrast and abnormalities being evaluated.
Teaching Writing As An Integrated Skill EklErin Lowry
This document discusses strategies for integrating writing into language lessons. It provides an overview of writing for learning, writing skills, and writing for different purposes or genres. Various techniques are proposed, such as reinforcement writing, adapting textbook activities, using graphic organizers, sequencing pictures, and having students write poems, comics, or blogs. Sample rubrics are also included.
This chapter examines the challenges of acquiring a second language as an adult, focusing on reducing a foreign accent in English pronunciation. It discusses how early language experience shapes speech perception and production in the brain. For adults, it is difficult to learn new speech sounds that differ from their first language. The chapter outlines a framework of brain plasticity for phonetic learning, exploring concepts like neural sensitivity, efficiency, specificity, and connectivity. It introduces a Speech Assessment and Training software to help overcome first language interference through phonetic training. The chapter concludes by considering implications for second language education and future research.
Officer G visits Dupin to thank him for help solving a bank robbery case with few clues. Dupin thinks about the details and puts the pieces together, revealing to G that the robber was Robert Lewinsky based on a clue only Dupin would understand. While G understands Dupin's explanation, he remains doubtful about how Dupin solved the case.
The document provides an analysis of cinematography techniques used in the film Se7en. It notes the use of close-ups, blurred shots, and canted angles to build tension, confusion, and a sense of abnormality. The pacing of edits starts slow and builds up faster to increase suspense. Images and diegetic sounds also contribute to conveying hidden meanings and secrets that build an enigma throughout the film.
This document provides summaries for 7 films: Awake, The Sixth Sense, Panic Room, The Night Listener, Premonition, and Black Swan. Each summary includes the director, release year, brief plot description, and how the film meets conventions of the genre. For example, Awake is about a man who discovers during heart surgery that he is being operated on while awake, and builds tension as the man panics in what should be a safe situation. The summaries are concise, highlighting the essential plot details and context for each film.
The document describes the key steps in developing a psychological thriller film. It begins with establishing the main character as a law student who becomes unexpectedly pregnant and faces disapproval from her mother and friend. In an emotionally charged moment after an argument, she is struck by a car and wakes up with amnesia. To regain her memories and understand her current situation, she must find her diary that documents the events leading up to the accident. The opening scene would set up this dilemma for the main character and disruption of her life that drives the narrative.
This psychological thriller film focuses on a mother who is grieving the death of her daughter. After attending the funeral, the mother sees her daughter alive at home, which causes her to question her sanity. The film leaves the ending ambiguous, showing the mother trying to prevent her vision from coming true. The target audience is ages 15+ of any gender or social class, as the film explores themes of determination, conflict, and mental health issues through suspense and mystery.
This document outlines specifications for the AS Media Studies course G321. It covers key requirements for students including coursework deadlines, assessment criteria, and learning outcomes related to analyzing different forms of media. Students are expected to demonstrate understanding of relevant concepts and theories, and critically evaluate examples of media texts.
The scene depicts a lady talking to a doll at home. The lighting is normal. No music plays. The lady is represented as vulnerable while the doll, Chucky, is represented as violent, rude, and sarcastic despite being a doll. The conventions of mystery and abnormal behavior are portrayed as the lady's interaction with the doll is deemed deviant. The target audience would be older children and teenagers due to the violent content and profanity.
The document provides details about three inspirational film scenes:
1) A scene from Hard Candy builds suspense as a 14-year-old girl interrogates a photographer she suspects has a hidden past.
2) A scene from Saw 3D shocks the audience as a young girl is tied up and a man is trapped in a dangerous machine.
3) A scene from Rush Hour 3 creates dramatic irony as the audience learns why one of the main characters is behind a curtain during a performance, building suspense.
The document discusses ways to create enigma or mystery in storytelling such as using appropriate camera shots and lighting to withhold information or employing time manipulation techniques like flashbacks. It also provides examples of how to construct a 5 point overview of an opening scene or film, with details like the main character investigating abortion symptoms and receiving disturbing photos in the mail before answering a strange knock at the door. In brief, the document offers advice on crafting enigmatic elements and high-level summaries of narratives.
The document discusses techniques for creating suspense, tension, and anxiety in a psychological thriller opening sequence involving two characters, Nia and Kylie, with Nia portrayed as shy and mentally disturbed while Kylie is more confident and worries about Nia's behavior; it also outlines shots that will be filmed of Nia walking through her home and interacting with props like a baby doll, laptop, and letter that advance the plot.
The document provides examples of film techniques and themes that could be used for a student film project on revenge. It discusses several movies where characters enact revenge through torture and murder, such as Dead Silence and Law Abiding Citizen. Research included watching how revenge is carried out painfully in these films. The document also explores the theme of suffering through the film The Pursuit of Happiness, where a man becomes homeless and has to sleep with his young son in a train station without blankets or pillows. Revenge is proposed as the theme for the student project because the antagonist will inflict fear, pain and damage on the protagonist, as happens to the character Nia in the opening sequence of whatever story is being developed.
This document contains a group's draft for a psychological thriller opening sequence assignment. It includes 3 potential sequence ideas from group members and discussions of their strengths and weaknesses. The group's chosen genre of psychological thriller is described. Films like Funny Games and Hard Candy are discussed as inspirations for their use of shots, settings, and portrayals of characters. Considerations around titling, credits, and music are also presented. The group plans to feature original music at key points in their proposed sequence.
Here are some style and formatting ideas for titling and credits in our opening sequence:
- Plain white or light gray text on a solid black background
- Text appears slowly, line by line, to build suspense
- Minimalist font in all capital letters for a serious, unsettling tone
- Accompanied by unsettling ambient music with no lyrics to avoid distraction
- Music starts quietly and gets gradually louder as more text appears
- Credits fade in and out slowly rather than cutting abruptly to the scenes
This simple, ominous style would set the mood for a psychological thriller and intrigue viewers without taking attention away from the unfolding story. It prioritizes mystery and tension over flashy graphics.
This document discusses sequences of events and chronological order. It defines sequence as the order in which events happen, also known as chronological order. It provides examples of signal words that indicate a transition of time such as first, then, and finally. Timelines are presented as a visual way to show sequences and chronological order. The document emphasizes that passages organized in sequence will contain these signal words to guide the order of events.
The document provides examples and explanations of different types of chronological order and narrative techniques:
1. It defines chronological order as events presented in the actual sequence in which they occurred.
2. It explains "story-within-a-story" as a narrative technique where the story jumps from present events to the past through flashbacks to explain how the characters arrived at their current situation.
3. It demonstrates these concepts through examples of ordering events chronologically and using alternating scene formats to signify flashbacks in a story.
The document provides guidance on teaching writing skills to students. It discusses the needs for developing writing abilities, such as for academic study and examinations. It then offers advice for teachers on how to structure writing courses, including setting writing tasks, collecting assignments, and providing feedback. The document outlines stages of the writing process like planning, drafting, revising, and editing. It also contrasts traditional and creative approaches to teaching writing and provides examples of classroom activities that can help develop students' writing skills.
MRI sequences utilize the magnetic spin property of hydrogen protons to generate images. T1-weighted images highlight fat and tissues with slow-flowing blood while T2-weighted images highlight edema, inflammation and fluid. FLAIR sequences suppress the signal from cerebrospinal fluid to improve detection of lesions near CSF-containing spaces such as in multiple sclerosis or mesial temporal sclerosis. Choosing the appropriate sequence depends on the desired tissue contrast and abnormalities being evaluated.
Teaching Writing As An Integrated Skill EklErin Lowry
This document discusses strategies for integrating writing into language lessons. It provides an overview of writing for learning, writing skills, and writing for different purposes or genres. Various techniques are proposed, such as reinforcement writing, adapting textbook activities, using graphic organizers, sequencing pictures, and having students write poems, comics, or blogs. Sample rubrics are also included.
This chapter examines the challenges of acquiring a second language as an adult, focusing on reducing a foreign accent in English pronunciation. It discusses how early language experience shapes speech perception and production in the brain. For adults, it is difficult to learn new speech sounds that differ from their first language. The chapter outlines a framework of brain plasticity for phonetic learning, exploring concepts like neural sensitivity, efficiency, specificity, and connectivity. It introduces a Speech Assessment and Training software to help overcome first language interference through phonetic training. The chapter concludes by considering implications for second language education and future research.
Officer G visits Dupin to thank him for help solving a bank robbery case with few clues. Dupin thinks about the details and puts the pieces together, revealing to G that the robber was Robert Lewinsky based on a clue only Dupin would understand. While G understands Dupin's explanation, he remains doubtful about how Dupin solved the case.
The document provides an analysis of cinematography techniques used in the film Se7en. It notes the use of close-ups, blurred shots, and canted angles to build tension, confusion, and a sense of abnormality. The pacing of edits starts slow and builds up faster to increase suspense. Images and diegetic sounds also contribute to conveying hidden meanings and secrets that build an enigma throughout the film.
This document provides summaries for 7 films: Awake, The Sixth Sense, Panic Room, The Night Listener, Premonition, and Black Swan. Each summary includes the director, release year, brief plot description, and how the film meets conventions of the genre. For example, Awake is about a man who discovers during heart surgery that he is being operated on while awake, and builds tension as the man panics in what should be a safe situation. The summaries are concise, highlighting the essential plot details and context for each film.
The document describes the key steps in developing a psychological thriller film. It begins with establishing the main character as a law student who becomes unexpectedly pregnant and faces disapproval from her mother and friend. In an emotionally charged moment after an argument, she is struck by a car and wakes up with amnesia. To regain her memories and understand her current situation, she must find her diary that documents the events leading up to the accident. The opening scene would set up this dilemma for the main character and disruption of her life that drives the narrative.
This psychological thriller film focuses on a mother who is grieving the death of her daughter. After attending the funeral, the mother sees her daughter alive at home, which causes her to question her sanity. The film leaves the ending ambiguous, showing the mother trying to prevent her vision from coming true. The target audience is ages 15+ of any gender or social class, as the film explores themes of determination, conflict, and mental health issues through suspense and mystery.
This document outlines specifications for the AS Media Studies course G321. It covers key requirements for students including coursework deadlines, assessment criteria, and learning outcomes related to analyzing different forms of media. Students are expected to demonstrate understanding of relevant concepts and theories, and critically evaluate examples of media texts.
The scene depicts a lady talking to a doll at home. The lighting is normal. No music plays. The lady is represented as vulnerable while the doll, Chucky, is represented as violent, rude, and sarcastic despite being a doll. The conventions of mystery and abnormal behavior are portrayed as the lady's interaction with the doll is deemed deviant. The target audience would be older children and teenagers due to the violent content and profanity.
The document provides details about three inspirational film scenes:
1) A scene from Hard Candy builds suspense as a 14-year-old girl interrogates a photographer she suspects has a hidden past.
2) A scene from Saw 3D shocks the audience as a young girl is tied up and a man is trapped in a dangerous machine.
3) A scene from Rush Hour 3 creates dramatic irony as the audience learns why one of the main characters is behind a curtain during a performance, building suspense.
The document discusses ways to create enigma or mystery in storytelling such as using appropriate camera shots and lighting to withhold information or employing time manipulation techniques like flashbacks. It also provides examples of how to construct a 5 point overview of an opening scene or film, with details like the main character investigating abortion symptoms and receiving disturbing photos in the mail before answering a strange knock at the door. In brief, the document offers advice on crafting enigmatic elements and high-level summaries of narratives.
The document discusses techniques for creating suspense, tension, and anxiety in a psychological thriller opening sequence involving two characters, Nia and Kylie, with Nia portrayed as shy and mentally disturbed while Kylie is more confident and worries about Nia's behavior; it also outlines shots that will be filmed of Nia walking through her home and interacting with props like a baby doll, laptop, and letter that advance the plot.
The document provides examples of film techniques and themes that could be used for a student film project on revenge. It discusses several movies where characters enact revenge through torture and murder, such as Dead Silence and Law Abiding Citizen. Research included watching how revenge is carried out painfully in these films. The document also explores the theme of suffering through the film The Pursuit of Happiness, where a man becomes homeless and has to sleep with his young son in a train station without blankets or pillows. Revenge is proposed as the theme for the student project because the antagonist will inflict fear, pain and damage on the protagonist, as happens to the character Nia in the opening sequence of whatever story is being developed.
This document contains a group's draft for a psychological thriller opening sequence assignment. It includes 3 potential sequence ideas from group members and discussions of their strengths and weaknesses. The group's chosen genre of psychological thriller is described. Films like Funny Games and Hard Candy are discussed as inspirations for their use of shots, settings, and portrayals of characters. Considerations around titling, credits, and music are also presented. The group plans to feature original music at key points in their proposed sequence.
Here are some style and formatting ideas for titling and credits in our opening sequence:
- Plain white or light gray text on a solid black background
- Text appears slowly, line by line, to build suspense
- Minimalist font in all capital letters for a serious, unsettling tone
- Accompanied by unsettling ambient music with no lyrics to avoid distraction
- Music starts quietly and gets gradually louder as more text appears
- Credits fade in and out slowly rather than cutting abruptly to the scenes
This simple, ominous style would set the mood for a psychological thriller and intrigue viewers without taking attention away from the unfolding story. It prioritizes mystery and tension over flashy graphics.
The document provides details about the opening sequence of a film, including descriptions of the two main characters, Nia and Kylie, and their actors. Nia is described as shy, lonely, quiet, and mentally disturbed. Kylie is a friend of Nia's who worries about her behavior but lives nearby and greets her. The sequence will film interactions between the characters both inside and outside of a house from different camera angles and shots.
The document discusses ideas for the opening sequence of a group psychological thriller film project. It includes 3 potential opening sequences proposed by group members: [1] The main character having an argument with her mother and friend; [2] The main character witnessing her friend get intentionally hit by a car; [3] The main character receiving creepy letters and a doll at her door. The group chose the psychological thriller genre for its focus on mystery and mind games. Films Funny Games, Hard Candy, and Child's Play provided inspiration for their sequence ideas.
This document provides information about a psychological thriller film targeted at 15-18 year olds of both genders, primarily from working class and middle class backgrounds who enjoy related interests. The 3-sentence summary is:
The document discusses targeting a psychological thriller film at 15-18 year olds of both genders from working and middle class backgrounds with interests in psychology, science, and toys. It also considers how the film would meet BBFC standards for a 15 rating and provides examples of similarly rated movies, as well as inspiration for opening credits music from other thrillers.
The document discusses research on revenge through analyzing movies where characters enact revenge in painful, murderous ways in response to past wrongs done to them or their loved ones, as well as exploring the dictionary and internet definitions of revenge and how it relates to suffering through analyzing the film "The Pursuit of Happiness." It also provides outlines of the opening sequences and plots for revenge-focused psychological thriller films.
This document provides ideas for the opening sequence of a group psychological thriller film project. It includes 3 potential opening sequences proposed by group members: 1) the main character having an argument with her mother and friend; 2) a friend being intentionally hit by a car; 3) a creepy doll left on a doorstep. The group chose the psychological thriller genre for its focus on mystery and mind games. Films like Funny Games, Hard Candy, and Child's Play provided inspiration for their sequence through suspenseful scenes, character interactions, and shot types.
This document discusses ideas for the opening sequence of a group psychological thriller presentation. It includes two initial ideas from members Paula and Mickella. Paula's idea involved a girl having an argument with her mother and friend before being hit by a car. Mickella's involved a girl witnessing her friend being run over by a car. The group chose psychological thriller as their genre. They discussed conventions of the genre and were inspired by the films Funny Games and Hard Candy, analyzing characterizations and shots. They selected revenge and suffering as themes for their opening sequence.
The target audience for the media product is teenage females aged 15-30 years old who use social media and are located in the UK. The document discusses selecting a BBFC rating of 15 for the film, which allows depictions of violence, sexual content, and strong language but not graphic or dangerous behavior that could be copied. The sequence aims to follow BBFC guidelines by avoiding strong language, not dwelling on dangerous behavior, and not including sexual activity or discrimination.
This document discusses representing a social group in a film character. It says they didn't want to be too stereotypical with the character and wanted to challenge the idea that only "ditzy" characters are targets of violence. It also says they wanted to show that characters are not only targets of attacks if they are portrayed as ditsy.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
2. Me putting on make up decided to become more Close up of the make up used (natural look)
glamorous due to the new storyline
Me putting on make up Again
3. Me on a break having a drink before getting back
to film outside
Paula setting up the tripod
Paula setting up the tripod
Quick shot of me & Paula filming