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Revolver Entertainment would be a suitable distributor for the film because it specializes in distributing socially realistic films similar to those mentioned, like Kidulthood. Revolver has distributed films dealing with urban living and emotional abuse that have found popularity. As a British film distribution company established in 1997, Revolver would sign an agreement with the producer specifying distribution rights and provisions for revenue sharing and local editing if needed.
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Media institution
A film distribution company is responsible for marketing and releasing a film to audiences. It agrees to terms with studios and determines how many copies to release. It also obtains rights to distribute films through various formats like DVD and streaming. StudioCanal UK would be a suitable distributor for the film because it has experience distributing similar horror films. As an independent horror film, it would likely be released in theaters on Halloween and shown in independent cinema chains and festivals. The marketing strategy would include ads in cinemas, on streets, and promoting through social media and YouTube trailers.
Question 3
The document discusses potential media institutions to distribute a new British thriller film. It suggests distributing through a British company like Entertainment Film Distributors, the largest UK distributor known for films like The Lord of the Rings trilogy. Working Title Films, a British production company, could help finance the film. For a small independent British thriller, Metrodome Distribution may distribute it through their microwave scheme that funds low-budget UK films. The film could be viewed digitally or online, and viral marketing through social media and emails would help promote the small-scale film in a cost-effective way.
Task 3
This document discusses potential film distributors for a media product and why. It states that smaller British distributors can only distribute through online platforms like YouTube and websites, while films are initially shown in cinemas and later released on DVD and Blu-Ray. Paramount is mentioned as a possible major distributor since they have distributed similar films in the past. Distributing with Paramount would appeal to a wider global audience. Self-distribution is also discussed as an option that maintains full control but is very time-consuming without the relationships of a major distributor.
Evaluation question 3
My film, Interrogation, would be best distributed by a small, independent media institution because it has a small budget, niche audience, and less advertising than large, mainstream films. Specifically, Lionsgate would be a good fit as a distributor since they have experience with similar thriller genres and remain an active distributor. Other distribution options could include film festivals, which may help low-budget films gain exposure for their unique qualities, or short film competitions for upstarting directors. The BFI Film Forever institution in the UK supports and funds new filmmakers and could potentially assist in distribution.
EVALUATION.
The UK Film Council would be a suitable institution to distribute my media product. As a public body funded by the National Lottery, the UK Film Council supports both established and up-and-coming British film directors and backs hundreds of films. It aims to make the UK a global center for film and plays a key role in the country's cultural and economic success. The UK Film Council has partnerships with other film organizations and is focused on developing new talents, though it is selective in the films it chooses to back. Distributing through the UK Film Council would provide access to funding without budget constraints and help attract UK audiences to increase the niche audience for my thriller/social realism genre film.
Evaluation 3
The document discusses potential media institutions that could distribute, fund, and produce the film. It recommends:
- Using Twisted Pictures as the production company since they specialize in horror films like Saw.
- Partnering with Lionsgate Entertainment for distribution since they have successfully distributed similar horror films.
- Applying for funding from the UK Film Council's New Cinema Fund which supports new and innovative filmmaking.
- Modeling the film's budget, cast/crew size, and release strategy after low-budget horror films like Cabin Fever that were released theatrically and on DVD.
Uk film distribution (1)
The document discusses UK film distribution. It explains that distributors must identify the largest possible audience for films among the 500+ annually released, and generate buzz to get audiences in the first weekend which accounts for 30% of box office earnings. The distribution process involves acquiring rights, screenwriting, filming, post-production, presenting to exhibitors, and delivering prints to cinemas. Distributors must consider competition, whether a film is a blockbuster or niche, and star power when planning release strategies like saturation or limited releases. Distribution costs can range from thousands to £4-5 million depending on elements like prints, advertising, and talent. Small distributors like Vertigo Films and Film 4 specialize in low budget British films.
Evaluation question 3
This document discusses potential options for distributing a horror/thriller film produced by the author. It analyzes several major distribution companies like Lionsgate and Film4 Productions and concludes they may not be the best fit due to the independent and low-budget nature of the film. It also discusses the possibility of using film funding companies like Creative England and the British Film Institute to fund production and self-distribution. Overall, the author determines that seeking production funding and self-distributing may be the best approach to ensure a profitable outcome, though success cannot be guaranteed. They ultimately created their own distribution company called "J&M Productions" to include in the film's opening ident.
Recommended
Media institution
A film distribution company is responsible for marketing and releasing a film to audiences. It agrees to terms with studios and determines how many copies to release. It also obtains rights to distribute films through various formats like DVD and streaming. StudioCanal UK would be a suitable distributor for the film because it has experience distributing similar horror films. As an independent horror film, it would likely be released in theaters on Halloween and shown in independent cinema chains and festivals. The marketing strategy would include ads in cinemas, on streets, and promoting through social media and YouTube trailers.
Question 3
The document discusses potential media institutions to distribute a new British thriller film. It suggests distributing through a British company like Entertainment Film Distributors, the largest UK distributor known for films like The Lord of the Rings trilogy. Working Title Films, a British production company, could help finance the film. For a small independent British thriller, Metrodome Distribution may distribute it through their microwave scheme that funds low-budget UK films. The film could be viewed digitally or online, and viral marketing through social media and emails would help promote the small-scale film in a cost-effective way.
Task 3
This document discusses potential film distributors for a media product and why. It states that smaller British distributors can only distribute through online platforms like YouTube and websites, while films are initially shown in cinemas and later released on DVD and Blu-Ray. Paramount is mentioned as a possible major distributor since they have distributed similar films in the past. Distributing with Paramount would appeal to a wider global audience. Self-distribution is also discussed as an option that maintains full control but is very time-consuming without the relationships of a major distributor.
Evaluation question 3
My film, Interrogation, would be best distributed by a small, independent media institution because it has a small budget, niche audience, and less advertising than large, mainstream films. Specifically, Lionsgate would be a good fit as a distributor since they have experience with similar thriller genres and remain an active distributor. Other distribution options could include film festivals, which may help low-budget films gain exposure for their unique qualities, or short film competitions for upstarting directors. The BFI Film Forever institution in the UK supports and funds new filmmakers and could potentially assist in distribution.
EVALUATION.
The UK Film Council would be a suitable institution to distribute my media product. As a public body funded by the National Lottery, the UK Film Council supports both established and up-and-coming British film directors and backs hundreds of films. It aims to make the UK a global center for film and plays a key role in the country's cultural and economic success. The UK Film Council has partnerships with other film organizations and is focused on developing new talents, though it is selective in the films it chooses to back. Distributing through the UK Film Council would provide access to funding without budget constraints and help attract UK audiences to increase the niche audience for my thriller/social realism genre film.
Evaluation 3
The document discusses potential media institutions that could distribute, fund, and produce the film. It recommends:
- Using Twisted Pictures as the production company since they specialize in horror films like Saw.
- Partnering with Lionsgate Entertainment for distribution since they have successfully distributed similar horror films.
- Applying for funding from the UK Film Council's New Cinema Fund which supports new and innovative filmmaking.
- Modeling the film's budget, cast/crew size, and release strategy after low-budget horror films like Cabin Fever that were released theatrically and on DVD.
Uk film distribution (1)
The document discusses UK film distribution. It explains that distributors must identify the largest possible audience for films among the 500+ annually released, and generate buzz to get audiences in the first weekend which accounts for 30% of box office earnings. The distribution process involves acquiring rights, screenwriting, filming, post-production, presenting to exhibitors, and delivering prints to cinemas. Distributors must consider competition, whether a film is a blockbuster or niche, and star power when planning release strategies like saturation or limited releases. Distribution costs can range from thousands to £4-5 million depending on elements like prints, advertising, and talent. Small distributors like Vertigo Films and Film 4 specialize in low budget British films.
Evaluation question 3
This document discusses potential options for distributing a horror/thriller film produced by the author. It analyzes several major distribution companies like Lionsgate and Film4 Productions and concludes they may not be the best fit due to the independent and low-budget nature of the film. It also discusses the possibility of using film funding companies like Creative England and the British Film Institute to fund production and self-distribution. Overall, the author determines that seeking production funding and self-distributing may be the best approach to ensure a profitable outcome, though success cannot be guaranteed. They ultimately created their own distribution company called "J&M Productions" to include in the film's opening ident.
Film distribution
A distributor represents films at festivals and markets worldwide, trying to sell them to television and other outlets. They handle theatrical releases in specific regions and market films for home viewing. Distributors acquire most films that are completed and identified at festivals. To be distributed, a film needs assets like contracts establishing the rights to sell the film.
Distribution lesson1 24.11.11
Film distribution involves marketing films to audiences and exhibitors like movie theaters and television networks. A film distributor promotes and distributes films to maximize the number of viewers. For large studio films, the distributor is often affiliated with the studio. Independent films have a harder time finding distributors to help finance and promote their films. Distributors arrange for films to be shown in theaters, on television, and other platforms to generate revenue from ticket and disc sales.
Distribution
This document discusses choosing a film distributor and why the authors selected Verve Pictures. It explains that a distributor acts as an intermediary between a film studio and exhibitors, securing screen time and handling promotion. Verve Pictures is specifically called out as they have experience distributing low-budget, first-time films successfully. One of their past successes was the independent film "Bullet Boy" which earned £450,000. Given the authors' low-budget, first-time film references local gang culture, Verve Pictures was deemed an ideal choice based on their track record in similar films.
Task 3 distribution powerpoint
This document discusses film distribution options for a low-budget thriller film set in the UK. It analyzes that Vertigo Films would be the most suitable independent distributor as they specialize in lower budget, independent films. Vertigo Films has a smaller marketing budget but could still get the film into cinemas and on other formats. The film would appeal most to a UK audience as it is set locally, allowing for targeted promotion in the UK through ads, posters, and press events. Releasing the film around Easter or holidays would be best to target the student demographic when they have more free time. While self-distribution could increase profits, it would be very time-consuming without the experience and industry contacts of an established dist
Presentation2
A smaller distribution company like Warp Films would be more suitable than a major studio for my low-budget horror film. Warp Films focuses on culturally significant, niche films instead of large blockbusters. They have successfully distributed modestly budgeted horror films like 28 Days Later that found audiences through compelling stories and characters. My film would appeal to a specific target age and gender demographic, as is common for the horror genre, making it a niche product rather than mass market. A smaller company is more likely to take on a low-budget, specialized film.
Presentation2
- A smaller, independent film company like Warp Films would be more suitable than a major studio to distribute my low-budget horror film.
- Warp Films supports culturally relevant, grassroots films and has successfully distributed modestly budgeted horror films like 28 Days Later that had great stories and characters.
- My film also has a narrow target audience of 18-25 year old males, making it a niche product that a smaller company could more effectively promote.
Presentation2
The document discusses which type of media institution would be best for distributing a low-budget horror film. It argues that a smaller, independent company like Warp Films would be more suitable than a major studio. Warp Films supports lower budget, culturally significant films. Examples like 28 Days Later were successful despite small budgets due to strong stories and characters. The summary also notes that the target audience for the film would be predominantly male ages 18-25, further supporting the choice of a smaller distributor suited for niche films within the mass market.
Eval q 3 fini
The document discusses potential distributors for the independent film "Hanger Hill" based on its low budget. It suggests that New Line Cinema would be a suitable choice as they have previously distributed similar thriller films like "Se7en" that were financially successful. Alternatively, the British production company Film 4 could also distribute "Hanger Hill" as they regularly fund low-budget films focused on plot rather than large profits, such as the acclaimed film "Ex Machina".
Производство художественного фильма
The document discusses the process of developing a film from script to cinema hall. It covers finding source material like scripts or books, obtaining development funding from sources like broadcasters and public funds, attaching a cast and director. It then discusses financing options in the UK like tax credits, broadcaster funding, public funds, sales agents and advances. It outlines the tax credit system and eligibility. It also provides an overview of the production and post-production process, as well as distribution and new trends in distribution like social media, brands and on demand services.
What kind of media institution might distribute your product and why?
StudioCanal UK would be the most suitable media institution to distribute the film. As a small, low-budget British film with a niche audience, StudioCanal UK specializes in similar projects and could provide distribution in the UK and parts of Europe. Funding for a digital release could come from the National Lottery, supporting low-budget British films, and work in harmony with StudioCanal UK's distribution.
Evaluation question three
This document discusses potential distributors for an independent horror film made on a low budget with local actors. It analyzes how two potential distributors, StudioCanalUK and Lions Gate Entertainment, would be suitable options. StudioCanalUK releases many independent British films and has distributed similar horror films. Lions Gate Entertainment is a successful North American independent film company that has distributed a wide variety of genres, including horror films. Both companies' experience with independent and genre films could help distribute and promote the film.
Distribution and exhibition
The document discusses film distribution procedures. It notes that the success of a cinema release determines subsequent DVD and TV releases. Film distribution rights are sold separately for different territories like the UK. Most major Hollywood films in the UK are distributed directly by the financing studio. The top 5 distributors in the UK account for around 90% of box office rentals. A Hollywood blockbuster is typically given a wide release of 400-500 prints costing around £1000 each, representing a significant investment. Extensive promotion is conducted for the opening weekend to create buzz around the film.
Independent cinema research
The document discusses the key aspects of film production, distribution, and exhibition. It explains that production involves developing the script, assembling a creative team, filming, and post-production editing. Distribution is how a film is promoted and made available to audiences, such as through social media, theaters, video releases, and streaming. Exhibition is the final stage where audiences view the completed film, mainly through DVDs, mainstream cinemas, or independent cinemas. The document provides examples of mainstream Hollywood studios and independent production companies.
Distribution question 3
This document discusses film distribution and the process of getting a film seen by audiences. It notes that distributors spend around £300 million marketing and distributing films. The author would want their low-budget horror film/TV series to be picked up by Channel 4 and distributed widely through urban multiplex cinemas and a Spanish version. They identify Entertainment UK as a distributor that helps with casting and would appreciate working with them. The document also provides examples of successful low-budget British films and their distributors, such as Bullet Boy distributed by Verve Pictures and Dexter Fletcher's films through Entertainment Film Distribution.
Film distribution in media
A film distributor helps film production companies secure placement of their films in cinemas and home viewing markets. They arrange for exhibitors like theaters to rent and screen films. The distributor handles contracts detailing ticket sale revenue shares. They also manage film prints, subtitles, censorship approvals, and screening schedules. DNA Films is an independent British production company founded in 1997. They have had successful films such as 28 Days Later and The Last King of Scotland. DNA Films partnered with Fox Searchlight for benefits like DNA gaining funds and worldwide distribution, while Fox Searchlight gains cultural credibility.
Media distribution
The document discusses distributing a new psychological thriller film called "The Searchers". It considers several potential film distribution companies to partner with, including Rogue Pictures and New Line Cinema. Rogue specializes in thriller and horror films while New Line has had huge successes distributing films like Lord of the Rings. Self-distribution is also discussed but is not preferred due to the high budget of the film and desire to earn profits. The filmmakers believe the film could appeal to audiences in the UK and US due to similar cultures and language. Potential marketing strategies mentioned include television and radio interviews, billboards, TV trailers, and a London premiere.
Distribution
Film distribution involves releasing films to the public through cinemas and home viewing. A film distributor is responsible for determining the release strategy and date, presenting the film to exhibitors to negotiate showing it in cinemas, and generating money from the film through various releases and platforms like DVD, online, and television broadcasts over many years. There are six major film distributors in the UK that handle the distribution of films from producers and studios.
Distributores
Film distribution is a competitive business that is important to the film industry. The distributor must promote each film starting from scratch by showcasing its potential and forgetting personal opinions. The document discusses distributing a UK-based film internationally. It believes the film could appeal in the UK and USA similarly to other successful films of that genre distributed by 20th Century Fox. To promote the film, it plans to use the BFI for distribution in raising funds for niche films, promote online, and release on DVD.
AS Media evaluation - question 3
StudioCanal UK would be a suitable company to distribute the film because they own subsidiaries like Warp Films that produce similar low-budget films. StudioCanal UK and Warp Films are both based in the UK, where the film was produced. Additionally, StudioCanal UK has distributed films with similarities to the one in question, including low-budget and similar genre elements, which would help target the same audience. Distributing with StudioCanal UK would also provide advantages of their experienced marketing strategies, as demonstrated by campaigns for films like Paddington.
FY 2014 Transportation Appropriations
This letter from the Transportation Construction Coalition urges Representatives and Senators to fully fund the FY 2013 highway and public transportation investment levels set by the Moving Ahead for Progress in the 21st Century Act (MAP-21). The letter argues that a continuing resolution that underfunds MAP-21 would undermine the certainty the new law was intended to provide and fail to utilize transportation resources as intended. The Coalition requests that Congress work to ensure MAP-21's investment commitments for FY 2013 are fulfilled.
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Film distribution
A distributor represents films at festivals and markets worldwide, trying to sell them to television and other outlets. They handle theatrical releases in specific regions and market films for home viewing. Distributors acquire most films that are completed and identified at festivals. To be distributed, a film needs assets like contracts establishing the rights to sell the film.
Distribution lesson1 24.11.11
Film distribution involves marketing films to audiences and exhibitors like movie theaters and television networks. A film distributor promotes and distributes films to maximize the number of viewers. For large studio films, the distributor is often affiliated with the studio. Independent films have a harder time finding distributors to help finance and promote their films. Distributors arrange for films to be shown in theaters, on television, and other platforms to generate revenue from ticket and disc sales.
Distribution
This document discusses choosing a film distributor and why the authors selected Verve Pictures. It explains that a distributor acts as an intermediary between a film studio and exhibitors, securing screen time and handling promotion. Verve Pictures is specifically called out as they have experience distributing low-budget, first-time films successfully. One of their past successes was the independent film "Bullet Boy" which earned £450,000. Given the authors' low-budget, first-time film references local gang culture, Verve Pictures was deemed an ideal choice based on their track record in similar films.
Task 3 distribution powerpoint
This document discusses film distribution options for a low-budget thriller film set in the UK. It analyzes that Vertigo Films would be the most suitable independent distributor as they specialize in lower budget, independent films. Vertigo Films has a smaller marketing budget but could still get the film into cinemas and on other formats. The film would appeal most to a UK audience as it is set locally, allowing for targeted promotion in the UK through ads, posters, and press events. Releasing the film around Easter or holidays would be best to target the student demographic when they have more free time. While self-distribution could increase profits, it would be very time-consuming without the experience and industry contacts of an established dist
Presentation2
A smaller distribution company like Warp Films would be more suitable than a major studio for my low-budget horror film. Warp Films focuses on culturally significant, niche films instead of large blockbusters. They have successfully distributed modestly budgeted horror films like 28 Days Later that found audiences through compelling stories and characters. My film would appeal to a specific target age and gender demographic, as is common for the horror genre, making it a niche product rather than mass market. A smaller company is more likely to take on a low-budget, specialized film.
Presentation2
- A smaller, independent film company like Warp Films would be more suitable than a major studio to distribute my low-budget horror film.
- Warp Films supports culturally relevant, grassroots films and has successfully distributed modestly budgeted horror films like 28 Days Later that had great stories and characters.
- My film also has a narrow target audience of 18-25 year old males, making it a niche product that a smaller company could more effectively promote.
Presentation2
The document discusses which type of media institution would be best for distributing a low-budget horror film. It argues that a smaller, independent company like Warp Films would be more suitable than a major studio. Warp Films supports lower budget, culturally significant films. Examples like 28 Days Later were successful despite small budgets due to strong stories and characters. The summary also notes that the target audience for the film would be predominantly male ages 18-25, further supporting the choice of a smaller distributor suited for niche films within the mass market.
Eval q 3 fini
The document discusses potential distributors for the independent film "Hanger Hill" based on its low budget. It suggests that New Line Cinema would be a suitable choice as they have previously distributed similar thriller films like "Se7en" that were financially successful. Alternatively, the British production company Film 4 could also distribute "Hanger Hill" as they regularly fund low-budget films focused on plot rather than large profits, such as the acclaimed film "Ex Machina".
Производство художественного фильма
The document discusses the process of developing a film from script to cinema hall. It covers finding source material like scripts or books, obtaining development funding from sources like broadcasters and public funds, attaching a cast and director. It then discusses financing options in the UK like tax credits, broadcaster funding, public funds, sales agents and advances. It outlines the tax credit system and eligibility. It also provides an overview of the production and post-production process, as well as distribution and new trends in distribution like social media, brands and on demand services.
What kind of media institution might distribute your product and why?
StudioCanal UK would be the most suitable media institution to distribute the film. As a small, low-budget British film with a niche audience, StudioCanal UK specializes in similar projects and could provide distribution in the UK and parts of Europe. Funding for a digital release could come from the National Lottery, supporting low-budget British films, and work in harmony with StudioCanal UK's distribution.
Evaluation question three
This document discusses potential distributors for an independent horror film made on a low budget with local actors. It analyzes how two potential distributors, StudioCanalUK and Lions Gate Entertainment, would be suitable options. StudioCanalUK releases many independent British films and has distributed similar horror films. Lions Gate Entertainment is a successful North American independent film company that has distributed a wide variety of genres, including horror films. Both companies' experience with independent and genre films could help distribute and promote the film.
Distribution and exhibition
The document discusses film distribution procedures. It notes that the success of a cinema release determines subsequent DVD and TV releases. Film distribution rights are sold separately for different territories like the UK. Most major Hollywood films in the UK are distributed directly by the financing studio. The top 5 distributors in the UK account for around 90% of box office rentals. A Hollywood blockbuster is typically given a wide release of 400-500 prints costing around £1000 each, representing a significant investment. Extensive promotion is conducted for the opening weekend to create buzz around the film.
Independent cinema research
The document discusses the key aspects of film production, distribution, and exhibition. It explains that production involves developing the script, assembling a creative team, filming, and post-production editing. Distribution is how a film is promoted and made available to audiences, such as through social media, theaters, video releases, and streaming. Exhibition is the final stage where audiences view the completed film, mainly through DVDs, mainstream cinemas, or independent cinemas. The document provides examples of mainstream Hollywood studios and independent production companies.
Distribution question 3
This document discusses film distribution and the process of getting a film seen by audiences. It notes that distributors spend around £300 million marketing and distributing films. The author would want their low-budget horror film/TV series to be picked up by Channel 4 and distributed widely through urban multiplex cinemas and a Spanish version. They identify Entertainment UK as a distributor that helps with casting and would appreciate working with them. The document also provides examples of successful low-budget British films and their distributors, such as Bullet Boy distributed by Verve Pictures and Dexter Fletcher's films through Entertainment Film Distribution.
Film distribution in media
A film distributor helps film production companies secure placement of their films in cinemas and home viewing markets. They arrange for exhibitors like theaters to rent and screen films. The distributor handles contracts detailing ticket sale revenue shares. They also manage film prints, subtitles, censorship approvals, and screening schedules. DNA Films is an independent British production company founded in 1997. They have had successful films such as 28 Days Later and The Last King of Scotland. DNA Films partnered with Fox Searchlight for benefits like DNA gaining funds and worldwide distribution, while Fox Searchlight gains cultural credibility.
Media distribution
The document discusses distributing a new psychological thriller film called "The Searchers". It considers several potential film distribution companies to partner with, including Rogue Pictures and New Line Cinema. Rogue specializes in thriller and horror films while New Line has had huge successes distributing films like Lord of the Rings. Self-distribution is also discussed but is not preferred due to the high budget of the film and desire to earn profits. The filmmakers believe the film could appeal to audiences in the UK and US due to similar cultures and language. Potential marketing strategies mentioned include television and radio interviews, billboards, TV trailers, and a London premiere.
Distribution
Film distribution involves releasing films to the public through cinemas and home viewing. A film distributor is responsible for determining the release strategy and date, presenting the film to exhibitors to negotiate showing it in cinemas, and generating money from the film through various releases and platforms like DVD, online, and television broadcasts over many years. There are six major film distributors in the UK that handle the distribution of films from producers and studios.
Distributores
Film distribution is a competitive business that is important to the film industry. The distributor must promote each film starting from scratch by showcasing its potential and forgetting personal opinions. The document discusses distributing a UK-based film internationally. It believes the film could appeal in the UK and USA similarly to other successful films of that genre distributed by 20th Century Fox. To promote the film, it plans to use the BFI for distribution in raising funds for niche films, promote online, and release on DVD.
AS Media evaluation - question 3
StudioCanal UK would be a suitable company to distribute the film because they own subsidiaries like Warp Films that produce similar low-budget films. StudioCanal UK and Warp Films are both based in the UK, where the film was produced. Additionally, StudioCanal UK has distributed films with similarities to the one in question, including low-budget and similar genre elements, which would help target the same audience. Distributing with StudioCanal UK would also provide advantages of their experienced marketing strategies, as demonstrated by campaigns for films like Paddington.
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What kind of media institution might distribute your product and why?
What kind of media institution might distribute your product and why?
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What kind of media institution might distribute your media product and why
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
08haless uk film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
Film Distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors like theaters to show the film and set up screenings. They handle advertising, securing contracts with theaters regarding ticket sales revenue, collecting additional profits from DVD/Blu-ray sales and streaming, ensuring copies of the film are delivered to theaters on time, and monitoring box office performance. Distributors must consider factors like the target audience, competition from other releases, and a film's star power when planning distribution. They use varying strategies based on a film's type, from big Hollywood releases to smaller foreign or independent films.
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This document discusses distribution options for an independent film. It explains that an independent film would likely be distributed by an independent film company rather than a major Hollywood studio due to its lower budget. The document suggests that Fox Searchlight Pictures could be a suitable distributor as they have distributed similar psychological thriller films in the past. It proposes marketing the film through an online campaign on social media platforms and a platform release strategy in key areas initially.
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The UK Film Council was a charity that awarded National Lottery funding to support film production, distribution, education, and research in the UK. It also supported short filmmakers and independent distributors. Prior to the Film Council, the British Film Institute (BFI) was a private company that received some public funding. Since the government dismantled the Film Council, most of its functions have been transferred to the BFI, including distributing National Lottery funding for new British films. The Regional Screen Agencies also helped fund short films across the UK until changes to funding structures.
Funding and support
The UK Film Council was a charity that awarded National Lottery funding to support film production, distribution, education, and research in the UK. It also supported short filmmakers and independent distributors. Prior to the Film Council, the British Film Institute (BFI) was a private company that received some public funding. Since the government dismantled the Film Council, most of its functions have been transferred to the BFI, including distributing National Lottery funding for new British films. The Regional Screen Agencies also helped fund short films across the UK until changes to funding structures.
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Straight Outta Compton was distributed domestically by Universal Pictures and received a wide theatrical release in August 2015, a time chosen to capitalize on summer blockbuster season. I, Daniel Blake was distributed internationally through various independent distributors and film festivals, helping it secure distribution deals. Both films followed platform release patterns, utilizing various digital and home video platforms in quick succession to maximize revenue from different audiences. Regulation by the BBFC influenced the films' ratings and potential audiences.
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The document discusses the distribution of the films Straight Outta Compton and I, Daniel Blake. It provides information on what film distribution entails, such as releasing and marketing films. For Straight Outta Compton, Universal Pictures distributed the film internationally using a saturated release pattern. I, Daniel Blake was distributed internationally through various smaller distributors suited for its independent and niche audience. Both films used platform release patterns to build audiences through word-of-mouth in key territories.
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Yet another updated ppt feature something stolen from someone else but which has been transformed so much it bears little or no resemblance to the original.
Evaluation 3
Columbia Pictures, The UK Film Council, and Vertigo Films are all media institutions that could potentially distribute a film product. Columbia Pictures is a major American film studio that has backed over 1000 films, including comedies like Bad Teacher. The UK Film Council (no longer operating) was a public body that funded over 900 British films to develop the UK film industry and attract global audiences. Vertigo Films is a British production and distribution company founded in 2002 that has produced films like Bronson and Monster and aims to produce and distribute four films per year.
Media evaluation question 1
Bulldog Film Distribution would be the most suitable distributor for the filmmaker's media product. As an independent UK film distributor, Bulldog focuses on smaller films that it distributes across all platforms in the UK only. This narrow scope makes films like the filmmaker's, which has a British nature, more likely to be considered. In contrast, large Hollywood studios like Warner Bros have an exclusively large global scope and budget that does not align with the filmmaker's smaller-scale project.
Institutions and Audiences: British Film
This document provides information about studying British film for AS Media Studies, including key learning outcomes and focus areas. It discusses what makes a film British and provides examples of British films that have been nominated for awards. It also covers the requirements of the exam, finance and funding of British films, the roles of production companies and distributors, and targeting audiences. Case studies are used to illustrate concepts around the production and distribution of independent British films.
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The BBFC regulates age ratings for movies in the UK, determining if movies are suitable for all audiences based on graphic or sexual content. Films are submitted for rating along with information on length and intended rating. The distributor pays a fee per minute to have the film rated. The BBFC was established in 1912 when local authorities started imposing varying censorship standards, to bring uniformity to the national standards.
Evaluation Question 3- What kind of media instituion might distribute your me...
Vertigo Films would be the most suitable media institution to distribute a low-budget British film because:
1) Vertigo Films is a UK media company that specializes in creating and distributing commercially viable independent cinema projects.
2) They focus on addressing audiences in a careful way and producing films within tight budgets.
3) Their approach to budgets and technology allows them to effectively distribute low-budget British films to targeted audiences.
The British Film Industry
The document discusses the British film industry, including its objectives to identify key issues and evaluate popularity with audiences. It then provides information on organizations within the British film industry and their roles. These include the BFI which supports and promotes film, the BBFC which classifies and censors films, the British Council which promotes British films internationally, and the UK Film Council which previously promoted the economic, cultural and educational aspects of film. It also lists some major British production companies and their recent films. Finally, it discusses reasons for having a British film industry, how British films attract audiences, and compares British films to Hollywood blockbusters.
Indie cinemas
Picturehouse Cinemas is ostensibly an independent cinema chain in the UK but is actually owned by Cineworld. It screens both mainstream and independent films. Soda Pictures is a small British film distributor that releases around 20 low-budget British and foreign films per year. For the film Skeletons, Soda secured festival screenings to create buzz and had a limited cinematic release in Picturehouse cinemas. The film benefited from extensive discussion on a radio show but had no wide release in other countries beyond festivals.
What is distribution media
This document discusses film distribution. Distribution involves releasing films in cinemas, on DVD, and television to reach audiences. Major US studios like Paramount, Warner Bros., and Universal dominate global distribution through their large size and ability to distribute films internationally. Distribution involves producing film prints, marketing, deciding release dates and theaters. Independent British films have a harder time getting international distribution deals and theatrical screenings due to lack of funding compared to major Hollywood blockbusters. Film festivals help independent films get noticed and potentially picked up by distributors.
Part 2 and 3
The UK Film Council (UKFC) was established in 2000 by the Labour government to develop and promote the UK film industry. It invested lottery funding into various programs that supported emerging filmmakers, ambitious projects, and over 100 short films per year. In 2011, the UKFC was dismantled by the Conservative government and its roles and funding were transferred to the BFI. The BFI had historically focused on film archives and education prior to taking over the UKFC's responsibilities of investing in film production and development. It now distributes lottery funds and supports filmmakers through programs like its short film fund.
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Distribute
- 1. What kind of media institution might distribute your media product and why?
- 2. • My film has elements of emotional abuse and urban living in it, and I think it reflects such films as Kidulthood in this way. Kidulthood was distributed by the company Revolver, and I think this company would be the type of institute to distribute my film.
- 3. • Revolver Entertainment is a British film distribution company that was established in London in 1997. • Revolver entertainment has distributed such social realist films as; Shank, Kidulthood, and Stealth. • The company has gained a good reputation through the distribution of these films that become popular.
- 4. • Distributors sign a formal agreement with the producer, sales agent or studio, specifying the rights they hold in respect of the title. These normally include the right to release it in UK cinemas and promote it in all media before and during its release. There may also be provision for the film to be edited locally (or not) in order to secure a particular classification. The contract will set out how the income from the release is to be apportioned and accounted for, and set a date on which the distribution license expires.
- 5. Funding I think that the UK Film Council would fund my film because they have a tendency to support and finance British films. However the UK Film council lost its place as the main funder of British films in August 2011, but it is still a well known company. Instead the BFI now funds films through the national lottery.
- 6. • In order for your film to be funded by the BFI, a Cultural Test needed to be taken to confirm if my film is British or not to be certified. Score = 0/3 Score = 8/8 Score = 16/16 Score = 4/4 For a film to be classes as British it has to score at least 16 out of 31 points, overall I scored 28/31 so my films would be certified to be funded by the BFI.