The document discusses how movie trailers are constructed and what elements make the cut. It notes that trailers typically follow a linear narrative structure, but can also employ nonlinear shots. Teasers aim more to set tone than plot, while thriller trailers cut faster to raise attention. An analysis of Lincoln and Argo trailers found the former used nonlinear shots to introduce characters, and the latter balanced thriller and satire tones with shorter, more frequent clips for thrills and longer shots for comedy.