In a consumer society, "discourse" has become a way of creation. The narrative of object sets a new perspective, showing the non-material components of the material as much as possible, and people’s positive attitude towards the narrative mode also changes the focus of fashion design work. It is intended to analyze clothing narrative from the three aspects of fashion narrative suggestion, discourse structure and how fashion narrative is consumed.
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Participatory Culture and Digital Concept at the Favela Museum, Rio de Janeir...inventionjournals
This article is based on the study of digital engagement in the Favela Museum, Cantagalo, Pavão, Pavãozinho in Rio de Janeiro, Brazil. The conceptual frame is the digital anthropology coined as a subdiscipline by Miller and Horst (2013) which highlights that digital activism can be seen as a socio-cultural mediation system. The main reference is Geismar (2012) who defines digital engagement in the museum context. She argues that although some analysts suppose that digital technologies in museums represent a new epistemology, in fact, the emergence of digital technologies is part of a long-standing trajectory of networking, classifying and forging representations of human being and material culture. The debate about personal memories, collective or culture memories can be highlighted for different contemporary issues. These are the main capital in the Favela Museum. Furthermore, the Favela Museum’s heritage includes acts of individual memory, personal narratives, communal stories, institutional memories and mediated objects. Products of memories comprise what favela dwellers choose to capture. What they decide to record or remember without recording it. When you work on a digital anthropology concept in the museum context, it is assumed that the cosmology drastically varies according to each specific sociocultural technological environment. By following Geismar’s (Idem) theory, I am suggesting that in each local digital culture, technology plays a different role. Therefore, this article investigates, as a case study, how the experience of a social museum is shared by digital networks and platforms
Attachment Theory Essay. Attachment theory essay. What is Attachment Theory?...Faith Russell
Attachment Theory Free Essay Example. 4 Stages of Attachment, Explained! (Bowlby’s Theory) (2024). Attachment Theory Analysis Essay Example | Topics and Well Written .... Bowlby's theory of attachment | Attachment theory, Counselling theories .... AS Level Psychology Essay | Attachment Theory | Human Life Stages. Attachment Theory Strengths And Weakness - Learning theory / Whether .... Attachment theory essay example studentshare. AQA Psychology - Attachment Sample Essays | Teaching Resources. ≫ Children’s Attachment Theory Free Essay Sample on Samploon.com. (PDF) Attachment Theory. Sample essay on attachment theory. Attachment theory research papers on understanding.
Attachment Theory Free Essay Example. 4 Stages of Attachment, Explained! (Bowlby’s Theory) (2024). Attachment Theory Analysis Essay Example | Topics and Well Written .... Bowlby's theory of attachment | Attachment theory, Counselling theories .... AS Level Psychology Essay | Attachment Theory | Human Life Stages. Attachment Theory Strengths And Weakness - Learning theory / Whether .... Attachment theory essay example studentshare. AQA Psychology - Attachment Sample Essays | Teaching Resources. ≫ Children’s Attachment Theory Free Essay Sample on Samploon.com. (PDF) Attachment Theory. Sample essay on attachment theory. Attachment theory research papers on understanding.
What is the relationship between fashion and beauty?TosueefMuhammad
Fashion and beauty are BFF's They can stand on their own, but are better together.
Fashion's influence is from the models and the way they wear it, not the clothes.”
Examples Of Semiotic Analysis
Semiotics And Semiotics
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Essay on A Critique on Semiotics Theory
Essay on Semiotics of Personal Objects
Semiotics : Signs And Symbols
Three Forms Of Semiotics
Semiotics : Signs, Symbols And Gestures
Semiotics In The Classroom
Example Of Semiotic Connotation
Participatory Culture and Digital Concept at the Favela Museum, Rio de Janeir...inventionjournals
This article is based on the study of digital engagement in the Favela Museum, Cantagalo, Pavão, Pavãozinho in Rio de Janeiro, Brazil. The conceptual frame is the digital anthropology coined as a subdiscipline by Miller and Horst (2013) which highlights that digital activism can be seen as a socio-cultural mediation system. The main reference is Geismar (2012) who defines digital engagement in the museum context. She argues that although some analysts suppose that digital technologies in museums represent a new epistemology, in fact, the emergence of digital technologies is part of a long-standing trajectory of networking, classifying and forging representations of human being and material culture. The debate about personal memories, collective or culture memories can be highlighted for different contemporary issues. These are the main capital in the Favela Museum. Furthermore, the Favela Museum’s heritage includes acts of individual memory, personal narratives, communal stories, institutional memories and mediated objects. Products of memories comprise what favela dwellers choose to capture. What they decide to record or remember without recording it. When you work on a digital anthropology concept in the museum context, it is assumed that the cosmology drastically varies according to each specific sociocultural technological environment. By following Geismar’s (Idem) theory, I am suggesting that in each local digital culture, technology plays a different role. Therefore, this article investigates, as a case study, how the experience of a social museum is shared by digital networks and platforms
Attachment Theory Essay. Attachment theory essay. What is Attachment Theory?...Faith Russell
Attachment Theory Free Essay Example. 4 Stages of Attachment, Explained! (Bowlby’s Theory) (2024). Attachment Theory Analysis Essay Example | Topics and Well Written .... Bowlby's theory of attachment | Attachment theory, Counselling theories .... AS Level Psychology Essay | Attachment Theory | Human Life Stages. Attachment Theory Strengths And Weakness - Learning theory / Whether .... Attachment theory essay example studentshare. AQA Psychology - Attachment Sample Essays | Teaching Resources. ≫ Children’s Attachment Theory Free Essay Sample on Samploon.com. (PDF) Attachment Theory. Sample essay on attachment theory. Attachment theory research papers on understanding.
Attachment Theory Free Essay Example. 4 Stages of Attachment, Explained! (Bowlby’s Theory) (2024). Attachment Theory Analysis Essay Example | Topics and Well Written .... Bowlby's theory of attachment | Attachment theory, Counselling theories .... AS Level Psychology Essay | Attachment Theory | Human Life Stages. Attachment Theory Strengths And Weakness - Learning theory / Whether .... Attachment theory essay example studentshare. AQA Psychology - Attachment Sample Essays | Teaching Resources. ≫ Children’s Attachment Theory Free Essay Sample on Samploon.com. (PDF) Attachment Theory. Sample essay on attachment theory. Attachment theory research papers on understanding.
What is the relationship between fashion and beauty?TosueefMuhammad
Fashion and beauty are BFF's They can stand on their own, but are better together.
Fashion's influence is from the models and the way they wear it, not the clothes.”
24 OCTOBER 2016BY MAUREEN DICKSON, CARLOTTA CATALDI AND CRYSTAL .docxtamicawaysmith
24 OCTOBER 2016
BY MAUREEN DICKSON, CARLOTTA CATALDI AND CRYSTAL GROVER
The Slow Fashion Movement
Slow Fashion is not your typical seasonal fashion trend, it is a movement that is steadily gaining momentum and is likely here to stay...
Today’s mainstream fashion industry relies on globalised, mass production where garments are transformed from the design stage to the retail floor in only a few weeks. With retailers selling the latest fashion trends at very low prices, consumers are easily swayed to purchase more than they need. But this overconsumption comes with a hidden price tag, and it is the environment and workers in the supply chain that pay.
The fashion industry is contributing to today’s sustainability challenge in a number of ways. It currently uses a constant flow of natural resources to produce ‘Fast Fashion’ garments. In the way it operates, this industry is constantly contributing to the depletion of fossil fuels, used, for example, in textile & garment production and transportation. Fresh water reservoirs are also being increasingly diminished for cotton crop irrigation. The fashion industry is also introducing, in a systematic way and in ever-greater amounts, manmade compounds such as pesticides and synthetic fibres, which increase their persistent presence in nature.
As a result, some natural resources are in jeopardy and forests and ecosystems are being damaged or destroyed for such things as fibre production, leading to issues such as droughts, desertification and not least, climate change, that are affecting society at large.
To visualise the sustainability challenge of today’s fashion industry, the funnel metaphor is used to demonstrate the consumption behaviour of the larger fashion industry, including consumers. If this keeps increasing at the current rate, the impact on the social and ecological environment will also increase. This leads to a very limited space for the industry to handle these impacts in the future and resolve the issues society is facing today. This is symbolised by the sloping walls of the funnel.
Using this metaphor we can draw the conclusion that if we do not want to ‘hit the narrowing walls of the funnel,’ we must re-design the current unsustainable practices in society, including the fashion industry. This change, if achieved, is likely to result in a gradual return to equilibrium, where societal behaviour is not in conflict with natural resources, and the fashion industry can carry on without compromising the health of the people and our planet.
Slow Fashion represents all things “eco”, “ethical” and “green” in one unified movement. It was first coined by Kate Fletcher, from the Centre for Sustainable Fashion, when fashion was compared to the Slow Food experience. Carl Honoré, author of “In Praise of Slowness”, says that the ‘slow approach’ intervenes as a revolutionary process in the contemporary world because it encourages taking time to ensure quality production, to give value to the ...
Fashion is a dynamic and ever-evolving form of self-expression that encompasses clothing, accessories, and personal style choices. It reflects cultural, societal, and individual trends, allowing people to showcase their personality, creativity, and identity through what they wear. Fashion is not just about following trends but also about making unique statements and feeling confident in one's appearance. It is a powerful means of communication, enabling individuals to convey messages, cultural affiliations, and even social or political statements through their clothing choices. Fashion is an art form that constantly evolves, influenced by designers, celebrities, social media, and historical and cultural influences, making it a vibrant and integral part of our daily lives.
Environmental Pollution Essay for Students and Children in English - A .... Descriptive essay: Air pollution essay. Essay Pollution and Damage to the Environment | Fuels | Greenhouse Gas. Scholarship essay: Essay environmental pollution.
Research Proposal Sample Online, PhD, Charles Sturt University, AustraliaAjeet Singh
Do you need research proposal sample online? Download free sample on Research Proposal, PhD, Charles Sturt University, Australia. This is Ph.D research proposal sample, which is for Charles Sturt University.
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Philosophy of Education for a Teacher: Free Essay Example. Philosophy of Education. Philosophy of Education Examples | A+ Resumes for Teachers. 003 Essay On Philosophy Of Education Cover Letter Life Essays Examples .... Paper on philosophy of education - writefiction581.web.fc2.com. 004 Essay Example Philosophy Topics Future Teachers Of Education .... Essay about My Philosophy of Education - PHDessay.com. My philosophy of education summary edited. College Essay: Personal philosophy of education essays. Philosophy Of Education Essay Pdf - slidesharedocs. My Teaching Philosophy | Teachers | Learning. My educational philosophy essay - reportz767.web.fc2.com. Best 25+ Philosophy of education examples ideas on Pinterest | Teacher .... 001 Philosophy Of Education Essay Example On L ~ Thatsnotus. Educ 501 my philosophy of education (essay).
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This study focuses on the listening anxiety experienced by teacher candidates (TCs) in Iran and Turkey. Using different data collection methods, including two questionnaires, listening test, and semi-structured interviews, this study tried to investigate the factors behind Foreign Language Listening Anxiety (FLLA) among Iranian teacher candidates (TCs). The participants of the study in Iran context were 29 teacher candidates studying at BA level in English Language Teaching. All of the participants were asked to complete these two questionnaires with the background information regarding their age, gender, years of language study. The participants’ answers to FLLAS and FLCAS were analyzed with spss to obtain frequencies and percentages. The results were compared to the same study by Bekleyen. The findings revealed that Iranian TCs experienced a high level of FLLA compared to Turkish TCs and showed a significant positive correlation between FLLA and FLCA, which means that teacher candidates with higher levels of language anxiety tended to have higher levels of listening anxiety. In addition, interview data suggested that Iranian and Turkish participants’ FLLA mostly originated from the same source: inadequacy of past education in listening skill. Furthermore, practice was the most frequent strategy used by participants in these two countries to overcome this kind of anxiety.
The main thrust of this paper is to examine the issue of racial segregation in Maya Angelou’s “Caged Bird” via exploring the poem in relation to the circumstances that typify life and existence in the African American context. An attempt is made to situate this poem within the heat of racism, oppression, and class discrimination as well as the search for black identity. The paper relies on New Historicism as the scope of exploration owing to the chunk of influence that history and society bears on African American writing. Then literary critical analysis is made to verify the different aspects of racism and social segregation as represented in the poem.
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24 OCTOBER 2016BY MAUREEN DICKSON, CARLOTTA CATALDI AND CRYSTAL .docxtamicawaysmith
24 OCTOBER 2016
BY MAUREEN DICKSON, CARLOTTA CATALDI AND CRYSTAL GROVER
The Slow Fashion Movement
Slow Fashion is not your typical seasonal fashion trend, it is a movement that is steadily gaining momentum and is likely here to stay...
Today’s mainstream fashion industry relies on globalised, mass production where garments are transformed from the design stage to the retail floor in only a few weeks. With retailers selling the latest fashion trends at very low prices, consumers are easily swayed to purchase more than they need. But this overconsumption comes with a hidden price tag, and it is the environment and workers in the supply chain that pay.
The fashion industry is contributing to today’s sustainability challenge in a number of ways. It currently uses a constant flow of natural resources to produce ‘Fast Fashion’ garments. In the way it operates, this industry is constantly contributing to the depletion of fossil fuels, used, for example, in textile & garment production and transportation. Fresh water reservoirs are also being increasingly diminished for cotton crop irrigation. The fashion industry is also introducing, in a systematic way and in ever-greater amounts, manmade compounds such as pesticides and synthetic fibres, which increase their persistent presence in nature.
As a result, some natural resources are in jeopardy and forests and ecosystems are being damaged or destroyed for such things as fibre production, leading to issues such as droughts, desertification and not least, climate change, that are affecting society at large.
To visualise the sustainability challenge of today’s fashion industry, the funnel metaphor is used to demonstrate the consumption behaviour of the larger fashion industry, including consumers. If this keeps increasing at the current rate, the impact on the social and ecological environment will also increase. This leads to a very limited space for the industry to handle these impacts in the future and resolve the issues society is facing today. This is symbolised by the sloping walls of the funnel.
Using this metaphor we can draw the conclusion that if we do not want to ‘hit the narrowing walls of the funnel,’ we must re-design the current unsustainable practices in society, including the fashion industry. This change, if achieved, is likely to result in a gradual return to equilibrium, where societal behaviour is not in conflict with natural resources, and the fashion industry can carry on without compromising the health of the people and our planet.
Slow Fashion represents all things “eco”, “ethical” and “green” in one unified movement. It was first coined by Kate Fletcher, from the Centre for Sustainable Fashion, when fashion was compared to the Slow Food experience. Carl Honoré, author of “In Praise of Slowness”, says that the ‘slow approach’ intervenes as a revolutionary process in the contemporary world because it encourages taking time to ensure quality production, to give value to the ...
Fashion is a dynamic and ever-evolving form of self-expression that encompasses clothing, accessories, and personal style choices. It reflects cultural, societal, and individual trends, allowing people to showcase their personality, creativity, and identity through what they wear. Fashion is not just about following trends but also about making unique statements and feeling confident in one's appearance. It is a powerful means of communication, enabling individuals to convey messages, cultural affiliations, and even social or political statements through their clothing choices. Fashion is an art form that constantly evolves, influenced by designers, celebrities, social media, and historical and cultural influences, making it a vibrant and integral part of our daily lives.
Environmental Pollution Essay for Students and Children in English - A .... Descriptive essay: Air pollution essay. Essay Pollution and Damage to the Environment | Fuels | Greenhouse Gas. Scholarship essay: Essay environmental pollution.
Research Proposal Sample Online, PhD, Charles Sturt University, AustraliaAjeet Singh
Do you need research proposal sample online? Download free sample on Research Proposal, PhD, Charles Sturt University, Australia. This is Ph.D research proposal sample, which is for Charles Sturt University.
If you are looking for research proposal help, you can connect with experts at The Student Helpline.
Website: www.thestudenthelpline.com
Journal Article Analysis Essay example
Analysis of Visual Text Essay
Textual Analysis Examples
Interpretation of the Text
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Global Warming Essay example
Textual Analysis Essay example
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This study focuses on the listening anxiety experienced by teacher candidates (TCs) in Iran and Turkey. Using different data collection methods, including two questionnaires, listening test, and semi-structured interviews, this study tried to investigate the factors behind Foreign Language Listening Anxiety (FLLA) among Iranian teacher candidates (TCs). The participants of the study in Iran context were 29 teacher candidates studying at BA level in English Language Teaching. All of the participants were asked to complete these two questionnaires with the background information regarding their age, gender, years of language study. The participants’ answers to FLLAS and FLCAS were analyzed with spss to obtain frequencies and percentages. The results were compared to the same study by Bekleyen. The findings revealed that Iranian TCs experienced a high level of FLLA compared to Turkish TCs and showed a significant positive correlation between FLLA and FLCA, which means that teacher candidates with higher levels of language anxiety tended to have higher levels of listening anxiety. In addition, interview data suggested that Iranian and Turkish participants’ FLLA mostly originated from the same source: inadequacy of past education in listening skill. Furthermore, practice was the most frequent strategy used by participants in these two countries to overcome this kind of anxiety.
The main thrust of this paper is to examine the issue of racial segregation in Maya Angelou’s “Caged Bird” via exploring the poem in relation to the circumstances that typify life and existence in the African American context. An attempt is made to situate this poem within the heat of racism, oppression, and class discrimination as well as the search for black identity. The paper relies on New Historicism as the scope of exploration owing to the chunk of influence that history and society bears on African American writing. Then literary critical analysis is made to verify the different aspects of racism and social segregation as represented in the poem.
This article provides an overview of existing instruments measuring self-efficacy for English language learning in both first and second language acquisition fields and their reliability and validity evidence. It also describes the development and use of the Questionnaire of English Language Self-Efficacy (QESE) scale, designed specifically for English language learners (ELLs), and presents an overview of the research findings from empirical studies related to its psychometric properties. A growing body of literature has begun to document encouraging evidence of ELL students’ self-efficacy belief measures and the utility of the QESE in particular. The information pertaining to the QESE is quite encouraging from measurement perspectives and fills the gap in the literature by providing a reliable and valid instrument to measure ELLs’ self-efficacy in various cultures. This paper concludes with evidence for internal consistency, test-retest reliability, structural, generalizability, and external aspects of the construct validity of the QESE. This paper contributes to the growing interest in these skills by reviewing the measures of self-efficacy in the field of second-language acquisition and the findings of empirical research on the development and use of a self-efficacy scale for ELLs.
This study examines written errors in a corpus of 30 compositions produced by 15 students of English as a second language (L2), whose first language (L1) is Spanish. Their ages range from 10 to 11. This paper identifies grammar errors as the most frequent due to L1’s interference in L2 learning. Positive, focused, indirect written feedback is proven to be the most effective, and the L1 seems to help the students to understand the teacher’s metalinguistic explanation to correct errors and avoid mistakes. These results provide insight into language learning given that they offer information regarding the teaching practice.
Reading without proper guidance from the perspective of discourse analysis will be a challenge and torture for English readers. However, most college students are suffering from this sort of tedious reading dilemma due to a sense of failure and anxiety as a result of an inefficient teaching approach. In this paper, the author tries to combine discourse analysis with reading coaching so as to arouse and promote readers’ sense of discourse, with the hope of helping them to read effectively.
In her cross-border debate with Chinese anchor Liu Xin, Trish Regan, an American anchor, behaved differently than what she had done in her previous commentaries. This paper explores the attitudinal differences evinced by Trish Regan on different occasions from a linguistic perspective. Based on the Appraisal System, especially the Attitude subsystem (Martin and White, 2005), this paper examines the attitudinal resources utilized by Trish Regan in her two news commentaries and her online debate with her counterpart Liu Xin—a set of texts which provides a longitudinal account of how Trish has changed her attitude. By annotating the attitude resources used by Trish, positive and negative evaluations are expected to be clarified, with detailed analyses of subsystems in the Attitude System to be given. The results suggest that Trish’s attitude towards China has changed a lot in her commentaries and the debate with Liu Xin—from negative to partly positive. It also appears that Trish maintained a positive attitude towards the United States while she changed her positive attitude towards the trade war into a negative one in her debate with Liu Xin.
The present study examines the role that feedback plays on the development of second language (L2) English learners’ writing accuracy over time. Earlier formal accounts and empirical works have focused on the relevance of corrective feedback (CF) in L2 writing learning (Ellis et al., 2008; Sheen, 2007), and what kind of CF (i.e. direct or indirect) has proved to be the most effective one, especially at low L2 levels (García Mayo and Labandibar, 2017; Ismail et al., 2008). We have analyzed 3 pieces of writing produced by 8 L2 English participants (aged 11 to 12). The participants were randomly divided into two groups, one of them received direct CF on their written tasks and the other group was exposed to indirect CF. Results revealed that both groups seemed to improve their mean scores from the pre-task to the post-task, regardless of the type of CF implemented. However, the direct CF group has proven to benefit more from teacher’s written CF, when compared to the indirect CF group. This is especially the case in the development of grammar accuracy.
Politics is a genre of language, and language is the manifestation of politics (Mazrui, 2008). Political discourse not only plays an important role in the process of national external communication but also conveys certain ideology and political intentions. Based on interpersonal function in Systemic Functional Grammar and using President Xi’s speech at the Extraordinary G20 Leaders’ Summit as the original data, this paper analyzes and explores how this speech can achieve discourse function through personal pronouns, mood, and modality. In addition, this paper reveals how various linguistic resources are used to realize interpersonal meaning in political discourse.
There is an obvious tendency and ample evidence to show Sylvia Plath’s representation of the gendered body throughout her poetry. However, inadequate attention has been paid to the evolution of her such kind of representation. Taking one of her early poems “Pursuit” and a later one “Daddy” as examples, this essay aims to explicate this evolution of representation. In her early poetry, her representation of gendered body centers on Freudian interest as seen in “Pursuit,” but in her later poems this representation changes to her political consciousness as is the case in “Daddy.” Therefore, this evolution embodies both her change of poetic subject matter and her concern with gender politics under the influence of the social culture.
Under the guidance of the theory of theme and rheme as well as thematic progression patterns, two significant components in Systemic Functional Linguistics, this paper discusses the thematic structure and thematic progression patterns of the Queen’s national speech “We will meet again!” which was delivered on April 5, 2020, when both England and the rest of the world were in the throes of the growing pandemic. With the use of quantitative and qualitative research methods, their distributions and the reasons are explored to figure out the thematic features, the effects, or the functions that have been achieved in Queen’s speech.
Pragmatic presupposition focuses on the study of the relationship between the speaker and the hearer at the time of communication and the language they used. It can effectively serve advertising language from the linguistic field. In other words, pragmatic presupposition can meet some of the requirements of the advertisements. Nowadays people confront a variety of commercial advertisements, such as food advertisements, drink advertisements, digital product and cosmetic advertisements, etc. In fact, advertising language is the core factor which determines the success or failure of one commercial advertisement. Most domestic and overseas scholars have studied advertising language through cooperative principles,rhetoric and systemic-functional grammar, etc. However, they do not pay enough attention to the pragmatic presupposition manifested in both Chinese and English cosmetic advertisements. Therefore, this paper conducts a comparative study based on previous studies of pragmatic presupposition with new data. The data analyzed in this study are taken from some major fashion magazines in America, United Kingdom and China, such as VOGUE, Cosmopolitan,Trends health,etc. These cosmetic advertisements were advertised in the recent 20 years. Through the analysis, it is found that there is no significant difference between Chinese and English cosmetic advertisements in terms of types of pragmatic presupposition manifested. Both Chinese and English advertisers mainly adopt four types of pragmatic presupposition: existential presupposition, factive presupposition, state presupposition and behavior presupposition, and state presupposition takes up the largest proportion. The present study provides a more comprehensive analysis of pragmatic presupposition and classification of it. In addition, the results of this study also could help advertisers and consumers increase their mutual understanding.
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As an open social recourse and special language text, linguistic landscape, visibility and salience of languages on public and commercial signs in a given territory or region Landry and Bourhis (1997), and presented on various signs or billboards publicly, can be used as a useful recourse in language learning. Shenzhen, the first Chinese special economic zone, has developed into a fast-growing innovative city. Compared to other cities, Shenzhen has more frequent communications with worldwide visitors. Therefore, its education should be more international and advanced, especially English learning, since English, the most widely used language, is being used in linguistic landscapes increasingly. However, nowadays tedious English learning content and learning methods are unable to meet training requirements of students’ English level in society. Therefore, considering the significance of linguistic landscape in humanities construction and English learning, the government and schools give great importance to the construction of campus linguistic landscape. Through reference to representative research literatures and comparative analysis, this study intends to explore the importance of linguistic landscape in English learning by analyzing differences in campus linguistic landscape between middle schools and universities within Shenzhen from the form and content by introducing the way in which linguistic landscape is presented. And different purposes of its application are introduced in order to understand the application and design of linguistic landscape in different campuses more comprehensively. The research also explores the influence of campus linguistic landscape on students’ English learning, from the perspective of informal environmental penetration, learning material, stirring interest, broadening vocabulary and knowledge and its close relationship with life. This paper adopts the Constructivist learning theory of Piaget (1970). Students establish knowledge about the external world in the process of interaction with the surrounding environment to develop their cognitive structure. This paper concludes that the integration of linguistic landscape can benefit from its educational function to conduct a practice-oriented, teacher-led and student-centered pattern of English learning and improve students’ English learning ability.
Given Folding Beijing’s great importance to Chinese science fictions after winning the 2016 Hugo Award for Best Novelette and Ken Liu’s active engagement in promoting modern Chinese literary works to go global, this paper endeavors to explain how the influences of ideology, poetics and patronage are displayed in Folding Beijing’s English translation from the perspective of Lefevere’s Rewriting Theory. Instead of focusing on the linguistic elements of the translation, the current study attempts to reveal the cultural, social, ideological, and poetical effects on the translator’s decision-making process and tries to explore the reasons for the novelette’s success. It is believed that this paper can, to a certain extent, not only provide beneficial guidance for future practitioners in this translation field, but also offer some reference for the study of translation of Chinese contemporary science fictions.
Speaking in English confidently is a challenging task but very crucial for university students. Graduates with good communication efficiency especially in the engineering field are greatly demanded in the current work industry. Performing confidently is not only important for scoring academic tasks but also to help expand the revenue of the companies at workplace. Thus, a pilot study was conducted to investigate the perceptions of a public technical university engineering undergraduates’ confidence level in speaking English. A mixed method design was employed where a survey and semi-structured interview were conducted for data collection. The participants were selected using purposive sampling method where a total number of 50 undergraduates provided valid responses to the online questionnaire and 5 undergraduates participated in the semi-structured interview. Descriptive statistics using Statistical Package for the Social Science Version 25.0 (SPSS version 25.0) and thematic analysis were adopted for data analyses. The results revealed three main areas that were identified as important to build the students’ confidence in speaking: applying manual skills, familiarization of vocabulary and correct usage of grammar. The findings also highlighted that the participants felt that more public speaking practices should be provided to them to improve their confidence level further in speaking English fluently.
This article is mainly focused on the protagonist Savitri of the novel The Dark Room and how she is alienated from herself, from the society and from the world and about her quest for marital identity. Savitri also goes through the crisis of discontent to the quest for happiness. Savitri of the ancient legend is a paragon of virtue and courage who confronts even Death to save her husband is finally victorious. Ironically unlike the legendary Savitri, Narayan’s Savitri chooses to leave home, husband and children once she comes to know of her husband’s infidelity. Contrary to the legend, Savitri is just an ordinary, amiable, housewife. She abandons her gambler and drunkard husband and her family. But her independence proves detrimental to Savitri’s familial peace. Narayan skillfully portrays her every action and in his ironic subtle fashion puts across the artificiality behind it. As a qualitative research, this researcher has taken the text as a ptimary source and interpreted it from existential point of view.
This study aims at stylistically analyzing Men in the Sun in terms of the use of rhetorical questions and polyphony. The main objective is to show the contribution of these stylistic features (rhetorical questions and use of polyphony) in construing meaning and heightening the aesthetic values of novella and show how focus on specific stylistic features helps in analyzing a literary text. The researchers used the analytical approach to examine how the use of rhetorical questions and polyphony helps in constructing the meaning of the novella and highlighting its main themes. This study will be helpful to students of literature who want to better understand stylistic analysis and how writers use stylistic devices to enhance the meaning they want to convey. The study could also serve as a springboard for further studies in this area and could promote academic discourse on stylistic analysis of various Arabic literary works in English translation.
Genesis claims that ancient languages were divinely diversified as the linguistic origin. In consistence, this article presents systematic evidence for biblical etymology related to all major body parts and organs. For instance, heart is to heat, brain is to burn, kidney is to kindle burnt offering, and muscle is to slice to the multiple. Sandal is sacred land, scared is sacred scarf, and tragedy is to tear garment. Both objective and abstract words exhibit biblical match, such as random and ransom as escaping scapegoat randomly chosen. Biblical etymology of morals 德, love 愛, real真, eternity 永, memory, necessity 必, secret 秘, accident, pardon 恕 and mister is also presented. Novel interpretation in biblical etymology is also presented for several affixes such as 辰, 者, per, and m/l+vowel+n. In definitive etymology, numerous words such as generation, espionage, pregnancy and agriculture are presented to bilingually match bible, especially the scripture of Moses, reflecting divine creation.
Regarding the origin of language, Genesis claims that ancient languages were divinely diversified. This testimony presents systematic evidence for biblical etymology related to prophet and priest. Priesthood was pivotal in ancient culture, and religious worship is central to civilization. This testimony presents systematic and surprising evidence for relationship of prophet and priest to biblical etymology, indicating that the old testament culture and method of worship are extensively reflected by etymology of words.
Seraph on the Suwanee, the last novel of Zora Neale Hurston, criticized for deviating from resolving oppression, class, race and gender, shapes a white woman protagonist instead of a black woman protagonist. But actually, it depicts the story of Arvay’s attempts to reject both oppression and the mental submission to oppression just as the oppression and resistance of class and gender are greatly concerned in Hurston’s previous works. Arvay Henson, an oppressed and repressed white woman, motivated by a tenacious belief in her own intrinsic worth and in her rights to individual freedom and social respect, attempts to preserve her integrity through withdrawal, resistance in order to seek her love and her independence as well as her self-discovery. This thesis applies Need Hierarchy Theory proposed by an American psychologist Abraham Maslow to study Arvay’s strategies for meeting her deficiency needs and to analyze her persistent efforts for love as well as the satisfactions of her needs at different levels.
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Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
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for people to understand others, as well as social culture. Clothing occupies a high ground in people's daily
consumption. Clothing narrative has become an integral part of people's daily communication.
2.1. Redefinition of the Wearer: Suggestiveness of Fashion Narrative
Fashion designers use material elements presented by visual elements as an important part of clothing narrative
language. Clothing is a non-verbal part of people's daily life,it contains a wealth of information, because it is not a
simple tool to hush up a scandal, but embodies the subject's sharp insight into itself and the social fashion and the
creative grasp of formal expression, and also reflects the transformation and development of the culture and aesthetic
concept of the times. To a certain extent, this change is influenced by the social environment and also promoted by
the self-disciplined development of art forms. The narrative of clothing is not only related to the creative concept and
form of clothing, but also closely related to the style of the times.Because the classification of clothing is
complicated, the fashion mentioned in this paper refers to high-level custom-made clothing with high artistic value.
In the window and on the T stage, with different lights, the fashion is full of tension and expressiveness. It
continuously sends signals to people, so that people can produce images from their consciousness, thus mobilizing
people's sensibility and passions. People are uneasy. So how does fashion describe itself? What is the "discourse" of
fashion?
People always treat narrative as a textual form. The narrative of fashion itself exists in its design process, using
formal language to convey information. The process of fashion design is also the process of creating "events". This
is to bring the symbolic meaning behind the material or the hidden background to the bright side, clearly implying
consumers, making it a direct object and a goal to pursue.
First of all, in terms of the intuition of fashion, the basic three elements of clothing color, shape, and materials
all have narrative capabilities. This symbolic expression system is the instruction and guide for the use of fashion
itself. How to turn fashion into an event requires content from life and emotional experience. For example, a process
of clothing "make old", injecting this stone-washing process into the concept of "old", with the encouragement of life
experience, the appearance of clothing elements such as "holes" and "patches", so " The concept of "wear = old"
becomes a specific cultural symbol, changing the wearer's definition of clothing, which strengthens the appearance
of fashion.
After getting rid of the limited practicality of fashion, another narrative of fashion comes from the designer's
thinking, taking the causal relationship of the story as the theme and displaying it in the form of fashion. This
potential aesthetic tendency potentially informs and guides Consumers give hints to consumers. Fashion uses its own
"discourse" to express its meaning. At the fashion conference, it is no longer just to show clothing, but to tell a story.
This story may be from the ancient Chinese myth "Shan Hai Jing"; it can also come from the walls of the Palace of
Versailles Go to the story of an angel; you can also use the layout of the scene to match the designer ’s concept, just
to promote the contemporary spirit ... The clothing designer abstracts these concepts as elements and applies them to
specific clothing works. Name it and set a whole new angle of experience for the wearer. "This can actually be seen
as a mode of communication that persuades the masses in a subtle way." In this age of material surplus, "events" are
still of great attraction to humans in the physical age, and we rarely Seeing that there is no background premises that
have been proposed in a single way, the relationship between consumers and consumer goods has undergone drastic
changes. People will no longer only focus on the use function of the item itself, but gradually turn to pay more
attention to what it represents. significance. Therefore, function is no longer an important goal of modern fashion.
The events conveyed behind the fashion and the symbolic meaning behind the event are more important, so that the
fashion even began to pursue a directional lyrical value. In this way, the wearer has given up the choice of the
original clothing function, and the choice of fashion "event" has even become a means to increase the exposure rate.
The implications of fashion narratives on consumers have changed the wearer's definition of clothing.
2.2. The Discourse Structure of Fashion Narrative
Brian Swain said: "Story is a way to provide a credible explanation for everything in the world." Buchanan et
al. (2010) The "discourse" structure of fashion is an event composed of different combinations of narrative language.
The narrative expression of can be roughly divided into three basic links:
1. Look for events. At the beginning of the creative process of fashion, it needs to find an "event" from the
aspects of history, culture, creativity, design and consumption. This event is used as a material to build the
foundation of the story. It is not the fashion narrative itself, its purpose It is to determine a concept or
theme. At present, some domestic and foreign fashion design professionals will set up a course called
"Popular Information Collection and Analysis", from trend analysis reports to storyboard production, and
finally to the presentation of the inspirational version. This course develops students' ability to think about
life, that is, the ability to discover beauty, so that these are reflected in clothing as inspiration. From this
course, we can see that the search for events is the first step in narrative. Inspiration is not always available
or not for everyone. Inspiration is derived from people ’s deep life experience and high artistic
accomplishment as well as specific living environment and Life practice comes from events. In the
discourse construction of fashion narrative, the design process of fashion is also the process of arranging
and integrating "events".
2. Symbol communication. Symbols are narrative tools of fashion narratives and carriers of information
transmission. (US) Edited by David Griffin (1995) A symbol is a medium that can convey specific
information to people through perception.Designers have accumulated emotional and perceptual experience
feedback on this physical image of fashion in their daily life experience, which enables consumers to
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associate information about emotions and expressions to something. The communication of symbols makes
it easier for consumers to feel, so the narrative expression of fashion must be extremely infectious. The
designer symbolizes the constructed story and integrates, organizes, and refines various symbols in fashion .
According to Charlie Pierce's symbol taxonomy, it can be divided into three categories: indicator symbols,
image symbols and symbolic symbols, often these symbols appear in the form of compound symbols (Guo,
2010).
First of all, the substantive causal relationship between form and content is manifested in the fashion as a direct
application of the symbolization of the constructed story. Secondly, there is a similar relationship between the form
and the content is the image symbol (Lian, 2011). This is the indirect or abstract use of symbols in fashion. Finally,
when an artificially established relationship is established, there is no necessary connection between form and
content (Lian, 2011). In this case, we are referring to symbolic symbols (Li, 2006). Performance in fashion is the
definition of style. Such as the description of Manman gauze, thread picking hook flower, macaron color ... such a
description, people's minds present a symbol of romantic elegance. Conventional convention embodies popular
aesthetics, and aesthetics is often influenced by various external factors such as people's cultural background, values,
and so on, and it exhibits multilateralism. Therefore, the symbol changes with people's aesthetic awareness.
Baudrillard said in "The System of Things": "To become an object of consumption, an item must become a symbol.
The meaning of an item comes from its referential meaning, from the abstract and systematic relationship between it
and all other symbols. "Fashion conveys the extension in the form of a symbol through the combination of the image
of the material and a certain concept. This is the communication code released by the designer to the outside world.
The elements represented by symbols are to make fashion more appealing to consumers. Designers need to construct
the symbol selection and ideographic functions. It is more important for fashion discourse construction to
"understand" than wearing it, so that the designer's intentions and ideas can be understood by people.
3.Arrange the plot. The plot in literary works refers to: a collection of artistic events that have a causal relationship
and pursue a specific aesthetic effect formed by the conflict between the characters and the characters, and between
the characters and the environment (Liu, 1986). The designer's job is not simply to collage the symbols. Fashion as a
narrative text also requires the director and arrangement of the plot. After the interpretation of the previous two
points, how to construct and arrange the fashion story?
First of all, in the fashion text, it is itself an event presented by a feeling. As the first element of a narrative
work, the event cannot exist without its meaning. Therefore, the purpose of the story is to enable people to obtain
emotional experience and inspiration, leaving a vivid place memory. As a designer, you must "learn to find an
internal logic for your own story"(Yang, 2011). People's pursuit of true passion and perceptual experience has
produced countless moving stories. A meaningful story can arouse people's sense of identity. On the basis of this,
arrangement, organization and re-creation have a strong artistic appeal. ne.tiger 2016 "Hua Song" conference, the
designer uses the Song Dynasty's meticulous painting as an element, ingeniously combines the Song Dynasty's
elegant and noble, simple and elegant clothing culture with the trend of being young and transparent, and the soft
color trend story.
Secondly, people play two roles of "reader" and "participant" in the process of wearing. The narrative of fashion
opens up a series of paths to meet people's needs. The overall display of fashion works is just like the music is
focused on priority, and the paintings are dense and blank. The fashion narrative emphasizes the human-centered
experience, focusing on the overall sense of the narrative and the transmission of connotation, rather than simply
listing, connecting and combining. Fashion gathers and conveys its own information to form a style with its own
characteristics and atmosphere. For the display of fashion, the arrangement of spelling, pasting, cutting and
supplementing is related to the entire narrative process and is also the designer's life perception and creative
inspiration. The narrative pursues a story effect. A good narrative strategy and a good plot arrangement will shorten
the distance between people and fashion.
3. "Discourse" in Fashion Narrative Consumption
The basic link of the above fashion narrative expression, but whether it is fashion or other products, its ultimate
purpose is to point to consumption, and design is a production behavior. The narrative of fashion is to consume as an
unconscious, restricting people's thinking. The narrative consumption of fashion is a "consumption story", not just
for condemnation. The fashion narrative constructs consumer demand as an intention before consumption begins.
Therefore, all the discourse structure and story form of fashion narrative must make consumers voluntarily move
towards products.
In the post-modern context, with the change of people's consumption concept, the change of leisure methods and
the popularization of consumer experience, fashion is no longer just a device of the human body, but has practical
functions. People expect personalized consumption, and people pay more attention to the experience and experience
that the consumption process brings to people. The narrative of fashion brings a lot of room for interpretation.
People's attention to clothing has turned to the meaning, background and symbolism of things; the entertainment and
game functions displayed by fashion narrative have enabled consumers to re-recognize fashion itself.
American scholar James Gilmore put forward in his "Physical Examination Economy" that he wants to create
activities that can make consumers recall memories (Joseph et al., 1999). The story is fun, the experience makes
people have more memories. Although this proposal seems to have nothing to do with clothing, the author believes
that as far as the consumer society is concerned, this proposal can also be used in the development of the clothing
industry. The value of fashion also depends on whether consumers can get a good experience. Whether it makes
consumers recall. Narration can not only help consumers recall, but also help fashion get a certain degree of social
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attention. In this information-rich society, experience can gather more "attention". When the conventional
information conveyed by fashion no longer attracts the attention of the society, the extension of the narrative
"discourse" of fashion becomes a powerful condition for attracting the attention of the public, because the "story"
has great uncertainty in the process of communication and acceptance Designers can interpret it in different ways,
and consumers can also understand it in different ways. "Story" has constantly changing characteristics, so the story
can become an effective way to strengthen the fashion expression.
Fig-1. Issey Miyake's work "132.5"
From the perspective of accepting aesthetics, this "defamiliarization" experience makes the clothing show the
characteristics of fickleness, variability, vagueness and elegance and vulgarity, which allows people to maintain their
passion for things for a long time People have the psychological characteristics of sensitivity to changing things, just
like why people can always find the abnormal one from many normal events at a glance. This is why the fashion
show is often suffixed with "show", because the use of visual, practical, participable, image and changing events into
the fashion will arouse people's widespread attention and attract people's attention , Events that are often highly
emotional and can be more involved, the more attention will be projected by society. Like the life of Japanese
fashion designer Miyake Miyake, he used the element of folds in clothing to the fullest. He integrated folds into art,
technology, games and society.
As shown in (Figure 1), Issey Miyake named this series "132.5". The special meaning behind each number is
exactly the story written by Issey Miyake for this series: "1" refers to a complete piece of fabric; "3" refers to The 3D
three-dimensional shape of this series; "2" refers to the clothing of this series can be converted from 3D form to two-
dimensional form; and "5" refers to the infinite time and space created by folding.After the model removes it, the
clothing can return to its original flat state. This series of fashions can achieve two-way conversion from "1" to "5"
(Issey). Issey Miyake used folds and geometric shapes to show the structural beauty of clothing. Its design is very
modern and creative. This unique narrative arouses people's curiosity and attracts people's attention. Its unique
narrative makes this alienated consumption always be able to do its own thing in modern society. In the past, in a
consumer society, people were consuming to satisfy the basic function of "things", but now it has become a "story"
competition.
4. Conclusion
Through the analysis of fashion narrative, we can see that the development of fashion narrative is not only the
external influence of consumer demand and designer guidance, but also the internal demand of its own development.
Under the influence of such factors, fashion has developed its own discourse system. According to the relevant
research in this article, the narrative of fashion has the following characteristics:
(1) In the verbal representation of fashion narrative, the narrative nature of fashion is a creation of "events". At
the same time, this literary and creative technique has been reflected in fashion design. The way, it changes the
wearer's cognition of clothing, which leads to a sense of psychological identity.
(2) With the presentation of fashion narratives, consumer demand has changed the sales strategy of fashion. For
the care of the consumer experience, the arrangement of the story has become the narrative theme of the designer's
most concern. With the help of the structure of fashion itself, the unique "discourse" connotation of fashion is
constructed.
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In the context of consumer society, fashion narrative constructs the non-material characteristics of clothing in a
unique way. This heterogeneous narrative performance greatly enhances the significance and value of clothing
products and increases the fashion culture ’s value. Added value. Finally, it must be pointed out that: fashion
production is an implementation of the designer's overall coordination, and the narrative of clothing is also a
manifestation of existence. Therefore, the fashion narrative has not deviated from the fashion itself. The current
narrative of fashion should not only be considered as a business culture study, but also as a reflective culture.
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Guo, G. A. (2010). Preliminary study on the combination conception of landscape design symbols. Journal of
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Issey, M. Fabric reconstruction. Available: http://www.eeff.net/thread-691474-1-1.html
Joseph, B., Pine, I. I., James, H. and Gilmore (1999). The experience economy. Harvard Business School Press.
Li, S. (2006). Narrative festival of tv drama. Beijing China Radio and Television Press. 42.
Lian, L. (2011). Research on the conception of architectural symbols, symbols, and metaphors. Commodity and
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