This document describes a student's process of self-exploration and growth through a graphic design project. They found freedom in the ability to express themselves individually. Critiques from others helped them think critically and revise their work, which led to new understandings of design principles and their own style. While influenced by others' feedback, they focused on learning and exposing different aspects of themselves through their designs. The student enjoyed the process more than the final results and felt they developed a better understanding of design and their own voice.
Examples of Zentangle portraits for a high school art lesson. Students create a graphite transfer from a photocopy and then add patterns using pen and ink. The Zentangle project is a fun project for students of varying ages and abilities.
Inilah pitch deck dari raksasa media digital, Buzzfeed. Bagi kamu yang memiliki model bisnis yang serupa dengan BuzzFeed, mungkin kamu dapat terinspirasi dari pitch deck ini.
Examples of Zentangle portraits for a high school art lesson. Students create a graphite transfer from a photocopy and then add patterns using pen and ink. The Zentangle project is a fun project for students of varying ages and abilities.
Inilah pitch deck dari raksasa media digital, Buzzfeed. Bagi kamu yang memiliki model bisnis yang serupa dengan BuzzFeed, mungkin kamu dapat terinspirasi dari pitch deck ini.
This was our final Series A deck. Read more about raising the round in this blog post:
https://medium.com/@DanielleMorrill/welcome-brad-feld-to-the-mattermark-team-announcing-our-6-5m-series-a-dd9532fc1b39
More startup pitch deck examples here: https://attach.io/startup-pitch-decks/
AirBnb's original pitch deck from 2008. They closed a $600k seed round with this deck.
The investor presentation we used to raise 2 million dollarsMikael Cho
The investor presentation we used to raise 2 million dollars for ooomf.com (now pickcrew.com)
View the online version here: https://pickcrew.com/investors/
The slide deck we used to raise half a million dollarsBuffer
This is the pitchdeck we used to raise half a million dollars from Angel investors. More here:
http://onstartups.com/tabid/3339/bid/98034/The-Pitch-Deck-We-Used-To-Raise-500-000-For-Our-Startup.aspx
A compilation of work focusing on style and logo development, branding, identity systems, business marketing, and making connections between type and image. Created in Adobe Illustrator & InDesign.
You've got the tools, now get the chops: tips on enhancing your graphic design skills in a *quick* 60 minutes.
Delivered at the LCOP Conference (Library Communication Conference, Oct 6-7, 2014. Hotel ML, Mount Laurel, NJ
Joanne Quinn, Falvey Memorial Library, Villanova University
This was our final Series A deck. Read more about raising the round in this blog post:
https://medium.com/@DanielleMorrill/welcome-brad-feld-to-the-mattermark-team-announcing-our-6-5m-series-a-dd9532fc1b39
More startup pitch deck examples here: https://attach.io/startup-pitch-decks/
AirBnb's original pitch deck from 2008. They closed a $600k seed round with this deck.
The investor presentation we used to raise 2 million dollarsMikael Cho
The investor presentation we used to raise 2 million dollars for ooomf.com (now pickcrew.com)
View the online version here: https://pickcrew.com/investors/
The slide deck we used to raise half a million dollarsBuffer
This is the pitchdeck we used to raise half a million dollars from Angel investors. More here:
http://onstartups.com/tabid/3339/bid/98034/The-Pitch-Deck-We-Used-To-Raise-500-000-For-Our-Startup.aspx
A compilation of work focusing on style and logo development, branding, identity systems, business marketing, and making connections between type and image. Created in Adobe Illustrator & InDesign.
You've got the tools, now get the chops: tips on enhancing your graphic design skills in a *quick* 60 minutes.
Delivered at the LCOP Conference (Library Communication Conference, Oct 6-7, 2014. Hotel ML, Mount Laurel, NJ
Joanne Quinn, Falvey Memorial Library, Villanova University
EASY TUTORIAL OF HOW TO USE CAPCUT BY: FEBLESS HERNANEFebless Hernane
CapCut is an easy-to-use video editing app perfect for beginners. To start, download and open CapCut on your phone. Tap "New Project" and select the videos or photos you want to edit. You can trim clips by dragging the edges, add text by tapping "Text," and include music by selecting "Audio." Enhance your video with filters and effects from the "Effects" menu. When you're happy with your video, tap the export button to save and share it. CapCut makes video editing simple and fun for everyone!
Maximize Your Content with Beautiful Assets : Content & Asset for Landing Page pmgdscunsri
Figma is a cloud-based design tool widely used by designers for prototyping, UI/UX design, and real-time collaboration. With features such as precision pen tools, grid system, and reusable components, Figma makes it easy for teams to work together on design projects. Its flexibility and accessibility make Figma a top choice in the digital age.
Connect Conference 2022: Passive House - Economic and Environmental Solution...TE Studio
Passive House: The Economic and Environmental Solution for Sustainable Real Estate. Lecture by Tim Eian of TE Studio Passive House Design in November 2022 in Minneapolis.
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Hello everyone! I am thrilled to present my latest portfolio on LinkedIn, marking the culmination of my architectural journey thus far. Over the span of five years, I've been fortunate to acquire a wealth of knowledge under the guidance of esteemed professors and industry mentors. From rigorous academic pursuits to practical engagements, each experience has contributed to my growth and refinement as an architecture student. This portfolio not only showcases my projects but also underscores my attention to detail and to innovative architecture as a profession.
Technoblade The Legacy of a Minecraft Legend.Techno Merch
Technoblade, born Alex on June 1, 1999, was a legendary Minecraft YouTuber known for his sharp wit and exceptional PvP skills. Starting his channel in 2013, he gained nearly 11 million subscribers. His private battle with metastatic sarcoma ended in June 2022, but his enduring legacy continues to inspire millions.
2. The process of designing is transformation and realization of myself.
I find that is me, but also not me. I am shocked by the power of
freedom here, because everyone has different way of expression.
Such atmosphere gives me courage to say what I want.
I was so confused about composition and the variety of elements, so
I kept thinking. I am so glad that I can work on something that I really
like. I am enthusiastic about design, because it is communication
between me and the outside. There are so many meaningful but
painful processes of exploitation, since I would like to learn more
about myself and present every different piece of me to the public.
Thanks for suggestions from my classmates and professor, I revise
works and change way of thinking. Critique to me is a chance
to absorb and discard. Taking notes, giving others opinions and
listening to others’advice give me space and time to think. Digestion
and application lay solid foundation for me to create. The pressure
from myself and people around me pushes me to change. I want
to turn every special moment in my body into my own signature.
Critical thinking and self-exploration led by design are what I like.
Through learning and application, the principle of graphic design
already becomes part of my mind and I finally find my own way to
use them. Learning and failing are both necessary parts for me.
Although I am easily influenced and distracted, I discard and regain
much energy and interest from the whole project with different
sights. Sometimes I can not finish the assignment, since I only want
to show the best part of me. However, I understand that I should
expose the whole body of myself and reanalyze them into new parts.
I am delightful that I enjoy process more than the result.
I N T R O
3. C O N T R A S T
P A I R S
S T E P I
Using 3-20 shapes (circle, square, triangle), demonstrate radical contrasts of each of
the six principles of design listed below (scale, direction, texture, form, space and
weight). Create pairs of oppositional, 8”x 8”compositions using traditional or digital
processes. You must choose one shape to use throughout all 12 compositions (6
pairs). The shapes may be any variety of sizes, but they must be the same proportion.
s c a l e
6. t e x t u r e
A S Y M M E T R I C A L
C O M P O S I T I O N
Create 12, 8”x 8”compositions using your primary shape only (from Step I). Explore
the widest variety of asymmetrical, compositional schemes by concentrating on the
placement of the focal point of each compsition. Utilize visual contrast (especially
contrast in scale) to strengthen your compositions. Shapes may touch, overlap or
bleed off the edge, however, shapes may not rotate! Create your 12 compositions
according to the following specifications. Use Illustrator only.
• 4 compositions using 5 shapes
• 4 compositions using 9 shapes
• 4 compositions using 3-20 shapes
S T E P I I
7.
8. D E - S W I S S
Select 2 posters by either of the following historic Swiss graphic designers, Josef
Müller Brockmann or Armin Hofmann. Analyze each poster and identify the visual
contrasts used. Using digital tools, remove the visual contrasts by altering the existing
elements. You may not add or delete elements, you must only adjust/alter them. Print
both the original and you new altered version and present side-by-side.
S T E P I I I
9. J o s e f M u l l e r - B r o c k m a n n
B e e t h o v e n , 1 9 5 5
10. A r m i n H o f m a n n
G i s e l l e , 1 9 5 9
11. F O R M
M A K I N G
A. Create an archive of 50 elements/objects. Choose your elements carefully, focusing
on their visual potential. Your archive should have a range of unusual forms, textures
and materials. Approximately 25 of your elements must be 3-D and the remaining 25
must 2-D. Search for elements around school (super shop, trash cans, grounds) and
around Valencia and Newhall. Elements may be purchased as well. Hardware stores
are a great source. Be resourceful/inventive. Keep your archive in a box or container;
you will add to it throughout the project.
B. Using only the elements from your archive, create 20, 6”x 6”ABSTRACT, composi-
tions. Create the most dynamic compositions you can by photocopying and cropping
only. You may alter your archive elements/objects by cutting, folding, bending, etc.
S T E P I V
p a p e r c l i p
12. h o l e p u n c h d o t s
w a t e r b o t t l e
17. p l a s t i c l i d
D I G I T A L
T R A N S L A T I O N
Select 4 of your favorite compositions from Step IV B., and using Adobe Illustrator,
create 3 different, 6”x 6”digital translations for each. DO NOT create a digital duplicate
of the original composition. Instead, use the original composition as a foundation
or“grid”to create new compositions. Visually re-interpret the shapes, elements and
composition of the original with a focus on inventiveness and variety. In this step,
you’re creating unusual and inventive forms with digital tools. Create a series of 3
that are unified but varied. You must maintain the compositional structure AND
orientation of the original: do not rotate.
S T E P V