Branded held the Digital and Music Matters event for 2012 in India, brining together the most respected individuals in the digital and broadcast industry! Attached is a wrap report filled with insights and learnings from the event!
To promote our upcoming event Hard Electric Tour 2010, which would later become the first-of-its-kind annual international winter music festival tour in India under the rock umbrella of Alternative, Rock, Pop, Punk genres.
The traveling outdoor festival tour would also see many international, national and local bands on board and would cover at least four cities in the country.
HET Pre-Hangover, the series of gigs is also a part of HET 2010 advance promotional chapter. And will visit only some selected indian metro cities in February 2010. Armed with live bands and also to pre-sale HET merchandise.
The leading brain behind the promotional concept is to widespread about the upcoming HET 2010 fever in everyone and invite the interest to all the alternative music lovers in the country
so rock with re invent clock..
To promote our upcoming event Hard Electric Tour 2010, which would later become the first-of-its-kind annual international winter music festival tour in India under the rock umbrella of Alternative, Rock, Pop, Punk genres.
The traveling outdoor festival tour would also see many international, national and local bands on board and would cover at least four cities in the country.
HET Pre-Hangover, the series of gigs is also a part of HET 2010 advance promotional chapter. And will visit only some selected indian metro cities in February 2010. Armed with live bands and also to pre-sale HET merchandise.
The leading brain behind the promotional concept is to widespread about the upcoming HET 2010 fever in everyone and invite the interest to all the alternative music lovers in the country
so rock with re invent clock..
Digitalization has completely changed how music is composed, transmitted, preserved, heard, and performed. The overwhelming majority of music today is digital music since they exist in electronic form. Digital music along with other digital content is the driver for the global technology markets. As technology advances, so do the means for marketing and promoting of anything and everything. The music industry is no exception. It is now apparent that the digital production, distribution, and consumption of music is inevitable. However, while the digital music market is booming, it has been observed that there is no sustainable future for the music artists or for technology companies. The pressure consumers have placed on the music industry is enormous. This paper provides an introduction on digital music. Matthew N. O. Sadiku | Uwakwe C. Chukwu | Abayomi Ajayi-Majebi | Sarhan M. Musa "Essentials of Digital Music" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-6 | Issue-6 , October 2022, URL: https://www.ijtsrd.com/papers/ijtsrd51906.pdf Paper URL: https://www.ijtsrd.com/computer-science/other/51906/essentials-of-digital-music/matthew-n-o-sadiku
Sony husic Entertainment and theEvolution of the Music Indu.docxwhitneyleman54422
Sony h/usic Entertainment and the
Evolution of the Music Industry
A. J. Strickland
The Ilniversitg of Alabama
Andrew Pharaoh
2015 Undergraduate,
The Universitg of Alabama
d d A t such a pivotal time for music, it's more
ffi imRortant than ever to develop a fertile,d \ creative environment that generates the
highest quality of artists and music, while seeking to
fully exploit the many opportunities that new digital
services and products provide in reaching audiences
around the world."r
The remarks of Sony Music Entertainment CEO
Doug Morris in 2011 illustrated an accurate under-
standing of the environment of music sales. Morris,
a globally influential executive and music innovator,
agreed to join Sony Music Entertainment as chief
executive officer effective July 1, 201l. In a time of
great change in the music marketplace, it was abso-
lutely necessary that Sony take active steps to remain
competitive. Morris took the job graciously, but he
placed himself into a business whose margins were
becoming thinner and thinner. With a declining
industry that had been made less lucrative by the
wide availability of substitutes, Morris was forced to
develop a strategy to contend with industry change
and unfavorable competitive forces in 2014.
F"$$ST#ffiV #ffi S#NY f'1U$$*
ffiNTKreT&!Iq P--$ffiNY
American Record Company, the company that would
laterbecome Sony Music Entertainment, was founded
in 1929 and then acquired by Columbia Broadcasting
Company in 1938. In March 1968, Sony, at that rime
Seth Kennedg
2014 Llndergraduate,
The Universitg of Alabama
a Japanese company, began a joint venture with the
American company CBS to form CBS/Sony Records
Inc. In September 1976, Sony introduced the optical
digital audio disc, now known as the compact disc
(CD). In 1983, CBS Inc., as an American company,
allowed introduction of the CD to American markets.
In January 1988, CBS Records Inc. was absorbed,
and in January 1991, the new company was renamed
Sony Music Entertainment Inc.
In August 2004, Sony BMG Music Entertain-
ment was established as a new joint venture with Ber-
telsmann AG. Later, in August 2008, Sony acquired
BMG's 50 percent stake in Sony Music Entertain-
ment and began operation once again as Sony Music
Entertainment, a wholly owned subsidiary of Sony
Corporation. In July 2012, Sony/AIV Music Publish-
ing, a joint venture between Sony and the Michael
Jackson Family Trust, along with a consortium of
other investment firms, bought the publishing arm of
the EMI Group, which solidified Sony's position as
the world's largest music publisher.
#VffiRV!HW ffiT THffi ML,}$$T
il N,EM M$TruV
Before the 1900s, music and entertainment media had
a strong emphasis on performance. If theater, magic,
or music was wanted in a certain venue, individuals
Copyright O 2014 by A. J. Strickland. All rights reserved.
who could perform the arl personally were found and
paid to do so. At the beginning of the 20th century,
music began to become ownership-driven. .
In 2017, the global recorded music market grew by 8.1%. This was the third consecu- tive year of global growth and one of the highest rates of growth since IFPI began tracking the market in 1997. Revenues increased in most markets and in eight of the global top 10 markets.
Digitalization has completely changed how music is composed, transmitted, preserved, heard, and performed. The overwhelming majority of music today is digital music since they exist in electronic form. Digital music along with other digital content is the driver for the global technology markets. As technology advances, so do the means for marketing and promoting of anything and everything. The music industry is no exception. It is now apparent that the digital production, distribution, and consumption of music is inevitable. However, while the digital music market is booming, it has been observed that there is no sustainable future for the music artists or for technology companies. The pressure consumers have placed on the music industry is enormous. This paper provides an introduction on digital music. Matthew N. O. Sadiku | Uwakwe C. Chukwu | Abayomi Ajayi-Majebi | Sarhan M. Musa "Essentials of Digital Music" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-6 | Issue-6 , October 2022, URL: https://www.ijtsrd.com/papers/ijtsrd51906.pdf Paper URL: https://www.ijtsrd.com/computer-science/other/51906/essentials-of-digital-music/matthew-n-o-sadiku
Sony husic Entertainment and theEvolution of the Music Indu.docxwhitneyleman54422
Sony h/usic Entertainment and the
Evolution of the Music Industry
A. J. Strickland
The Ilniversitg of Alabama
Andrew Pharaoh
2015 Undergraduate,
The Universitg of Alabama
d d A t such a pivotal time for music, it's more
ffi imRortant than ever to develop a fertile,d \ creative environment that generates the
highest quality of artists and music, while seeking to
fully exploit the many opportunities that new digital
services and products provide in reaching audiences
around the world."r
The remarks of Sony Music Entertainment CEO
Doug Morris in 2011 illustrated an accurate under-
standing of the environment of music sales. Morris,
a globally influential executive and music innovator,
agreed to join Sony Music Entertainment as chief
executive officer effective July 1, 201l. In a time of
great change in the music marketplace, it was abso-
lutely necessary that Sony take active steps to remain
competitive. Morris took the job graciously, but he
placed himself into a business whose margins were
becoming thinner and thinner. With a declining
industry that had been made less lucrative by the
wide availability of substitutes, Morris was forced to
develop a strategy to contend with industry change
and unfavorable competitive forces in 2014.
F"$$ST#ffiV #ffi S#NY f'1U$$*
ffiNTKreT&!Iq P--$ffiNY
American Record Company, the company that would
laterbecome Sony Music Entertainment, was founded
in 1929 and then acquired by Columbia Broadcasting
Company in 1938. In March 1968, Sony, at that rime
Seth Kennedg
2014 Llndergraduate,
The Universitg of Alabama
a Japanese company, began a joint venture with the
American company CBS to form CBS/Sony Records
Inc. In September 1976, Sony introduced the optical
digital audio disc, now known as the compact disc
(CD). In 1983, CBS Inc., as an American company,
allowed introduction of the CD to American markets.
In January 1988, CBS Records Inc. was absorbed,
and in January 1991, the new company was renamed
Sony Music Entertainment Inc.
In August 2004, Sony BMG Music Entertain-
ment was established as a new joint venture with Ber-
telsmann AG. Later, in August 2008, Sony acquired
BMG's 50 percent stake in Sony Music Entertain-
ment and began operation once again as Sony Music
Entertainment, a wholly owned subsidiary of Sony
Corporation. In July 2012, Sony/AIV Music Publish-
ing, a joint venture between Sony and the Michael
Jackson Family Trust, along with a consortium of
other investment firms, bought the publishing arm of
the EMI Group, which solidified Sony's position as
the world's largest music publisher.
#VffiRV!HW ffiT THffi ML,}$$T
il N,EM M$TruV
Before the 1900s, music and entertainment media had
a strong emphasis on performance. If theater, magic,
or music was wanted in a certain venue, individuals
Copyright O 2014 by A. J. Strickland. All rights reserved.
who could perform the arl personally were found and
paid to do so. At the beginning of the 20th century,
music began to become ownership-driven. .
In 2017, the global recorded music market grew by 8.1%. This was the third consecu- tive year of global growth and one of the highest rates of growth since IFPI began tracking the market in 1997. Revenues increased in most markets and in eight of the global top 10 markets.
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
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Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
_7 OTT App Builders to Support the Development of Your Video Applications_.pdfMega P
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
2. EXECUTIVE SUMMARY
"Nokia Music Connects - a joint venture between Music Matters, Hong Kong and leading
Indian media company Indiantelevision.com's radioandmusic.com – had its fourth edition on
6-7 November 2012 at the ITC Grand Central, Parel, Mumbai. And by all yardsticks it was the
best ever, considering that we had a full house even during the last session on Day 2 of
India’s leading music industry get together.
The phenomenal success of the conference dedicated to the business of music surprised our
own expectations and is demonstrated in the numbers below:
Over 800 attendees
65 Speakers
27 Sponsors
16 Corporate Partners
4 Media Partners
70 Press
25Artistes
8 bands from India andAustralia over two nights (5 courtesy SoundsAustralia and 3 courtesy
ArtistAloud)
TESTIMONIALS
I want to thank you for putting up such an awesome show at Nokia Music Connect. And thank you for
making me and Hummra M, a part of it. Cheers!
--Dicky (Vikas Varma), Dicky "Speak" Pvt Ltd. Launch Pad Pvt Ltd.
Well done Anil and your entire team. It was unanimous : this edition was the best yet. More power to
you.
--Atul Churamani (OnMobile)
It was a lovely event. Thank you. Look forward to it next year.
--Richa Anand (Disney UTV)
Great Going as we spoke yesterday : all strength to each of your elbow’s Jasper & Anil and here’s to the
5th Edition :) Cheers!!!
--VjLazarus & the IMI/PPL/IPRS/MMX Family.
Thanks Guys. Really loved the entire conference and the quality of the panels. Appreciate your support.
Best wishes & a Happy Diwali too. Cheers!
--Vijay Basrur, Founder - OK Listen
3. Music business professionals came in droves and stayed engrossed over two days of Nokia Music
Connects 2012. They networked, they exchanged notes, and they learnt and went back an enriched
lot.
4. DAY ONE
The first day of the 4th Nokia Music Connects consisted of a total of 14 sessions including 3
keynotes and 6 panel discussions.
The day commenced with a Skype hook up with Bollywood actor-turned singer Priyanka
Chopra who was in a Los Angeles recording studio. She had a conversation with Viral Oza
and Devraj Sanyal. Nokia VP- Entertainment Jyrki Rosenberg gave the first keynote of the
day and was followed by an opening address from one of India’s most influential music men,
IMI chairman Vijay Lazarus.
5. DAY ONE
Mobile entertainment guru Ralph Simon then
gave the audience a Global Music Industry
Overview. This was then followed up by a
Panel Discussion on the The New Music
Ecosystem.
The session tried to cover the following issues:
Music has become an extremely dynamic
medium. How is music being delivered and
consumed worldwide? What are the trends?
Where does India stand today on the
consumption of music versus the world?
Access to the web on computer has been
overtaken by access on mobile. Globally, 26-
27 per cent of the music business is digital; in
India it is 65 per cent.
Putting the Indian music industry in
perspective, juxtaposing it against the global
music industry with trends and analysis was a
panel of industry leaders. which included:
Brian Tellis, Chairman, Fountainhead,
Hungama MD & CEO Neeraj Roy, Universal
Music MD Devraj Sanyal, Nokia
Entertainment Operations Director James
Bradbury, YouTube Head of Music APAC,
Anthony Zameczkowski, EMI Music India MD
T. Suresh.
The day continued with a Hungama Industry
Preview: Great Gigs In the Sky. With services
such as, iTunes Match, Amazon Cloud Music,
MSpot, etc. consumers are now getting access
to all the music they own on their digital devices
anywhere, anytime. To bring the new Smart
Cloud Solution to life - Hungama Smart Cloud, a
JV between Hungama and US based Catch
Media Inc. introduced to the Indian music
industry this unique product that not only makes
for an extraordinary music experience, but also
uses technology to monetise the consumers’
private libraries that have been accumulated
through various means.
6. DAY ONE
The 2nd Panel Discussion of the day The Emerging
Online Streaming Services was moderated by Indian
Television Dot Com Groups CEO – Anil Wanvari. The
session attempted to understand the promise of online
streaming services, the business models, their
investability, the problems they are facing, and what is
needed to help them deliver on the promise. The
esteemed Panelists included: Co-founder of
Dhingana.com, Swapnil Shinde, head of digital at
Saregama, R. Madhusudan, Artist Aloud AVP Soumini
Sridhara Paul, VP of Lightspeed Venture Partners
Anshoo Sharma, Head of Digital at Maxus South Asia
Unny Radhakrishnan, Head of Partners and Alliance at
Qanawat Taj Yargatti, and Founder & CEO of Infibeam
Vishal Mehta.
The third Keynote was delivered by The Hon
Simon Crean MP – Minister for Regional
Australia, Regional Development and Local
Government and Minister for the Arts who gave
the perspective on how and why the Australian
government is promoting its music globally. He
highlighted that the racial incidents in Australia
have forced the government to promote its
culture even more aggressively in India to soften
the image blow that it received.
The day’s 3rd Panel Discussion was moderated
by Atul Churamani the Content Head of
OnMobile and addressed the issue of some
savvy film producers who have begun retaining
the rights to their own music and not signing
them away to labels. Among these figure: UTV,
YRF and Eros. The Panelists on The New Breed
session were: Director, Audio & Music of
DisneyUTV Lavina Tauro, the CFO of Eros
Kamal Jain, Music Business Head of Saregama,
Adarsh Gupta, and MD of Universal Music
PublishingAchille Forler
7. DAY ONE
The day carried on with Ralph Simon
interviewing Michael Chugg
IT’S ONLYROCK ‘N ROLL
A pioneer of the Australian music industry and
one of the world’s most prominent rock
promoters, Michael Chugg shared his
experiences working with the world’s biggest
acts, discussed the current state of the
international touring market, and expounded on
the future of live music in theAsian region.
The issue of falling VAS revenues and ways to
revive them was then discussed by an eminent
panel which was moderated byAnil Wanvari.
The Panelists were: COO, Hungama Mobile
Albert Almeida, Head of Digital and Business
Development for India & SAARC for Universal
Music Group, Ashish Joshi, MD of Unisys Group
Shelley Chaudhary, CEO of PPL Vipul Pradhan,
Director of Operator Channel for Nokia, Nikhil
Mathur, Director Strategy and Innovation of IMI
Mobile Siva Sivaramakrishnan
The Next Panel Discussion of the day was a Country
Focus onAustralia
Six and Not Out!
Australia is a large country with a small population who
love music! Australians love it live and they love digital.
The panel shared their tricks and tips on how to navigate
and active opportunities in Australia – now the sixth
largest recorded music market in the world and growing.
The Panelists included International Director of APRA |
AMCOS Scot Morris, Director of the AU Review Larry
Heath, Artist/Tour Manager of Fidelity Corp – Tank, A&R
Manager of EMIAustralia and Director of Stage Mothers
Glenn Dickie, and Executive Producer of Sounds
Australia Millie Millgate.
8. DAY ONE
The last Panel Discussion of the day was
focused on Electronic Dance Music: Living it
up. Electronic dance music has long been a live
music phenomenon, but this genre has recently
become main stream. The panel was moderated
by Soumini Sridhara Paul - AVP - Artist Aloud,
with the Panelists being the Head of Digital
Strategy, Development & Operations of Ultra
Music – Dan Ghosh-Roy, MD of Incentive Music
Nick Halkes, Founder and Director of Milton
ArcherAndrew Jackson.
The day ended with an electrifying Artiste
Keynote delivered by Adnan Sami, who
sportingly sang one of his romantic singles when
requested to do so by the attentive audience.
9. DAY TWO
The second day of Nokia Music Connects 2012
commenced with a Keynote from Guy Fletcher
Chairman, Performing Rights Society (UK).
This was then followed by a very insightful
discussion on the live business between Vijay
Nair, CEO, OML Entertainment and Anil
Wanvari.
This was followed by an extremely interesting
Panel Discussion: Lessons from Publishing
moderated by Atul Churamani. Churamani had
some of the world’s leading publishers to discuss
what the Indian publishing industry can learn from
their international counterparts and vice-versa.
The Panelists on this session were: EVP Asia
Pacific Region and Industry Affairs of Universal
Music Publishing International Andrew Jenkins,
SVP - International Legal and Business Affairs for
Warner Chappel Music (UK) Jane Dyball, SVP –
International for Sony/ATV Music Publishing Guy
Henderson, Director of Business Affairs for Nokia
Jonathan Dworkin.
10. DAY TWO
The day carried on with its 3rd Keynote:
Lessons from Gaming where Vishal Gondal –
MD – DisneyUTV Digital delivered a
presentation which spelt out how the gaming
industry reinvented itself in the face of the digital
challenge. His view was that the music industry
can take a few tips from gaming and emerge
stronger than ever. This was closely followed by
a discussion between him andAnil Wanvari.
Following which we had an electrifying interview
of Steve Lillywhite conducted by Ralph Simon.
Having produced albums for U2, The Killers,
Jason Mraz, Dave Mathews Band, the Rolling
Stones and many more, Grammy Award winning
producer Steve Lillywhite discussed his
illustrious career producing some of rock’s
greatest artistes.
The 2nd Panel Discussion of the day endeavored
to answer the question: Is the Media Segmenting
Music? It was moderated by Soumini Sridhara
Paul - AVP - Artist Aloud and its endeavour was to
try and gauge whether radio, TV, and other media
were providing adequate platforms to niche music
genres.
The Panelists for the session included: the CEO of
Dicky "Speak" Pvt Ltd and Partner of Think Tank
Launch Pad Vikas Verma, SVP & Business Head of
Digital Media & New Business for Radio City
Rachna Kanwar, Head of Programming for 9XO -
9XMedia Luke Kenny.
11. DAY TWO
The next Panel Discussion of the day was The Creative
View on the Copyright Act moderated by Atul
Churamani.
What is the perspective of the various creative
communities on the recent Copyright Act amendments
and what are their expectations from it?
The Panelists included: CEO of PPL Vipul Pradhan,
CEO of IPRS Rakesh Nigam, Media & Entertainment
Lawyer from Anand and Anand Rahul Ajatshatru,
Executive Director - Writer and Publisher Relations,
Europe & Asia of BMI Brandon Bakshi, and Music
Composer Ram Sampath.
The last Panel Discussion for NMC 2012 was:
The Emerging Retail Outlet moderated by Atul
Churamani. What is retailing music going to be
like in the future, keeping in mind developments
as far as physical and digital outlets are
concerned? What are the trends? These
questions were answered by the Panelists
amongst whom figured MD of Rhythm House
Mehmood Curmally, Business Head of Sony
DADC Home Entertainment Rajat Kakar,
Director of GiriTrading,T.S. Ranganathan Giri.
The next Keynote of the day was Monetising
Piracy delivered by The IMI Secretary General
Savio D’Souza where he highlighted how an
untapped resource like pirate retailers can be
licensed to deliver revenues for music labels and
how internet piracy is being tackled.
12. DAY TWO
PARTIES & NETWORKING
The day ended with an extremely informative
interview of Talvin Singh conducted by Anil
Wanvari entitled Taking India To The World.
There were plenty of networking opportunities at NMC2012 where guests partied with zeal
and gusto, be it the opening night at Shiros, the performances at the ITC Grand courtesy
Artist Aloud, or the closing party held at Hard Rock Caf where Australian bands gave
electrifying performances courtesy SoundsAustralia.
e
13. PARTIES & NETWORKING
COUNTRY FOCUS: AUSTRALIA
The country focus this year at Nokia Music Connects was on the land Down Under: Australia.
Not only did we have The Hon Simon Crean MP – Minister for Regional Australia, Regional Development
and Local Government and Minister for the Arts give us his take on the role of government in music and
culture and how the Australian Government is working to help promote music from Down Under across the
globe, but we also had an Australian panel “Six and Not Out!” with a lively discussion on the various
opportunities that lie in the Australian Music Industry which is the sixth largest recorded music market in the
world and growing.
We also had the pleasure of having Michael Chugg
- a pioneer of theAustralian Music Industry and one
of the world’s most prominent rock promoters - in
an interview with Ralph Simon where he shared his
experiences of working with some of the worlds
biggest acts and also gave his insights into how the
Indian live music space can progress to new
horizons.
14. COUNTRY FOCUS: AUSTRALIA
A BIG THANK YOU TO OUR SPONSRS, PARTNERS AND MEDIA
The 4th edition of Nokia Music Connects saw an array ofAustralian bands giving electrifying
performances at the Hard Rock Cafe on the 7th of November (courtesy SoundsAustralia).
The bands included Karnivool, Big Scary,TheAston Shuffle, Jinja Safari and Sheppard.
Arts Minister Simon Crean said the concert
brought music lovers from Australia and India
together in a new level of cultural exchange and
cooperation. “It will strengthen our creative bonds
and provide a focus for cultural diplomacy and
people-to-people links to build on our longstanding
relationship with India.”, highlighted Crean.
15. A BIG THANK YOU TO OUR SPONSORS, PARTNERS AND MEDIA
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