Difficult Conversations Final Discussion
You should be finishing up the book this week and gathering your thoughts for your proposal submission. Please respond to these questions as you reflect on what you have read thus far, as well as reply to two classmates by the due date.
1. How do you decide whether to raise a difficult issue?
2. If you decide not to raise something but stay in the relationship, how do you cope with your thoughts and feelings so that they don't fester? How do you actually let go?
3. Can you think of a time in the past when you've successfully let go of an issue in a relationship?
4. Can you think of a time when you've tried to do this, and it hasn't worked? Why didn't it work?
As most classmates are working professionals, please have your answer posted by 10 a.m. on Sunday to give your classmates 24 hours to respond to your post.
YEARS
PROJECT M :USE 11
The Souls of Black Folk
W.E.B. Du Bois, Shawn Leigh Alexander
Published by University of Massachusetts Press
Bois, W.E.B. Du and Shawn Leigh Alexander.
The Souls of Black Folk: Essays and Sketches.
University of Massachusetts Press, 2018.
Project MUSE. muse.jhu.edu/book/59563.
For additional information about this book
https://muse.jhu.edu/book/59563
[ Access provided at 17 Aug 2020 23:33 GMT from University of California, Berkeley ]
https://muse.jhu.edu
https://muse.jhu.edu/book/59563
I
OF OUR SPIRITUAL STRIVINGS
O water, voice of my heart, crying in the sand,
All night long crying with a mournful cry,
As I lie and listen, and cannot understand
The voice of my heart in my side or the voice of the sea,
O water, crying for rest, is it I, is it I?
All night long the water is crying to me.
Unresting water, there shall never be rest
Till the last moon droop and the last tide fail,
And the fre of the end begin to burn in the west;
And the heart shall be weary and wonder and cry like the
sea,
All life long crying without avail,
As the water all night long is crying to me.
ARTHUR SYMONS.
BETWEEN me and the other world there is ever
an unasked question: unasked by some through
feelings of delicacy; by others through the dif-
fculty of rightly framing it. All, nevertheless, futter
round it. They approach me in a half-hesitant sort of way,
eye me curiously or compassionately, and then, instead
of saying directly, How does it feel to be a problem? they
2 THE SOULS OF BLACK FOLK
say, I know an excellent colored man in my town; or, I
fought at Mechanicsville; or, Do not these Southern out-
rages make your blood boil? At these I smile, or am inter-
ested, or reduce the boiling to a simmer, as the occasion
may require. To the real question, How does it feel to be
a problem? I answer seldom a word.
And yet, being a problem is a strange experience, —
peculiar even for one who has never been anything else,
save perhaps in babyhood and in Europe. It is in the early
days of rollicking boyhood that the revelation frst.
[removed]Du Bois, W. E. Burghardt. The Souls of Black Folk .docxhanneloremccaffery
[removed]
Du Bois, W. E. Burghardt. The Souls of Black Folk
Electronic Text Center, University of Virginia Library
Chapter 1
I. Of Our Spiritual Strivings
-1-
O water, voice of my heart, crying in the sand,
All night long crying with a mournful cry,
As I lie and listen, and cannot understand
The voice of my heart in my side or the voice of the sea,
O water, crying for rest, is it I, is it I?
All night long the water is crying to me.
Unresting water, there shall never be rest
Till the last moon droop and the last tide fail,
And the fire of the end begin to burn in the west;
And the heart shall be weary and wonder and cry like the sea,
All life long crying without avail,
As the water all night long is crying to me.
ARTHUR SYMONS.
[musial notation from "Nobody Knows the Trouble I've Seen"]
Between me and the other world there is ever an unasked question: unasked by some
through feelings of delicacy; by others through the difficulty of rightly framing it. All,
nevertheless, flutter round it. They approach me in a half-hesitant sort of way, eye me
curiously or compassionately, and then, instead of saying directly, How does it feel to be
a problem? they say, I know an excellent colored man in my town; or, I fought at
Mechanicsville; or, Do not these Southern outrages make your blood boil? At these I
smile, or am interested, or reduce the boiling to a simmer, as the occasion may require.
To the real question, How does it feel to be a problem? I answer seldom a word.
And yet, being a problem is a strange experience, -- peculiar even for one who has
never been anything else, save perhaps in babyhood and in Europe. It is in the early days
of rollicking boyhood that the revelation first bursts upon one, all in a day, as it were. I
remember well when the shadow swept across me. I was a little thing, away up in the
hills of New England, where the dark Housatonic winds between Hoosac and Taghkanic
to the sea. In a wee wooden schoolhouse, something put it into the boys' and girls' heads
to buy gorgeous visiting-cards -- ten cents a package -- and exchange. The exchange was
merry, till one girl, a tall newcomer, refused my card, -- refused it peremptorily, with a
glance. Then it dawned upon me with a certain suddenness that I was different from the
others; or like, mayhap, in heart and life and longing, but shut out from their world by a
vast veil. I had thereafter no desire to tear down that veil, to creep through; I held all
beyond it in common contempt, and lived above it in a region of blue sky and great
wandering shadows. That sky was bluest when I could beat my mates at examination-
time, or beat them at a foot-race, or even beat their stringy heads. Alas, with the years all
this fine contempt began to fade; for the words I longed for, and all their dazzling
opportunities, were theirs, not mine. But they should not keep these prizes, I said; some,
all, I would wrest.
Cornell Notes #
Main Ideas: review, clarify & synthesize notes to just the main points/most important aspects
Student Name:
______________________________________________________
Specific Assigned Reading or Film Title:
______________________________________________________
Author’s Last Name, Chapter,
and Page numbers:
_________________________________________
Notes: write and review main notes / bulk of notes.
Summary: A brief breakdown of the notes from the right column which includes an analysis of what you read and your own ideas about the theories, concepts, and/or points made. The summary must be at least one paragraph.
Cornell Notes #
Main Ideas: review, clarify & synthesize notes to just the main points/most important aspects
Student Name:
______________________________________________________
Specific Assigned Reading or Film Title:
_____From Stumbling Block to Stepping stone _________________________________________________
Author’s Last Name, Chapter,
and Page numbers:
Lewis, Chapter 3, page 130-144_________________________________________
Notes: write and review main notes / bulk of notes.
Racism and sexism are exercised in newsrooms across the country (p.130)
Black journalists are underrepresented in television news. Hierarchies of sexuality, gender and race operate in the newsroom. Gender and race dynamics are revealed in the process of obtaining clearance to conduct the field observations.
Black journalists work a large number of the least desirable shows in television news (p.133)
Lewis argues that black journalists are likely to work the least undesirable shifts and shows. They are likely to be relegated to the graveyard shift and to the weekends. The graveyard shift is undesirable because of the time of the day and the fact that one might not reach the target audience and gain recognition for career success and promotion.
Black journalists lack access to decision-making positions (p.134)
Black journalists face the struggle of gaining access to the key decision-making positions in the newsroom. They do not have influence on newscasts. Black journalists face challenges in terms of space, place, and time limitations.
The graveyard shift is used as a stepping stone (p.136).
Even though the graveyard shift is undesirable, journalists join it as they consider the graveyard shift a stepping-stone towards their career goals. The journalists thrive, innovate, survive, and produce even though they face numerous challenges in the newsroom culture. They use techniques such as silence to resist the newsroom culture.
White males make more money that black males and females (p.137)
White males are likely to earn more money than black males in th.
6.2 My GuiltMy Guiltby Maya AngelouMy guilt is slavery’s .docxblondellchancy
6.2 My Guilt
“My Guilt"
by Maya Angelou
My guilt is “slavery’s chains,” too long
the clang of iron falls down the years.
This brother’s sold. This sister’s gone
is bitter wax, lining my ears.
My guilt made music with the tears.
My crime is “heroes, dead and gone”
dead Vesey, Turner, Gabriel,
dead Malcolm, Marcus, Martin King.
They fought too hard, they loved too well.
My crime is I’m alive to tell.
My sin is “hanging from a tree”
I do not scream, it makes me proud.
I take to dying like a man.
I do it to impress the crowd.
My sin lies in not screaming loud.
6.3 The Narrative of the Life of Frederick Douglass Preface
by Frederick Douglass
IN the month of August, 1841, I attended an anti-slavery convention in Nantucket, at which it was my happiness to become acquainted with FREDERICK DOUGLASS, the writer of the following Narrative. He was a stranger to nearly every member of that body; but, having recently made his escape from the southern prison-house of bondage, and feeling his curiosity excited to ascertain the principles and measures of the abolitionists,—of whom he had heard a somewhat vague description while he was a slave,—he was induced to give his attendance, on the occasion alluded to, though at that time a resident in New Bedford.
Fortunate, most fortunate occurrence!—fortunate for the millions of his manacled brethren, yet panting for deliverance from their awful thraldom!—fortunate for the cause of negro emancipation, and of universal liberty!—fortunate for the land of his birth, which he has already done so much to save and bless!—fortunate for a large circle of friends and acquaintances, whose sympathy and affection he has strongly secured by the many sufferings he has endured, by his virtuous traits of character, by his ever-abiding remembrance of those who are in bonds, as being bound with them!—fortunate for the multitudes, in various parts of our republic, whose minds he has enlightened on the subject of slavery, and who have been melted to tears by his pathos, or roused to virtuous indignation by his stirring eloquence against the enslavers of men!—fortunate for himself, as it at once brought him into the field of public usefulness, “gave the world assurance of a MAN,” quickened the slumbering energies of his soul, and consecrated him to the great work of breaking the rod of the oppressor, and letting the oppressed go free!
I shall never forget his first speech at the convention—the extraordinary emotion it excited in my own mind—the powerful impression it created upon a crowded auditory, completely taken by surprise—the applause which followed from the beginning to the end of his felicitous remarks. I think I never hated slavery so intensely as at that moment; certainly, my perception of the enormous outrage which is inflicted by it, on the godlike nature of its victims, was rendered far more clear than ever. There stood one, in physical proportion and stature commanding and exact—in intellect richly endowed—in natural eloqu ...
Journal Assignment 2
Journal Assignment
Fredrick Douglas’ “The Meaning of the Fourth of July for the Negro”
Background
In the early republic the annual Fourth of July oration was an important moment of commemoration, celebration, and reaffirmation in which Americans paid tribute to the heroes of the American Revolution and the ideals of American freedom and liberty. Citizens of all walks of life would gather together in their local communities to listen to orations delivered by
prominent statesmen
such as John Quincy Adams, Daniel Webster, and Horace Mann. A typical Fourth of July Oration would wax poetic about the virtues of America, often praising the Founders in grand terms and asking current Americans to live up to their
illustrious role models.
Former slave
Frederick Douglass’
July 5, 1852 oration “What to the Slave is the Fourth of July?” stands in stark contrast to the typical Fourth of July Oration. Not only did Douglass look different than the typical Fourth of July orator, but his message was very different. “The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not me,” Douglass told his audience. “The sunlight that brought life and healing to you, has brought stripes of death to me. This Fourth of July is yours, not mine. You may rejoice, I must mourn.” Throughout the speech Douglass compared and contrasted what the Fourth of July means to white Americans (freedom) and what it means to African-Americans (slavery) and concluded, “What, to the American slave, is your 4th of July? I answer: a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is constant victim. To him, your celebration is a sham.”
Douglass was already a famous abolitionist and speaker, but his fiery and dramatic calling out of American hypocrisy in his Fourth of July oration solidified his place as one of the greatest American orators of all time.
Directions
Answer the following questions:
Why did Douglas suggest by inviting him to speak on the Fourth of July the audience may have been mocking him?
Cite two examples of how the meaning of the Fourth of July differed for whites and African-American slaves?
What does Douglas mean by “stripes of death”?
How could Douglas have made such a speech yet still felt that the Constitution was a “glorious document” of liberty?
Speech
Fellow Citizens, I am not wanting in respect for the fathers of this republic. The signers of the Declaration of Independence were brave men. They were great men, too Ñ great enough to give frame to a great age. It does not often happen to a nation to raise, at one time, such a number of truly great men. The point from which I am compelled to view them is not, certainly, the most favorable; and yet I cannot contemplate their great deeds with less than admiration. They were statesmen, patriots and heroes, and for the good they did, and the principles they contended for,.
OX F O R D WO R L D ’ S C LA S S I C ST H E S O U L.docxalfred4lewis58146
OX F O R D WO R L D ’ S C LA S S I C S
T H E S O U L S O F B L AC K F O L K
W. E. B. D U B O I S was born in Great Barrington, Massachusetts, on
23 February 1868. In 1885 he went to Fisk University where he
edited the Fisk Herald. After graduating in June 1888 he continued
his studies at Harvard College, gaining an MA degree in history in
1891. Following further study at the Friedrich Wilhelm University
in Berlin, he returned to the United States in 1894 to take a teaching
position in classics at Wilberforce University in Xenia, Ohio. Du
Bois became the first black to receive his Ph.D. from Harvard in
1895 and moved to Philadelphia the next year to pursue a socio-
logical study of black life there. After accepting a faculty position in
economics and history at Atlanta University, he gained renown as an
intellectual in the next decade with the publication of The Souls of
Black Folk (1903) and his participation in the Niagara Movement, a
group of black leaders assembled in 1905 to promote full civil and
economic rights for blacks. In 1910 Du Bois moved to New York,
where he accepted a position at the National Association for the
Advancement of Colored People (NAACP) as the editor of the civil
rights organization’s monthly journal, The Crisis. In February 1919
in Paris, Du Bois organized the First Pan-African Congress, which
gathered delegates from the United States, the Caribbean, Europe,
and Africa. He continued to publish a steady stream of important
books, including Darkwater (1920), Dark Princess (1928), and Black
Reconstruction (1935). After a series of political conflicts, Du Bois
resigned from The Crisis in 1934 and returned to Atlanta University,
where he founded and edited another journal, Phylon. Increasingly
radical in his public criticism of US foreign policy and race relations
after the Second World War, Du Bois worked with pacifist organ-
izations and the Council on African Affairs. After celebrating his
ninetieth birthday in New York, Du Bois toured Europe, the Soviet
Union, and China in 1958 and 1959. In 1961 he accepted the
invitation of Kwame Nkrumah, the president of independent
Ghana, to move to Africa. Du Bois died in Ghana on 27 August
1963, on the eve of the monumental civil rights protest march in
Washington, DC.
B R E N T H AY E S E DWA R D S is an associate professor in the Depart-
ment of English at Rutgers University. He is the author of The
Practice of Diaspora: Literature, Translation, and the Rise of Black
Internationalism (2003), the co-editor of the essay collection Uptown
Conversation: The New Jazz Studies (2004), and the editor of Joseph
Conrad’s Nostromo (2004) and Frederick Douglass’s My Bondage
and My Freedom (2005).
OX F O R D WO R L D ’ S C L A S S I C S
W. E . B. D U B O I S
The Souls of Black Folk
Edited with an Introduction and Notes by
B R E N T H AY E S E DWA R D S
1
3
Great Clarendon Street, Oxford OX 2 6 D P
Oxford University Press is a department of the University of O.
Frederick Douglass. A book written by himself. Part of our incredible American history. Well worth your time to read to better understand the issues of the day. A great historical book. Gloucester, Virginia Links and News website. Visit us for more incredible content.
[removed]Du Bois, W. E. Burghardt. The Souls of Black Folk .docxhanneloremccaffery
[removed]
Du Bois, W. E. Burghardt. The Souls of Black Folk
Electronic Text Center, University of Virginia Library
Chapter 1
I. Of Our Spiritual Strivings
-1-
O water, voice of my heart, crying in the sand,
All night long crying with a mournful cry,
As I lie and listen, and cannot understand
The voice of my heart in my side or the voice of the sea,
O water, crying for rest, is it I, is it I?
All night long the water is crying to me.
Unresting water, there shall never be rest
Till the last moon droop and the last tide fail,
And the fire of the end begin to burn in the west;
And the heart shall be weary and wonder and cry like the sea,
All life long crying without avail,
As the water all night long is crying to me.
ARTHUR SYMONS.
[musial notation from "Nobody Knows the Trouble I've Seen"]
Between me and the other world there is ever an unasked question: unasked by some
through feelings of delicacy; by others through the difficulty of rightly framing it. All,
nevertheless, flutter round it. They approach me in a half-hesitant sort of way, eye me
curiously or compassionately, and then, instead of saying directly, How does it feel to be
a problem? they say, I know an excellent colored man in my town; or, I fought at
Mechanicsville; or, Do not these Southern outrages make your blood boil? At these I
smile, or am interested, or reduce the boiling to a simmer, as the occasion may require.
To the real question, How does it feel to be a problem? I answer seldom a word.
And yet, being a problem is a strange experience, -- peculiar even for one who has
never been anything else, save perhaps in babyhood and in Europe. It is in the early days
of rollicking boyhood that the revelation first bursts upon one, all in a day, as it were. I
remember well when the shadow swept across me. I was a little thing, away up in the
hills of New England, where the dark Housatonic winds between Hoosac and Taghkanic
to the sea. In a wee wooden schoolhouse, something put it into the boys' and girls' heads
to buy gorgeous visiting-cards -- ten cents a package -- and exchange. The exchange was
merry, till one girl, a tall newcomer, refused my card, -- refused it peremptorily, with a
glance. Then it dawned upon me with a certain suddenness that I was different from the
others; or like, mayhap, in heart and life and longing, but shut out from their world by a
vast veil. I had thereafter no desire to tear down that veil, to creep through; I held all
beyond it in common contempt, and lived above it in a region of blue sky and great
wandering shadows. That sky was bluest when I could beat my mates at examination-
time, or beat them at a foot-race, or even beat their stringy heads. Alas, with the years all
this fine contempt began to fade; for the words I longed for, and all their dazzling
opportunities, were theirs, not mine. But they should not keep these prizes, I said; some,
all, I would wrest.
Cornell Notes #
Main Ideas: review, clarify & synthesize notes to just the main points/most important aspects
Student Name:
______________________________________________________
Specific Assigned Reading or Film Title:
______________________________________________________
Author’s Last Name, Chapter,
and Page numbers:
_________________________________________
Notes: write and review main notes / bulk of notes.
Summary: A brief breakdown of the notes from the right column which includes an analysis of what you read and your own ideas about the theories, concepts, and/or points made. The summary must be at least one paragraph.
Cornell Notes #
Main Ideas: review, clarify & synthesize notes to just the main points/most important aspects
Student Name:
______________________________________________________
Specific Assigned Reading or Film Title:
_____From Stumbling Block to Stepping stone _________________________________________________
Author’s Last Name, Chapter,
and Page numbers:
Lewis, Chapter 3, page 130-144_________________________________________
Notes: write and review main notes / bulk of notes.
Racism and sexism are exercised in newsrooms across the country (p.130)
Black journalists are underrepresented in television news. Hierarchies of sexuality, gender and race operate in the newsroom. Gender and race dynamics are revealed in the process of obtaining clearance to conduct the field observations.
Black journalists work a large number of the least desirable shows in television news (p.133)
Lewis argues that black journalists are likely to work the least undesirable shifts and shows. They are likely to be relegated to the graveyard shift and to the weekends. The graveyard shift is undesirable because of the time of the day and the fact that one might not reach the target audience and gain recognition for career success and promotion.
Black journalists lack access to decision-making positions (p.134)
Black journalists face the struggle of gaining access to the key decision-making positions in the newsroom. They do not have influence on newscasts. Black journalists face challenges in terms of space, place, and time limitations.
The graveyard shift is used as a stepping stone (p.136).
Even though the graveyard shift is undesirable, journalists join it as they consider the graveyard shift a stepping-stone towards their career goals. The journalists thrive, innovate, survive, and produce even though they face numerous challenges in the newsroom culture. They use techniques such as silence to resist the newsroom culture.
White males make more money that black males and females (p.137)
White males are likely to earn more money than black males in th.
6.2 My GuiltMy Guiltby Maya AngelouMy guilt is slavery’s .docxblondellchancy
6.2 My Guilt
“My Guilt"
by Maya Angelou
My guilt is “slavery’s chains,” too long
the clang of iron falls down the years.
This brother’s sold. This sister’s gone
is bitter wax, lining my ears.
My guilt made music with the tears.
My crime is “heroes, dead and gone”
dead Vesey, Turner, Gabriel,
dead Malcolm, Marcus, Martin King.
They fought too hard, they loved too well.
My crime is I’m alive to tell.
My sin is “hanging from a tree”
I do not scream, it makes me proud.
I take to dying like a man.
I do it to impress the crowd.
My sin lies in not screaming loud.
6.3 The Narrative of the Life of Frederick Douglass Preface
by Frederick Douglass
IN the month of August, 1841, I attended an anti-slavery convention in Nantucket, at which it was my happiness to become acquainted with FREDERICK DOUGLASS, the writer of the following Narrative. He was a stranger to nearly every member of that body; but, having recently made his escape from the southern prison-house of bondage, and feeling his curiosity excited to ascertain the principles and measures of the abolitionists,—of whom he had heard a somewhat vague description while he was a slave,—he was induced to give his attendance, on the occasion alluded to, though at that time a resident in New Bedford.
Fortunate, most fortunate occurrence!—fortunate for the millions of his manacled brethren, yet panting for deliverance from their awful thraldom!—fortunate for the cause of negro emancipation, and of universal liberty!—fortunate for the land of his birth, which he has already done so much to save and bless!—fortunate for a large circle of friends and acquaintances, whose sympathy and affection he has strongly secured by the many sufferings he has endured, by his virtuous traits of character, by his ever-abiding remembrance of those who are in bonds, as being bound with them!—fortunate for the multitudes, in various parts of our republic, whose minds he has enlightened on the subject of slavery, and who have been melted to tears by his pathos, or roused to virtuous indignation by his stirring eloquence against the enslavers of men!—fortunate for himself, as it at once brought him into the field of public usefulness, “gave the world assurance of a MAN,” quickened the slumbering energies of his soul, and consecrated him to the great work of breaking the rod of the oppressor, and letting the oppressed go free!
I shall never forget his first speech at the convention—the extraordinary emotion it excited in my own mind—the powerful impression it created upon a crowded auditory, completely taken by surprise—the applause which followed from the beginning to the end of his felicitous remarks. I think I never hated slavery so intensely as at that moment; certainly, my perception of the enormous outrage which is inflicted by it, on the godlike nature of its victims, was rendered far more clear than ever. There stood one, in physical proportion and stature commanding and exact—in intellect richly endowed—in natural eloqu ...
Journal Assignment 2
Journal Assignment
Fredrick Douglas’ “The Meaning of the Fourth of July for the Negro”
Background
In the early republic the annual Fourth of July oration was an important moment of commemoration, celebration, and reaffirmation in which Americans paid tribute to the heroes of the American Revolution and the ideals of American freedom and liberty. Citizens of all walks of life would gather together in their local communities to listen to orations delivered by
prominent statesmen
such as John Quincy Adams, Daniel Webster, and Horace Mann. A typical Fourth of July Oration would wax poetic about the virtues of America, often praising the Founders in grand terms and asking current Americans to live up to their
illustrious role models.
Former slave
Frederick Douglass’
July 5, 1852 oration “What to the Slave is the Fourth of July?” stands in stark contrast to the typical Fourth of July Oration. Not only did Douglass look different than the typical Fourth of July orator, but his message was very different. “The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not me,” Douglass told his audience. “The sunlight that brought life and healing to you, has brought stripes of death to me. This Fourth of July is yours, not mine. You may rejoice, I must mourn.” Throughout the speech Douglass compared and contrasted what the Fourth of July means to white Americans (freedom) and what it means to African-Americans (slavery) and concluded, “What, to the American slave, is your 4th of July? I answer: a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is constant victim. To him, your celebration is a sham.”
Douglass was already a famous abolitionist and speaker, but his fiery and dramatic calling out of American hypocrisy in his Fourth of July oration solidified his place as one of the greatest American orators of all time.
Directions
Answer the following questions:
Why did Douglas suggest by inviting him to speak on the Fourth of July the audience may have been mocking him?
Cite two examples of how the meaning of the Fourth of July differed for whites and African-American slaves?
What does Douglas mean by “stripes of death”?
How could Douglas have made such a speech yet still felt that the Constitution was a “glorious document” of liberty?
Speech
Fellow Citizens, I am not wanting in respect for the fathers of this republic. The signers of the Declaration of Independence were brave men. They were great men, too Ñ great enough to give frame to a great age. It does not often happen to a nation to raise, at one time, such a number of truly great men. The point from which I am compelled to view them is not, certainly, the most favorable; and yet I cannot contemplate their great deeds with less than admiration. They were statesmen, patriots and heroes, and for the good they did, and the principles they contended for,.
OX F O R D WO R L D ’ S C LA S S I C ST H E S O U L.docxalfred4lewis58146
OX F O R D WO R L D ’ S C LA S S I C S
T H E S O U L S O F B L AC K F O L K
W. E. B. D U B O I S was born in Great Barrington, Massachusetts, on
23 February 1868. In 1885 he went to Fisk University where he
edited the Fisk Herald. After graduating in June 1888 he continued
his studies at Harvard College, gaining an MA degree in history in
1891. Following further study at the Friedrich Wilhelm University
in Berlin, he returned to the United States in 1894 to take a teaching
position in classics at Wilberforce University in Xenia, Ohio. Du
Bois became the first black to receive his Ph.D. from Harvard in
1895 and moved to Philadelphia the next year to pursue a socio-
logical study of black life there. After accepting a faculty position in
economics and history at Atlanta University, he gained renown as an
intellectual in the next decade with the publication of The Souls of
Black Folk (1903) and his participation in the Niagara Movement, a
group of black leaders assembled in 1905 to promote full civil and
economic rights for blacks. In 1910 Du Bois moved to New York,
where he accepted a position at the National Association for the
Advancement of Colored People (NAACP) as the editor of the civil
rights organization’s monthly journal, The Crisis. In February 1919
in Paris, Du Bois organized the First Pan-African Congress, which
gathered delegates from the United States, the Caribbean, Europe,
and Africa. He continued to publish a steady stream of important
books, including Darkwater (1920), Dark Princess (1928), and Black
Reconstruction (1935). After a series of political conflicts, Du Bois
resigned from The Crisis in 1934 and returned to Atlanta University,
where he founded and edited another journal, Phylon. Increasingly
radical in his public criticism of US foreign policy and race relations
after the Second World War, Du Bois worked with pacifist organ-
izations and the Council on African Affairs. After celebrating his
ninetieth birthday in New York, Du Bois toured Europe, the Soviet
Union, and China in 1958 and 1959. In 1961 he accepted the
invitation of Kwame Nkrumah, the president of independent
Ghana, to move to Africa. Du Bois died in Ghana on 27 August
1963, on the eve of the monumental civil rights protest march in
Washington, DC.
B R E N T H AY E S E DWA R D S is an associate professor in the Depart-
ment of English at Rutgers University. He is the author of The
Practice of Diaspora: Literature, Translation, and the Rise of Black
Internationalism (2003), the co-editor of the essay collection Uptown
Conversation: The New Jazz Studies (2004), and the editor of Joseph
Conrad’s Nostromo (2004) and Frederick Douglass’s My Bondage
and My Freedom (2005).
OX F O R D WO R L D ’ S C L A S S I C S
W. E . B. D U B O I S
The Souls of Black Folk
Edited with an Introduction and Notes by
B R E N T H AY E S E DWA R D S
1
3
Great Clarendon Street, Oxford OX 2 6 D P
Oxford University Press is a department of the University of O.
Frederick Douglass. A book written by himself. Part of our incredible American history. Well worth your time to read to better understand the issues of the day. A great historical book. Gloucester, Virginia Links and News website. Visit us for more incredible content.
Question 1 (Multiple Choice Worth 5 points)[MC]Read these li.docxJUST36
Question 1
(Multiple Choice Worth 5 points)
[MC]
Read these lines from Fredrick Douglass's speech "What to The Slave Is the Fourth of July?"
I hear the mournful wail of millions, whose chains, heavy and grievous yesterday, are to-day
rendered
more intolerable by the jubilant shouts that reach them.
Which definition of
rendered
is
most
likely suited for this line?
Question 2
(Multiple Choice Worth 5 points)
[MC]
Fall of the House of Usher, excerpt
By Edgar Allan Poe
Upon my entrance, Usher rose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality—of the constrained effort of the ennuyé
1
man of the world. A glance, however, at his countenance convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity;—these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.
In the manner of my friend I was at once struck with an incoherence—an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy—an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from his peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision to that species of energetic concision—that abrupt, weighty, unhurried, and hollow-sounding enunciation—that leaden, self-balanced and perfectly modulat ...
Digital HistoryPrintable VersionThe Meaning of July FoAlyciaGold776
Digital History
Printable Version
The Meaning of July Fourth for the Negro
Digital History ID 3612
Author: Frederick Douglass
Date:1852
Annotation: On July 5, 1852, Douglass gave a speech at an event commemorating the signing of the
Declaration of Independence, held at Rochester's Corinthian Hall. It was a piercing speech. During the first part
of his speech he praises what the founding fathers did for this country, but his speech soon develops into a
condemnation of the attitude of American society toward slavery.
Document: Fellow Citizens, I am not wanting in respect for the fathers of this republic. The signers of the
Declaration of Independence were brave men. They were great men, too ‹ great enough to give frame to a
great age. It does not often happen to a nation to raise, at one time, such a number of truly great men. The
point from which I am compelled to view them is not, certainly, the most favorable; and yet I cannot
contemplate their great deeds with less than admiration. They were statesmen, patriots and heroes, and for the
good they did, and the principles they contended for, I will unite with you to honor their memory....
...Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or
those I represent, to do with your national independence? Are the great principles of political freedom and of
natural justice, embodied in that Declaration of Independence, extended to us? and am I, therefore, called upon
to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for
the blessings resulting from your independence to us?
Would to God, both for your sakes and ours, that an affirmative answer could be truthfully returned to these
questions! Then would my task be light, and my burden easy and delightful. For who is there so cold, that a
nation's sympathy could not warm him? Who so obdurate and dead to the claims of gratitude, that would not
thankfully acknowledge such priceless benefits? Who so stolid and selfish, that would not give his voice to swell
the hallelujahs of a nation's jubilee, when the chains of servitude had been torn from his limbs? I am not that
man. In a case like that, the dumb might eloquently speak, and the "lame man leap as an hart."
But such is not the state of the case. I say it with a sad sense of the disparity between us. I am not included
within the pale of glorious anniversary! Your high independence only reveals the immeasurable distance
between us. The blessings in which you, this day, rejoice, are not enjoyed in common.‹The rich inheritance of
justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The
sunlight that brought light and healing to you, has brought stripes and death to me. This Fourth July is yours,
not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty,
and call upon him to join you in ...
I. Making Ready for Life
II. Character Building
III. Growing like Christ
IV. Ministering by the Way
V. Serving the Lord
VI. Ourselves and Others
VII. Helping by Unselfishness
VIII. Home Lessons
IX. Life among the Lowly
Question 1 (Multiple Choice Worth 5 points)[LC]Read these line.docxteofilapeerless
Question 1
(Multiple Choice Worth 5 points)
[LC]
Read these lines from Fredrick Douglass's speech "What to The Slave Is the Fourth of July?"
But I
fancy
I hear some one of my audience say, it is just in this circumstance that you and your brother abolitionists fail to make a favorable impression on the public mind.
Which word is
most
similar to how
fancy
is used here?
Question 2
(Multiple Choice Worth 5 points)
[LC]
Fall of the House of Usher, excerpt
By Edgar Allan Poe
Upon my entrance, Usher rose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality—of the constrained effort of the ennuyé
1
man of the world. A glance, however, at his countenance convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity;—these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.
1
Bored
What is the narrator’s relationship to Roderick Usher?
Question 3
(Multiple Choice Worth 5 points)
[LC]
Read these two sentences:
The research suggests we may have little time left to help the big cats of the world.
Our progress in all major habitats has been very encouraging.
Which transition word correctly links the two sentences?
Question 4
(Multiple Choice Worth 5 points)
[LC]
Which sentence correctly uses a hyphen?
Question 5
(Multiple Choice Worth 5 points)
[MC]
Which sentence correctly uses hyphens?
Question 6
(Multiple Choice Worth 5 points)
[MC]
Which of the following would be
most
relevant to a research paper exploring the benefits of schools growin.
Summary of a Literary Non-Fiction Text 500 wordsA succinct sum.docxpicklesvalery
Summary of a Literary Non-Fiction Text 500 words
A succinct summary can help students explain key concepts or theories while formulating their arguments in a formal essay. While summaries can be extremely helpful in formal essay writing, one of the challenges to creating a summary is to know how much material to omit before the central idea has been lost. In this assignment students are asked to summarize one of the literary non-fiction texts from this course: “How it Feels to be Coloured Me.”
Format
All written assignments must be submitted in MLA (Modern Language Association) format, double spaced, with 1” margins, and in 12-point Times New Roman font. Please include your name, professor’s name, the course code, and date in the upper left corner. In the upper right corner please place your last name and a page number. Also, please do not include a cover page with any written assignments.
How It Feels to Be Colored Me
I AM COLORED but I offer nothing in the way of extenuating
circumstances except the fact that I am the only Negro in the United
States whose grandfather on the mother's side was not an Indian chief.
I remember the very day that I became colored. Up to my thirteenth year
I lived in the little Negro town of Eatonville l Florida. It is exclusively a
colored town. The only white people I knew passed through the town
going to or coming from Orlando. The native whites rode dusty horses l
the Northern tourists chugged down the sandy village road in automobiles.
The town knew the Southerners and never stopped cane chewing when
they passed. But the Northerners were something else again. They were
peered at cautiously from behind curtains by the timid. The more
venturesome would come out on the porch to watch them go past and got
just as much pleasure out of the tourists as the tourists got out of the
village.
The front porch might seem a daring place for the rest of the town l but it
was a gallery seat for me. My favorite place was atop the gate?post.
Proscenium box for a born first?nighter. Not only did I enjoy the show l but
I didn't mind the actors knowing that I liked it. I usually spoke to them in
passing. I'd wave at them and when they returned my salute l I would say
something like this: "Howdy?do?well?I?thank?you?where?yougoin'?"
Usually automobile or the horse paused at this l and after a queer
exchange of compliments l I would probably "go a piece of the way" with
them l as we say in farthest Florida. If one of my family happened to come
to the front in time to see mel of course negotiations would be rudely
broken off. But even SOl it is clear that I was the first "welcome?to?
ourstate" Floridian, and I hope the Miami Chamber of Commerce will
please take notice.
During this period, white people differed from colored to me only in that
they rode through town and never lived there. They liked to hear me I I
speak pieces" and sing and wanted to see me dance the parse?me?la, and
gave me gen ...
Chapter Five THE LIVED EXPERIENCE OF THE BLACK MAN .docxspoonerneddy
Chapter Five
THE LIVED EXPERIENCE
OF THE BLACK MAN
"Dirty nigger!" or simply "Look! A Negro!"
I came into this world anxious to uncover the meaning
of things, my soul desirous to be at the origin of the world,
and here I am an object among other objects.
Locked in this suffocating reification, I appealed to the
Other so that his liberating gaze, gliding over my body
· suddenly smoothed of rough edges, would give me back
the lightness of being I thought I had lost, and taking me
out of the world put me back in the world. But just as I
get to the other slope I stumble, and the Other fixes me
with his gaze, his gestures and attitude, the same way you
fix a preparation with a dye. I lose my temper, demand an
explanation . . . . Nothing doing. I explode. Here are the
fragments put together by another me.
As long as the black man remains on his home territory,
except for petty internal quarrels, he will not have to ex
perience his being for others . There is in fact a "being for
other," as described by Hegel, but any ontology is made
impossible in a colonized and acculturated society. Appar
ently, those who have written on the subject have not taken
this sufficiently into consideration. In the weltanschauung
of a colonized people, there is an impurity or a flaw that
89
90 I Black Skin, White Masks
prohibits any ontological explanation. Perhaps it could be
argued that this is true for any individual, but such an ar
gument would be concealing the basic problem. Ontology
does not allow us to understand the being of the black man,
since it ignores the lived experience. For not only must the
black man be black; he must be black in relation to the
white man. Some people will argue that the situation has
a double meaning. Not at all. The black man has no onto
logical resistance in the eyes of the white man. From one
day to the next, the Blacks have had to deal with two sys
tems of reference. Their metaphysics, or less pretentiously
their customs and the agencies to which they refer, were
abolished because they were in contradiction with a new
civilization that imposed its own.
In the twentieth century the black man on his home
territory is oblivious of the moment when his inferiority is
determined by the Other. Naturally, we have had the op
portunity to discuss the black problem with friends and,
less often, with African-Americans. Together we pro
claimed loud and clear the equality of man in the world.
In the Antilles there is also that minor tension between
the cliques of white Creoles, Mulattoes, and Blacks. But
we were content to intellectualize these differences. In
fact, there was nothing dramatic about them. And then . . .
And then we were given the occasion to confront the
white gaze. An unusual weight descended on us. The real
world robbed us of our share. In the white world, the man
of color encounters difficulties in elaborating his body
schema. The image of one's body is so.
Chapter Five THE LIVED EXPERIENCE OF THE BLACK MAN DioneWang844
Chapter Five
THE LIVED EXPERIENCE
OF THE BLACK MAN
"Dirty nigger!" or simply "Look! A Negro!"
I came into this world anxious to uncover the meaning
of things, my soul desirous to be at the origin of the world,
and here I am an object among other objects.
Locked in this suffocating reification, I appealed to the
Other so that his liberating gaze, gliding over my body
· suddenly smoothed of rough edges, would give me back
the lightness of being I thought I had lost, and taking me
out of the world put me back in the world. But just as I
get to the other slope I stumble, and the Other fixes me
with his gaze, his gestures and attitude, the same way you
fix a preparation with a dye. I lose my temper, demand an
explanation . . . . Nothing doing. I explode. Here are the
fragments put together by another me.
As long as the black man remains on his home territory,
except for petty internal quarrels, he will not have to ex
perience his being for others . There is in fact a "being for
other," as described by Hegel, but any ontology is made
impossible in a colonized and acculturated society. Appar
ently, those who have written on the subject have not taken
this sufficiently into consideration. In the weltanschauung
of a colonized people, there is an impurity or a flaw that
89
90 I Black Skin, White Masks
prohibits any ontological explanation. Perhaps it could be
argued that this is true for any individual, but such an ar
gument would be concealing the basic problem. Ontology
does not allow us to understand the being of the black man,
since it ignores the lived experience. For not only must the
black man be black; he must be black in relation to the
white man. Some people will argue that the situation has
a double meaning. Not at all. The black man has no onto
logical resistance in the eyes of the white man. From one
day to the next, the Blacks have had to deal with two sys
tems of reference. Their metaphysics, or less pretentiously
their customs and the agencies to which they refer, were
abolished because they were in contradiction with a new
civilization that imposed its own.
In the twentieth century the black man on his home
territory is oblivious of the moment when his inferiority is
determined by the Other. Naturally, we have had the op
portunity to discuss the black problem with friends and,
less often, with African-Americans. Together we pro
claimed loud and clear the equality of man in the world.
In the Antilles there is also that minor tension between
the cliques of white Creoles, Mulattoes, and Blacks. But
we were content to intellectualize these differences. In
fact, there was nothing dramatic about them. And then . . .
And then we were given the occasion to confront the
white gaze. An unusual weight descended on us. The real
world robbed us of our share. In the white world, the man
of color encounters difficulties in elaborating his body
schema. The image of one's body is so ...
Chapter Five THE LIVED EXPERIENCE OF THE BLACK MAN .docxtiffanyd4
Chapter Five
THE LIVED EXPERIENCE
OF THE BLACK MAN
"Dirty nigger!" or simply "Look! A Negro!"
I came into this world anxious to uncover the meaning
of things, my soul desirous to be at the origin of the world,
and here I am an object among other objects.
Locked in this suffocating reification, I appealed to the
Other so that his liberating gaze, gliding over my body
· suddenly smoothed of rough edges, would give me back
the lightness of being I thought I had lost, and taking me
out of the world put me back in the world. But just as I
get to the other slope I stumble, and the Other fixes me
with his gaze, his gestures and attitude, the same way you
fix a preparation with a dye. I lose my temper, demand an
explanation . . . . Nothing doing. I explode. Here are the
fragments put together by another me.
As long as the black man remains on his home territory,
except for petty internal quarrels, he will not have to ex
perience his being for others . There is in fact a "being for
other," as described by Hegel, but any ontology is made
impossible in a colonized and acculturated society. Appar
ently, those who have written on the subject have not taken
this sufficiently into consideration. In the weltanschauung
of a colonized people, there is an impurity or a flaw that
89
90 I Black Skin, White Masks
prohibits any ontological explanation. Perhaps it could be
argued that this is true for any individual, but such an ar
gument would be concealing the basic problem. Ontology
does not allow us to understand the being of the black man,
since it ignores the lived experience. For not only must the
black man be black; he must be black in relation to the
white man. Some people will argue that the situation has
a double meaning. Not at all. The black man has no onto
logical resistance in the eyes of the white man. From one
day to the next, the Blacks have had to deal with two sys
tems of reference. Their metaphysics, or less pretentiously
their customs and the agencies to which they refer, were
abolished because they were in contradiction with a new
civilization that imposed its own.
In the twentieth century the black man on his home
territory is oblivious of the moment when his inferiority is
determined by the Other. Naturally, we have had the op
portunity to discuss the black problem with friends and,
less often, with African-Americans. Together we pro
claimed loud and clear the equality of man in the world.
In the Antilles there is also that minor tension between
the cliques of white Creoles, Mulattoes, and Blacks. But
we were content to intellectualize these differences. In
fact, there was nothing dramatic about them. And then . . .
And then we were given the occasion to confront the
white gaze. An unusual weight descended on us. The real
world robbed us of our share. In the white world, the man
of color encounters difficulties in elaborating his body
schema. The image of one's body is so.
The Crucible:
Audiobook:
https://www.youtube.com/watch?v=Di-BrIweYcE
You must write at least 4 sentences. Spelling, punctuation, and grammar count toward your grade, and you will be penalized for errors.
1. What witnessed event prompted the initial whispers of witchcraft? Who was involved? Be specific.
2. Describe the emotional journey of Reverend Hale from beginning to end of the play. Does he grow or remain as he is? Why? Support your answer with examples from the text.
3. “More Weight.” Who says this line and what is the significance of it?
4. In the end, John Proctor makes a fateful decision. Why does he make this decision and how does this affect his and Elizabeth’s future?
5. Which character in The Crucible do you think most closely resembles Senator Joseph McCarthy? Give specific examples.
The Crucible
Arthur Miller
A NOTE ON THE HISTORICAL ACCURACY OF THIS PLAY
This play is not history in the sense in which the word is used by the academic
historian. Dramatic purposes have sometimes required many characters to be fused into
one; the number of girls involved in the �“crying-out�” has been reduced; Abigail�’s age
has been raised; while there were several judges of almost equal authority, I have
symbolized them all in Hathorne and Danforth. However, I believe that the reader will
discover here the essential nature of one of the strangest and most awful chapters in
human history. The fate of each character is exactly that of his historical model, and
there is no one in the drama who did not play a similar - and in some cases exactly the
same - role in history.
As for the characters of the persons, little is known about most of them excepting
what may be surmised from a few letters, the trial record, certain broadsides written at
the time, and references to their conduct in sources of varying reliability. They may
therefore be taken as creations of my own, drawn to the best of my ability in conformity
with their known behavior, except as indicated in the commentary I have written for this
text.
ACT ONE
(AN OVERTURE)
A small upper bedroom in the home of Reverend Samuel Parris, Salem,
Massachusetts, in the spring of the year 1692.
There is a narrow window at the left. Through its leaded panes the morning
sunlight streams. A candle still burns near the bed, which is at the right. A
chest, a chair, and a small table are the other furnishings. At the back a door
opens on the landing of the stairway to the ground floor. The room gives op an
air of clean spareness. The roof rafters are exposed, and the wood colors are
raw and unmellowed.
As the curtain rises, Reverend Parris is discovered kneeling be-side the bed,
evidently in prayer. His daughter, Betty Parris, aged ten, is lying on the bed,
inert.
At the time of these events Parris was in his middle forties. In history he cut a
villainous path, and there is very little good to be said for him. He believed he
was being pe ...
Story of an Hour Assignment (due tonight 65 at 1130pm est)Afte.docxrjoseph5
Story of an Hour Assignment (due tonight 6/5 at 11:30pm est)
After reading the chapter titled "Fiction As Genre," in a 150-200 word response (200 words in total not per question), address the following questions. Make sure to support your points with a secondary source from the library databases.
1 . How is Mrs. Mallard ' s character developed? Do you see examples of exposition, where the narrator simply tells us information about the protagonist? In addition, does Chopin portray particular emotional responses, thoughts, and actions to reveal Mrs. Mallard ' s character? If so, how so? How does she employ point of view in this story?
2. What is your impression of Brently Mallard? What elements of the story generate this impression?
3. How is setting (both the historical period and the physical atmosphere of the story) used to contribute to the story ' s meaning?
4 . What is Mrs. Mallard ' s social class? What clues lead you to this conclusion?
5. What is the story ' s central conflict? Does Mrs. Mallard change, as we might expect a protagonist to do?
6. What are the important themes of this story?
Kate Chopin
The Story of an Hour
Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.
There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.
She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cri.
Discussion - Week 3Elements of the Craft of WritingThe narra.docxmecklenburgstrelitzh
Discussion - Week 3
Elements of the Craft of Writing
The narrator's point of view is the reader's window into the soul of your story. Combined with the tone of voice, characterization, and dialogue, these elements of the craft of writing give your story believability and interest. How can you combine the elements of the craft with the elements of the short story and the techniques of development you learned about in Weeks 1 and 2? In this Discussion, you will understand point of view, tone of voice, characterization, and dialogue and examine how other writers use these elements of craft to improve their work.
To prepare for this Discussion:
Review the assigned portions of Chapters 3, 4, 6, and 7 in Shaping the Story.
Review "Revelation" by Flannery O’Connor, "Mericans” by Sandra Cisneros, and "Why I Like Country Music" by James Alan McPherson in Shaping the Story.
Reflect on the voice in the assigned stories.
How would you describe the voice in each short story?
How do these voices demonstrate what the authors are saying about the main issues of each story?
Reflect on the similarities and differences in the ways that the authors use dialogue to establish character presence.
Consider the issues that each story discusses. How do these issues shape the characters and affect the light in which they are seen at the beginning and the end of the story?
With these thoughts in mind:
Post by Day 3
: 2 to 3 paragraphs comparing and contrasting different approaches to two of the following elements in two of the three stories in the Week 3 reading.. Be sure to cite at least two specific examples from your readings.
Point of View
Tone of Voice
Characterization
Dialogue
Be sure to support your ideas by connecting them to the week's Learning Resources, or something you have read, heard, seen, or experienced.
Read
a selection of your colleagues' postings.
Respond by Day 5
to at least one of your colleagues' postings in one or more of the following ways:
Ask a probing question.
Share an insight from having read your colleague's posting.
Offer and support an opinion.
Validate an idea with your own experience.
Make a suggestion.
Expand on your colleague's posting.
Return
to this Discussion in a few days to read the responses to your initial posting. Note what you have learned and/or any insights you have gained as a result of the comments your colleagues made.
REPLY
QUOTE
18 days ago
Chad Husted
WALDEN INSTRUCTOR
MANAGER
Tips for the week 3 discussion (read before you post)
COLLAPSE
Great job so far, class! I've really enjoyed your first two weeks of discussion posts.
Now we will shift our focus to even more tools we can use in our own stories, but first, we will see how they play out in the work of others.
Make sure you do all the readings for the week before posting anything, and also, go through and ask yourselves all the questions (above) from the
"to prepare for the discussion"
section of the instructions. I.
Discussion - Microbial ClassificationGive names of bacteria in.docxmecklenburgstrelitzh
Discussion - Microbial Classification
Give names of bacteria in the genus enterobacteriaceae. How would differentiate enterobacteriaceae from other gram (-) bacteria?
Read the selected scriptures and in your response to the prompt discuss how at least one of the scriptures relates to the discussion topic.
Matthew 8:2-3
"A man with leprosy came and knelt before him and said, 'Lord, if you are willing, you can make me clean.' Jesus reached out his hand and touched the man. 'I am willing,' he said. 'Be clean!' Immediately he was cleansed of his leprosy."
Mark 16:17-18
"'And these signs will accompany those who believe: In my name they will drive out demons; they will speak in new tongues; they will pick up snakes with their hands; and when they drink deadly poison, it will not hurt them at all; they will place their hands on sick people, and they will get well.'”
Respiratory System Disease
Pneumonia is diagnosed by the presence of fluid (dark shadows in an X ray) in the alveoli. Since pneumonia usually is caused by a microorganism, what causes the fluid accumulation? Name a bacterium, a virus, a fungus, a protozoan, and a helminth that can cause pneumonia.
Students will individually examine why pneumonia –an infection of the respiratory tract is among the most damaging. Students are also required to use the information they have learnt from the text, lectures, discussions and/or assignments to describe why the respiratory tract is an important portal of entry to inhaled microorganisms such as viruses, fungal spores and bacteria.
Learners will synthesize their findings in a summary presentation of
at least 10 slides
that will be shared with their peers by the specified due date, when they will then
compare and contrast
the feedback from their research in this discussion forum. Learners will be evaluated against the criteria outlined in the assignment and discussion forum rubric.
.
More Related Content
Similar to Difficult Conversations Final DiscussionYou should be finishing .docx
Question 1 (Multiple Choice Worth 5 points)[MC]Read these li.docxJUST36
Question 1
(Multiple Choice Worth 5 points)
[MC]
Read these lines from Fredrick Douglass's speech "What to The Slave Is the Fourth of July?"
I hear the mournful wail of millions, whose chains, heavy and grievous yesterday, are to-day
rendered
more intolerable by the jubilant shouts that reach them.
Which definition of
rendered
is
most
likely suited for this line?
Question 2
(Multiple Choice Worth 5 points)
[MC]
Fall of the House of Usher, excerpt
By Edgar Allan Poe
Upon my entrance, Usher rose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality—of the constrained effort of the ennuyé
1
man of the world. A glance, however, at his countenance convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity;—these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.
In the manner of my friend I was at once struck with an incoherence—an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy—an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from his peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision to that species of energetic concision—that abrupt, weighty, unhurried, and hollow-sounding enunciation—that leaden, self-balanced and perfectly modulat ...
Digital HistoryPrintable VersionThe Meaning of July FoAlyciaGold776
Digital History
Printable Version
The Meaning of July Fourth for the Negro
Digital History ID 3612
Author: Frederick Douglass
Date:1852
Annotation: On July 5, 1852, Douglass gave a speech at an event commemorating the signing of the
Declaration of Independence, held at Rochester's Corinthian Hall. It was a piercing speech. During the first part
of his speech he praises what the founding fathers did for this country, but his speech soon develops into a
condemnation of the attitude of American society toward slavery.
Document: Fellow Citizens, I am not wanting in respect for the fathers of this republic. The signers of the
Declaration of Independence were brave men. They were great men, too ‹ great enough to give frame to a
great age. It does not often happen to a nation to raise, at one time, such a number of truly great men. The
point from which I am compelled to view them is not, certainly, the most favorable; and yet I cannot
contemplate their great deeds with less than admiration. They were statesmen, patriots and heroes, and for the
good they did, and the principles they contended for, I will unite with you to honor their memory....
...Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or
those I represent, to do with your national independence? Are the great principles of political freedom and of
natural justice, embodied in that Declaration of Independence, extended to us? and am I, therefore, called upon
to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for
the blessings resulting from your independence to us?
Would to God, both for your sakes and ours, that an affirmative answer could be truthfully returned to these
questions! Then would my task be light, and my burden easy and delightful. For who is there so cold, that a
nation's sympathy could not warm him? Who so obdurate and dead to the claims of gratitude, that would not
thankfully acknowledge such priceless benefits? Who so stolid and selfish, that would not give his voice to swell
the hallelujahs of a nation's jubilee, when the chains of servitude had been torn from his limbs? I am not that
man. In a case like that, the dumb might eloquently speak, and the "lame man leap as an hart."
But such is not the state of the case. I say it with a sad sense of the disparity between us. I am not included
within the pale of glorious anniversary! Your high independence only reveals the immeasurable distance
between us. The blessings in which you, this day, rejoice, are not enjoyed in common.‹The rich inheritance of
justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The
sunlight that brought light and healing to you, has brought stripes and death to me. This Fourth July is yours,
not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty,
and call upon him to join you in ...
I. Making Ready for Life
II. Character Building
III. Growing like Christ
IV. Ministering by the Way
V. Serving the Lord
VI. Ourselves and Others
VII. Helping by Unselfishness
VIII. Home Lessons
IX. Life among the Lowly
Question 1 (Multiple Choice Worth 5 points)[LC]Read these line.docxteofilapeerless
Question 1
(Multiple Choice Worth 5 points)
[LC]
Read these lines from Fredrick Douglass's speech "What to The Slave Is the Fourth of July?"
But I
fancy
I hear some one of my audience say, it is just in this circumstance that you and your brother abolitionists fail to make a favorable impression on the public mind.
Which word is
most
similar to how
fancy
is used here?
Question 2
(Multiple Choice Worth 5 points)
[LC]
Fall of the House of Usher, excerpt
By Edgar Allan Poe
Upon my entrance, Usher rose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality—of the constrained effort of the ennuyé
1
man of the world. A glance, however, at his countenance convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity;—these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.
1
Bored
What is the narrator’s relationship to Roderick Usher?
Question 3
(Multiple Choice Worth 5 points)
[LC]
Read these two sentences:
The research suggests we may have little time left to help the big cats of the world.
Our progress in all major habitats has been very encouraging.
Which transition word correctly links the two sentences?
Question 4
(Multiple Choice Worth 5 points)
[LC]
Which sentence correctly uses a hyphen?
Question 5
(Multiple Choice Worth 5 points)
[MC]
Which sentence correctly uses hyphens?
Question 6
(Multiple Choice Worth 5 points)
[MC]
Which of the following would be
most
relevant to a research paper exploring the benefits of schools growin.
Summary of a Literary Non-Fiction Text 500 wordsA succinct sum.docxpicklesvalery
Summary of a Literary Non-Fiction Text 500 words
A succinct summary can help students explain key concepts or theories while formulating their arguments in a formal essay. While summaries can be extremely helpful in formal essay writing, one of the challenges to creating a summary is to know how much material to omit before the central idea has been lost. In this assignment students are asked to summarize one of the literary non-fiction texts from this course: “How it Feels to be Coloured Me.”
Format
All written assignments must be submitted in MLA (Modern Language Association) format, double spaced, with 1” margins, and in 12-point Times New Roman font. Please include your name, professor’s name, the course code, and date in the upper left corner. In the upper right corner please place your last name and a page number. Also, please do not include a cover page with any written assignments.
How It Feels to Be Colored Me
I AM COLORED but I offer nothing in the way of extenuating
circumstances except the fact that I am the only Negro in the United
States whose grandfather on the mother's side was not an Indian chief.
I remember the very day that I became colored. Up to my thirteenth year
I lived in the little Negro town of Eatonville l Florida. It is exclusively a
colored town. The only white people I knew passed through the town
going to or coming from Orlando. The native whites rode dusty horses l
the Northern tourists chugged down the sandy village road in automobiles.
The town knew the Southerners and never stopped cane chewing when
they passed. But the Northerners were something else again. They were
peered at cautiously from behind curtains by the timid. The more
venturesome would come out on the porch to watch them go past and got
just as much pleasure out of the tourists as the tourists got out of the
village.
The front porch might seem a daring place for the rest of the town l but it
was a gallery seat for me. My favorite place was atop the gate?post.
Proscenium box for a born first?nighter. Not only did I enjoy the show l but
I didn't mind the actors knowing that I liked it. I usually spoke to them in
passing. I'd wave at them and when they returned my salute l I would say
something like this: "Howdy?do?well?I?thank?you?where?yougoin'?"
Usually automobile or the horse paused at this l and after a queer
exchange of compliments l I would probably "go a piece of the way" with
them l as we say in farthest Florida. If one of my family happened to come
to the front in time to see mel of course negotiations would be rudely
broken off. But even SOl it is clear that I was the first "welcome?to?
ourstate" Floridian, and I hope the Miami Chamber of Commerce will
please take notice.
During this period, white people differed from colored to me only in that
they rode through town and never lived there. They liked to hear me I I
speak pieces" and sing and wanted to see me dance the parse?me?la, and
gave me gen ...
Chapter Five THE LIVED EXPERIENCE OF THE BLACK MAN .docxspoonerneddy
Chapter Five
THE LIVED EXPERIENCE
OF THE BLACK MAN
"Dirty nigger!" or simply "Look! A Negro!"
I came into this world anxious to uncover the meaning
of things, my soul desirous to be at the origin of the world,
and here I am an object among other objects.
Locked in this suffocating reification, I appealed to the
Other so that his liberating gaze, gliding over my body
· suddenly smoothed of rough edges, would give me back
the lightness of being I thought I had lost, and taking me
out of the world put me back in the world. But just as I
get to the other slope I stumble, and the Other fixes me
with his gaze, his gestures and attitude, the same way you
fix a preparation with a dye. I lose my temper, demand an
explanation . . . . Nothing doing. I explode. Here are the
fragments put together by another me.
As long as the black man remains on his home territory,
except for petty internal quarrels, he will not have to ex
perience his being for others . There is in fact a "being for
other," as described by Hegel, but any ontology is made
impossible in a colonized and acculturated society. Appar
ently, those who have written on the subject have not taken
this sufficiently into consideration. In the weltanschauung
of a colonized people, there is an impurity or a flaw that
89
90 I Black Skin, White Masks
prohibits any ontological explanation. Perhaps it could be
argued that this is true for any individual, but such an ar
gument would be concealing the basic problem. Ontology
does not allow us to understand the being of the black man,
since it ignores the lived experience. For not only must the
black man be black; he must be black in relation to the
white man. Some people will argue that the situation has
a double meaning. Not at all. The black man has no onto
logical resistance in the eyes of the white man. From one
day to the next, the Blacks have had to deal with two sys
tems of reference. Their metaphysics, or less pretentiously
their customs and the agencies to which they refer, were
abolished because they were in contradiction with a new
civilization that imposed its own.
In the twentieth century the black man on his home
territory is oblivious of the moment when his inferiority is
determined by the Other. Naturally, we have had the op
portunity to discuss the black problem with friends and,
less often, with African-Americans. Together we pro
claimed loud and clear the equality of man in the world.
In the Antilles there is also that minor tension between
the cliques of white Creoles, Mulattoes, and Blacks. But
we were content to intellectualize these differences. In
fact, there was nothing dramatic about them. And then . . .
And then we were given the occasion to confront the
white gaze. An unusual weight descended on us. The real
world robbed us of our share. In the white world, the man
of color encounters difficulties in elaborating his body
schema. The image of one's body is so.
Chapter Five THE LIVED EXPERIENCE OF THE BLACK MAN DioneWang844
Chapter Five
THE LIVED EXPERIENCE
OF THE BLACK MAN
"Dirty nigger!" or simply "Look! A Negro!"
I came into this world anxious to uncover the meaning
of things, my soul desirous to be at the origin of the world,
and here I am an object among other objects.
Locked in this suffocating reification, I appealed to the
Other so that his liberating gaze, gliding over my body
· suddenly smoothed of rough edges, would give me back
the lightness of being I thought I had lost, and taking me
out of the world put me back in the world. But just as I
get to the other slope I stumble, and the Other fixes me
with his gaze, his gestures and attitude, the same way you
fix a preparation with a dye. I lose my temper, demand an
explanation . . . . Nothing doing. I explode. Here are the
fragments put together by another me.
As long as the black man remains on his home territory,
except for petty internal quarrels, he will not have to ex
perience his being for others . There is in fact a "being for
other," as described by Hegel, but any ontology is made
impossible in a colonized and acculturated society. Appar
ently, those who have written on the subject have not taken
this sufficiently into consideration. In the weltanschauung
of a colonized people, there is an impurity or a flaw that
89
90 I Black Skin, White Masks
prohibits any ontological explanation. Perhaps it could be
argued that this is true for any individual, but such an ar
gument would be concealing the basic problem. Ontology
does not allow us to understand the being of the black man,
since it ignores the lived experience. For not only must the
black man be black; he must be black in relation to the
white man. Some people will argue that the situation has
a double meaning. Not at all. The black man has no onto
logical resistance in the eyes of the white man. From one
day to the next, the Blacks have had to deal with two sys
tems of reference. Their metaphysics, or less pretentiously
their customs and the agencies to which they refer, were
abolished because they were in contradiction with a new
civilization that imposed its own.
In the twentieth century the black man on his home
territory is oblivious of the moment when his inferiority is
determined by the Other. Naturally, we have had the op
portunity to discuss the black problem with friends and,
less often, with African-Americans. Together we pro
claimed loud and clear the equality of man in the world.
In the Antilles there is also that minor tension between
the cliques of white Creoles, Mulattoes, and Blacks. But
we were content to intellectualize these differences. In
fact, there was nothing dramatic about them. And then . . .
And then we were given the occasion to confront the
white gaze. An unusual weight descended on us. The real
world robbed us of our share. In the white world, the man
of color encounters difficulties in elaborating his body
schema. The image of one's body is so ...
Chapter Five THE LIVED EXPERIENCE OF THE BLACK MAN .docxtiffanyd4
Chapter Five
THE LIVED EXPERIENCE
OF THE BLACK MAN
"Dirty nigger!" or simply "Look! A Negro!"
I came into this world anxious to uncover the meaning
of things, my soul desirous to be at the origin of the world,
and here I am an object among other objects.
Locked in this suffocating reification, I appealed to the
Other so that his liberating gaze, gliding over my body
· suddenly smoothed of rough edges, would give me back
the lightness of being I thought I had lost, and taking me
out of the world put me back in the world. But just as I
get to the other slope I stumble, and the Other fixes me
with his gaze, his gestures and attitude, the same way you
fix a preparation with a dye. I lose my temper, demand an
explanation . . . . Nothing doing. I explode. Here are the
fragments put together by another me.
As long as the black man remains on his home territory,
except for petty internal quarrels, he will not have to ex
perience his being for others . There is in fact a "being for
other," as described by Hegel, but any ontology is made
impossible in a colonized and acculturated society. Appar
ently, those who have written on the subject have not taken
this sufficiently into consideration. In the weltanschauung
of a colonized people, there is an impurity or a flaw that
89
90 I Black Skin, White Masks
prohibits any ontological explanation. Perhaps it could be
argued that this is true for any individual, but such an ar
gument would be concealing the basic problem. Ontology
does not allow us to understand the being of the black man,
since it ignores the lived experience. For not only must the
black man be black; he must be black in relation to the
white man. Some people will argue that the situation has
a double meaning. Not at all. The black man has no onto
logical resistance in the eyes of the white man. From one
day to the next, the Blacks have had to deal with two sys
tems of reference. Their metaphysics, or less pretentiously
their customs and the agencies to which they refer, were
abolished because they were in contradiction with a new
civilization that imposed its own.
In the twentieth century the black man on his home
territory is oblivious of the moment when his inferiority is
determined by the Other. Naturally, we have had the op
portunity to discuss the black problem with friends and,
less often, with African-Americans. Together we pro
claimed loud and clear the equality of man in the world.
In the Antilles there is also that minor tension between
the cliques of white Creoles, Mulattoes, and Blacks. But
we were content to intellectualize these differences. In
fact, there was nothing dramatic about them. And then . . .
And then we were given the occasion to confront the
white gaze. An unusual weight descended on us. The real
world robbed us of our share. In the white world, the man
of color encounters difficulties in elaborating his body
schema. The image of one's body is so.
The Crucible:
Audiobook:
https://www.youtube.com/watch?v=Di-BrIweYcE
You must write at least 4 sentences. Spelling, punctuation, and grammar count toward your grade, and you will be penalized for errors.
1. What witnessed event prompted the initial whispers of witchcraft? Who was involved? Be specific.
2. Describe the emotional journey of Reverend Hale from beginning to end of the play. Does he grow or remain as he is? Why? Support your answer with examples from the text.
3. “More Weight.” Who says this line and what is the significance of it?
4. In the end, John Proctor makes a fateful decision. Why does he make this decision and how does this affect his and Elizabeth’s future?
5. Which character in The Crucible do you think most closely resembles Senator Joseph McCarthy? Give specific examples.
The Crucible
Arthur Miller
A NOTE ON THE HISTORICAL ACCURACY OF THIS PLAY
This play is not history in the sense in which the word is used by the academic
historian. Dramatic purposes have sometimes required many characters to be fused into
one; the number of girls involved in the �“crying-out�” has been reduced; Abigail�’s age
has been raised; while there were several judges of almost equal authority, I have
symbolized them all in Hathorne and Danforth. However, I believe that the reader will
discover here the essential nature of one of the strangest and most awful chapters in
human history. The fate of each character is exactly that of his historical model, and
there is no one in the drama who did not play a similar - and in some cases exactly the
same - role in history.
As for the characters of the persons, little is known about most of them excepting
what may be surmised from a few letters, the trial record, certain broadsides written at
the time, and references to their conduct in sources of varying reliability. They may
therefore be taken as creations of my own, drawn to the best of my ability in conformity
with their known behavior, except as indicated in the commentary I have written for this
text.
ACT ONE
(AN OVERTURE)
A small upper bedroom in the home of Reverend Samuel Parris, Salem,
Massachusetts, in the spring of the year 1692.
There is a narrow window at the left. Through its leaded panes the morning
sunlight streams. A candle still burns near the bed, which is at the right. A
chest, a chair, and a small table are the other furnishings. At the back a door
opens on the landing of the stairway to the ground floor. The room gives op an
air of clean spareness. The roof rafters are exposed, and the wood colors are
raw and unmellowed.
As the curtain rises, Reverend Parris is discovered kneeling be-side the bed,
evidently in prayer. His daughter, Betty Parris, aged ten, is lying on the bed,
inert.
At the time of these events Parris was in his middle forties. In history he cut a
villainous path, and there is very little good to be said for him. He believed he
was being pe ...
Story of an Hour Assignment (due tonight 65 at 1130pm est)Afte.docxrjoseph5
Story of an Hour Assignment (due tonight 6/5 at 11:30pm est)
After reading the chapter titled "Fiction As Genre," in a 150-200 word response (200 words in total not per question), address the following questions. Make sure to support your points with a secondary source from the library databases.
1 . How is Mrs. Mallard ' s character developed? Do you see examples of exposition, where the narrator simply tells us information about the protagonist? In addition, does Chopin portray particular emotional responses, thoughts, and actions to reveal Mrs. Mallard ' s character? If so, how so? How does she employ point of view in this story?
2. What is your impression of Brently Mallard? What elements of the story generate this impression?
3. How is setting (both the historical period and the physical atmosphere of the story) used to contribute to the story ' s meaning?
4 . What is Mrs. Mallard ' s social class? What clues lead you to this conclusion?
5. What is the story ' s central conflict? Does Mrs. Mallard change, as we might expect a protagonist to do?
6. What are the important themes of this story?
Kate Chopin
The Story of an Hour
Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.
There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.
She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cri.
Similar to Difficult Conversations Final DiscussionYou should be finishing .docx (20)
Discussion - Week 3Elements of the Craft of WritingThe narra.docxmecklenburgstrelitzh
Discussion - Week 3
Elements of the Craft of Writing
The narrator's point of view is the reader's window into the soul of your story. Combined with the tone of voice, characterization, and dialogue, these elements of the craft of writing give your story believability and interest. How can you combine the elements of the craft with the elements of the short story and the techniques of development you learned about in Weeks 1 and 2? In this Discussion, you will understand point of view, tone of voice, characterization, and dialogue and examine how other writers use these elements of craft to improve their work.
To prepare for this Discussion:
Review the assigned portions of Chapters 3, 4, 6, and 7 in Shaping the Story.
Review "Revelation" by Flannery O’Connor, "Mericans” by Sandra Cisneros, and "Why I Like Country Music" by James Alan McPherson in Shaping the Story.
Reflect on the voice in the assigned stories.
How would you describe the voice in each short story?
How do these voices demonstrate what the authors are saying about the main issues of each story?
Reflect on the similarities and differences in the ways that the authors use dialogue to establish character presence.
Consider the issues that each story discusses. How do these issues shape the characters and affect the light in which they are seen at the beginning and the end of the story?
With these thoughts in mind:
Post by Day 3
: 2 to 3 paragraphs comparing and contrasting different approaches to two of the following elements in two of the three stories in the Week 3 reading.. Be sure to cite at least two specific examples from your readings.
Point of View
Tone of Voice
Characterization
Dialogue
Be sure to support your ideas by connecting them to the week's Learning Resources, or something you have read, heard, seen, or experienced.
Read
a selection of your colleagues' postings.
Respond by Day 5
to at least one of your colleagues' postings in one or more of the following ways:
Ask a probing question.
Share an insight from having read your colleague's posting.
Offer and support an opinion.
Validate an idea with your own experience.
Make a suggestion.
Expand on your colleague's posting.
Return
to this Discussion in a few days to read the responses to your initial posting. Note what you have learned and/or any insights you have gained as a result of the comments your colleagues made.
REPLY
QUOTE
18 days ago
Chad Husted
WALDEN INSTRUCTOR
MANAGER
Tips for the week 3 discussion (read before you post)
COLLAPSE
Great job so far, class! I've really enjoyed your first two weeks of discussion posts.
Now we will shift our focus to even more tools we can use in our own stories, but first, we will see how they play out in the work of others.
Make sure you do all the readings for the week before posting anything, and also, go through and ask yourselves all the questions (above) from the
"to prepare for the discussion"
section of the instructions. I.
Discussion - Microbial ClassificationGive names of bacteria in.docxmecklenburgstrelitzh
Discussion - Microbial Classification
Give names of bacteria in the genus enterobacteriaceae. How would differentiate enterobacteriaceae from other gram (-) bacteria?
Read the selected scriptures and in your response to the prompt discuss how at least one of the scriptures relates to the discussion topic.
Matthew 8:2-3
"A man with leprosy came and knelt before him and said, 'Lord, if you are willing, you can make me clean.' Jesus reached out his hand and touched the man. 'I am willing,' he said. 'Be clean!' Immediately he was cleansed of his leprosy."
Mark 16:17-18
"'And these signs will accompany those who believe: In my name they will drive out demons; they will speak in new tongues; they will pick up snakes with their hands; and when they drink deadly poison, it will not hurt them at all; they will place their hands on sick people, and they will get well.'”
Respiratory System Disease
Pneumonia is diagnosed by the presence of fluid (dark shadows in an X ray) in the alveoli. Since pneumonia usually is caused by a microorganism, what causes the fluid accumulation? Name a bacterium, a virus, a fungus, a protozoan, and a helminth that can cause pneumonia.
Students will individually examine why pneumonia –an infection of the respiratory tract is among the most damaging. Students are also required to use the information they have learnt from the text, lectures, discussions and/or assignments to describe why the respiratory tract is an important portal of entry to inhaled microorganisms such as viruses, fungal spores and bacteria.
Learners will synthesize their findings in a summary presentation of
at least 10 slides
that will be shared with their peers by the specified due date, when they will then
compare and contrast
the feedback from their research in this discussion forum. Learners will be evaluated against the criteria outlined in the assignment and discussion forum rubric.
.
Discussion (Chapter 7) What are the common challenges with which se.docxmecklenburgstrelitzh
Discussion (Chapter 7): What are the common challenges with which sentiment analysis deals? What are the most popular application areas for sentiment analysis? Why?
Note: Response should be 250-300 words. Make sure to have at least one APA formatted reference (and APA in-text citation)
.
Discussion - Big Data Visualization toolsSeveral Big Data Visu.docxmecklenburgstrelitzh
Discussion - Big Data Visualization tools
Several Big Data Visualization tools have been evaluated in this week's paper. While the focus was primarily on R and Python with GUI tools, new tools are being introduced every day. Compare and contrast the use of R vs Python and identify the pros and cons of each.
.
Discussion - 1 Pick 2 different department team members and descri.docxmecklenburgstrelitzh
Discussion - 1 : Pick 2 different department team members and describe why they were chosen and what skill they should bring.
Discussion -2 : What are the most vital functions at your place of work that the BIA will address?
Course Name - Business continuity and disaster recovery planning
No Plagiarism, proper references with APA format
.
Discussion (Chapter 7) What are the common challenges with which .docxmecklenburgstrelitzh
Discussion
(Chapter 7): What are the common challenges with which sentiment analysis deals? What are the most popular application areas for sentiment analysis? Why?
Questions for Discussions:
1. Explain the relationship among data mining, text mining, and sentiment analysis.
2. In your own words, define text mining, and discuss its most popular applications.
3. What does it mean to induce structure into text-based data? Discuss the alternative ways of inducing structure into them.
4. What is the role of NLP in text mining? Discuss the capabilities and limitations of NLP in the context of text mining.
Exercise:
Go to teradatauniversitynetwork.com and find the case study named “eBay Analytics.” Read the case carefully and extend your understanding of it by searching the Internet for additional information, and answer the case questions.
Internet exercise:
Go to kdnuggets.com. Explore the sections on applications as well as software. Find the names of at least three additional packages for data mining and text mining.
.
Discussion (Chapter 7) What are the common challenges with whic.docxmecklenburgstrelitzh
Discussion (Chapter 7): What are the common challenges with which sentiment analysis deals? What are the most popular application areas for sentiment analysis? Why?
Note: The first post should be made by Wednesday 11:59 p.m., EST. I am looking for active engagement in the discussion. Please engage early and often.
Your response should be 100-300 words.
.
Discussion (Chapter 6) List and briefly describe the nine-step .docxmecklenburgstrelitzh
Discussion (Chapter 6): List and briefly describe the nine-step process in con-ducting a neural network project.
Note: The first post should be made by Wednesday 11:59 p.m., EST. I am looking for active engagement in the discussion. Please engage early and often.
.
Discussion (Chapter 5) What is the relationship between Naïve Bayes.docxmecklenburgstrelitzh
Discussion (Chapter 5): What is the relationship between Naïve Bayes and Bayesian networks? What is the process of developing a Bayesian networks model?
Note:
Response should be 250-300 words. There must be at least one APA formatted reference (and APA in-text citation) to support the thoughts in the post.
.
Discussion (Chapter 4) What are the privacy issues with data mini.docxmecklenburgstrelitzh
Discussion (Chapter 4): What are the privacy issues with data mining? Do you think they are substantiated?
Note:
Your response should be 250-300 words. There must be at least one APA formatted reference (and APA in-text citation) to support the thoughts in the post. Do not use direct quotes, rather rephrase the author's words and continue to use in-text citations.
.
Discussion (Chapter 3) Why are the originalraw data not readily us.docxmecklenburgstrelitzh
Discussion (Chapter 3): Why are the original/raw data not readily usable by analytics tasks? What are the main data preprocessing steps? List and explain their importance in analytics.
Note: Response should be 250-300 words. There must be at least one APA formatted reference (and APA in-text citation) to support the thoughts in the post. Do not use direct quotes, rather rephrase the author's words and continue to use in-text citations
.
Discussion (Chapter 5) What is the relationship between Naïve B.docxmecklenburgstrelitzh
Discussion (Chapter 5): What is the relationship between Naïve Bayes and Bayesian networks? What is the process of developing a Bayesian networks model?
Note: The first post should be made by Wednesday 11:59 p.m., EST. I am looking for active engagement in the discussion. Please engage early and often.
Your response should be 100-300 words. Respond to two postings provided by your classmates.
.
Discussion (Chapter 10 in the textbook or see the ppt) For ea.docxmecklenburgstrelitzh
Discussion (Chapter 10 in the textbook / or see the ppt):
For each of the steps in the "Seven Step Forecasting Game Plan" for forecasting, discuss the following:
Who do you suspect is being included in creating each step of the various company forecasts?
Why? Why not? Be specific about the various players and the reasons they might be involved.
Assignment (Chapter 10) (1-2 pages double space):
Objective and Realistic Forecasts. The chapter encourages analysts to develop forecasts that are realistic, objective, and unbiased. Some firms’ managers tend to be optimistic. Some accounting principles tend to be conservative. Describe the different risks and incentives that managers, accountants, and analysts face. Explain how these different risks and incentives lead managers, accountants, and analysts to different biases when predicting uncertain outcomes.
.
Discussion (Chapter 1) Compare and contrast predictive analytics wi.docxmecklenburgstrelitzh
Discussion (Chapter 1): Compare and contrast predictive analytics with prescriptive and descriptive analytics. Use examples.
Response should be 250-300 words and with references
There must be at least one APA formatted reference (and APA in-text citation) to support the thoughts in the post. Do not use direct quotes, rather rephrase the author's words and continue to use in-text citations.
.
Discussion (400 words discussion + 150 words student response)Co.docxmecklenburgstrelitzh
Discussion (400 words discussion + 150 words student response)
Consider the potential conflict between corporate social responsibility and ethics while maximizing share holder wealth. How does exercising Christian principles play a part in running a successful business while operating within state and federal regulations?
.
Discussion (150-200 words) Why do you think so much emphasis is pla.docxmecklenburgstrelitzh
Discussion (150-200 words): Why do you think so much emphasis is placed on cash-flow-based stock evaluations, especially the "free cash flow model"?
Assignment (1-2 pages double space): What is the six step process involved in valuation? List the six steps in sequence, explaining and discussing the importance and relevance of each step.
.
discussion (11)explain the concept of information stores as th.docxmecklenburgstrelitzh
discussion (11)
explain the concept of information stores as they relate to email. Use the Internet to research how and where email data is stored on different computer
platforms and systems and then report your findings. How is this information pertinent to a forensic investigation. around 250-300 words
with references
discussion 12
Explain how cookies can show that a user has visited a site if that user's history has been deleted. Be specific,
do not merely explain how cookies work. Report on how cookies can be used in a forensic investigation. around 250-300 words, with references
.
Discussion #5 How progressive was the Progressive EraThe Progres.docxmecklenburgstrelitzh
Discussion #5: How progressive was the Progressive Era?
The Progressive era stands out as a time when reformers sought to address social ills brought about by a rapidly changing society. Debates surrounded issues such as political corruption, the regulation of business practices, racial equality, women's suffrage and the living conditions of impoverished immigrants overcrowded into urban slums.
In order to prepare for this discussion forum:
Review and identify the relevant sections of Chapter 22 that support your discussion.
Read Booker T. Washington's speech The Atlanta Compromise
Read W.E.B. Du Bois The Niagara Movement
The Niagara Movement's "Declaration of Principles" by W.E.B.Du Bois
The Women's Suffrage Movement
Excerpt from How the Other Half Lives by Jacob Riis and the photography of Jacob Riis.
After you have completed your readings post a response to only ONE of the following questions.
Compare and contrast the ideas of Booker T. Washington and W.E.B. Du Bois. In your opinion, which of these two men had a better plan? Explain why.
When it came to the issue of suffrage, did all women agree? Explain.
Which social problem was Jacob Riis addressing through his work? How did he communicate the severity of this problem?
.
Discussion #4, Continued Work on VygotskyA. Why is it important .docxmecklenburgstrelitzh
Discussion #4, Continued Work on Vygotsky
A. Why is it important as a teacher to understand what children are:
interested in?
thinking about?
attempting to create or problem-solve?
how does this knowledge support further development?
B. Note teaching strategies that enable you to learn about the child or children's thinking:
decriptive language, narration
waiting for the child's or children's language, response
open-ended relevant questions based on the child's perspective
assistance with relevant additional materials
C. Vygotsky's theories of learning are based on adult: child relationships and peer:peer interactions, what is the value in learning and advancing development through:
specific and meaningful grasp of what the child is focused on
opportunity for further experience supported by
Amplification
scaffolding as assistance
through the child's perspective
intentional in the strategies and support to assist children in entering the
Zone of Proximal Development
.
Discussion #4 What are the most common metrics that make for an.docxmecklenburgstrelitzh
Discussion #4: What are the most common metrics that make for analytics-ready data?
Exercise #12: Go to data.gov—a U.S. government–sponsored data portal that has a very large number of data sets on a wide variety of topics ranging from healthcare to education, climate to public safety. Pick a topic that you are most passionate about.
Go through the topic-specific information and explanation provided on the site. Explore the possibilities of downloading the data and use your favorite data visualization tool to create your own meaningful information and visualizations.
.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
Pride Month Slides 2024 David Douglas School District
Difficult Conversations Final DiscussionYou should be finishing .docx
1. Difficult Conversations Final Discussion
You should be finishing up the book this week and gathering
your thoughts for your proposal submission. Please respond to
these questions as you reflect on what you have read thus far, as
well as reply to two classmates by the due date.
1. How do you decide whether to raise a difficult issue?
2. If you decide not to raise something but stay in the
relationship, how do you cope with your thoughts and feelings
so that they don't fester? How do you actually let go?
3. Can you think of a time in the past when you've successfully
let go of an issue in a relationship?
4. Can you think of a time when you've tried to do this, and it
hasn't worked? Why didn't it work?
As most classmates are working professionals, please have your
answer posted by 10 a.m. on Sunday to give your classmates 24
hours to respond to your post.
YEARS
PROJECT M :USE 11
The Souls of Black Folk
W.E.B. Du Bois, Shawn Leigh Alexander
Published by University of Massachusetts Press
2. Bois, W.E.B. Du and Shawn Leigh Alexander.
The Souls of Black Folk: Essays and Sketches.
University of Massachusetts Press, 2018.
Project MUSE. muse.jhu.edu/book/59563.
For additional information about this book
https://muse.jhu.edu/book/59563
[ Access provided at 17 Aug 2020 23:33 GMT from University
of California, Berkeley ]
https://muse.jhu.edu
https://muse.jhu.edu/book/59563
I
OF OUR SPIRITUAL STRIVINGS
O water, voice of my heart, crying in the sand,
All night long crying with a mournful cry,
As I lie and listen, and cannot understand
The voice of my heart in my side or the voice of the sea,
O water, crying for rest, is it I, is it I?
All night long the water is crying to me.
Unresting water, there shall never be rest
Till the last moon droop and the last tide fail,
And the fre of the end begin to burn in the west;
And the heart shall be weary and wonder and cry like the
sea,
All life long crying without avail,
3. As the water all night long is crying to me.
ARTHUR SYMONS.
BETWEEN me and the other world there is ever
an unasked question: unasked by some through
feelings of delicacy; by others through the dif-
fculty of rightly framing it. All, nevertheless, futter
round it. They approach me in a half-hesitant sort of way,
eye me curiously or compassionately, and then, instead
of saying directly, How does it feel to be a problem? they
2 THE SOULS OF BLACK FOLK
say, I know an excellent colored man in my town; or, I
fought at Mechanicsville; or, Do not these Southern out-
rages make your blood boil? At these I smile, or am inter-
ested, or reduce the boiling to a simmer, as the occasion
may require. To the real question, How does it feel to be
a problem? I answer seldom a word.
And yet, being a problem is a strange experience, —
peculiar even for one who has never been anything else,
save perhaps in babyhood and in Europe. It is in the early
days of rollicking boyhood that the revelation frst bursts
upon one, all in a day, as it were. I remember well when
the shadow swept across me. I was a little thing, away
up in the hills of New England, where the dark Housa-
tonic winds between Hoosac and Taghkanic to the sea.
In a wee wooden schoolhouse, something put it into the
boys’ and girls’ heads to buy gorgeous visiting-cards
— ten cents a package — and exchange. The exchange
was merry, till one girl, a tall newcomer, refused my
4. card, — refused it peremptorily, with a glance. Then it
dawned upon me with a certain suddenness that I was
different from the others; or like, mayhap, in heart and
life and longing, but shut out from their world by a vast
veil. I had thereafter no desire to tear down that veil,
to creep through; I held all beyond it in common con-
tempt, and lived above it in a region of blue sky and great
wandering shadows. That sky was bluest when I could
beat my mates at examination-time, or beat them at a
foot-race, or even beat their stringy heads. Alas, with
the years all this fne contempt began to fade; for the
worlds I longed for, and all their dazzling opportunities,
were theirs, not mine. But they should not keep these
3 OF OUR SPIRITUAL STRIVINGS
prizes, I said; some, all, I would wrest from them. Just
how I would do it I could never decide: by reading law,
by healing the sick, by telling the wonderful tales that
swam in my head, — some way. With other black boys
the strife was not so fercely sunny: their youth shrunk
into tasteless sycophancy, or into silent hatred of the
pale world about them and mocking distrust of every-
thing white; or wasted itself in a bitter cry, Why did God
make me an outcast and a stranger in mine own house?
The shades of the prison-house closed round about us all:
walls strait and stubborn to the whitest, but relentlessly
narrow, tall, and unscalable to sons of night who must
plod darkly on in resignation, or beat unavailing palms
against the stone, or steadily, half hopelessly, watch the
streak of blue above.
After the Egyptian and Indian, the Greek and Roman,
the Teuton and Mongolian, the Negro is a sort of seventh
5. son, born with a veil, and gifted with second-sight in this
American world, — a world which yields him no true self-
consciousness, but only lets him see himself through the
revelation of the other world. It is a peculiar sensation,
this double-consciousness, this sense of always looking at
one’s self through the eyes of others, of measuring one’s
soul by the tape of a world that looks on in amused con-
tempt and pity. One ever feels his two-ness, — an Ameri-
can, a Negro; two souls, two thoughts, two unreconciled
strivings; two warring ideals in one dark body, whose
dogged strength alone keeps it from being torn asunder.
The history of the American Negro is the history of
this strife, — this longing to attain self-conscious man-
hood, to merge his double self into a better and truer self.
4 THE SOULS OF BLACK FOLK
In this merging he wishes neither of the older selves to
be lost. He would not Africanize America, for America
has too much to teach the world and Africa. He would
not bleach his Negro soul in a food of white American-
ism, for he knows that Negro blood has a message for the
world. He simply wishes to make it possible for a man to
be both a Negro and an American, without being cursed
and spit upon by his fellows, without having the doors of
Opportunity closed roughly in his face.
This, then, is the end of his striving: to be a co-worker
in the kingdom of culture, to escape both death and
isolation, to husband and use his best powers and his
latent genius. These powers of body and mind have in
the past been strangely wasted, dispersed, or forgotten.
The shadow of a mighty Negro past fits through the
6. tale of Ethiopia the Shadowy and of Egypt the Sphinx.
Throughout history, the powers of single black men fash
here and there like falling stars, and die sometimes
before the world has rightly gauged their brightness.
Here in America, in the few days since Emancipation,
the black man’s turning hither and thither in hesitant
and doubtful striving has often made his very strength
to lose effectiveness, to seem like absence of power, like
weakness. And yet it is not weakness, — it is the contra-
diction of double aims. The double-aimed struggle of the
black artisan — on the one hand to escape white con-
tempt for a nation of mere hewers of wood and drawers of
water, and on the other hand to plough and nail and dig
for a poverty-stricken horde — could only result in mak-
ing him a poor craftsman, for he had but half a heart in
either cause. By the poverty and ignorance of his people,
5 OF OUR SPIRITUAL STRIVINGS
the Negro minister or doctor was tempted toward quack-
ery and demagogy; and by the criticism of the other world,
toward ideals that made him ashamed of his lowly tasks.
The would-be black savant was confronted by the para-
dox that the knowledge his people needed was a twice-told
tale to his white neighbors, while the knowledge which
would teach the white world was Greek to his own fesh
and blood. The innate love of harmony and beauty that
set the ruder souls of his people a-dancing and a-singing
raised but confusion and doubt in the soul of the black
artist; for the beauty revealed to him was the soul-beauty
of a race which his larger audience despised, and he could
not articulate the message of another people. This waste
of double aims, this seeking to satisfy two unreconciled
ideals, has wrought sad havoc with the courage and faith
7. and deeds of ten thousand thousand people, — has sent
them often wooing false gods and invoking false means
of salvation, and at times has even seemed about to make
them ashamed of themselves.
Away back in the days of bondage they thought to see
in one divine event the end of all doubt and disappoint-
ment; few men ever worshipped Freedom with half such
unquestioning faith as did the American Negro for two
centuries. To him, so far as he thought and dreamed,
slavery was indeed the sum of all villainies, the cause of
all sorrow, the root of all prejudice; Emancipation was
the key to a promised land of sweeter beauty than ever
stretched before the eyes of wearied Israelites. In song
and exhortation swelled one refrain — Liberty; in his
tears and curses the God he implored had Freedom in
his right hand. At last it came, — suddenly, fearfully,
6 THE SOULS OF BLACK FOLK
like a dream. With one wild carnival of blood and passion
came the message in his own plaintive cadences: —
“Shout, O children!
Shout, you’re free!
For God has bought your liberty!”
Years have passed away since then, — ten, twenty,
forty; forty years of national life, forty years of renewal
and development, and yet the swarthy spectre sits in its
accustomed seat at the Nation’s feast. In vain do we cry
to this our vastest social problem: —
“Take any shape but that, and my frm nerves
8. Shall never tremble!”
The Nation has not yet found peace from its sins; the
freedman has not yet found in freedom his promised
land. Whatever of good may have come in these years of
change, the shadow of a deep disappointment rests upon
the Negro people, — a disappointment all the more bitter
because the unattained ideal was unbounded save by the
simple ignorance of a lowly people.
The frst decade was merely a prolongation of the vain
search for freedom, the boon that seemed ever barely to
elude their grasp, — like a tantalizing will-o’-the-wisp,
maddening and misleading the headless host. The holo-
caust of war, the terrors of the Ku-Klux Klan, the lies
of carpet-baggers, the disorganization of industry, and
the contradictory advice of friends and foes, left the
bewildered serf with no new watchword beyond the old
7 OF OUR SPIRITUAL STRIVINGS
cry for freedom. As the time few, however, he began to
grasp a new idea. The ideal of liberty demanded for its
attainment powerful means, and these the Fifteenth
Amendment gave him. The ballot, which before he had
looked upon as a visible sign of freedom, he now regarded
as the chief means of gaining and perfecting the liberty
with which war had partially endowed him. And why
not? Had not votes made war and emancipated millions?
Had not votes enfranchised the freedmen? Was anything
impossible to a power that had done all this? A million
black men started with renewed zeal to vote themselves
into the kingdom. So the decade few away, the revolution
of 1876 came, and left the half-free serf weary, wonder-
9. ing, but still inspired. Slowly but steadily, in the following
years, a new vision began gradually to replace the dream
of political power, — a powerful movement, the rise of
another ideal to guide the unguided, another pillar of fre
by night after a clouded day. It was the ideal of “book-
learning”; the curiosity, born of compulsory ignorance,
to know and test the power of the cabalistic letters of the
white man, the longing to know. Here at last seemed to
have been discovered the mountain path to Canaan; lon-
ger than the highway of Emancipation and law, steep and
rugged, but straight, leading to heights high enough to
overlook life.
Up the new path the advance guard toiled, slowly,
heavily, doggedly; only those who have watched and
guided the faltering feet, the misty minds, the dull
understandings, of the dark pupils of these schools know
how faithfully, how piteously, this people strove to learn.
It was weary work. The cold statistician wrote down the
8 THE SOULS OF BLACK FOLK
inches of progress here and there, noted also where here
and there a foot had slipped or some one had fallen. To
the tired climbers, the horizon was ever dark, the mists
were often cold, the Canaan was always dim and far
away. If, however, the vistas disclosed as yet no goal, no
resting-place, little but fattery and criticism, the journey
at least gave leisure for refection and self-examination;
it changed the child of Emancipation to the youth with
dawning self-consciousness, self-realization, self-respect.
In those sombre forests of his striving his own soul rose
before him, and he saw himself, — darkly as through a
veil; and yet he saw in himself some faint revelation of
10. his power, of his mission. He began to have a dim feel-
ing that, to attain his place in the world, he must be
himself, and not another. For the frst time he sought
to analyze the burden he bore upon his back, that dead-
weight of social degradation partially masked behind a
half-named Negro problem. He felt his poverty; with-
out a cent, without a home, without land, tools, or sav-
ings, he had entered into competition with rich, landed,
skilled neighbors. To be a poor man is hard, but to be a
poor race in a land of dollars is the very bottom of hard-
ships. He felt the weight of his ignorance, — not sim-
ply of letters, but of life, of business, of the humanities;
the accumulated sloth and shirking and awkwardness
of decades and centuries shackled his hands and feet.
Nor was his burden all poverty and ignorance. The red
stain of bastardy, which two centuries of systematic legal
deflement of Negro women had stamped upon his race,
meant not only the loss of ancient African chastity, but
also the hereditary weight of a mass of corruption from
9 OF OUR SPIRITUAL STRIVINGS
white adulterers, threatening almost the obliteration of
the Negro home.
A people thus handicapped ought not to be asked to
race with the world, but rather allowed to give all its
time and thought to its own social problems. But alas!
while sociologists gleefully count his bastards and his
prostitutes, the very soul of the toiling, sweating black
man is darkened by the shadow of a vast despair. Men
call the shadow prejudice, and learnedly explain it
as the natural defence of culture against barbarism,
learning against ignorance, purity against crime, the
11. “higher” against the “lower” races. To which the Negro
cries Amen! and swears that to so much of this strange
prejudice as is founded on just homage to civilization,
culture, righteousness, and progress, he humbly bows
and meekly does obeisance. But before that nameless
prejudice that leaps beyond all this he stands helpless,
dismayed, and well-nigh speechless; before that personal
disrespect and mockery, the ridicule and systematic
humiliation, the distortion of fact and wanton license of
fancy, the cynical ignoring of the better and the boister-
ous welcoming of the worse, the all-pervading desire to
inculcate disdain for everything black, from Toussaint
to the devil, — before this there rises a sickening despair
that would disarm and discourage any nation save that
black host to whom “discouragement” is an unwritten
word.
But the facing of so vast a prejudice could not but
bring the inevitable self-questioning, self-disparagement,
and lowering of ideals which ever accompany repres-
sion and breed in an atmosphere of contempt and hate.
10 THE SOULS OF BLACK FOLK
Whisperings and portents came borne upon the four
winds: Lo! we are diseased and dying, cried the dark
hosts; we cannot write, our voting is vain; what need of
education, since we must always cook and serve? And
the Nation echoed and enforced this self-criticism, say-
ing: Be content to be servants, and nothing more; what
need of higher culture for half-men? Away with the black
man’s ballot, by force or fraud, — and behold the suicide
of a race! Nevertheless, out of the evil came something of
good, — the more careful adjustment of education to real
12. life, the clearer perception of the Negroes’ social respon-
sibilities, and the sobering realization of the meaning of
progress.
So dawned the time of Sturm und Drang: storm and
stress to-day rocks our little boat on the mad waters of the
world-sea; there is within and without the sound of con-
fict, the burning of body and rending of soul; inspiration
strives with doubt, and faith with vain questionings. The
bright ideals of the past, — physical freedom, political
power, the training of brains and the training of hands,
— all these in turn have waxed and waned, until even the
last grows dim and overcast. Are they all wrong, — all
false? No, not that, but each alone was over-simple and
incomplete, — the dreams of a credulous race-childhood,
or the fond imaginings of the other world which does
not know and does not want to know our power. To be
really true, all these ideals must be melted and welded
into one. The training of the schools we need to-day more
than ever, — the training of deft hands, quick eyes and
ears, and above all the broader, deeper, higher culture of
gifted minds and pure hearts. The power of the ballot
11 OF OUR SPIRITUAL STRIVINGS
we need in sheer self-defence, — else what shall save us
from a second slavery? Freedom, too, the long-sought,
we still seek, — the freedom of life and limb, the free-
dom to work and think, the freedom to love and aspire.
Work, culture, liberty, — all these we need, not singly
but together, not successively but together, each growing
and aiding each, and all striving toward that vaster ideal
that swims before the Negro people, the ideal of human
brotherhood, gained through the unifying ideal of Race;
13. the ideal of fostering and developing the traits and tal-
ents of the Negro, not in opposition to or contempt for
other races, but rather in large conformity to the greater
ideals of the American Republic, in order that some day
on American soil two world-races may give each to each
those characteristics both so sadly lack. We the darker
ones come even now not altogether empty-handed: there
are to-day no truer exponents of the pure human spirit
of the Declaration of Independence than the American
Negroes; there is no true American music but the wild
sweet melodies of the Negro slave; the American fairy
tales and folk-lore are Indian and African; and, all in
all, we black men seem the sole oasis of simple faith and
reverence in a dusty desert of dollars and smartness.
Will America be poorer if she replace her brutal dyspep-
tic blundering with lighthearted but determined Negro
humility? or her coarse and cruel wit with loving jovial
good humor? or her vulgar music with the soul of the
Sorrow Songs?
Merely a concrete test of the underlying principles of
the great republic is the Negro Problem, and the spiri-
tual striving of the freedmen’s sons is the travail of souls
12 THE SOULS OF BLACK FOLK
whose burden is almost beyond the measure of their
strength, but who bear it in the name of an historic race,
in the name of this the land of their fathers’ fathers,
and in the name of human opportunity.
And now what I have briefy sketched in large outline
let me on coming pages tell again in many ways, with
loving emphasis and deeper detail, that men may listen
14. to the striving in the souls of black folk.
10/14/22, 2:02 PMPreview Rubric: Difficult Conversations
Proposal Rubric - Fa22 MGMT 492-20 BBA Capstone -
Minnesota State University Mankato
Page 1 of
2https://mnsu.learn.minnstate.edu/d2l/lp/rubrics/preview.d2l?ou
=5888678&rubricId=520003&originTool=quicklinks
Difficult Conversations Proposal Rubric
Course: Fa22 MGMT 492-20 BBA Capstone
Criteria Excellent Good Fair Opportunities Nothing to review
Introduction &
Conclusion: In opening,
student clearly
explained the book they
read and outlined the
main points they will be
covering in their
presentation.
Content: Concepts
15. outlined in the
introduction/backgroun
d were addressed in
order. Each had reason it
was included and
support. Support could
be examples from your
life, quotes from the
text, details of future
application on this
concept etc.
Meaningfulness: It
appears that the student
did more than offer a
book report. They were
reflective while clearly
addressing a specific
audience from the
16. assignment directions.
Task Requirements
Format
References
20 points
Closely applies to material
covered during the course
(course content only, not
task)
15 points
Somewhat applies to
material covered during
the course (course content
only, not task)
10 points
Met most requirements
and was fairly prepared
5 points 0 points
17. 20 points
Followed the assignment
directions correctly to
include all bullet point
requirements
15 points
Included most, but missed
at least one major bullet
point requirement for the
assignment
10 points
Missed the requirements
of the assignment in three
or more bullet point areas
5 points
Met few requirements and
was fairly prepared
0 points
18. 20 points
Followed the assignment
directions correctly to
include all bullet point
requirements
15 points
Included most, but missed
at least one major bullet
point requirement for the
assignment
10 points
Missed the requirements
of the assignment in three
or more bullet point areas
5 points
Met few requirements and
was fairly prepared
0 points
19. nothing submitted
20 points
Followed the assignment
directions correctly to
include all bullet point
requirements
15 points
Included most, but missed
at least one major bullet
point requirement for the
assignment
10 points
Missed 2-3 the
requirements of the
assignment more bullet
point areas
5 points
Missed 3+ of the
20. requirements of the
assignment more bullet
point areas
0 points
nothing submitted
20 points
Chapter 10 was followed
and APA format for
reference page, and in-text
citations
15 points
Format and citations were
attempted but not correct
10 points
NA
5 points
Chapter 10 and APA
format not followed
21. 0 points
nothing submitted
20 points
Above minimum required
15 points
Minimum required sources
10 points
Reference page and in text
5 points
Either no reference page,
0 points
Contains no references
10/14/22, 2:02 PMPreview Rubric: Difficult Conversations
Proposal Rubric - Fa22 MGMT 492-20 BBA Capstone -
Minnesota State University Mankato
Page 2 of
2https://mnsu.learn.minnstate.edu/d2l/lp/rubrics/preview.d2l?ou
=5888678&rubricId=520003&originTool=quicklinks
Total
22. Overall Score
sources cited within and
reference page correctly
formatted and submitted
cited within and reference
page correctly formatted
and submitted
citations attempted but
not formatted correctly
or in text citations
Level 4
100 points minimum
Level 3
75 points minimum
Level 2
5 points minimum
Melissa Diegnau, MBA
MGMT 492
Specifics for the Difficult Conversations Assignment
Difficult Conversations: (120 points) After reading this book,
you will be asked to construct a business proposal that seeks
change by applying both the concepts in the “difficult
23. conversations” text as well as what has been learned regarding
the proper format for business reports/proposals. Topics to
consider—what they are, common problems, how we can
improve them, etc. Most of what you discuss will come from
ideas explored in the book
Difficult Conversations, yet many of the things studied
in this class, and the diversity and inclusion content from
MGMT 490, can assist you in helping others productively
manage conflict. Once you are comfortable with the required
format/content, then think about how you can apply what you
read to a current/past workplace situation and use the proposal
to identify the current state, why change is needed, and how that
change could be implemented based on what you read. This
assignment is confidential, and only my eyes will see it. I am
looking to see if the content in this book was meaningful and if
you know how to better handle a real-world situation because of
it. You will upload your document in your week. To ensure
you are detailed, the final product should be 3-6 single-spaced
pages with a minimum of six citations either from the book or
other credible sources. In reading, I should clearly understand
the situation, why these concepts would help, a walkthrough of
concept application, and either results or anticipated results. I
encourage all students to submit their topic choice before
preparing their proposals.
What I would do if I were Preparing for this Assignment:
1. Carefully go through the book
Difficult Conversations and select the quotations and
ideas you believe support a workplace current or past conflict
you can use as your inspiration to suggest workplace change.
2. To ensure maximum points, review the rubric under
Assessments called Difficult Conversations before preparing
your proposal.
3. Review chapters 9 and 10 in your text for visual formatting
24. requirements for business reports and proposals, including
spacing and heading. (I believe you will find chapter 10 the
most helpful. Specifically, 10.9 for a works cited sample, and
10.2 and 10.4 for a format sample. Pages 288-290 discuss
minimum content sections).
· This is an informal proposal, meaning TOC and title page are
not needed but practice formal, third-person business writing.
4. You want to write formally, but for the purpose of this
assignment, generate an informal letter proposal so you can
focus on applying your effort to the book concept application
and not creating a table of contents. Follow the format in the
book regarding single-spacing, headings, etc., and be sure these
elements are included:
· Introduction
· Background of the problem
· Proposal
· Staffing and budgeting needs
· Authorization
· Appendix (optional, not required)
· References, work cited page properly formatting giving proper
credit to the quotations, graphics within the proposal.
· Be sure you properly cite within the proposal AND have a
reference page
· If you are unsure of the proper format, follow the sample in
your chapter, or go to
https://owl.purdue.edu/owl/purdue_owl.html for
guidance.
5. Be sure your proposal is detailed enough that I clearly
understand the situation and can clearly see DC concepts
directly applied as to how to improve this situation. Your
proposal should be free of errors: grammar, punctuation, and
spacing.
6. Upload your proposal in your week. This is confidential for
my eyes to see only.
25. Tips:
1. Assume the audience has not read this book or situation you
are analyzing
2. You are a manager/teacher/problem solver here—please be
professional and thoughtful in your approach
3. Don’t recite the book; I’ve read it. Show that you read and
mastered the concepts by applying them and citing them.
4. This should be fun, educational, and professional. Be
creative.
5. Feel free to get help from friends. For example, if you
wanted to include a survey, case study, or outcome from a role
play, that is fine but not required.
6. You are welcome to cite more than just this book to support
your proposal.
7. I should read it, understand the issue/need, see how the
change would play out, what is needed to make the change, and,
based on the problem, want to make the change.
8. Have fun…create something that teaches others a few things
that might help them not avoid difficult conversations in the
future but approach them more confidently and earn more
positive results.