During Shakespeare's time in the late 16th century, England was a powerful and prosperous nation led by Queen Elizabeth I. London's population quadrupled during this period and the city was home to over 200,000 people by the time Shakespeare arrived. It was a time of cultural and artistic flourishing as well as scientific and technological advancement. However, women and those of lower social classes faced significant restrictions and hardships. Health and sanitation standards were also poor, leading to widespread illnesses.
The document provides information on various aspects of Elizabethan culture, including attire, music, theatre, food, and drink. Strict sumptuary laws dictated clothing based on social status. Music included church, court, street, theater, and town varieties. The theatre was located in London and could hold over 3,000 guests. Food presentation and cooking methods varied depending on wealth and status, and incorporated ingredients from the New World. Common drinks included ale, wine, mead, cider, and fruit wines.
The document provides questions about Jane Austen's life and work, specifically her novel Pride and Prejudice. It asks about the year and place of Austen's birth, her decision not to marry a wealthy man who proposed, other novels she wrote, the original title of Pride and Prejudice, characteristics of the Bennet daughters, how class differences affected the relationship between Elizabeth and Darcy, the time period known as the Regency, British peerages, appropriate food for a Pride and Prejudice-themed meal, and identifies a portrait painter from Austen's time.
John Constable: being a romantic and a scientistSandra Lemaitre
John Constable was an English landscape painter in the early 19th century who found inspiration in the landscapes and skies of rural England. He believed painting was a scientific pursuit and carefully studied nature. While he aimed to capture realistic scenes, his work also included symbolic and romantic elements like rainbows. Some aspects of his grand landscape paintings featuring religious buildings and skies with dramatic clouds have led scholars to debate whether he should also be considered a romantic painter. Constable felt a deep connection to the countryside around his hometown and sought to express his feelings about nature through his artwork.
John Constable was a 19th century English landscape painter known for his realistic depictions of the rural Stour Valley. Born in Suffolk to a mill owner, he entered the Royal Academy in 1800 and painted "Flatford Mill" around 1817, capturing the rural scene and working people near his childhood home which inspired him to become an artist. The painting is on display at the Tate Britain and was created using an impasto technique, with Constable known to do large preparatory sketches.
John Constable was a British painter born in 1776 in Suffolk, England. He entered the Royal Academy Schools and sold his first important canvas, The White Horse, in 1819. In 1829, at age 52, he was elected to the Royal Academy. Constable is known for his landscape paintings of the English countryside, capturing scenes with loose brushwork, vibrant colors, and dramatic lighting effects. Some of his most famous works include The White Horse, The Hay Wain, and A View at Salisbury from Archdeacon Fisher's House.
John Constable was a British painter born in 1776 in East Bergholt, Suffolk. He developed his own technique for painting, making preparatory sketches outdoors of the rural scenes along the river Stour. Some of his most famous works depicting the Stour valley include "The White Horse," "The Hay Wain," and "The Lock," which are part of a series of six paintings focused on the river Stour landscapes. His 1821 painting "The Hay Wain" is housed at the National Gallery in London and shows a rural scene with cattle transporting hay across a river.
The document is an alphabet book about Bethlehem, Pennsylvania that provides historical facts about the Moravian settlement founded there in the 18th century. Each letter of the alphabet corresponds to an aspect of early Bethlehem such as the Atlantic Ocean the Moravians crossed to arrive in America (A), Bethlehem being the name they gave to their new town (B), and candles being used in their first Christmas Eve service in 1741 (C). The summary provides a high-level overview of the document's focus on the history and culture of the early Moravian community in Bethlehem.
During Shakespeare's time in the late 16th century, England was a powerful and prosperous nation led by Queen Elizabeth I. London's population quadrupled during this period and the city was home to over 200,000 people by the time Shakespeare arrived. It was a time of cultural and artistic flourishing as well as scientific and technological advancement. However, women and those of lower social classes faced significant restrictions and hardships. Health and sanitation standards were also poor, leading to widespread illnesses.
The document provides information on various aspects of Elizabethan culture, including attire, music, theatre, food, and drink. Strict sumptuary laws dictated clothing based on social status. Music included church, court, street, theater, and town varieties. The theatre was located in London and could hold over 3,000 guests. Food presentation and cooking methods varied depending on wealth and status, and incorporated ingredients from the New World. Common drinks included ale, wine, mead, cider, and fruit wines.
The document provides questions about Jane Austen's life and work, specifically her novel Pride and Prejudice. It asks about the year and place of Austen's birth, her decision not to marry a wealthy man who proposed, other novels she wrote, the original title of Pride and Prejudice, characteristics of the Bennet daughters, how class differences affected the relationship between Elizabeth and Darcy, the time period known as the Regency, British peerages, appropriate food for a Pride and Prejudice-themed meal, and identifies a portrait painter from Austen's time.
John Constable: being a romantic and a scientistSandra Lemaitre
John Constable was an English landscape painter in the early 19th century who found inspiration in the landscapes and skies of rural England. He believed painting was a scientific pursuit and carefully studied nature. While he aimed to capture realistic scenes, his work also included symbolic and romantic elements like rainbows. Some aspects of his grand landscape paintings featuring religious buildings and skies with dramatic clouds have led scholars to debate whether he should also be considered a romantic painter. Constable felt a deep connection to the countryside around his hometown and sought to express his feelings about nature through his artwork.
John Constable was a 19th century English landscape painter known for his realistic depictions of the rural Stour Valley. Born in Suffolk to a mill owner, he entered the Royal Academy in 1800 and painted "Flatford Mill" around 1817, capturing the rural scene and working people near his childhood home which inspired him to become an artist. The painting is on display at the Tate Britain and was created using an impasto technique, with Constable known to do large preparatory sketches.
John Constable was a British painter born in 1776 in Suffolk, England. He entered the Royal Academy Schools and sold his first important canvas, The White Horse, in 1819. In 1829, at age 52, he was elected to the Royal Academy. Constable is known for his landscape paintings of the English countryside, capturing scenes with loose brushwork, vibrant colors, and dramatic lighting effects. Some of his most famous works include The White Horse, The Hay Wain, and A View at Salisbury from Archdeacon Fisher's House.
John Constable was a British painter born in 1776 in East Bergholt, Suffolk. He developed his own technique for painting, making preparatory sketches outdoors of the rural scenes along the river Stour. Some of his most famous works depicting the Stour valley include "The White Horse," "The Hay Wain," and "The Lock," which are part of a series of six paintings focused on the river Stour landscapes. His 1821 painting "The Hay Wain" is housed at the National Gallery in London and shows a rural scene with cattle transporting hay across a river.
The document is an alphabet book about Bethlehem, Pennsylvania that provides historical facts about the Moravian settlement founded there in the 18th century. Each letter of the alphabet corresponds to an aspect of early Bethlehem such as the Atlantic Ocean the Moravians crossed to arrive in America (A), Bethlehem being the name they gave to their new town (B), and candles being used in their first Christmas Eve service in 1741 (C). The summary provides a high-level overview of the document's focus on the history and culture of the early Moravian community in Bethlehem.
The document discusses Elizabethan costume and fashion based on social class. Sumptuary laws dictated what clothing different classes could wear, with the wealthy wearing rich fabrics, colors, and styles unlike the poor. Colors also carried specific meanings, and actors needed to dress accordingly to their character's class. Women typically wore shifts, corsets, farthingales, kirtles and other items under their gown while men wore shirts, doublets, breeches and more. Proper Elizabethan dress was essential and reflected one's social standing.
John Constable was an English painter born in 1776 in Suffolk. He entered the Royal Academy Schools in 1799 and married Maria Bicknell in 1816. Constable developed his own painting technique through preparatory sketches and a series on the River Stour. His 1821 painting The Hay Wain, which depicts a rural scene on the River Stour, won a gold medal in Paris and is considered his most famous work. Other notable paintings include Malvern Hall in Warwickshire from 1809 and works from his "skying" period between 1821-1822 focusing on cloud formations and weather.
After spending three weeks here, our team can happily back both of them up: we’ve met many wonderful people and visited incredible places that are all reachable by foot. In this guide, we’ve tried to present you a selection of the best ones.
The document discusses the history of London's docks from the 19th century onwards. It notes that the Thames was constrained and organized to facilitate river traffic beyond Tower Bridge, and legal quays were established upriver to unload imports. Over time, a system of enclosed docks was built on both sides of the river to prevent cargo theft and accommodate growing trade. This fueled London's growth as the world's busiest port during the Industrial Revolution. The 1901 census recorded over 300 ships docked across the various port facilities, demonstrating the scale of maritime commerce at the time.
Finola O'Kane - The Liminal Situation of Mrs. Elizabeth FaganRealsmartmedia
Slides used by Finola O'Kane during her presentation (The Liminal Situation of Mrs. Elizabeth Fagan – Developer of Dublin's Eighteenth-century Coastal Housing Estates) at the 'Women and the Sea' symposium. A podcast of Finola's talk is available at http://www.ucd.ie/humanities/events/podcasts/2015/women-and-the-sea/
This document provides biographical details about Amos Fortune, an African man born free who was enslaved in America but later purchased his freedom. It describes his journey from Africa to America, where he was educated by Quakers and learned the weaving and tanning trades. Amos settled in Jaffrey, New Hampshire in the late 1700s, where he worked hard, purchased the freedom of his wife Violate, and became a respected member of the community. The document highlights Amos' donations to the local church and school and includes photographs of his gravestone which still stands today, commemorating his life journey from slavery to freedom.
Henry Peach Robinson: pioneer Victorian photographerMark Ellis
Henry Peach Robinson was a pioneering Victorian photographer born in 1830 who established one of the first photographic studios in Leamington, England in 1857. He experimented with innovative photographic techniques and was renowned for his large composite prints composed of multiple negatives. Robinson's business prospered in the 1860s with the rise of cartes de visite but declining health forced him to sell the studio in 1864 and relocate to London. He later reopened studios in London and Tunbridge Wells, continuing to produce acclaimed photographic works until his death in 1901.
Profile of Henry Peach Robinson, pioneer Victorian photographerMark Ellis
Henry Peach Robinson was a pioneering Victorian photographer born in 1830 who established one of the first photographic studios in Leamington, England in 1857. He experimented with innovative photographic techniques and was renowned for his large composite prints combining multiple negatives. Robinson's business prospered in the 1860s with the rise of cartes de visite but declining health forced him to sell the studio in 1864 and relocate to London. He later reopened studios in London and Tunbridge Wells, continuing to produce acclaimed photographic works until his death in 1901.
The article introduces John Walters, the Pearly King of Finsbury. As a true upholder of London tradition, John explains that Pearly Kings and Queens decorate their clothing with mother-of-pearl buttons to celebrate the charitable work of Henry Croft, who helped the poor in the 19th century. The article provides background on cockney rhyming slang and notes that John designs and sews his own elaborate pearly suits, which take months to complete and identify him as the elected leader of the Finsbury pearlies.
Seamus Heaney's poem "Bogland" describes the Irish bog landscape and what can be discovered beneath its surface. Over three stanzas, Heaney depicts the bog as an endless entity that pioneers continually dig into, uncovering remnants of Ireland's past like the skeleton of an ancient Irish elk and butter preserved for over a hundred years. Heaney uses vivid imagery and references to historical artifacts found in bogs to portray the bogland as a place that retains and reveals Ireland's heritage for those willing to dig below its surface. The poem is dedicated to Irish painter T.P. Flanagan, known for his landscapes, who captured the significance of bogs in his work.
The document summarizes the wedding dress worn by Princess Diana for her marriage to Prince Charles in 1981. The dress was made of ivory colored silk taffeta with a full-length skirt that swept the ground. It featured puffed sleeves decorated with ruffles and a skirt adorned with pearls and sequins. The extremely long 7.6 meter skirt gave Diana a regal presence in St. Paul's Cathedral during the ceremony.
Edinburgh Central Library - Never too oldLibby Central
Central Library in Edinburgh, Scotland was established in 1890 by Andrew Carnegie who hoped it would grow in usefulness and benefit the people. The document highlights some of the library's notable possessions including a 1576 Bible, watercolors, and books containing important notes and inscriptions. It also discusses taking care of collections by addressing natural hazards and damage from dirt and tape in order to preserve the items for future generations.
This document provides a history of the village of Belmont in 3 paragraphs:
[1] The village of Belmont was created in the early 19th century to serve the needs of the industrial revolution. It grew around cotton bleaching and printing factories. The name "Belmont" means beautiful mountain and was possibly created to attract workers.
[2] In the early 19th century, the village population grew rapidly as Thomas Rycroft's cotton factory employed many workers. However, his business failed by 1813. Other mills provided work but also struggled. By the 1850s the population was around 1,000 as more industries developed.
[3] In the late 1850s-1870s
This document features images of religious artwork from various cultures and time periods depicting Jesus Christ and the Virgin Mary. The artwork includes sculptures, paintings, and other media showing key figures and events from the Christian faith such as the Nativity, Crucifixion, Last Supper, and more. The diverse collection of religious icons from around the world and across centuries aims to represent the multifaceted expressions of faith in Christ.
Feudalism, king arthur, and the medieval sweet, pozsgai, coopermrsbrownsenglish
This document discusses various aspects of art, culture, and society in medieval times. It describes how stained glass windows reached their peak between 1150-1500 AD in European cathedrals [1]. Examples of stained glass depictions of saints like St. George and St. Bartholomew are shown [2]. The document also discusses the legends of King Arthur and the Knights of the Round Table, noting there is little historical evidence to prove the stories [3]. Finally, it outlines the feudal system of medieval Europe, with kings granting land to barons and lords who ruled over knights and peasants [4].
Study of drama.the taming of the threw by Annisa NiconkNiconk
This document provides a summary of William Shakespeare's play "The Taming of the Shrew". It outlines key details about the plot, characters, settings and themes. The play centers around two sisters, the shrewish Katharina and the gentle Bianca, and their suitors. Katharina's suitor Petruchio sets out to tame her temper through unconventional methods, while Bianca's suitors must wait for Katharina to marry first.
Thomas Gainsborough painted two versions of "The Harvest Wagon" in 1767 and 1784. The painting depicts peasants in a wagon traveling through a rural landscape and perfectly blends realism with an idealized setting. Gainsborough was self-taught and studied the techniques of past masters like Rubens. After creating the work, it was given to a friend and over the decades changed private hands several times before being donated to its current home at the Art Gallery of Ontario.
Study of drama.the taming of the threw By Annisa ChibiAnnisaChibi
This document provides a summary of William Shakespeare's play "The Taming of the Shrew". It includes key details like the plot, characters, settings and themes. The story involves Petruchio courting and marrying the shrewish Katharina in order to tame her temper and get access to her dowry, while her younger sister Bianca has suitors vying for her hand that her father will not allow until Katharina is married.
An account of printing and publishing in Devon showing how technological and social changes since 1500 have affected the type of documents that have found their way into local studies libraries in the county.
William Blake moved to Lambeth in 1790 at age 33, where he lived for the next 10 years. This was one of the most productive periods of his life as an artist, poet, and inventor. Lambeth was undergoing rapid development at the time from a village to an urban area. Blake produced many of his illuminated works during this time in Lambeth, developing a unique technique of combining image, text, and color. His works were largely unknown during his lifetime but he gained recognition in the decades after his death.
The document discusses Elizabethan costume and fashion based on social class. Sumptuary laws dictated what clothing different classes could wear, with the wealthy wearing rich fabrics, colors, and styles unlike the poor. Colors also carried specific meanings, and actors needed to dress accordingly to their character's class. Women typically wore shifts, corsets, farthingales, kirtles and other items under their gown while men wore shirts, doublets, breeches and more. Proper Elizabethan dress was essential and reflected one's social standing.
John Constable was an English painter born in 1776 in Suffolk. He entered the Royal Academy Schools in 1799 and married Maria Bicknell in 1816. Constable developed his own painting technique through preparatory sketches and a series on the River Stour. His 1821 painting The Hay Wain, which depicts a rural scene on the River Stour, won a gold medal in Paris and is considered his most famous work. Other notable paintings include Malvern Hall in Warwickshire from 1809 and works from his "skying" period between 1821-1822 focusing on cloud formations and weather.
After spending three weeks here, our team can happily back both of them up: we’ve met many wonderful people and visited incredible places that are all reachable by foot. In this guide, we’ve tried to present you a selection of the best ones.
The document discusses the history of London's docks from the 19th century onwards. It notes that the Thames was constrained and organized to facilitate river traffic beyond Tower Bridge, and legal quays were established upriver to unload imports. Over time, a system of enclosed docks was built on both sides of the river to prevent cargo theft and accommodate growing trade. This fueled London's growth as the world's busiest port during the Industrial Revolution. The 1901 census recorded over 300 ships docked across the various port facilities, demonstrating the scale of maritime commerce at the time.
Finola O'Kane - The Liminal Situation of Mrs. Elizabeth FaganRealsmartmedia
Slides used by Finola O'Kane during her presentation (The Liminal Situation of Mrs. Elizabeth Fagan – Developer of Dublin's Eighteenth-century Coastal Housing Estates) at the 'Women and the Sea' symposium. A podcast of Finola's talk is available at http://www.ucd.ie/humanities/events/podcasts/2015/women-and-the-sea/
This document provides biographical details about Amos Fortune, an African man born free who was enslaved in America but later purchased his freedom. It describes his journey from Africa to America, where he was educated by Quakers and learned the weaving and tanning trades. Amos settled in Jaffrey, New Hampshire in the late 1700s, where he worked hard, purchased the freedom of his wife Violate, and became a respected member of the community. The document highlights Amos' donations to the local church and school and includes photographs of his gravestone which still stands today, commemorating his life journey from slavery to freedom.
Henry Peach Robinson: pioneer Victorian photographerMark Ellis
Henry Peach Robinson was a pioneering Victorian photographer born in 1830 who established one of the first photographic studios in Leamington, England in 1857. He experimented with innovative photographic techniques and was renowned for his large composite prints composed of multiple negatives. Robinson's business prospered in the 1860s with the rise of cartes de visite but declining health forced him to sell the studio in 1864 and relocate to London. He later reopened studios in London and Tunbridge Wells, continuing to produce acclaimed photographic works until his death in 1901.
Profile of Henry Peach Robinson, pioneer Victorian photographerMark Ellis
Henry Peach Robinson was a pioneering Victorian photographer born in 1830 who established one of the first photographic studios in Leamington, England in 1857. He experimented with innovative photographic techniques and was renowned for his large composite prints combining multiple negatives. Robinson's business prospered in the 1860s with the rise of cartes de visite but declining health forced him to sell the studio in 1864 and relocate to London. He later reopened studios in London and Tunbridge Wells, continuing to produce acclaimed photographic works until his death in 1901.
The article introduces John Walters, the Pearly King of Finsbury. As a true upholder of London tradition, John explains that Pearly Kings and Queens decorate their clothing with mother-of-pearl buttons to celebrate the charitable work of Henry Croft, who helped the poor in the 19th century. The article provides background on cockney rhyming slang and notes that John designs and sews his own elaborate pearly suits, which take months to complete and identify him as the elected leader of the Finsbury pearlies.
Seamus Heaney's poem "Bogland" describes the Irish bog landscape and what can be discovered beneath its surface. Over three stanzas, Heaney depicts the bog as an endless entity that pioneers continually dig into, uncovering remnants of Ireland's past like the skeleton of an ancient Irish elk and butter preserved for over a hundred years. Heaney uses vivid imagery and references to historical artifacts found in bogs to portray the bogland as a place that retains and reveals Ireland's heritage for those willing to dig below its surface. The poem is dedicated to Irish painter T.P. Flanagan, known for his landscapes, who captured the significance of bogs in his work.
The document summarizes the wedding dress worn by Princess Diana for her marriage to Prince Charles in 1981. The dress was made of ivory colored silk taffeta with a full-length skirt that swept the ground. It featured puffed sleeves decorated with ruffles and a skirt adorned with pearls and sequins. The extremely long 7.6 meter skirt gave Diana a regal presence in St. Paul's Cathedral during the ceremony.
Edinburgh Central Library - Never too oldLibby Central
Central Library in Edinburgh, Scotland was established in 1890 by Andrew Carnegie who hoped it would grow in usefulness and benefit the people. The document highlights some of the library's notable possessions including a 1576 Bible, watercolors, and books containing important notes and inscriptions. It also discusses taking care of collections by addressing natural hazards and damage from dirt and tape in order to preserve the items for future generations.
This document provides a history of the village of Belmont in 3 paragraphs:
[1] The village of Belmont was created in the early 19th century to serve the needs of the industrial revolution. It grew around cotton bleaching and printing factories. The name "Belmont" means beautiful mountain and was possibly created to attract workers.
[2] In the early 19th century, the village population grew rapidly as Thomas Rycroft's cotton factory employed many workers. However, his business failed by 1813. Other mills provided work but also struggled. By the 1850s the population was around 1,000 as more industries developed.
[3] In the late 1850s-1870s
This document features images of religious artwork from various cultures and time periods depicting Jesus Christ and the Virgin Mary. The artwork includes sculptures, paintings, and other media showing key figures and events from the Christian faith such as the Nativity, Crucifixion, Last Supper, and more. The diverse collection of religious icons from around the world and across centuries aims to represent the multifaceted expressions of faith in Christ.
Feudalism, king arthur, and the medieval sweet, pozsgai, coopermrsbrownsenglish
This document discusses various aspects of art, culture, and society in medieval times. It describes how stained glass windows reached their peak between 1150-1500 AD in European cathedrals [1]. Examples of stained glass depictions of saints like St. George and St. Bartholomew are shown [2]. The document also discusses the legends of King Arthur and the Knights of the Round Table, noting there is little historical evidence to prove the stories [3]. Finally, it outlines the feudal system of medieval Europe, with kings granting land to barons and lords who ruled over knights and peasants [4].
Study of drama.the taming of the threw by Annisa NiconkNiconk
This document provides a summary of William Shakespeare's play "The Taming of the Shrew". It outlines key details about the plot, characters, settings and themes. The play centers around two sisters, the shrewish Katharina and the gentle Bianca, and their suitors. Katharina's suitor Petruchio sets out to tame her temper through unconventional methods, while Bianca's suitors must wait for Katharina to marry first.
Thomas Gainsborough painted two versions of "The Harvest Wagon" in 1767 and 1784. The painting depicts peasants in a wagon traveling through a rural landscape and perfectly blends realism with an idealized setting. Gainsborough was self-taught and studied the techniques of past masters like Rubens. After creating the work, it was given to a friend and over the decades changed private hands several times before being donated to its current home at the Art Gallery of Ontario.
Study of drama.the taming of the threw By Annisa ChibiAnnisaChibi
This document provides a summary of William Shakespeare's play "The Taming of the Shrew". It includes key details like the plot, characters, settings and themes. The story involves Petruchio courting and marrying the shrewish Katharina in order to tame her temper and get access to her dowry, while her younger sister Bianca has suitors vying for her hand that her father will not allow until Katharina is married.
An account of printing and publishing in Devon showing how technological and social changes since 1500 have affected the type of documents that have found their way into local studies libraries in the county.
William Blake moved to Lambeth in 1790 at age 33, where he lived for the next 10 years. This was one of the most productive periods of his life as an artist, poet, and inventor. Lambeth was undergoing rapid development at the time from a village to an urban area. Blake produced many of his illuminated works during this time in Lambeth, developing a unique technique of combining image, text, and color. His works were largely unknown during his lifetime but he gained recognition in the decades after his death.
Ballads were the original memes.
This presentation traces the formal and stylistic developments of the Robin Hood ballads - folk songs that provide the raw material for the legend of the Prince of Thieves - from the earliest evidence of these stories left in 13th- and 14th-century descriptions of May Day festivities, to late Medieval manuscript copies of ballads, through the introduction of print in the 16th century and into a printed broadside-ballad boom in the 17th century. Pay attention to the way the form of the poems (rhyme patterns, meter, and other linguistic conventions) changes over time and in relation to the evolving story. Does the medium in which the story is told effect the story itself?
The poem "A Red, Red Rose" by Robert Burns expresses the poet's deep love for his beloved in exaggerated terms. He compares his love to a newly bloomed rose in June and sweet melodies. He vows to love her still until all the seas dry up and the rocks melt in the sun. In the last stanza, the poet bids his love farewell for a while but promises to return even if it means traveling ten thousand miles. Burns uses vivid imagery and hyperbole to convey the infinite and enduring nature of his love in this celebrated love poem.
Victorian Literature compiled by Sena BarquillaSena Barquilla
This presentation contains the history of Victorian Age, major poets and major novelists and their works during the reign of Queen Victoria, like Alfred Lord Tennyson, Robert Browning, Elizabeth Barrett-Browning, Charles Dickens, and Oscar Wilde.
Yeats, wb (ed.) book of irish verse (routledge, 2002)Kyran Lucien
This document is an introduction to the Routledge Classics edition of A Book of Irish Verse edited by W.B. Yeats. It provides context for the dispute between Yeats and members of the Young Ireland League in late 19th century Ireland over how to judge and promote Irish literature and culture. Yeats sought to take Irish literature in a more artistic direction judged on literary merit, while the League favored literature that promoted Irish nationalism and politics. This division reflected a larger debate over the path forward for Ireland in the wake of Parnell's death and the resulting political vacuum.
Devon book. D-82. A history of bibliography in DevonIanMaxted1
A survey of bibliographical work in Devon since 1070 including the work of James Davidson, R. Burnet Morris, Allan Brockett and the Devon bibliography.
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Scarce Modern Irish Literary Items, Important Early Publications by Dolmen, Cuala & Other Presses, Numerous Other Signed Copies, Limited Editions, Original Manuscripts, Important G.A.A. & Other SportingMemorabilia Republican Letters and Other Political Material, Printed Cinema Posters, Pub Memorabilia, Vintage Whiskey, Designer Handbags, Purses & Scarves
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William Wordsworth was born on April 17, 1770 just outside the Lake District in Cockermouth, Great Britain. He was a major Romantic poet who, along with Samuel Taylor Coleridge, helped launch the English Romantic movement with their jointly published Lyrical Ballads in 1798. Wordsworth was encouraged by his father to read poets like Milton and Shakespeare. After his mother's death, he was sent to school in Lancashire while his sister Dorothy lived with relatives in Yorkshire. Wordsworth is known for defining poetry as "the spontaneous overflow of powerful feelings" originating from "emotion recollected in tranquility."
The document provides an overview of the Romantic period in English literature from the 18th century. It discusses important political figures like Queen Anne and George III who ruled during this time. The Industrial and Agricultural Revolutions transformed Britain economically and socially. Romantic poetry emphasized emotions and nature, with major poets including William Blake, William Wordsworth, and Samuel Taylor Coleridge. The Gothic, historical, and novel of manners genres were popular in Romantic prose with writers such as Walter Scott, Mary Shelley, Anne Radcliffe, and Jane Austen. The poem "A Red, Red Rose" by Robert Burns is also analyzed for its literary devices.
Sworders Instinct, Scholarship - Curiosity 9 November 2022.pdfSworders
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William Wordsworth was an influential English Romantic poet born in 1770 in the Lake District of England. He lost both his mother and father at a young age. Wordsworth attended Cambridge University and was influenced by the French Revolution. He settled in England and published Lyrical Ballads with Samuel Taylor Coleridge in 1798, which helped launch the Romantic movement. Wordsworth found inspiration in nature and common people and themes of nature, perception, and experience are found throughout his poetry. He had a significant influence on later poets and is now considered one of the most important English poets.
This document is a preface to a facsimile reprint of the first edition of The Complete Angler published in 1653 by Isaak Walton. The preface discusses the popularity and value of first editions. It notes that the first edition of The Complete Angler sold out quickly and describes the advertisements for its release. The preface also explains that the text differs substantially from later editions that Walton revised. It argues that the charm of the original lies in its quiet religious sentiment and that later additions by Cotton disrupt the quiet tone of Walton's farewell.
This document is an acknowledgements page for the book "An Illustrated History of Britain" by David McDowall. It lists over 100 sources that were used for images in the book, including photographs from archives, libraries, and private collections. It also lists 7 other history books that helped inform the writing of this book on Britain's history. The acknowledgements provide full credit to the various organizations and individuals who contributed photographs and research to the project.
Tales of the Unexpected in the British Newspaper Archive by Ed King. Presentation given at the Europeana Newspapers Information Day, held at the British Library on 9 June 2014.
The document discusses several historical accounts and references to Dunleer, Ireland from the 18th and 19th centuries, including descriptions of the town from Quaker ministers, philanthropists, and travelers who mention the poor conditions, religious tensions, and way of life in Dunleer at the time.
The document provides excerpts from travelers who visited Dunleer, Ireland between the late 18th and mid 19th centuries, describing their observations of the town and people, including descriptions of poverty, education, religious tensions, and local customs. Many comment on the poor conditions of housing and roads as well as begging. Others note the mixed English and Irish language use among residents.
Heraldic Engravings on Colonial SilverMaria Dering
Talk given 3 March 2015 to the National Society of Sons and Daughters of the Pilgrims. Features silver engravings by prominent New York City colonial artisans.
Alfred Tennyson and Robert Browning were two major Victorian poets. Tennyson is known for poems like "In Memoriam" and "The Lady of Shalott" which showcase his mastery of meter and imagery. He was appointed Poet Laureate in 1850. Browning wrote dramatic monologues and is renowned for works like "My Last Duchess" and "The Ring and the Book" which tell stories through dramatic voices. Both poets made important contributions to Victorian literature through their unique styles and themes.
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Devon book. D-29a Devon broadside ballads
1. The heritage of the book in Devon and Exeter
D-38a
Devon broadside ballads
A series of presentations
to celebrate the designation
of Exeter
as UNESCO city of literature
in 2019
The book fool, from The ship of fools,
translated by Alexander Barclay in 1509.
The first book by a Devon writer
to appear in print.
2. God hath gyven our kynge the
victorye. – [London] : [s.n.] ,
[1549].
3. Sir Walter Rauleigh
his lamentation Who
was beheaded in the
old Pallace at
Westminster the 22 of
October. 1618.
London : Philip Birch
, [1618?].
4. The lamentation of Mr. Page’s wife of Plymouth. – [London] : Printed and
sold at the Printing-Office in Bow Church-Yard , [1750?]
5. A new Ballad intituled, the
stout Cripple of Cornwall,
wherein is shewed his
dissolute life and deserued
death.
London: Printed for I. W. ,
[1624?]
6. The West country lovers : See here the pattern of true love amongst the country
blades, who never can delighted be, but when amongst the maids
London : Printed for J. Bonyers at the black raven in Duck-lane , [1680?]
7. A looking-glass for a covetous miser: or, Comfort to a contented minde :
Being a serious discourse between a rich miser in the west country, and a poor husband-man
London : Printed for W. Thackeray, T. Passinger and W. Whitwood , [1670?]
8. Tom and Rogers contract: or what Devon-farmers use to act : Two farmers lately met in
Devon-shire, and so by chance they drank a pot of beer; and since it was within the
month of May, I will declare to you what they did say.
London : Printed for J. Brooksby in Py-corner , [1680?]
9. The Benjamin's lamentation for their sad loss at sea by storms and tempests. London:
Printed by and for W.O. and sold by the booksellers, 1689/1709. - 1 sheet : ill. - Roud
2632. First Line: Captain Chilver's gone to sea. Tune: The poor Benjamin, O &c.
Held by: Bodleian Library: Douce Ballads 1(16a).
10. Witchcraft discovered and punished. Or, the Tryals and Condemnation of three Notorious
Witches, who were Tryed the last Assizes, holden at the Castle of Exeter, in the County of Devon:
where they received Sentance for Death, for bewitchng several Persons, destroying Ships at Sea,
and Cattel by Land, &c.To the tune of Doctor Faustus; or, fortune my foe. – [London] : [s. n.] ,
1682. - British Library – Roxburghe 2.531(ShelfmarkC.20.f.8.531). - ESTC R228715
11. A full description of these times, or The Prince of Orange's march from Exeter to London
[London] : Printed for A. B. , [1689].
12. The new art and mystery of
gossipping : being a genuine account
of all the women’s clubs about
London.
Exon : Printed by Thomas Brice, in
Goldsmith’s Street ; where travellers
and shopkeepers may be supplied ,
[1783?]
8p ; 8°.
Devon Heritage Centre 9972/Z22
13. The Exeter garland in five parts : being a tragical
account of two loyal lovers of Exeter
[s.l.] : [s.n.] , [1780?]
8p ; 16°
Devon Heritage Centre p821/EXE
The Plymouth tragedy, or fair Susuan’s
overthrow. And the careful maiden
Coventry : Printed and sold at the Printing-
Office near the Cross , [1760?]
Devon Heritage Centre p821/PLY
15. Sweet William of Plymouth.
[London] : Sold at No. 42, Long Lane [John Evans] , [1795?]
16. Fun upon fun: or, the stark-naked west-country wedding.
London : Printed in Aldermary Church Yard , [1750?]
17. The Plymouth tragedy : or, fair Susan's overthrow.
London : Printed and sold at the Printing-Office in Bow Church-Yard , [1750?]
18. Sweet Poll of Plymouth. –
[London] : Printed at J. Pitts
Wholesale Toy Warehouse,
6, Great St. Andrew street, 7
Dials , [1802/20].
Sequel to Sweet Poll of
Plymouth.
[London] : Printed and sold
by J.Pitts, No. 14 Great
Andrew Street, Seven Dial ,
[1820/40].
19. The Plymouth tragedy; or, fair Susan’s overthrow
[London] : Printed and sold by J. Pitts, 6, Great St. Andrew street seven Dials
20. Committal of John Lee for the
alleged murder of Mrs. Keyes near
Torquay. Air – The Miser
London : H. Such, Machine
Printer and Publisher, 177, Union
Street, Boro’ S. E.
Devon Heritage Service: ME 1884
21. I'm the wandering bard from Exeter.
[s.l.] : [s.n.] , [1840?]
I'm the wandering bard from Exeter,
From scribbling can't refrain,
It's poverty compels me,
To come in the rain,
Hard is my fate, I have no estate,
And must either sing or cry,
My lot is cast I am forced at last,
To ask of you to buy.
Cold winter is now approaching,
But I have no clothes for to pack,
None have I left behind me,
For they are all on my back,
[…]
I come into the ale-house,
Just to take a cup of beer,
It always makes me cheerful,
Tho' the times are hard,
Now buy my song be it right or wrong,
'Twill help a wand'ring bard.
22. The late noted Tommy Osborne, second-
hand bookseller - and M.P. for the
antient & loyal borough of Ide, in 1812.
Lithographed and published by G.
Townsend, lithographer etc., Deanery
Sq., Exeter.
Exeter : G.Townsend , Date: [1848?].
Lithograph ; 266x155mm.
'My claims to your patronage, ladies &
gentlemen, I trust are indisputable -
having been employed for the last thirty
years in collecting the most valuable &
scarce literary publications of the
ancients, to adorn your libraries. I was
also concerned in suppressing & causing
to be condemned to the flames the works
of that all-levelling traitor Tom Paine.'
Extract from address to Ide electors, Sep.
29, 1812.
23. A new song, addressed to the
honest freemen of Exeter. Tune
of 'Tis of an old woman of
Grimstone.
[Exeter] : [s.n.] , 1761.
Devon Heritage Centre:
LE 1761
24. The Newfoundland sailor
[Exeter] : [Elizabeth Brice] ,
[1782?]
Devon Heritage Centre:
9972/Z9
The sorrowful lamentation of
Miss Sarah West. The
unhappy young lady who lost
her life with her sweetheart
on board the formidable man
of war commanded by the
brave Rodney, in the
engagement with De Grasse,
was killed at the round top.
Exon : Printed by Elizabeth
Brice , near East-Gate ,
[1782?].
Devon Heritage Centre: LE
1782
25. The lamentation of
Rebecca Downing,
condemn’d to be burnt
at Heavitree … July 29,
1782, for poisoning her
master, Richard Jarvis.
Exon : printed by T.
Brice, Goldsmith Street
, [1782].
Devon Heritage Centre:
LE 1782
The life, character,
confession and dying
behaviour of Rebecca
Downing […]
Exon : printed by
Elizabeth. Brice, near
East Gate , [1782].
Devon Heritage Centre:
LE 1782
27. The loyal Briton. A song.
Exeter : Printed by R.
Trewman and Son, and
delivered (Gratis) by ther
Constitutional Society, at the
Country-House , [1793?]
Devon Heritage Centre LE
1793
Church and King. A song.
Tune --- “Rule Britannia.”
Exeter : Printed by R.
Trewman and Son, and
delivered (Gratis) by ther
Constittional Society, at the
Country-House , [1793?]
Devon Heritage Centre LE
1793
28. Buy a broom.
Exeter : Besley, printer,
[1800/30].
Our King is a true
British sailor.
Exeter : Besley, printer ,
[1830/37]
29. The busy fellows in the suds. A new song. – Tune Vicar and Mosey. [and]
The town in a hurry; or, the Dock dance. A new ballad.
[Plymouth?] : [s.n.] , [1785?].
30. My friend and pitcher [and] Fair
Betsy of Plymouth, and her young
sailor bold. Air. – Boys of
Kilkenny.
Devonport : Printed by E. Keys,
7, James-street where hawkers
and travellers may be supplied
cheaper than at any other house in
the West of England. Sold also by
R. Stone, Exeter; and by W.
Burridge, Truro, Cornwall ,
[1825/50].
Bodleian Library Frith c13 (289).
31. Cornish miners: one and all
[and] Cherry ripe.
Devonport : J. Mudge,
printer , [1820/40]
32. The drunken wife. A companion to
the Drunken husband. Tune. –
“Dumble dum deary
[and] Love’s a tyrant.
Devonport : Printed and sold by W.
Picken, 38, Tavistock-St.,
Devonport. Where may be had a
great variety of the most choice
songs, sheet songs, scripture pieces,
memorandum books, spelling
books, reading easies, primers
penny and halfpenny history books,
writing papers, &c., cheaper than
any other house in the kingdom.
Country orders, (cash enclosed,)
promptly executed , [1840?].
34. Opening of the North Devon
Railway, from Bideford to
Barnstaple, on Monday 29th
October 1855.
Bideford : Wilson, [1855].
Devon Heritage Centre LE 1855
35. The misseltoe bough
[and] I would be a soldier still
[and] The fairies’song.
Barnstaple : S. Searle, Printer,
[1847/60].
36. Mary Neil.
Honiton : Snell,
printer, [1820/30].
The fox-hunting
farmer’s lament.
Honiton : Snell, printer
&c , [1820/30].
41. Exeter working papers
in book history
This talk is one of a series produced
during Lockdown 2020 to celebrate the
designation of Exeter as UNESCO city
of literature in 2019.
Most of them are also accessible
through the
Exeter working papers,
Devon bibliography and
Etched on Devon’s Memory
websites as part of the
World Book Heritage
initiative.
The book fool from Alexander Barclays’ translation of
The ship of fools (1509)