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Design challenges, content and tools for cultural heritage
The document discusses various design challenges and opportunities in the cultural heritage sector, emphasizing the dualisms between tangible and intangible heritage, preservation versus dissemination, and physical versus digital representations. It explores the impact of digitalization on cultural heritage, including the integration of new technologies and the evolving roles of museums and libraries. The content highlights the need for interdisciplinary approaches and innovative design strategies to enhance user engagement and representation in a digital context.
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Design challenges, content and tools for cultural heritage
- 1. DESIGN CHALLENGES, CONTENT AND MEDIA TOOLS FOR CULTURAL HERITAGE A PERSONAL STREAM OF CONSCIOUSNESS IN 60 SLIDES #InnoDevTalk series, 12/2014 Mario Chiesa
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- 4. What is culture? + what Greeks called paideia + what Latins called humanitas >> education due to the "fine arts" >> instrument for renewal of social and individual life (Age of Reason)
- 5. Culture in thesocial sense >> all the knowledge, beliefs, fantasies, ideologies, symbols, norms, values, etc. that result in patterns and techniques of activity typical of any society >> In synthesis: techniques and symbolic forms
- 6. Cultural resources dualisms >> the encyclopedia and the library on one side, >> the museum on the other >> in the digital: virtual museums and digital libraries
- 7. Dualism #1 Museums - Libraries
- 8. Libraries Borges’s libraryof Babel
- 9. Libraries Google NCData Center
- 10. Encyclopedies Encyclopedie deDiderot et d'Alembert
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- 12. Dualism #2 Preservation vs Dissemination
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- 16. Dualism #3 Tangibleheritage vs Intangible heritage
- 17. Collections Wunderkammer -Cabinets of curiosities
- 18. Museums + Monuments British Museum
- 19. Events and traditions Ivrea’s carnival - Battle of the Oranges
- 20. Performing arts Festivals,gatherings, rituals, etc.
- 21. Dualism #4 Physical vs Digital
- 22. Physical vs Digital With the digitalization we overcome limits and constrains due to the • the physicality of objects • spatial and temporal (presence) • preservation vs dissemination
- 23. Digitalization 2D and3D scanning, other recordings
- 24. Processing data mesh,modelling,
- 25. Physical vs Digital «digital master» Data architecture Digitalization Processing A value chain Distribution and fruition Integration Use and reuse Data management ‘Native’ digital content 3D CAD OCR Metadata Authoring Web and apps Integration AR / VR
- 26. Digitalization “The DigitalMaster“ “The digital equivalent”
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- 33. Digital fidelity “TheDigital Master“: • 2D and 3D scanning • Chemical and physical data • Type and quality of the master from: • Kind of object • SoA for acquisition • Economic constrains
- 34. Data preservation Datanon-readable for: • Physical support deterioration • Readers not (more) functioning • Proprietary or undocumented formats or codecs • Undocumented business logic • Countermeasures: • Smart maintenance • «Long term»
- 35. Representability • “Thedigital equivalent” • Characteristic of the object to digitize • Availability of technology • Grade of fidelity of representation • Media • Media Constrains • Resolution, computational power, etc. • CommConstrains • Bandwith, latency, connectivity, etc.
- 36. Usability • Usability+ Engagement • Usability vs representability • The digital equivalent as representation • faithful r. of a physical and/or real counterpart • of an onthologic reality (not current, controversial, etc.) • Usability can be a priority In an immersive environment, fluidity of movements is more important than resolution
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- 38. Edutainment • Playfulexperience • dissemination • tourism/ education • Philological approach • Scientific and historical strictness • Professionals and experts • “Gamification” e “Digital natives” • Educational approach • Interactivity
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- 40. Interactivity • Criticalfactor • Limits of the interactive capabilities of platforms: • Due to UI metaphors and paradigms • Incompatible requirements and constrains • Opportunities for tech developments
- 41. Tech convergence •Need to stay connected to the SoA • Mobile devices with desktop performance • Ubiquitous connectivity • Internet of Things / Internet of Data • Online and onsite, locative media • Local context, personal fruitions, ‘social’ meanings
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- 44. ICT tools •Data architectures • Standards (Dublin Core e MAG) • Digital archives (SQL, NoSQL) • Use and reuse of content • UGC - User Generated Content • Web e social web • CMS
- 45. Findability • Attributes • Metadata • Relationships • ‘Social’ activities • Discussions • Sharing • Tag • “Spime” concept by Bruce Sterling applied to cultural heritage
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- 47. Physical vs Digital «digital master» Data architecture Digitalization Processing A workflow Distribution and fruition Integration Use and reuse Data management ‘Native’ digital content 3D CAD OCR Metadata Authoring Web and apps Integration AR / VR
- 48. Challenges #1 •Extension of representability • Involvement of other senses • Representability of other attributes
- 49. Challenges #2 •More interactivity • New interaction metaphors and paradigms, new visualizations • Better performances
- 50. Opportunities #1 •Huge design space • New models for fruition and interaction • New models for museums and libraries • New roles: ‘Enablers’ vs tech experts
- 51. Opportunities #2 •New roles: ‘Enablers’ vs tech experts • Interdisciplinarity required to understand: • Social role and educational values • Tech implications and consequences
- 52. Design space where’sthe new frontier? just a sample…
- 57. Everything I sawthe Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth...
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- 60. Change scope Changetimescale Change size Design space where’s the new frontier? Change perspective Change role Change mindset
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- 62. CONTATTI Mario Chiesa Head of Creativity and Design Innovation Unit Innovation Development Area chiesa@ismb.it @tangiblemind www.ismb.it