TAKEN HOSTAGE BY THE 
UGLY DUCK 
Josephine Marcelo 
John Miguel Morales
Story Ladder 
A story ladder layout is an easy and good 
way of organizing the plot line for your 
story. It is a chart listing all of the 
characters and events in the plot of a 
story, and how they are related to and 
interact with each other It can help you 
identify strengths and weaknesses in your 
story ideas and help you to tap into your 
inner creative abilities.
VOCABULARY 
Distress - To cause strain, anxiety, or suffering to. 
Despotic - A ruler with absolute power. 
Shrivelled - To lose or cause to lose vitality or intensity
GRETCHEN MCCULLOUGH 
Gretchen McCullough was raised in Harlingen, Texas. After 
graduating from Brown University in 1984, she taught in Egypt, 
Turkey and Japan. She earned her M.F.A. from the University of 
Alabama and was awarded a Teaching Fulbright to Syria 1997- 
1999. Stories and essays have appeared in The Texas Review, 
The Alaska Quarterly Review, Archipelago, National Public 
Radio, The Barcelona Review, Storysouth, Gowanus and 
Storyglossia. Recently, her translations with Mohamed Metwalli 
of his poetry were published in Banipal. She has just finished a 
collection of short stories, set in Cairo. Currently, she teaches 
writing in the Department of Rhetoric and Composition at the 
American University in Cairo.
TAKEN HOSTAGE BY THE UGLY 
DUCK 
The day after Mona was hit in the ear with a rotten egg thrown 
by her American neighbor, she adopted a blue heron. 
Complaining to her friends had not been enough, complaining 
to the landlord and the gatekeeper had not been enough, 
complaining to her husband had not been enough. She had 
never suffered such humiliation! She had marched to the Friday 
bird market and bought the bird with the harshest call. The 
terrible yawing would surely torment her American neighbor, 
whom she had nicknamed "The Ugly Duck." 
When she came home with the enormous bird at three o'clock 
in the afternoon, her husband, Mohammed, who was still in his 
pajamas, said, "Don't you usually pluck your chin hairs on 
Fridays?"
Mona was now too busy watching the Ugly Duck to 
waste her time on vanity. She and Mohammed rarely 
had sex anymore. And when they did, it was a 
lackluster and cursory affair; he rolled off her quickly 
and starting picking his teeth. 
Every Friday, while she was looking in her hand mirror, 
plucking her chin hairs, she sneaked a glance behind 
her at the Ugly Duck in the building opposite hers. On 
warm days he often strutted nude on his balcony, with 
a gaggle of young Egyptian men. Such an unashamed 
parading of sensuality enraged her. When she had 
finished watching the Ugly Duck and his entourage, 
she prayed and recited the Quran in front of the sheik 
on the television. 
Now, her husband Mohammed glared at the blue 
heron. "Why didn't you adopt a kitten? There are plenty
"You hate cats," Mona said. She had begged 
him to have a cat for years, but he always 
refused. 
"The heron is going to ruin our gold 
furniture," Mohammed said, as if he were a 
new bride, not a sixty-year old man. 
"Maybe the bird will turn into a cat." 
"Herons eat fish. This isn't a very practical pet. 
Where are we going to keep him? With Amir 
here, we have hardly any space," Mohammed 
complained. 
"Amir will have to find another place to live," 
Mona said. "He is thirty-five years old." 
"But Mona, he's not married. You're going to 
give his room to a bird?"
Mona was transforming. Internally, she had not 
changed a centimeter for years. However, two events 
had happened to distract her from her persistent 
delight in matchmaking and speculations about the 
price of gold: the day her precious Amir had slapped 
her in the face because he couldn't watch "Terrorists 
and Kebab," the famous Adel Imam film about a man 
who is so frustrated by Egyptian bureaucracy that he 
takes everyone in a government building hostage. Who 
would marry him? He was a fat lug, who sprawled out 
on her marital bed, watching Adel Imam comedies, 
hour after hour. She and Mohammed had spent 
thousands of pounds on private lessons to get him 
through the faculty of Engineering at Cairo University, 
but he had never gotten a job. Every presentable girl 
she had brought to the house had left in tears.
But even worse than her son, Amir, was the 
Ugly Duck, in the building across the way, who 
taunted her with his unnatural, lascivious 
sexuality: the obscene gestures, the hooting, 
the loud, raucous music. Some singer always 
moaned, "Boom. Boom. Yeah. Yeah. Boom. 
Boom." On Fridays, the young Egyptian boys 
would take turns, kneeling in front of the Ugly 
Duck, sucking his thing. He sat, legs splayed 
open, as if he were a king. His eyes were 
closed. 
Why didn't anyone in the neighborhood call the 
police? 
Once the Ugly Duck mooned her with his hairy 
haunches when she was watching. Another
She flicked on the bright lights of her chandelier, 
which were almost as strong as police searchlights. 
There were no screens on her windows. Late every 
night, she hung out the window, watching the Ugly 
Duck's apartment. Egyptian soap operas were a bore 
compared to the nightly scenarios on the Ugly Duck's 
balcony. 
A young man with beautiful black curly hair appeared 
the most frequently on the Ugly Duck's balcony. He 
wore royal blue turtlenecks and tight American blue 
jeans. She guessed he was about seventeen and she 
nicknamed him Feras, Knight. He was indefatigable, 
thrusting himself into Ugly Duck's backside for hours. 
She wondered what it would be like to have such an 
energetic sexual partner. Her only sexual partner had 
been Mohammed and he was lethargic and unoriginal. 
She had heard from her women friends that there were 
many other variations that would increase pleasure.
Now instead of her son, lounging on her marital bed, the 
blue heron, yawed at Egyptian toothpaste commercials or a 
veiled woman in a pink headscarf putting laundry into the 
washing machine. One day, after a stormy row with the 
blue heron over a pillow, Amir had suddenly moved out 
and settled with his paternal aunt, who had no children. 
Undeterred, the heron soon learned how to turn on and off 
the television. And he even asserted his rights to the large, 
marital bed. He flapped his wings between Mona and 
Mohammed. 
Naturally, they quarreled. Mohammed complained about 
the bird in his bed. He complained about the smell of 
rancid fish in his flat. He complained about the bird 
feathers in his dresser drawers. The smell of bird shit 
permeated the flat; no amount of cheap, Egyptian cologne 
could dispel it. He complained that she was not making 
stuffed squash or heavy, floury white lasagna for him
"You're jealous of the blue heron, " Mona said, 
incredulous. 
"You don't love the blue heron," Mohammed 
said. "You hate the Ugly Duck." 
Of course, she relished the intensity of her feud 
with the Ugly Duck. She enjoyed hating the Ugly 
Duck, much more than loving a man or even the 
blue heron. Could love, be this intense, too? 
The Ugly Duck retaliated by buying a colorful 
Amazonian parrot. He taught it to say things in 
English, like: "Hey, Ugly Sister. Hey, Ugly Sister. 
Hey, Ugly Sister."
Did he mean her? 
Or, "I'm Bad Like Jesse James. I'm Bad Like Jesse 
James. I'm Bad Like Jesse James." 
Who was Jesse James? 
Or, "Hittin' the Bottle Again. Hittin' the Bottle 
Again. Hittin' the Bottle Again." 
She wanted to break a bottle over the Ugly 
Duck's head. 
The blue heron and the giant parrot competed 
yawing in the cul-de-sac. The cawing of the 
birds muted the call to prayer, the squealing car 
horns and the restive, feral cats in heat.
The tall, slim bawab or gatekeeper from Aswan 
reported to her: "All the neighbors are 
complaining. The bird calls are much worse 
than the Friday call to prayers. Nobody can bear 
the noise." 
As if the parrot had overheard their 
conversation, he even started to imitate the call 
to prayer. "Allah Akbar. Allah Akbar. Allah 
Akbar." 
God is Great. God is Great. God is Great. 
The parrot alternated "Allah Akbar" with "Hey, 
Ugly Sister." Or "Allah Akbar" with "Hittin' the 
Bottle Again." Or "Allah Akbar" would be 
followed with a series of calls, "I'm Bad Like 
Jesse James."
The sheik at the neighborhood mosque 
complained to the landlord in America about the 
blasphemous parrot. The parrot's call "Allah Akbar" 
was quashing the muezzin's call, which was 
amplified to screeching point. This colorful parrot 
was the work of the devil. The Israelis had planted 
the parrot in Garden City to destroy the missionary 
spirit of this small neighborhood mosque. 
The landlord, a successful plastic surgeon, was 
teaching at the University of Missouri at Columbia. 
He began to dread the frequent, expensive phone 
calls from Egypt, complaining about the 
blasphemous parrot at the Ugly Duck's apartment 
in his apartment building. 
"I mean no disrespect, Sheik Abdou," he said. "Do 
you really think the Israelis would waste their time 
on a neighborhood mosque in Garden City?"
"Never underestimate the Israelis," Sheik Abdou said, 
cryptically. 
"Maybe the parrot was planted by the Copts in the 
neighborhood. There's a Coptic Orthodox church just 
right around the corner from the mosque," Dr. Hossam 
said, offering another conspiratorial explanation. 
"I never thought of that," Sheik Abou said. 
"Haven't they been asking you to turn down the 
volume at Friday prayers for the last five years?" 
"Well, yes . . . " Sheik Abdou said. 
The landlord promised he would call the university so 
they could have someone in the housing office talk to 
the Ugly Duck about the blasphemous parrot, but 
because of his busy work schedule at the medical 
school, he forgot. He was teaching wholesome blonde 
American medical students from the Mid-West how to 
do tummy tucks and boob jobs.
Meanwhile, the atmosphere at the Ugly Duck's 
apartment in the landlord's building in Garden 
City, changed. Instead of wild, ecstatic 
couplings on the balcony, Mona heard shouting. 
Bodies being slammed against walls. The 
crunching of bones. Cursing. Mother Fucker! 
Cunt! 
The rage in these words was more terrible than 
the parrot's monotonous calls, "I'm Bad Like 
Jesse James." 
The next time Amir came to lunch, she asked, 
"What does cunt mean?" 
He almost choked on his fried drumstick. "Why 
do you want to know?"
"No reason," she said, not wanting to discuss the 
Ugly Duck with her son. Had Amir spurned the idea 
of marriage because he was like the Ugly Duck? 
She pushed this unpleasant thought out of her 
mind. 
More and more, the Ugly Duck sat on the balcony 
alone, a ragged ice pack on his ravaged face. He 
was no longer the king on his throne. He seemed 
as pitiful as a one-legged beggar on Kasr el-Aini 
street. But hadn't the Ugly Duck brought this upon 
himself? God's punishment for his depraved 
behavior? 
If the Ugly Duck saw her staring at him, he 
shouted, "Stick it up your ass, sister." He made a 
gesture with his hand; she was sure it meant 
something dirty. Wi-hish. Ugly. 
Soon after, the loud Amazonian parrot 
disappeared.
Taken Hostage an Ugly Duck (Story Ladder)

Taken Hostage an Ugly Duck (Story Ladder)

  • 1.
    TAKEN HOSTAGE BYTHE UGLY DUCK Josephine Marcelo John Miguel Morales
  • 2.
    Story Ladder Astory ladder layout is an easy and good way of organizing the plot line for your story. It is a chart listing all of the characters and events in the plot of a story, and how they are related to and interact with each other It can help you identify strengths and weaknesses in your story ideas and help you to tap into your inner creative abilities.
  • 3.
    VOCABULARY Distress -To cause strain, anxiety, or suffering to. Despotic - A ruler with absolute power. Shrivelled - To lose or cause to lose vitality or intensity
  • 4.
    GRETCHEN MCCULLOUGH GretchenMcCullough was raised in Harlingen, Texas. After graduating from Brown University in 1984, she taught in Egypt, Turkey and Japan. She earned her M.F.A. from the University of Alabama and was awarded a Teaching Fulbright to Syria 1997- 1999. Stories and essays have appeared in The Texas Review, The Alaska Quarterly Review, Archipelago, National Public Radio, The Barcelona Review, Storysouth, Gowanus and Storyglossia. Recently, her translations with Mohamed Metwalli of his poetry were published in Banipal. She has just finished a collection of short stories, set in Cairo. Currently, she teaches writing in the Department of Rhetoric and Composition at the American University in Cairo.
  • 5.
    TAKEN HOSTAGE BYTHE UGLY DUCK The day after Mona was hit in the ear with a rotten egg thrown by her American neighbor, she adopted a blue heron. Complaining to her friends had not been enough, complaining to the landlord and the gatekeeper had not been enough, complaining to her husband had not been enough. She had never suffered such humiliation! She had marched to the Friday bird market and bought the bird with the harshest call. The terrible yawing would surely torment her American neighbor, whom she had nicknamed "The Ugly Duck." When she came home with the enormous bird at three o'clock in the afternoon, her husband, Mohammed, who was still in his pajamas, said, "Don't you usually pluck your chin hairs on Fridays?"
  • 6.
    Mona was nowtoo busy watching the Ugly Duck to waste her time on vanity. She and Mohammed rarely had sex anymore. And when they did, it was a lackluster and cursory affair; he rolled off her quickly and starting picking his teeth. Every Friday, while she was looking in her hand mirror, plucking her chin hairs, she sneaked a glance behind her at the Ugly Duck in the building opposite hers. On warm days he often strutted nude on his balcony, with a gaggle of young Egyptian men. Such an unashamed parading of sensuality enraged her. When she had finished watching the Ugly Duck and his entourage, she prayed and recited the Quran in front of the sheik on the television. Now, her husband Mohammed glared at the blue heron. "Why didn't you adopt a kitten? There are plenty
  • 7.
    "You hate cats,"Mona said. She had begged him to have a cat for years, but he always refused. "The heron is going to ruin our gold furniture," Mohammed said, as if he were a new bride, not a sixty-year old man. "Maybe the bird will turn into a cat." "Herons eat fish. This isn't a very practical pet. Where are we going to keep him? With Amir here, we have hardly any space," Mohammed complained. "Amir will have to find another place to live," Mona said. "He is thirty-five years old." "But Mona, he's not married. You're going to give his room to a bird?"
  • 8.
    Mona was transforming.Internally, she had not changed a centimeter for years. However, two events had happened to distract her from her persistent delight in matchmaking and speculations about the price of gold: the day her precious Amir had slapped her in the face because he couldn't watch "Terrorists and Kebab," the famous Adel Imam film about a man who is so frustrated by Egyptian bureaucracy that he takes everyone in a government building hostage. Who would marry him? He was a fat lug, who sprawled out on her marital bed, watching Adel Imam comedies, hour after hour. She and Mohammed had spent thousands of pounds on private lessons to get him through the faculty of Engineering at Cairo University, but he had never gotten a job. Every presentable girl she had brought to the house had left in tears.
  • 9.
    But even worsethan her son, Amir, was the Ugly Duck, in the building across the way, who taunted her with his unnatural, lascivious sexuality: the obscene gestures, the hooting, the loud, raucous music. Some singer always moaned, "Boom. Boom. Yeah. Yeah. Boom. Boom." On Fridays, the young Egyptian boys would take turns, kneeling in front of the Ugly Duck, sucking his thing. He sat, legs splayed open, as if he were a king. His eyes were closed. Why didn't anyone in the neighborhood call the police? Once the Ugly Duck mooned her with his hairy haunches when she was watching. Another
  • 10.
    She flicked onthe bright lights of her chandelier, which were almost as strong as police searchlights. There were no screens on her windows. Late every night, she hung out the window, watching the Ugly Duck's apartment. Egyptian soap operas were a bore compared to the nightly scenarios on the Ugly Duck's balcony. A young man with beautiful black curly hair appeared the most frequently on the Ugly Duck's balcony. He wore royal blue turtlenecks and tight American blue jeans. She guessed he was about seventeen and she nicknamed him Feras, Knight. He was indefatigable, thrusting himself into Ugly Duck's backside for hours. She wondered what it would be like to have such an energetic sexual partner. Her only sexual partner had been Mohammed and he was lethargic and unoriginal. She had heard from her women friends that there were many other variations that would increase pleasure.
  • 11.
    Now instead ofher son, lounging on her marital bed, the blue heron, yawed at Egyptian toothpaste commercials or a veiled woman in a pink headscarf putting laundry into the washing machine. One day, after a stormy row with the blue heron over a pillow, Amir had suddenly moved out and settled with his paternal aunt, who had no children. Undeterred, the heron soon learned how to turn on and off the television. And he even asserted his rights to the large, marital bed. He flapped his wings between Mona and Mohammed. Naturally, they quarreled. Mohammed complained about the bird in his bed. He complained about the smell of rancid fish in his flat. He complained about the bird feathers in his dresser drawers. The smell of bird shit permeated the flat; no amount of cheap, Egyptian cologne could dispel it. He complained that she was not making stuffed squash or heavy, floury white lasagna for him
  • 12.
    "You're jealous ofthe blue heron, " Mona said, incredulous. "You don't love the blue heron," Mohammed said. "You hate the Ugly Duck." Of course, she relished the intensity of her feud with the Ugly Duck. She enjoyed hating the Ugly Duck, much more than loving a man or even the blue heron. Could love, be this intense, too? The Ugly Duck retaliated by buying a colorful Amazonian parrot. He taught it to say things in English, like: "Hey, Ugly Sister. Hey, Ugly Sister. Hey, Ugly Sister."
  • 13.
    Did he meanher? Or, "I'm Bad Like Jesse James. I'm Bad Like Jesse James. I'm Bad Like Jesse James." Who was Jesse James? Or, "Hittin' the Bottle Again. Hittin' the Bottle Again. Hittin' the Bottle Again." She wanted to break a bottle over the Ugly Duck's head. The blue heron and the giant parrot competed yawing in the cul-de-sac. The cawing of the birds muted the call to prayer, the squealing car horns and the restive, feral cats in heat.
  • 14.
    The tall, slimbawab or gatekeeper from Aswan reported to her: "All the neighbors are complaining. The bird calls are much worse than the Friday call to prayers. Nobody can bear the noise." As if the parrot had overheard their conversation, he even started to imitate the call to prayer. "Allah Akbar. Allah Akbar. Allah Akbar." God is Great. God is Great. God is Great. The parrot alternated "Allah Akbar" with "Hey, Ugly Sister." Or "Allah Akbar" with "Hittin' the Bottle Again." Or "Allah Akbar" would be followed with a series of calls, "I'm Bad Like Jesse James."
  • 15.
    The sheik atthe neighborhood mosque complained to the landlord in America about the blasphemous parrot. The parrot's call "Allah Akbar" was quashing the muezzin's call, which was amplified to screeching point. This colorful parrot was the work of the devil. The Israelis had planted the parrot in Garden City to destroy the missionary spirit of this small neighborhood mosque. The landlord, a successful plastic surgeon, was teaching at the University of Missouri at Columbia. He began to dread the frequent, expensive phone calls from Egypt, complaining about the blasphemous parrot at the Ugly Duck's apartment in his apartment building. "I mean no disrespect, Sheik Abdou," he said. "Do you really think the Israelis would waste their time on a neighborhood mosque in Garden City?"
  • 16.
    "Never underestimate theIsraelis," Sheik Abdou said, cryptically. "Maybe the parrot was planted by the Copts in the neighborhood. There's a Coptic Orthodox church just right around the corner from the mosque," Dr. Hossam said, offering another conspiratorial explanation. "I never thought of that," Sheik Abou said. "Haven't they been asking you to turn down the volume at Friday prayers for the last five years?" "Well, yes . . . " Sheik Abdou said. The landlord promised he would call the university so they could have someone in the housing office talk to the Ugly Duck about the blasphemous parrot, but because of his busy work schedule at the medical school, he forgot. He was teaching wholesome blonde American medical students from the Mid-West how to do tummy tucks and boob jobs.
  • 17.
    Meanwhile, the atmosphereat the Ugly Duck's apartment in the landlord's building in Garden City, changed. Instead of wild, ecstatic couplings on the balcony, Mona heard shouting. Bodies being slammed against walls. The crunching of bones. Cursing. Mother Fucker! Cunt! The rage in these words was more terrible than the parrot's monotonous calls, "I'm Bad Like Jesse James." The next time Amir came to lunch, she asked, "What does cunt mean?" He almost choked on his fried drumstick. "Why do you want to know?"
  • 18.
    "No reason," shesaid, not wanting to discuss the Ugly Duck with her son. Had Amir spurned the idea of marriage because he was like the Ugly Duck? She pushed this unpleasant thought out of her mind. More and more, the Ugly Duck sat on the balcony alone, a ragged ice pack on his ravaged face. He was no longer the king on his throne. He seemed as pitiful as a one-legged beggar on Kasr el-Aini street. But hadn't the Ugly Duck brought this upon himself? God's punishment for his depraved behavior? If the Ugly Duck saw her staring at him, he shouted, "Stick it up your ass, sister." He made a gesture with his hand; she was sure it meant something dirty. Wi-hish. Ugly. Soon after, the loud Amazonian parrot disappeared.