The story of Paul Otlet's Mundaneum: an expansive bibliographic project that demonstrates the difficulties of building an intellectual ideal in the face of real-world politics.
Pessoas com deficiência foram vistas como "pobres" no passado, mas agora são consideradas "heróis". A conferência discutiu como a percepção sobre deficiência mudou ao longo do tempo e como a inclusão pode ser melhorada.
Património e pessoas: pertença, acesso, relevânciamariavlachoupt
O documento discute a pertença, acesso e relevância dos museus. Aborda os desafios de acesso físico, social e intelectual que os museus enfrentam e como eles têm trabalhado para superá-los. Também examina como eventos comunitários, como festivais de arte de rua, podem aumentar a relevância dos museus para o público.
Bursting the bubble: the urgent need for strong and socially engaged leadershipmariavlachoupt
This document discusses the importance of museums embracing both excellence and equity as equal missions. It provides quotes from museum directors and others advocating for museums to be socially engaged, accessible to diverse audiences, and address issues of affordability and community support. There is a call for museums to listen to different voices and not see themselves as isolated from social and political issues. Quotes also discuss the role of museums in conserving cultural heritage and educating the public.
This document discusses the importance of making museums accessible and engaging for people. It quotes John Cotton Dana saying a good museum arouses curiosity and promotes learning by making its collections understandable to visitors. The document also quotes that a good museum is one that makes people feel better after visiting and that museums will survive based on having charm and comfort for visitors through chairs.
A presentation by Alessandro Califano for the UNESCO capacity building training for museum professionals in Uzbekistan, running under the title: "In Quest for Excellence: Museums Between Local and Global Presence".
Tashkent, June 2008
The story of Paul Otlet's Mundaneum: an expansive bibliographic project that demonstrates the difficulties of building an intellectual ideal in the face of real-world politics.
Pessoas com deficiência foram vistas como "pobres" no passado, mas agora são consideradas "heróis". A conferência discutiu como a percepção sobre deficiência mudou ao longo do tempo e como a inclusão pode ser melhorada.
Património e pessoas: pertença, acesso, relevânciamariavlachoupt
O documento discute a pertença, acesso e relevância dos museus. Aborda os desafios de acesso físico, social e intelectual que os museus enfrentam e como eles têm trabalhado para superá-los. Também examina como eventos comunitários, como festivais de arte de rua, podem aumentar a relevância dos museus para o público.
Bursting the bubble: the urgent need for strong and socially engaged leadershipmariavlachoupt
This document discusses the importance of museums embracing both excellence and equity as equal missions. It provides quotes from museum directors and others advocating for museums to be socially engaged, accessible to diverse audiences, and address issues of affordability and community support. There is a call for museums to listen to different voices and not see themselves as isolated from social and political issues. Quotes also discuss the role of museums in conserving cultural heritage and educating the public.
This document discusses the importance of making museums accessible and engaging for people. It quotes John Cotton Dana saying a good museum arouses curiosity and promotes learning by making its collections understandable to visitors. The document also quotes that a good museum is one that makes people feel better after visiting and that museums will survive based on having charm and comfort for visitors through chairs.
A presentation by Alessandro Califano for the UNESCO capacity building training for museum professionals in Uzbekistan, running under the title: "In Quest for Excellence: Museums Between Local and Global Presence".
Tashkent, June 2008
#DigitalInvasions at "Museum and the Web" in BaltimoreMarianna Marcucci
We've invaded Baltimore's museums on april 1st 2014 during the "Museum and the Web" conference! Thanks everyone for joining us there! www.invasionidigitali.it
The document discusses how art was stolen from Jews and others by the Nazis during the Holocaust, with some pieces being found but most still lost. It notes that many discovered works are in museums but not returned to their rightful owners, and there should be efforts to find and recover art stolen by the Nazis to give it back to owners. Hitler had his soldiers steal art from Jewish homes and would take specific works he wanted, showing his desire to strip everything from Jews.
This eBook is part of the TREeBOOK Gallery Collection.
It was created in 2009 during the Master of Science at the University of Lugano inspired on an article by Professor Anna Lisa Tota.
All rights reserved by the artists. Feel free to share this eBook.
To contact TREeBOOK Gallery please write to bia@freeyourideas.net
TREeBOOK Gallery is supported by Free Your Ideas. www.freeyourideas.net.
This document discusses the role of historical memory in shaping national identity. It begins by defining historical memory and distinguishing it from history. Historical memory is a collective social phenomenon that represents a group's shared memories and understanding of the past. It forms the basis for individual and social identity. The document then reviews various theories about historical memory from philosophers like Halbwachs, Nietzsche, and Foucault. It discusses how historical memory is socially constructed and manipulated for political purposes. Finally, it argues that historical memory plays a key role in building national identity and ensuring national security through the teaching of history and the formation of a nation's historical narrative. States use historical memory to create a positive national image and negative images of competitors
The document discusses challenges facing museums in addressing controversial social and political issues. It notes that museums' traditional models of spectatorship and consumerism are rigid and unable to genuinely engage in participatory dialogue. While some argue museums should take a neutral stance, others believe they must go further in addressing issues like climate change and racial inequality. The document examines debates around whether museums should provoke difficult discussions or take an activist role in facilitating understanding between diverse viewpoints. It provides examples of projects aimed at creating intercultural dialogue and discusses skills like facilitation that can help museums navigate controversial issues.
The document discusses the need for museums to commit to discomfort by challenging colonial structures and presenting non-white perspectives. It notes that many museums see only white Europeans as citizens and fail to have representative panels. Quotes express concerns that white fragility prevents meaningful engagement and emphasizes differences over similarities. Museums are urged to address discrimination, celebrate diversity, and enable inclusion.
Museums and Shoah, from yesterday to today: the case of Italy, by Paolo CoenPaolo Coen
This document discusses the history and development of Holocaust museums in Italy. It begins by defining different categories of Holocaust museums, including those built on historical sites and those dedicated specifically to commemorating the Shoah. The document then outlines the early Holocaust memorials and museums established in Italy up until 1989, including sites like the Risiera di San Sabba. It proceeds to discuss some recent and current Holocaust museum projects in Italy, such as the expansion of the Maison d'Izieu and the planned MEIS museum in Ferrara. The document emphasizes that Holocaust museums in Italy serve as bulwarks against denying or trivializing the Shoah and help shape collective memory in a peaceful, democratic manner.
This document discusses the challenges and potentials of museum tourism, using the Museum of Yugoslavia as a case study. It begins with a brief history of museums, noting how they have evolved from private collections to more open, communicative institutions seeking to educate and expand their audiences. Contemporary museums use branding and marketing techniques to build their image and attract more visitors.
The Museum of Yugoslavia has undergone an identity search over decades. Originally intended to represent Yugoslav ideology under Tito, it now aims to represent Yugoslavia from different perspectives as a contemporary museum. Through rebranding efforts like a new mission, name, and interpretation of its collection, it seeks to convert from a place of political memory into a modern institution that develops its
Suzanne Briet was a pioneer in the field of information science and one of the first three women appointed as a librarian at the French national library. She founded the first school of documentation/information science and published "What is Documentation?" where she argued for expanding the definition of what constitutes a document. After 30 years as a librarian, Briet left the profession due to resistance to her new ideas and became a historian, publishing many books for the rest of her career.
1. Cultural relevance, understanding, and education are important focuses for modern museums as public institutions.
2. Museums must consider their role in society and how culture is represented and displayed to various audiences.
3. Careful interpretation is needed so that exhibits are understandable to visitors without museum training backgrounds.
We wanted to share with you some of the great ideas from the article: “Museums: Temples of Delight" published by The Economist. We love how it gives clear and concise answers to how museums can adapt to meet the demands of new audiences.
This article discusses museum development and cultural policy in Latin America and the Caribbean over the past 10 years. It notes the diversity of cultures and political/economic systems in the region and how museums are being called on to play a major role in developing awareness of cultural heritage. A 1972 conference marked a turning point, promoting an "integral museum" approach focused on interdisciplinarity and relating heritage to society's present needs. Since then, museums have increasingly taken on the challenge of making heritage relevant to contemporary development. The article seeks perspectives from regional experts on progress, challenges, and cultural policy priorities regarding museums.
Block 1.1: Building connectivities through institutions.
Susanne Boersma & Elisabeth Tietmeyer (Stiftung Preußischer Kulturbesitz, Germany): Collaboration and incorporation of vulnerable groups in professional participatory memory work.
This document lists 4 museums: Ferens Gallery, Royal Museums of Fine Arts of Belgium, Quai Branly, and Casa-Museu Marta Ortigão Sampaio. The museums are located in different places and contain various art collections.
Presentation made at the international conference "Building capabilities: rethinking the social value of culture", Calouste Gulbenkian Foundation, Lisbon, 6.6.2022
The document discusses two Berlin museums, the Humboldt Forum and the Neue Nationalgalerie. The Humboldt Forum opened in 2021 and is located in the reconstructed Berlin Palace and focuses on culture, art, and history. The Neue Nationalgalerie focuses on international modern art from the early 20th century and is located in Potsdamer Platz.
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#DigitalInvasions at "Museum and the Web" in BaltimoreMarianna Marcucci
We've invaded Baltimore's museums on april 1st 2014 during the "Museum and the Web" conference! Thanks everyone for joining us there! www.invasionidigitali.it
The document discusses how art was stolen from Jews and others by the Nazis during the Holocaust, with some pieces being found but most still lost. It notes that many discovered works are in museums but not returned to their rightful owners, and there should be efforts to find and recover art stolen by the Nazis to give it back to owners. Hitler had his soldiers steal art from Jewish homes and would take specific works he wanted, showing his desire to strip everything from Jews.
This eBook is part of the TREeBOOK Gallery Collection.
It was created in 2009 during the Master of Science at the University of Lugano inspired on an article by Professor Anna Lisa Tota.
All rights reserved by the artists. Feel free to share this eBook.
To contact TREeBOOK Gallery please write to bia@freeyourideas.net
TREeBOOK Gallery is supported by Free Your Ideas. www.freeyourideas.net.
This document discusses the role of historical memory in shaping national identity. It begins by defining historical memory and distinguishing it from history. Historical memory is a collective social phenomenon that represents a group's shared memories and understanding of the past. It forms the basis for individual and social identity. The document then reviews various theories about historical memory from philosophers like Halbwachs, Nietzsche, and Foucault. It discusses how historical memory is socially constructed and manipulated for political purposes. Finally, it argues that historical memory plays a key role in building national identity and ensuring national security through the teaching of history and the formation of a nation's historical narrative. States use historical memory to create a positive national image and negative images of competitors
The document discusses challenges facing museums in addressing controversial social and political issues. It notes that museums' traditional models of spectatorship and consumerism are rigid and unable to genuinely engage in participatory dialogue. While some argue museums should take a neutral stance, others believe they must go further in addressing issues like climate change and racial inequality. The document examines debates around whether museums should provoke difficult discussions or take an activist role in facilitating understanding between diverse viewpoints. It provides examples of projects aimed at creating intercultural dialogue and discusses skills like facilitation that can help museums navigate controversial issues.
The document discusses the need for museums to commit to discomfort by challenging colonial structures and presenting non-white perspectives. It notes that many museums see only white Europeans as citizens and fail to have representative panels. Quotes express concerns that white fragility prevents meaningful engagement and emphasizes differences over similarities. Museums are urged to address discrimination, celebrate diversity, and enable inclusion.
Museums and Shoah, from yesterday to today: the case of Italy, by Paolo CoenPaolo Coen
This document discusses the history and development of Holocaust museums in Italy. It begins by defining different categories of Holocaust museums, including those built on historical sites and those dedicated specifically to commemorating the Shoah. The document then outlines the early Holocaust memorials and museums established in Italy up until 1989, including sites like the Risiera di San Sabba. It proceeds to discuss some recent and current Holocaust museum projects in Italy, such as the expansion of the Maison d'Izieu and the planned MEIS museum in Ferrara. The document emphasizes that Holocaust museums in Italy serve as bulwarks against denying or trivializing the Shoah and help shape collective memory in a peaceful, democratic manner.
This document discusses the challenges and potentials of museum tourism, using the Museum of Yugoslavia as a case study. It begins with a brief history of museums, noting how they have evolved from private collections to more open, communicative institutions seeking to educate and expand their audiences. Contemporary museums use branding and marketing techniques to build their image and attract more visitors.
The Museum of Yugoslavia has undergone an identity search over decades. Originally intended to represent Yugoslav ideology under Tito, it now aims to represent Yugoslavia from different perspectives as a contemporary museum. Through rebranding efforts like a new mission, name, and interpretation of its collection, it seeks to convert from a place of political memory into a modern institution that develops its
Suzanne Briet was a pioneer in the field of information science and one of the first three women appointed as a librarian at the French national library. She founded the first school of documentation/information science and published "What is Documentation?" where she argued for expanding the definition of what constitutes a document. After 30 years as a librarian, Briet left the profession due to resistance to her new ideas and became a historian, publishing many books for the rest of her career.
1. Cultural relevance, understanding, and education are important focuses for modern museums as public institutions.
2. Museums must consider their role in society and how culture is represented and displayed to various audiences.
3. Careful interpretation is needed so that exhibits are understandable to visitors without museum training backgrounds.
We wanted to share with you some of the great ideas from the article: “Museums: Temples of Delight" published by The Economist. We love how it gives clear and concise answers to how museums can adapt to meet the demands of new audiences.
This article discusses museum development and cultural policy in Latin America and the Caribbean over the past 10 years. It notes the diversity of cultures and political/economic systems in the region and how museums are being called on to play a major role in developing awareness of cultural heritage. A 1972 conference marked a turning point, promoting an "integral museum" approach focused on interdisciplinarity and relating heritage to society's present needs. Since then, museums have increasingly taken on the challenge of making heritage relevant to contemporary development. The article seeks perspectives from regional experts on progress, challenges, and cultural policy priorities regarding museums.
Block 1.1: Building connectivities through institutions.
Susanne Boersma & Elisabeth Tietmeyer (Stiftung Preußischer Kulturbesitz, Germany): Collaboration and incorporation of vulnerable groups in professional participatory memory work.
This document lists 4 museums: Ferens Gallery, Royal Museums of Fine Arts of Belgium, Quai Branly, and Casa-Museu Marta Ortigão Sampaio. The museums are located in different places and contain various art collections.
Presentation made at the international conference "Building capabilities: rethinking the social value of culture", Calouste Gulbenkian Foundation, Lisbon, 6.6.2022
The document discusses two Berlin museums, the Humboldt Forum and the Neue Nationalgalerie. The Humboldt Forum opened in 2021 and is located in the reconstructed Berlin Palace and focuses on culture, art, and history. The Neue Nationalgalerie focuses on international modern art from the early 20th century and is located in Potsdamer Platz.
A distant park, an ocean liner and a truck with rocks: Museum visions and the...mariavlachoupt
The document appears to be notes from a museum conference presentation. It includes quotes and lists of names of museum professionals. The key points are:
- The presentation discusses radical change needed in museums and questions if love could be the core value driving that change.
- It includes a quote about how organizations that train leaders can still have terrible leadership practices, especially regarding groups with little traditional power.
- Lists of names of prominent museum professionals are included, perhaps those attending or referenced in the presentation.
- The document closes with a quote about producing free citizens who can call their minds their own.
Acessibilidade e coesão territorial discutiram como melhorar o acesso aos museus e património cultural na região do Médio Tejo, promovendo o desenvolvimento sustentável local através do turismo cultural.
Museums making sense: dealing with the discomfort of a multicoloured worldmariavlachoupt
This document summarizes key points from a webinar discussing how museums can address discomfort around diversity and multiculturalism. It includes quotes advocating that propaganda should be simple and appeal to the least intelligent, and that anger and fear drive voter turnout. Other quotes discuss the importance of addressing issues of race beyond just African American museums, re-evaluating exhibits to be more inclusive, and recognizing the agency of all people in struggles for social justice and freedom. The document advocates that cultural institutions should stand up for their missions of promoting free thought.
Este documento discute como as instituições culturais podem comunicar com diferentes públicos. Ele sugere que as organizações culturais devem se comunicar com (1) pessoas de todas as capacidades, (2) leigos, (3) comunidades locais, (4) aqueles em locais distantes, e (7) pessoas procurando inspiração. Além disso, cita especialistas defendendo a justiça social, sustentabilidade ambiental e relacionamentos recíprocos entre museus e público.
O documento discute o papel e propósito dos museus. Apresenta definições atuais e propostas de museus, destacando que devem ser espaços democráticos, inclusivos e de diálogo crítico sobre o passado e futuro. Também discute a importância dos museus abordarem questões contemporâneas como justiça social e representação de minorias.
Ser inclusivo: entre o paternalismo e o desejo de partilharmariavlachoupt
Este documento discute a importância de instituições culturais serem inclusivas ao promoverem o acesso físico, social e intelectual à participação cultural para todos. Ele também aborda como museus e centros de ciência podem melhorar a relevância de seus conteúdos e mensagens para públicos diversos.
Patri.kê? Ultrapassando barreiras com sentido de humormariavlachoupt
O documento discute como as organizações culturais podem usar as mídias sociais de forma efetiva para atrair mais visitantes, melhorar a satisfação dos visitantes e ultrapassar barreiras de comunicação com o público por meio de um senso de humor.
O documento discute o papel dos museus como espaços de diálogo intercultural. Apresenta diferentes perspectivas sobre como os museus podem promover a compreensão mútua entre culturas diferentes e expandir o acesso à arte e cultura. Também discute os desafios de criar sociedades mais inclusivas e coabitações entre grupos diversos.
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Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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9. grouphack_Met.jpg
“A good museum attracts, entertains, arouses
curiosity, leads to questioning and thus, promotes
learning. (...) The Museum can help people only if
they use it; they will use it only if they know about
it and only if attention is given to the
interpretation of its possessions in terms they, the
people, will understand.” (John Cotton Dana,
10. grouphack_Met.jpg
“Curators may be
prodigies of learning and
yet unfit for their posts if
they don´t know
anything about
pedagogy, if they are not
equipped to teach
people who know
nothing.”
Edward Forbes, 1854