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“The Time Traveler”
By Debora Alanna
Work made within the
Polka Dot OktopuZzee Kollective
May - July 2015
2© Debora Alanna. All rights reserved.
3© Debora Alanna. All rights reserved.
4© Debora Alanna. All rights reserved.
5©Debora Alanna. All rights reserved.
6© Debora Alanna. All rights reserved.
7© Debora Alanna. All rights reserved.
8© Debora Alanna. All rights reserved.
9© Debora Alanna. All rights reserved.
Copywrite Debora Alanna. All rights
reserved. 10
11© Debora Alanna. All rights reserved.
12© Debora Alanna. All rights reserved.
13© Debora Alanna. All rights reserved.
Copywrite Debora Alanna. All rights
reserved. 14
Images within this zine combine drawing,
painterly treatments, collage and digital rendering.
All images are by Debora Alanna.
All words are written by Debora Alanna.
Copywrite Debora Alanna. All rights
reserved. 16
Background to the creation of the zine:
Time Traveler…
The title of this zine comes from
the title image, and the final
image
“The Time Traveler” composite
of collage and later
formatted with text.
Time traveling in this zine refers
to an amalgamation...
Memory, consideration of and
respect for the past
addresses
future possibilities colouring the
resolve to develop, produce
work in the
presence and impact of delight
akin to travelling.
17© Debora Alanna. All rights reserved.
“Biography of the Sun” began as a
collage of images that were
subsequently painted.
Text cut from a magazine was
added and became the title of
this work.
A digitally rematserd image was
rendered black & white for the
zine.
This work is about the octopus
influence for the artist, how the
sun radiates as ideas
represented by octo-tenacles
capricious and overlapping.
These influences are powerful and
generate a release of bias
allowing the past to mingle with
the new. Its allure and innate
presence are a story.
18© Debora Alanna. All rights reserved.
Beginning as a watercolour
painting, collage material
was added to the work.
The image was recoloured
digitally and later
rendered black & white to
marry the painting to cut
out images.
“Conversation” utilises
octopus imagery to
demonstrate lighthearted
banter between the sexes.
19© Debora Alanna. All rights reserved.
“Mizmaze” originated as a
ball-point pen drawing
on paper that was
digitally remasterd for
the zine.
This work is about the
intricacies of existence
and resolve to live
generously as an octopus
matrix.
20© Debora Alanna. All rights reserved.
A painted collage that was
rendered black &
white for the zine,
“The world’s last
mysteries” is a
description of a
woman’s interest and
salute to her relations
with men.
21© Debora Alanna. All rights reserved.
A photo of a chalk drawing by
a stranger was digitally
manipulated and
remasterd into an “There
is no table between us”.
This work shows how the
attention of one to another
is obvious and yet
precarious. This caricature
of human relations
playswith a cartoon
octopus perspective.
22© Debora Alanna. All rights reserved.
Named after the poet, “Octavio Paz” in
recognition and reference to his
writing,
“Labyrinth” began as a collaged image
with paint treatment subsequently
remastered / digitally rendered
black & white for the zine.
Working with the labyrinth concept ,
this image is about the
buoyancy of present time, place, the
silence produced through emotional
space where suspended belief in
connectivity is a maze that holds
humanity.
23© Debora Alanna. All rights reserved.
With a firm reference to beat poets,
this work was initially a pen on
paper drawing. A digital
drawing was superimposed on
the original, and digitally
remastered.
This work is about surviving and
thriving in spite of life
challenges.
24© Debora Alanna. All rights reserved.
Word art was superimposed
on this black and white
pen drawing.
The image was repeated
with different words to
form a diptych within
the zine.
This two paged inclusion is
about the movement
and depths constituting
attributes of physicality.
“Insatiable” describes our
corporeal , emotional
and intellectual selves as
we relate to octopuses.
25© Debora Alanna. All rights reserved.
Black and white in the zine, this
image is mirrored with
another of the same, upside
down on the same page.
Brought together with the text of
the title and overlayed dots,
it was rendered black &
white.
This work is about self-
consciousness within
burgeoning relationships.
Time is a texture and a gesture
where figures are wary and
become the background and
foreground.
26© Debora Alanna. All rights reserved.
Thank you for your interest in Debora Alanna’s
“Time Traveler” zine.
This work is available for purchase.
See more… >>>
27
© Debora Alanna. All rights reserved.
Meeting weekly with her
colleagues, Debora Alanna
became inspired by the
sensibilities of collaborative
thinking - sharing thoughts
and developing
new work practices.© Debora Alanna. All rights reserved.
From
May – September 2015
Debora Alanna worked
within a
group of artists called
Polka Dot OktopuZzee (Y)
Art Kollective
that included
Pj Kelly, Roy Green &
Debora Alanna – artists from
Esquimalt &Victoria BC.
Photo of Debora Alanna
by
Pj Kelly
Copywrite Debora Alanna. All rights
reserved. 29
Copywrite Debora Alanna. All rights
reserved. 30
Copywrite Debora Alanna. All rights
reserved. 31
Everyone wants to be OktoPuZzee #1 –
collage, mixed media, paint, digital
rendering
Everyone wants to be OktoPuZzee aka
Michael Jackson #2 – collage, mixed
media, paint, digital rendering
Copywrite Debora Alanna. All rights
reserved. 32
“Loose lips sink ships” – collage,
paint, digital renderings
“Oceans of experience” – acrylic on paper
Copywrite Debora Alanna. All rights
reserved. 33
“Octopus sunbathing on sidewalk”
– digital drawing on photograph
“Octopus sees everything”
– drawing: pen on paper with text
Copywrite Debora Alanna. All rights
reserved. 34
“Vexed ” pen on paper “The path is clear” – pen on paper
Copywrite Debora Alanna. All rights
reserved. 35
“Swimming upstream” – collage,
mixed media, digital rendering
“Okto terrain” - watercolour,
digital rendering
36© Debora Alanna. All rights reserved.

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Debora Alanna: "Time Traveller" - Oktozine

  • 1. “The Time Traveler” By Debora Alanna Work made within the Polka Dot OktopuZzee Kollective May - July 2015
  • 2. 2© Debora Alanna. All rights reserved.
  • 3. 3© Debora Alanna. All rights reserved.
  • 4. 4© Debora Alanna. All rights reserved.
  • 5. 5©Debora Alanna. All rights reserved.
  • 6. 6© Debora Alanna. All rights reserved.
  • 7. 7© Debora Alanna. All rights reserved.
  • 8. 8© Debora Alanna. All rights reserved.
  • 9. 9© Debora Alanna. All rights reserved.
  • 10. Copywrite Debora Alanna. All rights reserved. 10
  • 11. 11© Debora Alanna. All rights reserved.
  • 12. 12© Debora Alanna. All rights reserved.
  • 13. 13© Debora Alanna. All rights reserved.
  • 14. Copywrite Debora Alanna. All rights reserved. 14
  • 15. Images within this zine combine drawing, painterly treatments, collage and digital rendering. All images are by Debora Alanna. All words are written by Debora Alanna.
  • 16. Copywrite Debora Alanna. All rights reserved. 16 Background to the creation of the zine: Time Traveler…
  • 17. The title of this zine comes from the title image, and the final image “The Time Traveler” composite of collage and later formatted with text. Time traveling in this zine refers to an amalgamation... Memory, consideration of and respect for the past addresses future possibilities colouring the resolve to develop, produce work in the presence and impact of delight akin to travelling. 17© Debora Alanna. All rights reserved.
  • 18. “Biography of the Sun” began as a collage of images that were subsequently painted. Text cut from a magazine was added and became the title of this work. A digitally rematserd image was rendered black & white for the zine. This work is about the octopus influence for the artist, how the sun radiates as ideas represented by octo-tenacles capricious and overlapping. These influences are powerful and generate a release of bias allowing the past to mingle with the new. Its allure and innate presence are a story. 18© Debora Alanna. All rights reserved.
  • 19. Beginning as a watercolour painting, collage material was added to the work. The image was recoloured digitally and later rendered black & white to marry the painting to cut out images. “Conversation” utilises octopus imagery to demonstrate lighthearted banter between the sexes. 19© Debora Alanna. All rights reserved.
  • 20. “Mizmaze” originated as a ball-point pen drawing on paper that was digitally remasterd for the zine. This work is about the intricacies of existence and resolve to live generously as an octopus matrix. 20© Debora Alanna. All rights reserved.
  • 21. A painted collage that was rendered black & white for the zine, “The world’s last mysteries” is a description of a woman’s interest and salute to her relations with men. 21© Debora Alanna. All rights reserved.
  • 22. A photo of a chalk drawing by a stranger was digitally manipulated and remasterd into an “There is no table between us”. This work shows how the attention of one to another is obvious and yet precarious. This caricature of human relations playswith a cartoon octopus perspective. 22© Debora Alanna. All rights reserved.
  • 23. Named after the poet, “Octavio Paz” in recognition and reference to his writing, “Labyrinth” began as a collaged image with paint treatment subsequently remastered / digitally rendered black & white for the zine. Working with the labyrinth concept , this image is about the buoyancy of present time, place, the silence produced through emotional space where suspended belief in connectivity is a maze that holds humanity. 23© Debora Alanna. All rights reserved.
  • 24. With a firm reference to beat poets, this work was initially a pen on paper drawing. A digital drawing was superimposed on the original, and digitally remastered. This work is about surviving and thriving in spite of life challenges. 24© Debora Alanna. All rights reserved.
  • 25. Word art was superimposed on this black and white pen drawing. The image was repeated with different words to form a diptych within the zine. This two paged inclusion is about the movement and depths constituting attributes of physicality. “Insatiable” describes our corporeal , emotional and intellectual selves as we relate to octopuses. 25© Debora Alanna. All rights reserved.
  • 26. Black and white in the zine, this image is mirrored with another of the same, upside down on the same page. Brought together with the text of the title and overlayed dots, it was rendered black & white. This work is about self- consciousness within burgeoning relationships. Time is a texture and a gesture where figures are wary and become the background and foreground. 26© Debora Alanna. All rights reserved.
  • 27. Thank you for your interest in Debora Alanna’s “Time Traveler” zine. This work is available for purchase. See more… >>> 27 © Debora Alanna. All rights reserved.
  • 28. Meeting weekly with her colleagues, Debora Alanna became inspired by the sensibilities of collaborative thinking - sharing thoughts and developing new work practices.© Debora Alanna. All rights reserved. From May – September 2015 Debora Alanna worked within a group of artists called Polka Dot OktopuZzee (Y) Art Kollective that included Pj Kelly, Roy Green & Debora Alanna – artists from Esquimalt &Victoria BC. Photo of Debora Alanna by Pj Kelly
  • 29. Copywrite Debora Alanna. All rights reserved. 29
  • 30. Copywrite Debora Alanna. All rights reserved. 30
  • 31. Copywrite Debora Alanna. All rights reserved. 31 Everyone wants to be OktoPuZzee #1 – collage, mixed media, paint, digital rendering Everyone wants to be OktoPuZzee aka Michael Jackson #2 – collage, mixed media, paint, digital rendering
  • 32. Copywrite Debora Alanna. All rights reserved. 32 “Loose lips sink ships” – collage, paint, digital renderings “Oceans of experience” – acrylic on paper
  • 33. Copywrite Debora Alanna. All rights reserved. 33 “Octopus sunbathing on sidewalk” – digital drawing on photograph “Octopus sees everything” – drawing: pen on paper with text
  • 34. Copywrite Debora Alanna. All rights reserved. 34 “Vexed ” pen on paper “The path is clear” – pen on paper
  • 35. Copywrite Debora Alanna. All rights reserved. 35 “Swimming upstream” – collage, mixed media, digital rendering “Okto terrain” - watercolour, digital rendering
  • 36. 36© Debora Alanna. All rights reserved.