This document provides summaries of various artists' photography works by Demi Bromfield. For each work, Bromfield discusses visual elements they admire and how the work inspires their own photography. Some key points of inspiration include manipulating colors, props, gestures, hair textures, simplicity, bold colors, and smoke effects emerging from mouths. Overall the document analyzes various techniques across different portraits and figures to spark new ideas for Bromfield's own photographic style and technique experimentation.

1. ARTIST RESEARCH
By Demi Bromfield

2. TOM VAN HEEL
Tom van heel takes a successful image of a girls lips and
changes the colours image to two bright colors, using pink
and yellow, Tom van heel doesn't stress over body parts he's
pictures are quite positive in the bright colour he uses. I like
the way he delegated each section to a different shade of
bright colours. Although he left extra space the image itself
makes up for it. The close up of the lips optimizes the true
nature of the photo.
The main way this photography inspires my work is I
believe I can change and apply a different taste to the lips,
by recreating this image I think I can include props or even
words to be fitted on and manipulate the way it looks to
match my pictures taken. I also intend to try to create a
strong characteristic image so that my main focal point is
the lips and it try's to send a message of some sort

3. ALIX MALKA
The first time I saw this photography from Alix malka I
was pleased visually for a number of reasons. I will start
by expressing my great admiration of the wave of hair
being fluctuated in this image as a wave of strides. The
way in which Alix takes full advantage of the space given
is something I wish to inspire towards. she not only uses
a main vocal point but she uses various strengths and
tones to make the face of the girl stand out indorsing
two strong colours within. I particularly like the hand
being included but its not fully included and it acts as a
gesture towards the image making it more appealing.
I am inspired by this particular piece because I believe I can apply my own photos to mirror the
gestures and the hair texture, Alix uses all the space given and I believe I have the imagination to
see that happen, I would like to achieve a constant rush of the hair if possible to one way but if
not its not a setback, the make up will be bold and colorful but mimicking this piece I will only
do the eyes and mouth.

4. MILES ALDRIDGE
Miles Aldridge creates a piece visual of the eye,
firstly using only one subject matter – the eye, which
in this case is beautiful to begin with. When using
this eye there can hardly be room for soft range
colours. Miles uses blue texture to ‘calm’ the mood
to fill in every sort of detail, he uses no background
fill colour but still manages to use full use of space.
There is no strong point but that doesn't mean it is
not simple and effective. The most striking aspect of
I am galvanized by the strong solid tones within this photograph is how detailed he was able to work
the eye and the eyelashes. With one consistent around the eye to make it look dynamic and visually
draft of colour I may opt to bring in my own appealing
taste and a different colour to the pupil. I also
may try to combinate different symbols within
the eye to see if it can work and create more
exposure.

5. SEBASTIAN SZWAJCZAK
Looking at this piece from Sebastian, I think
for and image such as this to work; there
needs to be more towards the image
because the background seems to be quite
blunt and not merely effective. I don’t think
Sebastian used he's full potential effectively
to the success of the image. He doesn't
really adventure in the colours being used he
just uses one colour blue and use different
shades of it which to me isn't different in
any particular way.
In all honesty I cant say I was inspired by this piece i
felt there wasn’t enough given to award
experimentation but nonetheless it doesn't mean I cant
achieve using parts of these photos to my advantage
like the shaded blue areas I can manipulate the way its
structured and use different variations on other parts
too.

6. DONNA TROPE
Donna tropes projection of the face symbolizes a close up
view of her neck and upper head, Tropes doesn't use the
typical Photoshop or computerized features for her
photography she successfully uses simplicity to create a
image within a image with the targets most scoring in black
bold in the middle, shows she believes all points don’t cost
the same, this photo could have been used in a number of
ways as advertising or even a book cover. What strikes me
about this projection is that the 3 circles keep the viewers
attention on the image. Therefore Donna’s ideas are simple
subject manner but beautiful in the same way.
I am impressed by this piece so much that I can think of a
idea to match the simplicity repeating the same image over
an image but still to be able to make it look as one it
doesn't have to be a face figure maybe I can use a different
body part with the same traditional method of
photography to achieve success not necessary using
Photoshop but intervening if needed to change contrasts.

7. EOLO PERFIDO
This image from Eolo is a still senseless image with no colours of
emotion. I don’t think this image has particularly a big impact to me
I feel as if it creates to much of a neutral atmosphere with lots of
negative and empty space. Given the fact that the image has no
angles to it, it remains a authentic image. On the contrary I do think
this images plain and unsuccessful and looking at it first time I'm
not really inspired but do think Eolo can make changes.
Although this photo may not give away so much, the bright stoned
colour white cant be manipulated too much but not saying the
space around it cant therefore I think that I will consider maybe
altering the background with hands or lips or props or dripping
effects within the space given editing the white to create a total new
image.

8. JAMIE NELSON
When I first saw this piece from Jamie nelson, I immediately thought
of two things, firstly the strong facial image of the girl which creates a
strong element of boldness and the message being trying to prevail its
not that she is looking directly at the camera she is focusing on
something else but still catches the eye of the viewer. Secondly not to
disarray the girls face but to add depth and colour and make it more
dynamic Jamie Nelsons use of primary colours show within the scene
making it pleasing to my eye.
The main way that this image is inspiring my own photographs is I
believe I can choreograph a like for like image relating to this girl. I
definitely want to manipulate the posture of the girl and try new
positions to ensure all aspects of this photo are explored. I will
attempt to use Photoshop with highlights and darkening certain
images with this I believe I can achieve working towards a new
technique in my photography portfolio

9. LADO ALEXI
Lado Alexi doesn't give much away in her photography piece
here but nevertheless it doesn't shadow away the fact that with
little a lot can be done. The pale white background is so smooth
and softened its as if it is not ment to get dirt or in this case
paint on but taking the risk she does, by involving the pant she
adds a different texture on top of the lips not to leave the
photography dull but surprisingly not all the lip is covered there
is still a shade of pale white throughout the process keeping a
clean delicate consistency
I am willing to explore what range of techniques Lado
brings, I like the idea of being modern and everything clean
but with a hint of smudge or some sort of colour but even
within that the extra layer will be clean itself to relate to the
artist.

10. STRAULINO
With this image I believe Straulino worked a good bit of magic and
although someone looking at it first time they may think it’s a mess I
feel it worked to the advantage. The clear unfluctuating colour of a
light shade of brown. Straulino then uses well a flourishing use of
positive colours blue, green, pink these three colours are decisive in
the image for it to work as well as it is. The ability to drizzle, splash
and damp sections of the upper body doesn't torture the skin but adds
balance to the structure declaring it to me blossoming
I do like the use of aluminous colours being used in the photograph
that complement the idea of using the technique of paint or vibrant
colours being flickered onto a object or person with organization but
room for the unexpected maybe with these I can alter the colours
and the background just to try a new style but keep the same theme,
over time developing this I may included prints of hands or possible
add props wherever possible to maximise the full potential of this
photography technique.

11. SOLVE SUNDSBO
I believe this image is a successful because the way it takes
sense of a strong women figure, the use of the hair and
depth of the colour flows in a downward band, also the fact
that the smokes coming out of the mouth personifies a
variation which I believe I could maybe us to direct the
smoke in a way differently. I do think the bold colours work
well with no negative dark colours make the pictures stand
out.
The major way in that this image is inspiring to me is the
smoke coming out from the lips, if possible I may want to
manipulate the way in which the smoke is formed maybe
changing the contrast of it or the amount but not making it
so much that it becomes as if it looks as if she's on fire, I do
think I will use the hair complexion to make a link between
the smoke and the colour of the hair just to keep simplicity
to achieve further development.