Coronation street expectations
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The document discusses expectations for storylines in the soap opera Coronation Street. It summarizes that the main storyline will be seen first with other storylines revolving around it. Dramatic irony and calm scenes are used to modulate tension. Character conversations use everyday dialogue filmed with shots like two shots and over the shoulder shots. Realistic environments like family homes and pubs are depicted through mise-en-scene to feel relatable to viewers.
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Treatment Sheet
This document contains a summary and narrative plan for a short film about a teenage boy with insomnia. The summary describes how the boy's insomnia causes him to have nightmarish visions and a mental breakdown as he is unable to sleep. The narrative plan outlines the visual elements and editing techniques that will be used to portray the boy's descent into madness and death from lack of sleep through cuts between him and a band performing the song "I'll Sleep When I'm Dead".
Treatment Sheet
This document contains a summary of the film "I'll Sleep When I'm Dead" and outlines the narrative and visual plan for a music video based on the film. The film tells the nightmarish story of a teen with insomnia whose mind slowly breaks down as he is tortured by distorted images and unable to sleep. The music video plan cuts between shots of the band performing and the insomniac character experiencing terrifying hallucinations, with his surroundings and mind disintegrating, until he is killed by a beastly apparition.
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The three episode series "And Then There Were None" directed by Craig Viveiros tells the story of 10 strangers who are lured to Soldier Island and accused of murder. Narrative techniques like foreshadowing of future deaths and a poem about soldiers create tension. The episodes follow a classic story arc from exposition of characters' backgrounds to the climax of revelations and deaths. Technical elements like non-diegetic music, close-ups, point-of-view shots, montages and flashbacks are used to build mystery and tension throughout the crime drama.
The Graduate (1967) - Brief Analysis
The opening title sequence of The Graduate introduces the protagonist as he sits alone on a plane with a blank, expressionless face, looking as if he has something on his mind. As the camera zooms out, it reveals he is isolated amongst the other passengers. He then walks silently on a moving walkway at the airport, overhearing a recording instruct instructions to hold the handrail and stand to the right. The soundtrack plays "The Sounds of Silence", reinforcing his feeling of emptiness. In the final shot, he sits staring blankly ahead in a room with an aquarium containing a model diver at the bottom, symbolizing his mental state of "drowning".
Treatment Sheet
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Story board
The document outlines scenes 1-8 of a storyboard for a film titled "THE DAY OF RECKONING". Scene 1 introduces the main character with a tracking shot and voiceover. Scene 2 uses an extreme close-up of the character's eyes and a gunshot sound effect. Scene 3 cuts to an establishing shot of a library with soundtrack. Scene 4 shows a blurred note being read with continued soundtrack. Scene 5 uses a split screen of 3 characters walking with weapons from a low angle with voiceover and faint soundtrack. Scene 6 circles the characters in conversation until a gun is aimed at the viewer and the scene ends. Scene 7 zooms out to show the characters holding weapons with fire and dialogue. Scene 8 shows the
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This document contains a summary and narrative plan for a short film about a teenage boy with insomnia. The summary describes how the boy's insomnia causes him to have nightmarish visions and a mental breakdown as he is unable to sleep. The narrative plan outlines the visual elements and editing techniques that will be used to portray the boy's descent into madness and death from lack of sleep through cuts between him and a band performing the song "I'll Sleep When I'm Dead".
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This document contains a summary of the film "I'll Sleep When I'm Dead" and outlines the narrative and visual plan for a music video based on the film. The film tells the nightmarish story of a teen with insomnia whose mind slowly breaks down as he is tortured by distorted images and unable to sleep. The music video plan cuts between shots of the band performing and the insomniac character experiencing terrifying hallucinations, with his surroundings and mind disintegrating, until he is killed by a beastly apparition.
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Character 1 hears strange noises at home and believes their house is being invaded. They arm themselves with household items and search the house, finding their friend in one of the rooms. Relieved, they go outside and see an actual group of robbers approaching the house.
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This trailer analysis document summarizes a film trailer for an adaptation of Tolstoy's novel Anna Karenina. [1] The trailer uses 153 shots that increase in pace and tension to grasp audience attention. [2] It introduces the main characters of Anna and Count Vronsky and their forbidden love affair that leads to Anna's downfall. [3] Scenes depict their growing romance along with the social consequences of Anna breaking 19th century rules of marriage which threaten to ruin her life.
The conjuring opening sequence textual analysis
The opening sequence of the film The Conjuring establishes the time period of 1971 through costumes and decor of the farmhouse. Low-key lighting and unsettling music build tension. Iconography like a doll and red clues leave the family feeling uneasy. As the characters describe finding the doll, flashbacks show it from different angles. Close-ups of broken objects suggest the doll poses a physical threat in addition to a psychological one. The sequence effectively sets up an atmosphere of fear and unease through its use of lighting, sound, camera work and symbolic images.
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The document provides a story board for a music video. It outlines scenes that show the main character experiencing unhappiness, making a difficult choice between two paths, dealing with problems at work, and visiting a grave. The story board synchronizes the scenes with the lyrics of the song. It concludes by rewinding back to the moment when the main character must make a choice between the two paths.
Unit 1 individual task pictures to reflect my film noir characteristics
The document provides instructions for taking photographs that reflect characteristics of film noir style. It lists several close-up and long shots that show a female face with shadows, a hand in a car with shadows, a figure walking alone in a lonely place wearing a trench coat, and sitting in a car as an office. It also mentions taking an unusual angle shot of a murder scene.
The grudge
The document provides an analysis of the opening sequence of the horror film "The Grudge". It summarizes the key elements of the sequence in the following ways:
1) The storyline of "The Grudge" involves a curse that is born when someone dies in anger or sorrow, and the curse kills those who encounter it and is passed from victim to victim.
2) The genre is supernatural horror, set in Japan where traditional elements like sleeping on blankets and sliding doors are shown.
3) Sounds like wind, creaking, and eerie music are used to set a creepy tone that hints at the horror genre. Camera angles and editing with titles also convey a sense of fear and suspense.
Shot list and film schedule
This document outlines the filming schedule and shot list for a short film being filmed at Old Oak Farm in Berkhamstead on February 2nd. It describes 7 shots, including locations, estimated filming times, equipment needed and costumes for the characters. The shots include close-ups of actresses running and falling, entering a house, sitting together with a masked figure appearing, looking at a laptop, making a phone call and answering a phone. The characters are playing roles in a story about teenagers and most shots will take 3-5 minutes to film, using a camera on a tripod or monopod with soft box lighting. Costumes are mostly everyday clothing like dresses, jeans and tops to portray the characters.
Production outline
The production outline summarizes the key shots and scenes for a trailer. It begins with an establishing shot to set the location and tone. It then cuts between close-ups of two characters discussing something, while cross-cutting their dialogue. One character then leaves and walks alone through creepy woods, growing fearful from what she hears. A jump scare occurs, making her scream in terror, followed by a black screen with the words "Coming Soon" and a warning voiceover.
Media Pitch
The document outlines a proposed thriller opening that will be filmed in the style of Alfred Hitchcock. It describes scenes where a man named Hugo frantically tells his girlfriend Mia to pack a bag without explanation. Hugo retrieves a knife from the kitchen as a car pulls up outside, increasing his visible fear. Camera shots like POV and close-ups will be used to build tension and mystery. The two-minute opening will be set entirely in the couple's home to suggest normalcy and safety before unease is introduced.
Music video script
1) The document outlines a scene plan for a music video consisting of 7 scenes showing Charlie's interactions with Lauren in the park.
2) In the early scenes, Charlie performs alone while noticing Lauren from a distance.
3) In later scenes, Charlie slowly approaches Lauren as they talk and begin to perform together, showing their connection.
4) The video ends with a long shot of Charlie and Lauren walking off together down the path as the song fades out and titles appear.
The Missing - Powerpoint
The Missing is a thriller crime series that tells a non-linear narrative across episodes. This episode focuses on a father, Tony, searching for his son Ollie who has gone missing. Flashbacks show Tony and his family on a holiday before Ollie disappeared. The inciting incident occurs when Tony looks away from Ollie for a moment in a pub and then cannot find him. Tony calls the police for help as the search intensifies. Editing techniques like cross-cutting create intrigue by showing clues about Ollie's whereabouts and how Tony has become distraught since the loss of his son.
Film idea
Character 1 hears strange noises at home and believes their house is being invaded. They arm themselves with household items and search the house, finding their friend in one of the rooms. Relieved, they go outside and see an actual group of robbers approaching the house.
The short film is meant to be a tense thriller told from the perspective of Character 1, a paranoid and easily frightened person who works a boring office job. The realistic setting of their home is meant to heighten the suspense and make the threat of invasion feel relatable. Stylistic choices like dark colors, blue tinting, and diegetic sounds further the isolated and tense atmosphere. The target audience is teens and young adults who enjoy susp
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Eight locations will be used to film scenes for the thriller movie. The first location is a street and underpass where the main character encounters the murderer. Two houses will be shown as the main character moves, with only interiors shown of the murderer's residence. Various outdoor locations will also be featured. The paths outside a school will be the first three locations, providing an isolated area for the discovery of the murder. A house belonging to one of the actors will represent the main character's home and the bedroom will show her seeking safety after witnessing the murder. The drama studio at the school allows manipulation of lighting for scenes of a fight and the main character tied to a chair. Flashback scenes in the common room and hallways
The 100 Scene Analysis
Tegan Harris analyzes a scene from their favorite show that uses complex camera work and editing to convey emotion. The scene depicts the execution of Lincoln, as witnessed through the perspective of his crying girlfriend Octavia. Through alternating close-ups and shots that track characters, the camerawork builds tension and shows Octavia's desperation. Strategic cuts between Octavia and Lincoln emphasize their connection, and the music enhances key moments like Lincoln kneeling. Overall, the multi-angled shots and editing effectively display the characters' emotions during this tragic event.
Bsis the script2013 (1) (1)
This document provides the beginning and ending dialogue for a 5 minute screenplay called "The Script II". The writer, Geoffrey Fletcher, leaves the middle scene open for others to imagine, including choosing the characters, location, events, and adding up to 3 minutes of original dialogue. Participants are encouraged to be creative in how they imagine and develop the story using any genre or production style. The beginning establishes that characters A and B find themselves in a situation and must get out. In the end, character B attempts an action that character A warns against, and we see the result.
Unit 22 dramas
1) The document discusses three different television dramas - Cyberbully, See No Evil: The Moors Murders, and The X-Files episode "Bad Blood".
2) Cyberbully is a one-off drama that tells the true story of a teenage girl who is hacked and cyberbullied. See No Evil is a two-part docudrama about the real-life Moors murders committed in the 1960s.
3) The X-Files episode has Mulder and Scully investigating strange events in a small town. The opening scene shows two characters running through a dark forest at night, setting the tone for a tense mystery.
Story board to pitch ideas for music video by fateha
The document outlines a story board for a music video featuring a singer performing in 5 locations: a park, empty street at night, shop, home, and bus stop. It proposes using a variety of shots like mid shot, close up, wide shot, and long shot across the locations to tell a narrative of a character walking and singing about a broken heart after being deceived by a lover. The story board considers locations, characters, shots types, and a heartbreak narrative for the music video.
Review of soft
The director of the short film "Soft" used various camera shots including point-of-view shots to show what the character was seeing, close-up shots to emphasize a character's facial expressions and feelings, and aerial shots at the beginning to establish the setting of the scene. The film also utilized two shots to frame conversations between two characters.
Donnie Brasco Film Opening Analysis
The document provides a summary of shots from the film Donnie Brasco. It describes several scenes including a close-up of the main character's face, him working out at the gym, talking on a public phone, meeting another man at a cafe-bar while the camera alternates between their points of view, and finally showing the two men in a car driving over a bridge with the city in the background. The camera work alternates between close-ups, medium shots, and long shots throughout the scenes summarized.
Sherlock holmes analysis
The document analyzes a scene from a Sherlock Holmes film. It summarizes that the opening scene uses a dark, winding street in an establishing shot to set a gloomy tone for the introduction. Costumes and props like cloaks, guns, and knives are also dark and establish a gothic genre. Cinematography reinforces this theme, with shots that follow characters and use close-ups to show expressions during tense moments. Narrative voice and theme music are used during fight scenes to emphasize Sherlock's intelligence and importance as the dominant character.
Scene by Scene Outline
The Scene By Scene outline for our Short Film, this is only a draft copy and will hopefully change soon in to a better version.
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Unit 1 individual task pictures to reflect my film noir characteristics
Unit 1 individual task pictures to reflect my film noir characteristics
Story board to pitch ideas for music video by fateha
Story board to pitch ideas for music video by fateha
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This document provides an overview of the long-running British soap opera Coronation Street. It summarizes some of the major storylines and characters over the show's 52-year history, including Tracy Barlow's 15-year prison sentence for murder, David Platt's troubled past as a "bad boy" and his assault on his mother Gail, Hayley Cropper's cancer diagnosis and death, and the iconic 2011 tram crash that celebrated the show's 50th anniversary with live episodes dramatizing the aftermath.
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The representation of the White Working Class in Coronation Street
The representation of the White Working Class in Coronation Street
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The document discusses the expectations and conventions of soap opera genre television shows. It notes that soap operas typically have a narrative involving interconnected storylines, characters, and settings. Regarding the technical aspects of how soap operas are filmed, it mentions that they use techniques like two-shot camerawork, realistic environments in mise-en-scène, and editing that cuts between different storylines and inserts calmer scenes to release tension. The document serves as notes for analyzing a soap opera clip based on its narrative elements, characters, settings, and technical filmmaking choices like camerawork, mise-en-scène, and editing.
Film opening sequence analysis report sheet
The document analyzes the opening sequence of the film Pulp Fiction. It discusses the cinematography techniques used, including close-ups, extreme close-ups, and medium shots. It also describes the visual effects and lighting, noting the use of high key lighting and back lighting. Additionally, it covers the color scheme, genre conventions of a comedy crime film, the narrative of two criminals planning a robbery, and the camera techniques including cutaways and eye-line matching between characters.
Analysis of action film openings
The document analyzes the openings of two action films, "Bending the Rules" and "96 Minutes", through the lens of mise-en-scene, sound, camera work, and editing techniques. The opening of "Bending the Rules" establishes the setting and introduces the main characters through an establishing shot, tilt-up close-up, and match cuts between characters. Tension is built through intense music and a high angle shot. The opening of "96 Minutes" starts with the title and focuses on the protagonist's distressed expression through an extreme close-up of his eyes and flashback showing a tense car ride with foul language. Both openings use techniques like music, lighting, and shot sequencing to set the tone
Analysis of action film openings
This document analyzes the openings of two action films, "Bending the Rules" and "96 Minutes", through the lens of mise-en-scene, sound, camera work, and editing. For "Bending the Rules", it describes how the opening establishes the setting and introduces the main characters through shots that show their costumes and body language. Tension is built through intense music and shots that show a man running in fear. For "96 Minutes", it summarizes how the opening uses close-ups of a protagonist's hands and eyes to suggest disturbance, then cuts to a flashback in a car that reveals a bleeding woman, adding pressure through dialogue and foul language.
evaluation question 1
The document discusses the planning and production process for creating a 2 minute opening scene for a thriller film. It describes the research stage to understand thriller conventions, followed by a planning stage where roles were divided and pre-production work was done. The planning methods helped in making the thriller. It then analyzes how the finished opening scene follows thriller conventions through its use of iconography, tension-building elements, settings, and lighting.
Storyboard
The storyboard document outlines the camera shots that will be used to film a murder scene. It begins with a tilt up revealing bodies on the ground, including two dead and one alive victim bound at the hands and feet. Various shots are described to show the killer approaching and entering the building where the victim is located. The storyboard ends with shots of the killer throwing a knife, walking toward and hitting the victim, then pushing the victim to the ground while choking them.
Medicine storyboard
This document provides a storyboard for a video with multiple scenes and shots. It introduces two main characters who wake up in a shared bedroom. They each check their phones and get ready. One character drinks alcohol straight from the bottle while the other takes pills with water. They then take separate journeys, with one character meeting her boyfriend in a park and the other meeting a doctor at the hospital. Facial expressions and interactions between the characters and those they meet imply a disruption or problem occurring in the narrative.
Genre
This document discusses different genres and provides details about the thriller genre. It begins by listing several fiction genres. It then focuses on defining characteristics of thrillers, including suspense, anticipation, and fear. The history of thrillers is explored from ancient epics to modern novels and films. Codes and conventions of thrillers are examined, such as characters, themes, lighting, editing techniques, camera angles, and sound. Specific techniques like low key lighting, montage editing, and non-diegetic sound are used to build tension and suspense.
Shooting Schedual
This document provides a shooting schedule for a film with 31 shots. It details the shot type, camera movements, actor movements and blocking, lighting, costumes, props, and setting for each shot. The shots include establishing shots, medium shots, close-ups, and more. They will be used to film scenes showing a character walking down a street, entering a diner, having a conversation at a table, a gang meeting in an abandoned building, a character finding a bloody knife, and discovering a dead body on the street.
Shooting Schedual
This document provides a shooting schedule for a film with 31 shots. It details the shot type, camera movements, actor movements and blocking, lighting, costumes, props, and setting for each shot. The shots include establishing shots, medium shots, close-ups, and more. They will be used to film scenes like a character walking down a street, entering a diner, having conversations at a table, a gang meeting in an abandoned building, a murder, and the discovery of the body. Precise camera placements, actor positioning and facial expressions are planned to clearly show the story and ensure technical filmmaking rules are followed.
Media language investigation
Danielle Kibble will analyze the trailers for three horror films - The Ring, House at the End of the Street, and The Chernobyl Diaries. She will examine the cinematography, editing, sound, and mise-en-scene of each trailer. For The Ring trailer, she discusses the creepy music, tape noises, and close-ups of characters' reactions. She also analyzes the frequent use of short clips and shots in the editing. For House at the End of the Street, Kibble notes the scary music, dialogue from the film, and repeated/reversed shots. She will also examine the trailers' locations, lighting, and props.
The hunger games mockingjay part 1
The document provides an analysis of 6 shots from the trailer for "The Hunger Games: Mockingjay - Part 1". It summarizes each shot's camera work, dialogue, sound, and mise-en-scene. The shots include an establishing shot of a jet, close-ups of Katniss on the jet expressing her reluctance to be involved, and later shots of Katniss interacting with President Snow who tells her ominously that "it's the things we love most that destroy us." The analysis highlights how the shots build drama and tension through their editing, camera work, lighting, and Snow's manipulative dialogue.
Question 1
The document discusses techniques used in the filmmaker's opening for a psychological thriller film. It begins by introducing the main character Oscar and the context of his partner's death which leads to nightmares. Locations like a kitchen and living room are used to give a sense of normalcy before surreal events occur. Costumes, props, characters, shots, editing, sound, and lighting techniques aim to build tension and suspense for the audience in a way that is inspired by other famous thriller films. Realistic elements are contrasted with surreal themes to create an unsettling atmosphere.
Similar to Coronation street expectations (13)
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Audience profiling
This document discusses the costume choices needed to portray a middle-upper class family in a short film. It states that the family will be dressed in formal, elegant clothing stereotypical of the middle class, such as business attire for the father, a fancy frock and heels for the mother, and black patent heels as a signifier of wealth. The costumes aim to portray the family as educated, sophisticated and to conform to stereotypes of the middle class taking pride in their appearance. Formal business attire is also chosen for an undercover police constable investigating the family to keep his identity secret while appearing part of the middle-upper class.
As on set footage
The document provides behind-the-scenes footage from the filming of the movie "Lullaby." It shows the production coordinator getting accustomed to using the D-Rig camera, the director giving hints to others about filming and applying special makeup to the main actress for the final scene. Shots were practiced and a picture was taken during filming as the director and coordinator worked to complete a part of the shoot.
Edit decision list
This document contains an edit decision list reviewing footage of a girl brushing her doll's hair, humming, and with blood on her face. The majority of the close-up shots of the girl brushing her doll's hair and the close-up shots of blood on her face were marked as good, while the shots of the girl walking to the window or from the side while brushing her doll's hair received mixed feedback.
Call sheet
The document provides contact information and schedules for filming a production over two days, noting that personal data from call sheets must be kept confidential and securely stored or destroyed according to the organization's data protection policy.
Call sheet
Please see the attached map for directions to the location. Let me know if you need any other information.
Shot list
This document provides a shot list for filming at an interior property location. It details 15 shots to be filmed inside the master bedroom of the property, including shots of a girl and her mother, the girl brushing her doll's hair, and the girl looking out the bedroom window. It also includes 2 exterior establishing shots of the property. The shots are meant to tell a story that involves a flashback of the girl and her mother, and something mysterious happening with the girl by the window.
Character profile
The document outlines character profiles for a detective, DCI Jones, and a female character for a film. DCI Jones is described as middle-aged, tall, stocky, well-groomed initially but becoming more disheveled as the case stresses him out. He has a secret identity and is portrayed as stalking the female character throughout the film. The female is described as wealthy, high-class, secretive, in her 30s, anxious and paranoid to mislead the audience into thinking she is being stalked when the twist is revealed that she has been stalking Jones. Both characters are given traits to misdirect the audience and enhance the surprise of the narrative twist.
Prop list
The document discusses plans for filming a short film with two characters - a police officer and a female killer. It describes changing the setting from a basement to a small square room surrounded by plastic sheets to signify the killer preparing for her next murder. Items needed for filming are listed, including plastic sheets, a baseball bat, barbwire, a small table, and a knife, which will be provided by the actors or borrowed from other sources.
Horror representation
The document discusses character representations and conventions in horror films. It notes that typical characters include a vulnerable female victim, a male killer, and a heroic character, often female. Victims are usually young, attractive blondes portrayed as weak. The setting is commonly a remote family home in darkness with low lighting to build tension. Costumes also follow conventions, with victims dressed fashionably and killers in dark, mysterious clothes and masks. The document provides examples from Scream and discusses applying these conventions to the filmmaker's own project through victims, settings, and implied off-screen killers.
Thriller representations
The document discusses conventions of the thriller genre and how the author's short film challenges some of these conventions. It summarizes that typical thrillers involve action scenes like chases and fighting, with heroes defeating villains. However, the author's film subverts expectations by revealing the couple are actually the killers, not the undercover police investigator as initially presented. It also notes the film challenges conventions through having no history between the characters and an unexpected twist that makes sympathizing with the characters harder for viewers.
Institutions for representation
Lionsgate distributes a wide variety of films, especially foreign and independent films, including successful franchises like The Hunger Games and Saw. They distribute films to both cable and broadcast television. As a conglomerate, Lionsgate has the funds to expand into other mediums like television and music.
Universal Pictures distributes films worldwide from their bases in California and New York. Though large, they do not pursue convergence in other mediums. Their horror films include Mama and Jaws.
Warner Bros is another huge conglomerate that distributes films globally across genres. As they expand into other mediums like television and music, they use convergence to build their brand image and become a global business.
Horror representation
The document discusses character representation in horror films. It notes that typical characters include a vulnerable female victim, a male killer, and a heroic character, usually female. The first victim is often an attractive blonde woman who fits the "dumb blonde" stereotype. They may have committed a sinful act to justify being targeted by the killer. The hero is usually male to fit stereotypes of masculinity. Police characters are often portrayed as disbelieving victims. Examples from the film Scream are provided to illustrate the blonde female victim and the killer's masked identity. For the author's own film, a young female victim will be blonde and the killer's identity will be hidden through a black screen. Victim characters are nicely made
Script final done
1. DCI Jones has been secretly surveilling a wealthy family's home for weeks, observing their movements and taking detailed notes.
2. Jones breaks into the family's home while they are away and discovers a hidden basement that appears to be used for torture and murder. He finds evidence that the family has been targeting and killing other people.
3. Jones realizes he has been identified as the next target by the family. He tries to call for help but has no cell service. The family returns home and discovers the intruder, forcing Jones to hide in the basement.
Script final done
1) DCI Jones has been secretly surveilling a wealthy family's home for weeks, observing their movements and taking detailed notes.
2) Jones breaks into the family's home while they are away and discovers a hidden basement that has been converted into a torture chamber, with blood and tools of torture everywhere.
3) Horrified, Jones realizes the family is a group of serial killers and that he is now a target, as his name and photo are pinned to a map in the basement.
4) Jones tries to call for help but has no cell service. He hides as the family returns home and discovers someone has been in the house.
London riots hmwk tumblr blog miss
The document provides guidance for analyzing newspaper articles about representations of youth in coverage of the 2011 London riots. It instructs the reader to identify the newspaper, article title and date, summarize the main topics and points in each paragraph using the first sentence as a topic sentence, analyze examples of language used and any biases in how youth are portrayed compared to police, briefly describe any images and comment on their meaning, and summarize the overall messages and values communicated about young people. Four sample newspaper articles are then analyzed in detail according to this structure, finding that youth are consistently portrayed negatively through language like "thugs", a lack of reasons explored for the riots, and emphasis on binaries that position youth as the opposition to law and order.
Prop list
Crown Jewel Productions needs to make a prop list for their upcoming film shoot. This will help them determine what items they need to purchase and estimate costs, and know if they require additional funding. Key props mentioned include a dental chair for a basement scene, weapons like guns and knives to be displayed on shelves and covered in blood, garden tools, and potentially chainsaws and syringes with teacher approval. The list will help the filmmakers ensure they have all necessary props and keep costs down by considering alternatives or borrowing items from homes.
This is england youth sub representations 2
The document discusses representations of youth subcultures in 1980s Britain as depicted in the film "This is England". It explores how the working-class skinhead subculture originated as a reaction to the political and economic climate of the time, including rising nationalism, Thatcherism, deindustrialization, and increased immigration. The film portrays the skinhead youth as aggressive, violent, and disenfranchised from society due to lack of employment opportunities and family/community structures in Britain at the time. It also examines how Shane Meadows uses these representations to convey the ideologies of the era.
A2 media short film storyboard
A short film storyboard is presented for the film "I Can See You" produced by Crown Jewels Production. The storyboard outlines key scenes including the main character waking up with a strange new ability, using this ability to spy on others which causes unintended consequences, and ultimately learning an important lesson about privacy and boundaries.
Regional identityuy
This document discusses regional stereotypes and identities across the UK, including Northerners, Southerners, Scousers, Geordies, Scottish, Welsh, Mancs, Brummies, and Irish. It touches on stereotypes related to personality, socioeconomic class, appearance, fashion, dialect, and location for each region. Overall, it presents many negative and outdated stereotypes about regional identities across Britain and Ireland.
Tumblr blog coronation street
The document outlines the key expectations and elements of a soap opera genre, including a focus on narrative/storyline, characters involved in the events, and settings. It also discusses important technical considerations for filming a soap opera, such as camerawork, mise-en-scene, editing, and sound design. The purpose is to provide guidance on the essential components to analyze and consider when evaluating a soap opera clip, with an acknowledgement that technical analysis is an area the class could improve.
More from hhunjan07 (20)
Coronation street expectations
- 1. CORONATION STREET EXPECTATIONS Harinder Hunjan
- 2. Editing: Main storyline seen first with the other storylines revolving around the main storyline. Dramatic irony is used too and a calm scene is used to calm the situation down. (2 characters on wedding day Man confesses Other characters wondering where they are Guy at Police station Camerawork: The use of different types of shots e.g. two shot, reverse shots and over the shoulder shot. Lots of conversation in soaps. Multi – strand narratives portrayed. Narrative Editing: Realism and it helps breaks the tension that is made from the other storylines. One narrative strand is used in everyday life
- 3. Camera Work: The person on the floor laying on the pub floor – reaction shots of the woman after showing his body. Camera Work: 2 shots used when two characters are talking to each other in conversation. Mise-En-Scene: Clothing is much like the viewers with the formal dress of suits and jackets. Dramatic moments and different emotions Middle class like most viewers Character Everyday type of conversation used Camera Work: Wide shots when family eating at dinner, talking about family life.
- 4. Mise-En-Scene: House shown and then the pub atmosphere is where everyone goes for entertainment e.g. drinking. Realistic environments Setting Mise-En-Scene: Family home at the dinner table. Mise-En-Scene: Police station, help the audience to signify tension is being built. Editing: Cuts to a family scene to calm the nerves down and so there isn’t always fast, tense moments so it is more realistic. Editing: Short, quick cuts between the main storyline Different scenes shown for tension and to calm situations down