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CONSUMER PERCEPTION
PERCEPTION
 The process by which an individual
selects, organizes, and interprets
stimuli into a meaningful and
coherent picture of the world
ASPECTS OF PERCEPTION
Selection
Organization
Interpretation
Selection Depends Upon: 2 Factors in addition to nature of stimulus
1. Previous experience: affects expectations
2. Motives -Needs or wants for a product or service
Nature of the stimulus - Includes the product’s physical
attributes, package design, brand name, advertising and more.
Contrast is one of the attention compelling attribute of stimulus
ORGANIZATION
 Organization refers to how people organize
stimuli into groups and perceive them as a whole.
 Figure and Ground Law- People tend to organize
perceptions into figure-and-ground relationships.
 The ground is usually hazy.
 Marketers usually design so the figure is the
noticed stimuli.
FIGURE-GROUND PRINCIPLE
 This billboard for Wrangler jeans makes creative use
of the figure-ground principle.
FIGURE-GROUND PRINCIPLE
 Product placement- when advertised product (figure)
integrated into TV show
LAW OF CLOSURE
This law tells us that our brains usually associate disconnected
elements with forms we already know. This means that our brains
also tend to complete missing links without being asked to, though
we must first be familiar enough with the implied shape for this to
happen.
LAW OF CONTINUITY
 The Law of Continuity explains how our eyes
search for continuous forms and follow smooth
paths.
In the example of the IBM logo below, the
Law of Continuity makes the logo
appealing to look at and easy to read
despite the gaps.
LAW OF SIMILARITY
 The Law of Similarity says that our brains
perceive objects with common elements as
belonging to each other, whether the "common
elements” here are shape, color, size, texture, or
any other visual element.
In the above eBay homepage, images and
text of various sizes appear to belong to
the same group because of the common
green color. This helps consumers link
items together for faster and easier
processing.
SENSORY DYNAMICS OF PERCEPTION
 Sensation - Immediate response of our sensory
receptors…
 …eyes, ears, nose, mouth, skin…
…to basic stimuli…
 …such as light, colour, sound, odour, and texture
 …advertisements, brand names, commercials, and
packages
 …depends on the sensitivity of the individual
 Inputs picked up by our five senses are the raw
data that begin the perceptual process.
SENSORY SYSTEMS
Exposure to
Raw Data
Eye
Sight
Ear
Sound
Nose
Smell
Mouth
Taste
Skin
Touch
Processing
of Inputs
Interpretation
of Inputs
SENSORY MARKETING/BRANDING
 Visual Branding: Sight is the most used sense for
marketing because it is one of the most responsive to the
environment. Colour has big influence on visual branding-
 Warm hues (red, orange) increase BP and heart rate
 Cold hues (blue and green) have opposite effect
 Orange is used in fast food restaurants to increase hunger
 Blue and green are used in hospitals to reduce anxiety
 Sound: Sound is used in branding to evoke emotions and
feelings to influence brand experiences and interpretations.
 Background music
 Olfactory: Smell is used in branding because it
increases the customers' remembrance of the
brand.
 Impact of fragrance on store choice
SENSORY MARKETING
 Taste: Taste fuses all the different senses
together to create a holistic brand experience.
 Touch: Touch strengthens brand identity and
image by appealing to this sense.
 Touching a product influences persuasion
PERCEPTIONS OF COLOR (SENSORY SYSTEM-
VISION)
This ad campaign by
the San Francisco
Ballet uses color
perceptions to get urban
sophisticates to add
classical dance to their
packed entertainment
itineraries.
SENSORY MARKETING- USE OF COLOUR
EXAMPLE OF SENSORY MARKETING
 Advertisement which appeal to our senses
MULTISENSORY BRANDING
 The best solution to gain brand dominance in the market
today is multi-sensory branding. A multi-sensory branding
strategy encompasses all the senses:
ADVERTISEMENTS APPEAL TO OUR SENSORY
SYSTEMS
 This ad for a luxury car emphasizes the contribution made by all
of our senses to the evaluation of a driving experience.
AIRFRANCE: A CASE OF MULTI-SENSORIAL
EXPERIENCE
MULTISENSORY BRANDING
Multisensory Branding
https://www.youtube.com/watch?v=I4Wh
0NJ2fSg
https://www.youtube.com/watch?v=YEF6
Tx2gHZM
Absolute Threshold is the lowest level at which
an individual can experience the sensation
 Two individuals have different threshold
 Sensory adaptation: “getting used to” – a problem
that concern many advertisers.
ELEMENTS OF PERCEPTION
EXAMPLE OF BRAND LOGO ABOVE TO
ABSOLUTE THRESHOLD
ELEMENT OF PERCEPTION- JUST
NOTICEABLE DIFFERENCE
 Just noticeable difference (differential threshold)-
minimum amount of change that can be detected
 Why is it a 10% off sale fails to get your attention
while a 30% off sale brings in consumers from the
surrounding counties?
DIFFERENTIAL THRESHOLD
(JUST NOTICEABLE DIFFERENCE – J.N.D.)
• Minimal difference that can be detected between two
similar stimuli
• Weber’s law
– The j.n.d. between two stimuli is not an absolute
amount but an amount relative to the intensity of the
first stimulus
– The stronger the initial stimulus, the greater the
additional intensity needed for the second stimulus to be
perceived as different.
MARKETING APPLICATIONS OF THE JND
 Need to determine the relevant j.n.d. for their products
 so that negative changes (reduction in product size or quantity or
increase in product price) are not readily discernible to the public
 so that product improvements are very apparent to consumers
 JND can be applied to marketing mix decisions-
 Product improvements- equal to JND
 Price increase- less than JND
 Packaging/logo- below to JND
 Marketers should not go beyond JND
 Marketers use JND to determine the amount of improvement
in product
Gradual Changes in Brand Name Fall Below the J.N.D.
QUESTION????
 How might a cereal manufacturer such as Kellogg’s used
the j.n.d. for Frosted Flakes in terms of:
 Product decisions
 Packaging decisions
 Advertising decisions
 Sales promotion decisions

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Consumer Perception Master in Business Administration

  • 2. PERCEPTION  The process by which an individual selects, organizes, and interprets stimuli into a meaningful and coherent picture of the world
  • 4. Selection Depends Upon: 2 Factors in addition to nature of stimulus 1. Previous experience: affects expectations 2. Motives -Needs or wants for a product or service Nature of the stimulus - Includes the product’s physical attributes, package design, brand name, advertising and more. Contrast is one of the attention compelling attribute of stimulus
  • 5. ORGANIZATION  Organization refers to how people organize stimuli into groups and perceive them as a whole.  Figure and Ground Law- People tend to organize perceptions into figure-and-ground relationships.  The ground is usually hazy.  Marketers usually design so the figure is the noticed stimuli.
  • 6.
  • 7. FIGURE-GROUND PRINCIPLE  This billboard for Wrangler jeans makes creative use of the figure-ground principle.
  • 8. FIGURE-GROUND PRINCIPLE  Product placement- when advertised product (figure) integrated into TV show
  • 9. LAW OF CLOSURE This law tells us that our brains usually associate disconnected elements with forms we already know. This means that our brains also tend to complete missing links without being asked to, though we must first be familiar enough with the implied shape for this to happen.
  • 10.
  • 11. LAW OF CONTINUITY  The Law of Continuity explains how our eyes search for continuous forms and follow smooth paths.
  • 12. In the example of the IBM logo below, the Law of Continuity makes the logo appealing to look at and easy to read despite the gaps.
  • 13. LAW OF SIMILARITY  The Law of Similarity says that our brains perceive objects with common elements as belonging to each other, whether the "common elements” here are shape, color, size, texture, or any other visual element.
  • 14. In the above eBay homepage, images and text of various sizes appear to belong to the same group because of the common green color. This helps consumers link items together for faster and easier processing.
  • 15. SENSORY DYNAMICS OF PERCEPTION  Sensation - Immediate response of our sensory receptors…  …eyes, ears, nose, mouth, skin… …to basic stimuli…  …such as light, colour, sound, odour, and texture  …advertisements, brand names, commercials, and packages  …depends on the sensitivity of the individual  Inputs picked up by our five senses are the raw data that begin the perceptual process.
  • 16. SENSORY SYSTEMS Exposure to Raw Data Eye Sight Ear Sound Nose Smell Mouth Taste Skin Touch Processing of Inputs Interpretation of Inputs
  • 17. SENSORY MARKETING/BRANDING  Visual Branding: Sight is the most used sense for marketing because it is one of the most responsive to the environment. Colour has big influence on visual branding-  Warm hues (red, orange) increase BP and heart rate  Cold hues (blue and green) have opposite effect  Orange is used in fast food restaurants to increase hunger  Blue and green are used in hospitals to reduce anxiety  Sound: Sound is used in branding to evoke emotions and feelings to influence brand experiences and interpretations.  Background music  Olfactory: Smell is used in branding because it increases the customers' remembrance of the brand.  Impact of fragrance on store choice
  • 18. SENSORY MARKETING  Taste: Taste fuses all the different senses together to create a holistic brand experience.  Touch: Touch strengthens brand identity and image by appealing to this sense.  Touching a product influences persuasion
  • 19.
  • 20. PERCEPTIONS OF COLOR (SENSORY SYSTEM- VISION) This ad campaign by the San Francisco Ballet uses color perceptions to get urban sophisticates to add classical dance to their packed entertainment itineraries.
  • 21.
  • 23.
  • 24. EXAMPLE OF SENSORY MARKETING  Advertisement which appeal to our senses
  • 25. MULTISENSORY BRANDING  The best solution to gain brand dominance in the market today is multi-sensory branding. A multi-sensory branding strategy encompasses all the senses:
  • 26. ADVERTISEMENTS APPEAL TO OUR SENSORY SYSTEMS  This ad for a luxury car emphasizes the contribution made by all of our senses to the evaluation of a driving experience.
  • 27. AIRFRANCE: A CASE OF MULTI-SENSORIAL EXPERIENCE
  • 31. Absolute Threshold is the lowest level at which an individual can experience the sensation  Two individuals have different threshold  Sensory adaptation: “getting used to” – a problem that concern many advertisers. ELEMENTS OF PERCEPTION
  • 32. EXAMPLE OF BRAND LOGO ABOVE TO ABSOLUTE THRESHOLD
  • 33. ELEMENT OF PERCEPTION- JUST NOTICEABLE DIFFERENCE  Just noticeable difference (differential threshold)- minimum amount of change that can be detected  Why is it a 10% off sale fails to get your attention while a 30% off sale brings in consumers from the surrounding counties?
  • 34. DIFFERENTIAL THRESHOLD (JUST NOTICEABLE DIFFERENCE – J.N.D.) • Minimal difference that can be detected between two similar stimuli • Weber’s law – The j.n.d. between two stimuli is not an absolute amount but an amount relative to the intensity of the first stimulus – The stronger the initial stimulus, the greater the additional intensity needed for the second stimulus to be perceived as different.
  • 35. MARKETING APPLICATIONS OF THE JND  Need to determine the relevant j.n.d. for their products  so that negative changes (reduction in product size or quantity or increase in product price) are not readily discernible to the public  so that product improvements are very apparent to consumers  JND can be applied to marketing mix decisions-  Product improvements- equal to JND  Price increase- less than JND  Packaging/logo- below to JND  Marketers should not go beyond JND  Marketers use JND to determine the amount of improvement in product
  • 36. Gradual Changes in Brand Name Fall Below the J.N.D.
  • 37.
  • 38.
  • 39. QUESTION????  How might a cereal manufacturer such as Kellogg’s used the j.n.d. for Frosted Flakes in terms of:  Product decisions  Packaging decisions  Advertising decisions  Sales promotion decisions