HLF and WLC presentation to WL Community Councils Forum Sep 13Megan Braithwaite
Presentation by Megan Combe and Dougie Grierson to the West Lothian Community Councils forum on 26th Sep 13, detailing the funding options available to local groups.
Face your funding fears HERITAGE & BIG LOTTERY FUNDS 220914Megan Braithwaite
Workshop on facing your funding fears, given at West Lothian funding fair 22/09/14, delivered by Megan from Heritage Lottery Fund & Adele from Big Lottery Fund. Ins
- This organization is one of four lottery funders in Scotland that has awarded over £600 million for heritage projects since 1994. It provides grants over £3,000 for various types of heritage projects.
- It funds projects that focus on outcomes for heritage, people, and communities. Examples of funded projects include restoring Crichton Memorial Church and developing the Machars Archaeological Project.
- It offers various grant programs for different amounts, including Sharing Heritage grants between £3,000-£10,000 and Heritage Grants over £100,000. Special initiatives include funding for projects related to the First World War and the 2014 Commonwealth Games in Glasgow.
Diane Gray's presentation on HLF funding and work in Dumfries and Galloway as a Development Priority Area. Presentation to D&G staff and councillors in Annan, Dumfries, Kirkcudbright and Stranraer in Feb 2014
HLF and WLC presentation to WL Community Councils Forum Sep 13Megan Braithwaite
Presentation by Megan Combe and Dougie Grierson to the West Lothian Community Councils forum on 26th Sep 13, detailing the funding options available to local groups.
Face your funding fears HERITAGE & BIG LOTTERY FUNDS 220914Megan Braithwaite
Workshop on facing your funding fears, given at West Lothian funding fair 22/09/14, delivered by Megan from Heritage Lottery Fund & Adele from Big Lottery Fund. Ins
- This organization is one of four lottery funders in Scotland that has awarded over £600 million for heritage projects since 1994. It provides grants over £3,000 for various types of heritage projects.
- It funds projects that focus on outcomes for heritage, people, and communities. Examples of funded projects include restoring Crichton Memorial Church and developing the Machars Archaeological Project.
- It offers various grant programs for different amounts, including Sharing Heritage grants between £3,000-£10,000 and Heritage Grants over £100,000. Special initiatives include funding for projects related to the First World War and the 2014 Commonwealth Games in Glasgow.
Diane Gray's presentation on HLF funding and work in Dumfries and Galloway as a Development Priority Area. Presentation to D&G staff and councillors in Annan, Dumfries, Kirkcudbright and Stranraer in Feb 2014
A presentation given by Megan Combe at the Perth and Kinross Council First World War networking event 23.08.13. Presentation covers funding for First World War projects and other open programmes for heritage from the Heritage Lottery Fund
Heritage Lottery Fund and the First World War Centenary (June 2013)onthewight
The document outlines various grant programs offered by the Heritage Lottery Fund (HLF) in the UK to preserve historical sites and engage communities. It details several small grants programs focused on World War I heritage projects of up to £10,000, as well as larger grants of up to £100,000 for heritage sites and projects led by youth. The largest Heritage Grants provide over £100,000 for projects of regional or national significance. Contact information is provided for questions about the different HLF grant opportunities.
The Heritage Lottery Fund (HLF) is one of four lottery funders in Scotland that awards grants over £3,000 for all types of heritage projects and has provided over £600 million for Scotland's heritage. HLF guidance documents set out the process for asset transfer to communities in nine steps and the criteria for supporting purchases of heritage assets, which include the asset being important to heritage and risk being reduced, and the price must reflect condition and value. HLF grant programs include start up grants, heritage grants, and heritage enterprise grants over £100,000, which can fund outcomes related to heritage, people, and communities.
The People's History Museum in Manchester hosts community exhibitions in their gallery space to give groups a chance to display their work and add new voices to the museum. The application process involves submitting a proposal that relates to labor history. Selected groups receive free space and support from museum staff. The exhibitions help attract new audiences and enrich the programming. While successful, hosting the exhibitions presents challenges like managing expectations and limited resources. The museum hopes to improve the process and learn from other institutions through an international project.
Margaret Thompson, Community Heritage Grants, National Library of AustraliaMuseums & Galleries NSW
The document provides information about Community Heritage Grants, which are cash grants of up to $15,000 available to assist not-for-profit organizations in preserving and providing access to nationally significant heritage collections. Eligible projects include conducting significance assessments, preservation needs assessments, and conservation activities. The application process and assessment criteria are outlined, with examples provided of funded projects involving collections management, digitization, rehousing, and training.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
This is a presentation about Community Heritage Grants from the National Library of Australia from Museums & Galleries of NSW's workshop Access to Funding 2014.
Dr Allan Sudlow (Head of Research Development):
‘Research collaboration with the British Library’
• Our core purposes and strategic priorities
• Ways of working with us
• Who to contact and when
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
The Heritage Lottery Fund (HLF) aims to conserve UK heritage, help more people experience and engage with heritage, and support learning about heritage. HLF provides funding to protect natural landscapes, historic buildings and sites, cultural traditions, and more. It has provided over £39 million to Areas of Outstanding Natural Beauty. Funding programs include Heritage Grants, Your Heritage, and Landscape Partnerships. Successful applications demonstrate community support, value for money, robust management, and sustainable long-term benefits.
This document provides information about various grant programs administered by Museums & Galleries of NSW (M&G NSW) for museums and galleries in NSW. It outlines funding available for volunteer museum grants including Leg Up Grants up to $500, Small Grants up to $2000, Skills Initiative Grants up to $4000 and Project Development Grants from $2500 to $7500. Eligibility requirements and examples of previously funded projects are provided for each grant type. Additional programs described include the Building Improvement Program, Audience Development Fund, and Dobell Exhibition Grant. Application tips and contacts for further information are included.
The Community Heritage Grants program provides funding of up to $15,000 to nonprofit organizations to preserve collections of national significance. Since 1994, over 500 projects have received funding totaling $2.5 million. Eligible organizations include museums, libraries, archives, and community groups. Applicants must demonstrate their collection's national significance based on criteria like its association with important people or events or representation of Australia's history and culture. The grants can be used for activities like conservation, digitization, and housing improvements to ensure significant collections are preserved for future generations.
Funding Now - Current Trends for Museum Funding with the Heritage Lottery FundMuseums & Heritage Show
Speaker: Fiona Talbott, Head of Museums, Libraries and Archives, Heritage Lottery Fund - This session will take a look at the current trends in successful awards to museum projects from the Heritage Lottery Fund and pass on lessons learnt to potential grantees. In addition it will take a look at possible future directions for funding under HLF’s next strategic plan.
The document summarizes a project at the University of Huddersfield to renovate and expand facilities for their archives and special collections. The £2 million project, funded 85% by the Heritage Lottery Fund, included renovating storage and research spaces, creating new interactive and flexible learning spaces, and increasing access to the collections through new technology and programming. Key goals were to make the collections more accessible and engaging for diverse audiences, improve conservation of over 500,000 items, and ensure the long-term sustainability of the archives. Extensive consultation informed the design and approach. Lessons learned included the importance of audience input, strategic collection interpretation, and flexibility in physical and digital plans.
This document discusses a skills development program between museums in the Highlands and Moray regions of Scotland. It outlines the challenges of serving museums across a large rural geography with limited resources. The program formed a partnership between various museum organizations to provide centralized training, share expertise, and raise standards through workshops, conferences, and site visits. By working together and learning from each other, the program helped museums overcome isolation, access funding, and improve their operations despite constraints. Organizers believe the collaborative approach and critical mass were key to its success, and they plan to continue and expand the program in the future.
This document discusses restoring historic buildings at risk and innovative funding solutions. It notes that some historic buildings are beyond private market solutions due to high restoration costs. Building Preservation Trusts (BPTs), which are independent charities that preserve historic buildings, can help source funding to overcome this "conservation deficit." The Architectural Heritage Fund provides grants and loans to support BPT projects and bring neglected buildings back into viable use, often through mixed-use redevelopment and piecing together funding from various sources. The document outlines different funding programs and concludes that creative funding packages are needed to address the challenge of at-risk historic buildings.
This document summarizes several major funding programmes available for music creators in the UK, including the PRS Foundation's Open Funding, Momentum Music Fund, and British Music Abroad programmes, as well as funds from Help Musicians and Arts Council England. It provides details on eligibility requirements, award amounts, use of funds, and application advice for various grants that support areas such as creation and performance of new music, career development, touring, and international showcasing opportunities.
Eukaryotic cell division involves both nuclear division and cytoplasmic division. Cytoplasmic division, or cytokinesis, occurs differently in plant and animal cells. In animal cells, cytokinesis involves the formation of a contractile ring that pinches the cell in two by forming a cleavage furrow after nuclear division. In plant cells, cytokinesis involves the formation of a cell plate from a disk-shaped structure that grows out and partitions the cytoplasm, eventually forming two new cell walls.
This document provides information on the structure and function of prokaryotic cells, with a focus on bacterial cell walls and flagella. It discusses the key components of gram positive and gram negative cell walls, including peptidoglycan, teichoic acids, lipopolysaccharides, and porins. It also describes the structure of bacterial flagella, including the filament, hook, basal body, and motor mechanisms involved in rotation and direction switching. Additional appendages like pili are discussed in terms of their role in adhesion and genetic transfer.
A presentation given by Megan Combe at the Perth and Kinross Council First World War networking event 23.08.13. Presentation covers funding for First World War projects and other open programmes for heritage from the Heritage Lottery Fund
Heritage Lottery Fund and the First World War Centenary (June 2013)onthewight
The document outlines various grant programs offered by the Heritage Lottery Fund (HLF) in the UK to preserve historical sites and engage communities. It details several small grants programs focused on World War I heritage projects of up to £10,000, as well as larger grants of up to £100,000 for heritage sites and projects led by youth. The largest Heritage Grants provide over £100,000 for projects of regional or national significance. Contact information is provided for questions about the different HLF grant opportunities.
The Heritage Lottery Fund (HLF) is one of four lottery funders in Scotland that awards grants over £3,000 for all types of heritage projects and has provided over £600 million for Scotland's heritage. HLF guidance documents set out the process for asset transfer to communities in nine steps and the criteria for supporting purchases of heritage assets, which include the asset being important to heritage and risk being reduced, and the price must reflect condition and value. HLF grant programs include start up grants, heritage grants, and heritage enterprise grants over £100,000, which can fund outcomes related to heritage, people, and communities.
The People's History Museum in Manchester hosts community exhibitions in their gallery space to give groups a chance to display their work and add new voices to the museum. The application process involves submitting a proposal that relates to labor history. Selected groups receive free space and support from museum staff. The exhibitions help attract new audiences and enrich the programming. While successful, hosting the exhibitions presents challenges like managing expectations and limited resources. The museum hopes to improve the process and learn from other institutions through an international project.
Margaret Thompson, Community Heritage Grants, National Library of AustraliaMuseums & Galleries NSW
The document provides information about Community Heritage Grants, which are cash grants of up to $15,000 available to assist not-for-profit organizations in preserving and providing access to nationally significant heritage collections. Eligible projects include conducting significance assessments, preservation needs assessments, and conservation activities. The application process and assessment criteria are outlined, with examples provided of funded projects involving collections management, digitization, rehousing, and training.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
This is a presentation about Community Heritage Grants from the National Library of Australia from Museums & Galleries of NSW's workshop Access to Funding 2014.
Dr Allan Sudlow (Head of Research Development):
‘Research collaboration with the British Library’
• Our core purposes and strategic priorities
• Ways of working with us
• Who to contact and when
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
The Heritage Lottery Fund (HLF) aims to conserve UK heritage, help more people experience and engage with heritage, and support learning about heritage. HLF provides funding to protect natural landscapes, historic buildings and sites, cultural traditions, and more. It has provided over £39 million to Areas of Outstanding Natural Beauty. Funding programs include Heritage Grants, Your Heritage, and Landscape Partnerships. Successful applications demonstrate community support, value for money, robust management, and sustainable long-term benefits.
This document provides information about various grant programs administered by Museums & Galleries of NSW (M&G NSW) for museums and galleries in NSW. It outlines funding available for volunteer museum grants including Leg Up Grants up to $500, Small Grants up to $2000, Skills Initiative Grants up to $4000 and Project Development Grants from $2500 to $7500. Eligibility requirements and examples of previously funded projects are provided for each grant type. Additional programs described include the Building Improvement Program, Audience Development Fund, and Dobell Exhibition Grant. Application tips and contacts for further information are included.
The Community Heritage Grants program provides funding of up to $15,000 to nonprofit organizations to preserve collections of national significance. Since 1994, over 500 projects have received funding totaling $2.5 million. Eligible organizations include museums, libraries, archives, and community groups. Applicants must demonstrate their collection's national significance based on criteria like its association with important people or events or representation of Australia's history and culture. The grants can be used for activities like conservation, digitization, and housing improvements to ensure significant collections are preserved for future generations.
Funding Now - Current Trends for Museum Funding with the Heritage Lottery FundMuseums & Heritage Show
Speaker: Fiona Talbott, Head of Museums, Libraries and Archives, Heritage Lottery Fund - This session will take a look at the current trends in successful awards to museum projects from the Heritage Lottery Fund and pass on lessons learnt to potential grantees. In addition it will take a look at possible future directions for funding under HLF’s next strategic plan.
The document summarizes a project at the University of Huddersfield to renovate and expand facilities for their archives and special collections. The £2 million project, funded 85% by the Heritage Lottery Fund, included renovating storage and research spaces, creating new interactive and flexible learning spaces, and increasing access to the collections through new technology and programming. Key goals were to make the collections more accessible and engaging for diverse audiences, improve conservation of over 500,000 items, and ensure the long-term sustainability of the archives. Extensive consultation informed the design and approach. Lessons learned included the importance of audience input, strategic collection interpretation, and flexibility in physical and digital plans.
This document discusses a skills development program between museums in the Highlands and Moray regions of Scotland. It outlines the challenges of serving museums across a large rural geography with limited resources. The program formed a partnership between various museum organizations to provide centralized training, share expertise, and raise standards through workshops, conferences, and site visits. By working together and learning from each other, the program helped museums overcome isolation, access funding, and improve their operations despite constraints. Organizers believe the collaborative approach and critical mass were key to its success, and they plan to continue and expand the program in the future.
This document discusses restoring historic buildings at risk and innovative funding solutions. It notes that some historic buildings are beyond private market solutions due to high restoration costs. Building Preservation Trusts (BPTs), which are independent charities that preserve historic buildings, can help source funding to overcome this "conservation deficit." The Architectural Heritage Fund provides grants and loans to support BPT projects and bring neglected buildings back into viable use, often through mixed-use redevelopment and piecing together funding from various sources. The document outlines different funding programs and concludes that creative funding packages are needed to address the challenge of at-risk historic buildings.
This document summarizes several major funding programmes available for music creators in the UK, including the PRS Foundation's Open Funding, Momentum Music Fund, and British Music Abroad programmes, as well as funds from Help Musicians and Arts Council England. It provides details on eligibility requirements, award amounts, use of funds, and application advice for various grants that support areas such as creation and performance of new music, career development, touring, and international showcasing opportunities.
Eukaryotic cell division involves both nuclear division and cytoplasmic division. Cytoplasmic division, or cytokinesis, occurs differently in plant and animal cells. In animal cells, cytokinesis involves the formation of a contractile ring that pinches the cell in two by forming a cleavage furrow after nuclear division. In plant cells, cytokinesis involves the formation of a cell plate from a disk-shaped structure that grows out and partitions the cytoplasm, eventually forming two new cell walls.
This document provides information on the structure and function of prokaryotic cells, with a focus on bacterial cell walls and flagella. It discusses the key components of gram positive and gram negative cell walls, including peptidoglycan, teichoic acids, lipopolysaccharides, and porins. It also describes the structure of bacterial flagella, including the filament, hook, basal body, and motor mechanisms involved in rotation and direction switching. Additional appendages like pili are discussed in terms of their role in adhesion and genetic transfer.
Cell cycle reproduction lecture with turning pointtas11244
Prokaryotes like bacteria reproduce through binary fission, where the cell duplicates its DNA and other components and then divides into two daughter cells. Eukaryotes undergo the cell cycle of interphase and mitosis, where interphase involves cell growth and DNA replication, followed by mitosis where the cell divides through the stages of prophase, metaphase, anaphase and telophase resulting in two identical daughter cells.
1. The document describes energy flow through ecosystems, including food chains, food webs, and energy pyramids.
2. Energy from the sun is stored by producers like plants through photosynthesis and used to make glucose, which is then stored. Consumers that eat producers or other consumers get energy by consuming them.
3. As energy moves through food chains and webs, most is used at each level but some is lost as heat, with decreasing amounts available at higher levels of consumption like secondary and tertiary consumers. This is illustrated through energy pyramids.
Bacteria primarily reproduce asexually through binary fission. During this process, the bacterial DNA replicates and the cell membrane and cell wall divide, splitting the original cell into two identical daughter cells. Bacteria also undergo genetic recombination through conjugation, transformation, or transduction in order to introduce more variation. Conjugation involves the transfer of genes between bacteria via a protein tube. Transformation occurs when bacteria take up DNA from dead cells. Transduction involves the exchange of DNA between bacteria via bacteriophages. Some bacteria reproduce through budding, where a protrusion forms on the parent cell and separates, or through fragmentation during unfavorable conditions.
Meiosis is a type of cell division that produces gametes, such as sperm or egg cells, with half the number of chromosomes as the original parent cell. It involves two cell divisions - Meiosis I and Meiosis II. This results in four daughter cells with half the chromosome number, allowing for genetic variation through independent assortment and crossing over during prophase I. Fertilization occurs when a sperm fuses with an egg, restoring the full chromosome number.
Mary-Louise Weight, Coordinator CHG National Library of Australia outlines what these grants will fund from Significance Assessments, Preservation Needs Assessments & Preservation materials.
This document provides an overview of a Collections Trust seminar held in Brighton in December 2014. It includes:
- Welcome and introductions by Nick Poole, CEO of the Collections Trust since 2004.
- Objectives for the seminar which are to introduce the work of the Collections Trust, explore how collections management supports audience needs, and highlight tools/resources/services.
- An overview of the Collections Trust's programs and products including standards, training, digital development, policy influence, and knowledge sharing networks. Specific programs on security, energy efficiency, pests, insurance, participation, digitization and copyright are highlighted.
The document provides information about the Museum Assessment Program (MAP) and Conservation Assessment Program (CAP) annual meeting being held in Baltimore, MD in October 2011. It discusses what MAP and CAP are, how they can help museums improve through self-study and peer review, and the benefits various museums have gained from the programs. MAP provides strategic planning assistance while CAP focuses on collection care and preservation. Both programs involve a self-assessment, site visit, and report with recommendations. The costs are low and the impacts have been significant for many participating museums in strengthening their operations.
Portrait of the nation an integrated campaign - catrin tilley - national ga...iof_events
The Scottish National Portrait Gallery underwent a £17.6 million capital campaign to refurbish and reinvent the gallery. The campaign was highly successful, raising £19 million and attracting over 200,000 visitors in its first 5 months. The campaign's goals were to engage existing and new visitors through events, digital platforms, and fundraising initiatives. It aimed to position visitors' education and enjoyment at the heart of the reinvented gallery, which reopened on November 30, 2011 as a true "Portrait of the Nation."
The Collections Trust seminar introduces attendees to the work of the Collections Trust and excellence in collections management. It covers understanding audiences, managing change in museums, and introduces the Excellence in Collections management model and standards. Attendees are encouraged to participate actively and network. Resources provided include information sheets, slides, and feedback forms.
View presentation slides from our November 2012 Briefing events for funded organisations.
The briefings aimed to update funded organisations on the changes the Arts Council is going through and discuss how they can help us make a strong case for maintaining public funding of arts and culture in advance of the next Government spending review.
Samantha Faulkner, State Library of Queensland. A new exhibitions model, a new engaged exhibition program presentation at Opening Doors: 2019 Museums & Galleries Queensland Conference.
Margaret Thompson, Community Heritage Grants, National Library of AustraliaMuseums & Galleries NSW
Margaret Thompson has worked at the National Library of Australia since 2005 as part time Assistant to the Community Heritage Grants program, assisting the Coordinator in the administration of the program. Prior to that she has had a career as a Librarian, both at the NLA and various government, special and public libraries in Canberra and interstate.
Community Heritage Grants
The Community Heritage Grants program is a federally funded annual program, administered by the National Library of Australia, which provides grants of up to $15,000 to assist in the preservation of Australian cultural heritage collections of national significance.
Not-for-profit community organisations, such as historical societies, regional museums, galleries and Indigenous and migrant groups, are eligible to apply. Applications for 2017 have now closed, but will re-open again next year in March 2018. This presentation will provide further information for potential applicants on the wide range of eligible projects, tips on preparing your application, and how to navigate the online application process.
CT/ACE Collections Management Traineeship ProgrammeNicholas Poole
An introduction to the joint Arts Council England/Collections Trust Collections Management Traineeship Programme for employers and prospective candidates.
The Collections Trust is piloting a new concept called 'Investors in Collections'. Designed to be compatible with the UK Museum Accreditation Scheme and the American Alliance of Museums 'Continuum of Excellence', Investors in Collections provides a way for museums to demonstrate their commitment to achieving excellence in their Collections Management.
Alastair Dunning's Presentation from the JISC Digital Content Partnerships event (28 October 2010), looking at Strand A of Grant call 11/10 on Enriching via Collaboration, and grant call 16/10 on Rapid Digitisation
What's Welsh for Crowdsourcing?: Citizen Science at the National Library of W...lorna_hughes
The document discusses crowdsourcing initiatives at the National Library of Wales. It provides examples of past and current crowdsourcing projects, including transcribing historical records, building a gazetteer of Welsh place names from old maps, and collecting data on Welsh experiences in World War 1. The library uses crowdsourcing to engage with audiences, add value to collections, and accomplish goals that would otherwise not be possible due to limited resources. However, crowdsourcing still requires resources to plan projects, build communities, moderate contributions, and integrate public inputs.
Powerpoint of presentation by Tamara Lavrencic prepared for Building Together:Tools for cultral places presented by M&G NSW in association with ACHAA in Sept 2014
This webinar provided information to applicants for grants to plan learning labs in libraries and museums. It described the program goals of engaging youth in mentor-led learning using digital and traditional media. Applicants were informed that up to 14 grants of up to $100,000 each would be awarded to support the planning and design of learning labs. The application process and timeline were outlined, with a deadline of June 15th to submit proposals through Grants.gov for selection in late fall.
Enabling digital scholarship through staff training: the British Library's ex...Mia
A talk at the DH Lab at the University of Exeter in February 2019.
The British Library's Digital Scholarship Training Programme provides colleagues with the space and support to
develop the necessary skills and knowledge to support emerging areas of modern scholarship. Their familiarity with the foundational concepts, methods and tools of digital scholarship in turn helps promote a spirit of innovation and creativity, encouraging digital initiatives within the Library and with external partners. Finally, the programme of events helps nourish and sustain an internal digital scholarship community of interest/practice.
In this talk, Digital Curator Dr. Mia Ridge will share some of the lessons the team have learnt about delivering Digital Scholarship training in a library environment since it began several years ago, and some of the challenges they still face.
This document discusses managing archives within museums. It begins with defining archives as materials created or received by an organization that are preserved for their enduring value. It notes that museums may have archives as part of their collections or as separate collections, including the museum's own records. The document discusses challenges and opportunities around digital archives, including digitization projects, online catalogs, and new ways for users to interact with archives online. It also covers standards, benefits of accreditation for archive services, and challenges around interpreting archives for users.
This document provides information about Arts Council England's Grants for the Arts Libraries Fund. The £6 million fund is exclusively for projects led by public libraries in partnership with arts organizations. It aims to stimulate innovative partnerships between libraries and artists/arts groups and encourage community participation in arts activities. Libraries can apply for funding to support a wide range of arts projects and events in their communities. The assessment criteria focus on the quality of the artistic experience, public engagement, project management, and financial feasibility. Support is available to help libraries develop ambitious applications that deliver high-quality arts experiences.
Similar to Collecting cultures presentation 13th Jan, Edinburgh (20)
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
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2. The aims of Collecting Cultures are to:
• support the development of collections and their
use through strategic acquisition programmes,
related research and public programmes,
• enhance the professional knowledge and skills of
staff working in museums, libraries and archives,
• use strategic collecting programmes to support
the funded museums, libraries and archives to
increase resilience as an organisation.
3. Who can apply?
• Museums – same as first programme
• Archives – including film and sound archives
• Libraries with specialist heritage collections, eg
cathedral, university and some public libraries
4. Eligibility
• collections acquired need to be held in public
ownership for the long term.
• we ask you to demonstrate that you can meet the
standards of governance, collections care and
access as outlined in museum accreditation and
archives accreditation.
• if you are not within an accreditation scheme then
you should supply policies which show you are
meeting these standards.
5. Essence of the programme
We give grants for projects that:
• develop collections strategically over time, through
programmes of targeted acquisition.
• develop the skills of staff through increasing
collections knowledge and experience of acquisition.
• promote the use of the collection by engaging new
and existing audiences through activities and events
• build organisational resilience through new
partnerships and networks
6. The programme has six outcomes
Outcomes for heritage
• better managed
• better interpreted and explained
Outcomes for people
• learnt about heritage
• developed skills
Outcomes for communities
• more people and a wider range of people will have
engaged with heritage
• your organisation will be more resilient
7. Key features of Collecting Cultures
•
•
•
•
•
•
•
one off, single round programme
£5 million budget
spread across museums, libraries and archives
minimum grant £50,000
maximum grant £500,000
50% of grant must be spent on acquisition
projects of up to 5 years
Deadline for applications – 2 May 2014
8. What we could fund
• acquisition costs including fees for purchase and
valuation
• essential conservation or cataloguing costs for newly
acquired items
• skills development costs for staff
• activity costs for engaging audiences
• exhibition costs
9. Collecting Cultures is not for you if:
• your project doesn’t focus on acquiring portable
heritage
• you only want to acquire a small number of one-off
items
• the acquired items do not fill a strategic gap in your
collections
• you are not planning activities to help people engage
with and learn about the collections
10. Previous experience of acquisition is not
needed
• cohort of Collecting Cultures projects provides
support – regular cohort meetings and plans for an
online community
• we can provide lessons learnt from the first Collecting
Cultures programme
12. Summary
You submit two main documents to us:
• pre-application form (before 3 March)
• an application form (before 2 May)
–
–
–
–
–
your plans for acquisition
an activity plan detailing skills development and engagement
how you will meet the programme outcomes
firm budget
how you will develop your plans for acquisition once you
receive your grant
13. The programme has six outcomes
Outcomes for heritage
• better managed
• better interpreted and explained
Outcomes for people
• learnt about heritage
• developed skills
Outcomes for communities
• more people and a wider range of people will have
engaged with heritage
• your organisation will be more resilient
14. Acquisition planning
Your plans for acquisition should include:
– description of the collection you wish to develop,
its context and importance,
– outline of type of items you envisage acquiring,
including cost estimates based on recent sale
results.
– how you will research and monitor the market
during your project to find items to purchase,
– a budget for acquisition, based on estimate
purchase prices and associated fees, including
the cost of valuation advice.
15. Activity planning
Your activity plan should include;
– details of the skills development your project will
deliver for staff in your organisation,
– details of the engagement activities your project
will deliver to promote the active use of the
collection you are developing
16. Partnership applications
• partnerships a strong feature of first Collecting
Cultures programme
• this new Collecting Cultures programme opens
potential for partnership applications involving
museums, libraries and archives
• partners need to decide who will acquire (acquiring
partners need to meet the eligibility standard)
• non-acquiring partners could be a variety of
organisations.
18. First Collecting Cultures programme
– 22 projects supported across UK
– total of £3.14m awarded
– grants up to £200,000
– targeted at museums
19. Collecting Cultures first programme example
• Gallery Oldham and
The Harris Museum
and Art Gallery (HLF
grant £82,000)
targeted gaps in
their collections of
20th century studio
ceramics
• research time at
project start
developed expertise/
specialism in field
• partnership structure helped acquisition decisions
• enabled engagement with target groups
20. Collecting Cultures first programme example
• Museum of English Rural
Life (HLF grant £95,000)
collected items reflecting
20th century life in the
countryside
• challenged themselves to
look at rural culture in a new
way - triggering a rebalancing of existing
collections
• enabled wider engagement,
on new themes with new
audiences
• developed new partnerships
21. Collecting Cultures first programme example
• Norwich Castle
Museum and
Art Gallery
(HLF grant
£199,500) to fill
gaps in
archaeology
collections
• targeted
Treasure items
- almost 200
acquisitions
• networks developed led to increased object
donation
• engagement with wider range of school groups
22. Collecting Cultures first programme example
• Chepstow and Monmouth
Museums (HLF grant
£200,000) developing
collections related to the
Wye Tour – wide range of
items
• used additional grant
funding to match fund
high value items
• performance based
interpretation raised
awareness
• broadened museums’
profile and networks
23. Collecting Cultures new programme timetable
– Deadline for applications: 2 May 2014
– HLF Board makes decisions: 30 September
2014
– Projects begin: October 2014
– Projects complete: October 2019
24. For more information
Visit the Collecting Cultures page on our website
to find application guidance and an evaluation of
the first Collecting Cultures programme:
http://www.hlf.org.uk/HowToApply/programmes/
Pages/CollectingCultures.aspx
Queries & Advice in Scotland
Megan Braithwaite – Development Officer
megan.braithwaite@hlf.org.uk
0131 240 1586
@HLFScotland
Editor's Notes
Strategic collecting - The programme is about MLAs developing their collections through targeted acquisitions so simply it is about acquiring collections over a period of time rather than one off acquisitions. The strategic element refers to what the MLA will collect – we want our funding to be used for MLAs to identify the gaps in their collections so we’re asking them to tell us why the area they wish to collect in is important and what types of objects they would be looking to acquire – we do not need to know in advance all the objects they will be acquiring Examples from first CC programmeVery focused – Tain Silver for the Tain and District MuseumWider – Enlightenment across three Derbyshire museums, Jurassic Coast fossilsAdding depth – the Whitworth Art Gallery project to fills gaps and develop its wallpaper collectionsEmphasize that the use of collections has equal weight – key focus is engagement Also staff skills – emphasis here about embedding that knowledge within the organisation Resilience in this context very much about the new potential for engagement and partnerships that the collections development project will bring – cultural capital. Egs from first CC – this was a strong feature of the success of first programme.
Run through outcomes – will look at these again in more detail later when we look at the process of making an application.
Budget reflects the extension of the programme to archives and libraries and also the increase in market prices since the first programme.Max grant is increased from £200,000 for the first programme – this responds to demand for this in consultation and also allows for projects in more expensive collecting areas (eg fine art). Although with programme budget of £5m we do not expect to make many awards at the max grant level.Important to note that a minimum of 50% of our grant must be spent on acquisition – this is to ensure that the programme achieves its core aim of supporting collecting development through acquisition. Project duration of 5 years – reflects the experience of the previous programme where many projects which planned a shorter duration found that they actually needed this max time – due to intial planning time needed to develop knowledge of the market or due to time waiting for suitable items to become available. Highlight pre-application enquiry deadline is 3 MarchPartnership funding - grants up to £100,000 don’t need to make cash contribution, above £100,000, 5% partnership funding
We count costs associated with acquisition eg auction house premiums and valuation costs, as part of the acquisition cost (and part of the 50% min)Some conservation work can be included – but really only essential works to get an object into a steady state. Cataloguing also can be included – aware this may be a considerable cost for some archival acquisitions.
Pre-application form simply asks for headline details of your idea for a project – so that we can give constructive feedback to help you plan your application. Important to go onto our website and submit a pre-application form before the deadline of 3 March – you must have done this in order to then move on to submit an application.The deadline for applications is 2 April, these are the key areas of detail that you will need to provide with your application. NB your plans for acquisition do not need to detail specific objects, simply a collection area and types of object. We also ask that you tell us how you plan to develop this planning through research when your project starts, in order to find and select specific objects to acquire.
The application guidance gives detailed descriptions of what you can use to show that your project will meet each outcome – refer.