Colin dockerty sound design in computer games analysis work sheet beyond two souls
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This document discusses a student's analysis of sound design techniques used in the video game RWBY. The student is asked to identify specific soundtrack elements, describe the sounds that establish the setting, mood, and game genre, and state the production techniques used to create these elements.
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Sound design in computer games analysis work sheet
This document discusses a unit on sound design for computer games. It prompts the student to analyze soundtracks from game examples by describing how specific elements establish setting, mood, and narrative through production techniques to support the game's genre.
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This document outlines the requirements for a unit on sound design for computer games, asking students to analyze specific soundtrack elements from chosen examples to identify the production techniques used and how they help establish the setting, mood, genre, and narrative. Students must provide detailed descriptions of sounds and clearly state the techniques used to create soundtrack elements.
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This document discusses a student's analysis of the sound design techniques used in the video game Bioshock Infinite. The student describes the setting, mood, genre and how sound was used to support the narrative for specific elements of the game's soundtrack.
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This document discusses a student's analysis of the soundtrack for the first-person shooter game Crysis Warhead. The student describes the setting, mood, and narrative established by specific soundtrack elements and identifies the production techniques used to create those elements.
Ig1 task 2 analysis work sheet american mcgee's alice
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Sound design in computer games analysis work sheet
This document discusses a unit on sound design for computer games. It prompts the student to analyze soundtracks from game examples by describing how specific elements establish setting, mood, and narrative through production techniques to support the game's genre.
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This document outlines the requirements for a unit on sound design for computer games, asking students to analyze specific soundtrack elements from chosen examples to identify the production techniques used and how they help establish the setting, mood, genre, and narrative. Students must provide detailed descriptions of sounds and clearly state the techniques used to create soundtrack elements.
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This document discusses a student's analysis of the sound design techniques used in the video game Bioshock Infinite. The student describes the setting, mood, genre and how sound was used to support the narrative for specific elements of the game's soundtrack.
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This document discusses a student's analysis of the soundtrack for the first-person shooter game Crysis Warhead. The student describes the setting, mood, and narrative established by specific soundtrack elements and identifies the production techniques used to create those elements.
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The document discusses the game American McGee's Alice and analyzes its soundtrack elements. It takes place in a distorted version of Wonderland with unearthly, strange sounds that create a dark mood, fitting for the platformer genre. Voices of characters talking were likely produced using voice acting techniques.
Ig1 task 2 analysis work sheet epic mickey
The document discusses the game Epic Mickey and analyzes its sound design techniques. It describes the game as a platformer set in a wizard's workshop with a fantasy-like musical score that starts mysterious but becomes scarier. Character voices and sound effects were likely used to set the mood and advance the narrative.
Task 2 total war shogun 2 fall of the samurai
This document discusses a student's analysis of the soundtrack for the video game Total War Shogun 2 Fall of the Samurai. The student describes the setting, mood, and genre of the game as well as how the soundtrack supports the narrative. The student also identifies the production techniques used to create specific elements of the game's soundtrack.
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This document discusses a student's analysis of the soundtrack for the strategy game Total War Shogun 2. The student identifies the setting, mood, game genre and narrative elements conveyed through specific soundtrack production techniques.
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The document summarizes sound elements from the video game series The Walking Dead. It describes the setting as an abandoned pharmacy in a fictional town created for the games. It analyzes the mood, starting with an alarm sound indicating danger and zombies approaching, building suspense. As the survivors talk inside and zombies bang outside, the mood becomes more chaotic. People are heard shouting for help as the music quickens to signal more action. The genre is described as graphic adventure and point-and-click.
Scratch project ideas
This document provides project ideas and guidance for creating projects in Scratch. It includes ideas for interactive stories, games, art projects and more. Each project idea includes steps and relevant blocks to use. It also has sections highlighting blocks for specific types of projects like stories, games, arts projects and more. The goal is to provide inspiration and guidance for creating a variety of projects in Scratch.
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1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
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dead space 3 sound design
The document provides analysis of sound elements in a scene from the video game Deadspace 3. It describes how the sounds establish the setting as a snowy, uninhabited place that then changes to a city area with traffic. An argument scene in an apartment includes dialogue and sounds of objects being thrown. Field recordings captured wind and footsteps in snow while Foley artistry created the other sounds. The mood shifts from confusion and darkness to a more aggressive one as the scene turns to an argument. Eerie music emphasizes the panic and horror elements throughout. The genre encompasses both action and horror as shown through the music and dialogue. Narrative is used to tell the story without needing visuals to understand what is happening in the scene
Ig1 task 2 analysis work sheet wolfenstein the new order
The document analyzes sound elements from the game Wolfenstein: The New Order. It describes the setting as modern or futuristic based on recorded or digitally created electrical and robotic footstep sounds. Dark mood is conveyed through a recorded voice line about hunting and killing. The genre is identified as a shooter since the excerpt includes recorded knife sounds, an electric sound, and later gunshots and robotic footsteps. Foreign dialogue between two characters was likely recorded voices later overdubbed in English.
Q cards
The document discusses characters and sound design for a zombie survival game cut scene. It introduces the characters Martin, Andrew, Hunter, Jack and Laura who make up squad Apollo 10, and their base commander General Marshall. Apollo 10 receives reports of a fast-spreading zombie outbreak approaching their base Fort Dawn. The cut scene would show Apollo 10 gearing up to fight off the zombie horde and stop the outbreak's source as they discuss going home. For sound design, there would be no music at first but it builds tension as characters storm in, gets louder when the outbreak is announced, then calms as the situation is discussed before turning victorious as Apollo 10 exits to battle. Sound effects will be recorded in a studio and applied
Q cards
The document discusses characters and sound design for a zombie survival game cut scene. It introduces the characters Martin, Andrew, Hunter, Jack and Laura who make up squad Apollo 10, and their base commander General Marshall. Apollo 10 receives reports of a fast-spreading zombie outbreak approaching their base Fort Dawn. The cut scene would show Apollo 10 gearing up to fight off the zombie horde and stop the outbreak's source as they discuss going home. For sound design, there would be no music at first but it builds tension as characters storm in, gets louder when the outbreak is announced, then calms as the situation is discussed before turning victorious as Apollo 10 exits to battle. Sound effects will be recorded in a studio and applied
Sound equipment
This document lists various pieces of equipment needed for sound recording and programming including a portable sound recorder, directional and omni-directional microphones, SD cards, USB and XLR cables, headphones, audio editing software, computer storage, a soundcard, VST plugins, batteries, and links to purchase the items.
Colin dockerty sound design in computer games analysis work sheet deadpool
1) The music starts slow then transitions to fast rock music when Deadpool interrupts to speak, setting the calm and aggressive moods.
2) Production techniques like layering slow and fast music were used to establish different moods and interruptions created comedy.
3) The game genre is an action-comedy due to the slow start interrupted by funny commentary before transitioning to fast-paced action backed by rock music.
Colin dockerty sound design in computer games analysis work sheet deadpool
1) The music starts slow then transitions to fast rock music when Deadpool interrupts to speak, setting the calm and aggressive moods.
2) Production techniques like layering slow and fast music were used to establish different moods for exposition and action scenes.
3) The game genre is an action-comedy due to the mix of slow intro, funny commentary, and fast-paced rock music during fighting sequences.
Sound recording glossary
The document is a glossary assignment for a games design course on sound design. It contains definitions for over 20 key terms related to sound design and production. For each term, it provides a short definition from an online source as well as any relevant details about how the term relates to the student's own production practice. The glossary covers areas such as foley artistry, sound file formats, audio limitations, recording systems, sampling, and more.
_ ig2 game audio cut sequence production_2014 to 2015 colin d
This document provides an assignment brief for a computer games design qualification. The assignment involves producing audio assets and a cut sequence for a computer game. It includes 11 tasks that cover sound design principles, script writing, recording audio, editing audio using effects, and programming sounds into a game. The tasks aim to develop skills across 3 units on sound design, pre-production techniques, and communication skills. Students will research sound design, analyze existing game audio, record a script, edit audio, create a pitch, and integrate audio into a completed game project. The assignment must be completed individually and documented in blog posts, with deadlines from January to June 2015.
Apollo 10
1) Scientists at a nearby laboratory reported that their experiment went wrong, causing a large zombie outbreak 50 miles away that is spreading rapidly towards Fort Dawn.
2) The outbreak is now only 10 miles away and moving faster, more aggressively. Communications with other stations have been unsuccessful.
3) General Marshall orders the soldiers including Apollo 10 to warn and arm others at the base as they prepare to fight off the zombies quickly approaching in an hour or less. Failure to work together could mean the end of the human race against the zombie threat.
Apollo 10
1) Scientists at a nearby laboratory reported that their zombie experiment went wrong, causing a huge zombie outbreak that is rapidly spreading towards Fort Dawn and the surrounding region.
2) The zombie outbreak started that morning and is now only 10 miles away, heading directly for Fort Dawn. It is growing larger, faster, and more aggressive.
3) With communications down and a scout missing, General Marshall warns the soldiers at Fort Dawn to arm themselves as they may be the last line of defense against the zombie outbreak reaching them within the hour.
Computer game audio cut sequence script
1) Josh forgets his homework and is reminded by the teacher to not let it happen again. Some students bully Jess, causing her to run out crying, and Josh comforts her.
2) After school, the three bullying students call Josh over and surround him, beating him severely and jumping on a bench placed on his back, knocking him unconscious.
3) Josh wakes up in the hospital, confused about how he got there.
_ ig2 game audio cut sequence production_2014 to 2015 colin d
This document provides an assignment brief for a computer games design qualification. The assignment involves producing audio assets and a cut sequence for a computer game. It will assess learning outcomes related to understanding sound design, creating sound assets, and applying sounds to a game following industry practices. The tasks include researching sound design terms, analyzing existing game audio, scripting and recording dialogue, editing sounds using effects, creating sound effects, and programming the finished audio into a game. The deadline for completion is June 5th, 2015.
Job roles
The document describes several roles in game development including designers, programmers, artists, producers, testers, and marketing roles. Game designers create the rules and structure of games. Programmers write the code to run and control games. Artists create visual elements like characters and environments. Producers ensure games are delivered on time and on budget by coordinating the team. Testers systematically test games for bugs and playability issues. Marketing roles work to promote games through advertising, public relations, and managing brands.
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Deadspace analysis
The document analyzes the soundtrack of the video game Dead Space 3 from the time period of 2:45 to 7:12. It describes the setting as a windy, snowy area with futuristic technology. Field recordings of wind and snow were likely used, along with VST effects for mechanical sounds. An eerie ostinato of a string quartet was used from 2:45 to 5:16 to make the player feel uneasy. The game genre seems to be horror based on the worried dialogue of characters, creating suspense. Voice actors would have recorded dialogue in a controlled booth, as the cut scene contains no narration.
Ig1 task 2 analysis work sheet
The document summarizes sound elements from the video game series The Walking Dead. It describes the setting as an abandoned pharmacy in a fictional town created for the games. It analyzes the mood, starting with an alarm sound indicating danger and zombies approaching, building suspense. As the survivors talk inside and zombies bang outside, the mood becomes more chaotic. People are heard shouting for help as the music quickens to signal more action. The genre is described as graphic adventure and point-and-click.
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This document provides project ideas and guidance for creating projects in Scratch. It includes ideas for interactive stories, games, art projects and more. Each project idea includes steps and relevant blocks to use. It also has sections highlighting blocks for specific types of projects like stories, games, arts projects and more. The goal is to provide inspiration and guidance for creating a variety of projects in Scratch.
Ig1 task 2 analysis work sheet Watch Dogs
The document analyzes the soundtrack of the game Watch_Dogs. It describes the setting as a modern day public place based on the conversation at the beginning about hacking. The mood starts calm but gets intense with alarms. The genre is identified as an action or shooter game based on the alarms and conversation about "taking someone out". The narrative involves a phone conversation between two men that was likely recorded and edited to sound like it was over the phone, and a later conversation about a contract that was also likely recorded and edited.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
dead space 3 sound design
The document provides analysis of sound elements in a scene from the video game Deadspace 3. It describes how the sounds establish the setting as a snowy, uninhabited place that then changes to a city area with traffic. An argument scene in an apartment includes dialogue and sounds of objects being thrown. Field recordings captured wind and footsteps in snow while Foley artistry created the other sounds. The mood shifts from confusion and darkness to a more aggressive one as the scene turns to an argument. Eerie music emphasizes the panic and horror elements throughout. The genre encompasses both action and horror as shown through the music and dialogue. Narrative is used to tell the story without needing visuals to understand what is happening in the scene
Ig1 task 2 analysis work sheet wolfenstein the new order
The document analyzes sound elements from the game Wolfenstein: The New Order. It describes the setting as modern or futuristic based on recorded or digitally created electrical and robotic footstep sounds. Dark mood is conveyed through a recorded voice line about hunting and killing. The genre is identified as a shooter since the excerpt includes recorded knife sounds, an electric sound, and later gunshots and robotic footsteps. Foreign dialogue between two characters was likely recorded voices later overdubbed in English.
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Jake sound design in computer games analysis work sheet saw 2
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More from Colinjason Dockerty
Q cards
The document discusses characters and sound design for a zombie survival game cut scene. It introduces the characters Martin, Andrew, Hunter, Jack and Laura who make up squad Apollo 10, and their base commander General Marshall. Apollo 10 receives reports of a fast-spreading zombie outbreak approaching their base Fort Dawn. The cut scene would show Apollo 10 gearing up to fight off the zombie horde and stop the outbreak's source as they discuss going home. For sound design, there would be no music at first but it builds tension as characters storm in, gets louder when the outbreak is announced, then calms as the situation is discussed before turning victorious as Apollo 10 exits to battle. Sound effects will be recorded in a studio and applied
Q cards
The document discusses characters and sound design for a zombie survival game cut scene. It introduces the characters Martin, Andrew, Hunter, Jack and Laura who make up squad Apollo 10, and their base commander General Marshall. Apollo 10 receives reports of a fast-spreading zombie outbreak approaching their base Fort Dawn. The cut scene would show Apollo 10 gearing up to fight off the zombie horde and stop the outbreak's source as they discuss going home. For sound design, there would be no music at first but it builds tension as characters storm in, gets louder when the outbreak is announced, then calms as the situation is discussed before turning victorious as Apollo 10 exits to battle. Sound effects will be recorded in a studio and applied
Sound equipment
This document lists various pieces of equipment needed for sound recording and programming including a portable sound recorder, directional and omni-directional microphones, SD cards, USB and XLR cables, headphones, audio editing software, computer storage, a soundcard, VST plugins, batteries, and links to purchase the items.
Colin dockerty sound design in computer games analysis work sheet deadpool
1) The music starts slow then transitions to fast rock music when Deadpool interrupts to speak, setting the calm and aggressive moods.
2) Production techniques like layering slow and fast music were used to establish different moods and interruptions created comedy.
3) The game genre is an action-comedy due to the slow start interrupted by funny commentary before transitioning to fast-paced action backed by rock music.
Colin dockerty sound design in computer games analysis work sheet deadpool
1) The music starts slow then transitions to fast rock music when Deadpool interrupts to speak, setting the calm and aggressive moods.
2) Production techniques like layering slow and fast music were used to establish different moods for exposition and action scenes.
3) The game genre is an action-comedy due to the mix of slow intro, funny commentary, and fast-paced rock music during fighting sequences.
Sound recording glossary
The document is a glossary assignment for a games design course on sound design. It contains definitions for over 20 key terms related to sound design and production. For each term, it provides a short definition from an online source as well as any relevant details about how the term relates to the student's own production practice. The glossary covers areas such as foley artistry, sound file formats, audio limitations, recording systems, sampling, and more.
_ ig2 game audio cut sequence production_2014 to 2015 colin d
This document provides an assignment brief for a computer games design qualification. The assignment involves producing audio assets and a cut sequence for a computer game. It includes 11 tasks that cover sound design principles, script writing, recording audio, editing audio using effects, and programming sounds into a game. The tasks aim to develop skills across 3 units on sound design, pre-production techniques, and communication skills. Students will research sound design, analyze existing game audio, record a script, edit audio, create a pitch, and integrate audio into a completed game project. The assignment must be completed individually and documented in blog posts, with deadlines from January to June 2015.
Apollo 10
1) Scientists at a nearby laboratory reported that their experiment went wrong, causing a large zombie outbreak 50 miles away that is spreading rapidly towards Fort Dawn.
2) The outbreak is now only 10 miles away and moving faster, more aggressively. Communications with other stations have been unsuccessful.
3) General Marshall orders the soldiers including Apollo 10 to warn and arm others at the base as they prepare to fight off the zombies quickly approaching in an hour or less. Failure to work together could mean the end of the human race against the zombie threat.
Apollo 10
1) Scientists at a nearby laboratory reported that their zombie experiment went wrong, causing a huge zombie outbreak that is rapidly spreading towards Fort Dawn and the surrounding region.
2) The zombie outbreak started that morning and is now only 10 miles away, heading directly for Fort Dawn. It is growing larger, faster, and more aggressive.
3) With communications down and a scout missing, General Marshall warns the soldiers at Fort Dawn to arm themselves as they may be the last line of defense against the zombie outbreak reaching them within the hour.
Computer game audio cut sequence script
1) Josh forgets his homework and is reminded by the teacher to not let it happen again. Some students bully Jess, causing her to run out crying, and Josh comforts her.
2) After school, the three bullying students call Josh over and surround him, beating him severely and jumping on a bench placed on his back, knocking him unconscious.
3) Josh wakes up in the hospital, confused about how he got there.
_ ig2 game audio cut sequence production_2014 to 2015 colin d
This document provides an assignment brief for a computer games design qualification. The assignment involves producing audio assets and a cut sequence for a computer game. It will assess learning outcomes related to understanding sound design, creating sound assets, and applying sounds to a game following industry practices. The tasks include researching sound design terms, analyzing existing game audio, scripting and recording dialogue, editing sounds using effects, creating sound effects, and programming the finished audio into a game. The deadline for completion is June 5th, 2015.
Job roles
The document describes several roles in game development including designers, programmers, artists, producers, testers, and marketing roles. Game designers create the rules and structure of games. Programmers write the code to run and control games. Artists create visual elements like characters and environments. Producers ensure games are delivered on time and on budget by coordinating the team. Testers systematically test games for bugs and playability issues. Marketing roles work to promote games through advertising, public relations, and managing brands.
Learner assessment submission declaration
This document contains a learner assessment submission and declaration form for Colin Dockerty. It lists the unit, assignment reference, evidence submitted, and URLs for blog posts as evidence for three tasks on game engines. Colin signs a declaration confirming the work is his own and understands false declarations are a form of malpractice.
Colin dockerty 3d level workflow
The student created a 3D game level in Unity by first modeling the terrain and adding textures to make it seem realistic. Water, trees, grass, stone fences and buildings were then added to enhance the scenery. Characters were also included and colliders were applied to all objects to prevent passing through them. Most recently, a waterfall was added that functions to a certain extent.
Colin dockerty task2 workflow
Colin Dockerty created a sprite called "no-eyes-spr" using different colors in GameMaker. He then made an object called "noeyes_obj" and set the origin to center. For the object, he added keyboard controls to move it up, down, left and right using code. He created a room called "place" that is 1024x576 pixels with a blue background. The sprite is placed in the center of the room. Movement is limited to the room boundaries using boundary check code. A scrolling background was also created that moves at -6 horizontal speed. A particle system effect was added to the object using code to create a thrust effect behind it when moving.
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Colin dockerty sound design in computer games analysis work sheet deadpool
Colin dockerty sound design in computer games analysis work sheet deadpool
Colin dockerty sound design in computer games analysis work sheet deadpool
Colin dockerty sound design in computer games analysis work sheet deadpool
_ ig2 game audio cut sequence production_2014 to 2015 colin d
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BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
Colin dockerty sound design in computer games analysis work sheet beyond two souls
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title RWBY- Provide detailed descriptions from chosen examples of sounds that establish… Clearly state what production technique(s) you think have been used to create specific soundtrack elements Setting Mood Game genre Narrative