This lecture will teach you about the basic approaches to studying film history. In addition, this section describes the chronological breakdown of film history and identifies its major achievements.
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1. How did the major Hollywood firms respond to the challenge p.docxsandibabcock
1. How did the major Hollywood firms respond to the challenge posed by First National Exhibitors' Circuit in 1917? What kinds of benefits resulted from the industry's adoption of vertical integration? Explain how this policy benefited both major and minor film companies.
2. Identify the major technological and aesthetic factors that influenced Hollywood film form during the 1920s. How did the resulting changes enhance or complement the classical narrative style, which was by then the industry norm? How are these changes evident in the film screened in class?
3. What events or conditions motivated the calls for the moral reform of the American film industry in the early 1920s? How did the industry respond to these calls? Analyze how this response placated the reformers and at the same time protected the industry's own interests.
4. In what ways were the formal innovations of European cinemas assimilated by American filmmakers and integrated into the classical Hollywood cinema during the late silent era? What kinds of contributions were made by European directors working in Hollywood?
5. Under what conditions did African American audiences experience films during the silent era? In what ways did individual filmmakers or companies tailor their films to appeal specifically to these audiences?
6. Discuss the motives behind the emergence of "Film Europe." How did the national film industries of Europe cooperate in combating the influence of American movies? Why were these cooperative efforts halted at the end of the 1920s?
7. What were the institutions that championed and promoted "art cinema" during the late silent period?
8. What were the theoretical and aesthetic principles that characterized the Dada, Surrealist, and "cinema pur" movements? Which formal and stylistic qualities did their films share, and in what ways did they differ?
.
This lecture will teach you about the basic approaches to studying film history. In addition, this section describes the chronological breakdown of film history and identifies its major achievements.
100 Years of Indian Cinema
Television Vs Movies Essay
What Is The Importance Of Cinema
Essay Cinema of Attraction
Modern Day Cinema At The Turn Of The 20th Century
Essay on Cinema Versus the Home Theater
The Art Cinema As A Mode Of Film Essay
Cinema In European Cinema
Essay on The Study of National Cinema
Essay on Cinema and the Digital Age
Essay on The Magic of Music in Film
Cinema And Neorealism In Cinema
Essay on Cinemas Role in Society
1960s Cinema And Its Impact On Cinema
Thesis On Film And Architecture
Reflective Essay On Cinema
Descriptive Essay About Cinema
Cinema Paradiso
1. How did the major Hollywood firms respond to the challenge p.docxsandibabcock
1. How did the major Hollywood firms respond to the challenge posed by First National Exhibitors' Circuit in 1917? What kinds of benefits resulted from the industry's adoption of vertical integration? Explain how this policy benefited both major and minor film companies.
2. Identify the major technological and aesthetic factors that influenced Hollywood film form during the 1920s. How did the resulting changes enhance or complement the classical narrative style, which was by then the industry norm? How are these changes evident in the film screened in class?
3. What events or conditions motivated the calls for the moral reform of the American film industry in the early 1920s? How did the industry respond to these calls? Analyze how this response placated the reformers and at the same time protected the industry's own interests.
4. In what ways were the formal innovations of European cinemas assimilated by American filmmakers and integrated into the classical Hollywood cinema during the late silent era? What kinds of contributions were made by European directors working in Hollywood?
5. Under what conditions did African American audiences experience films during the silent era? In what ways did individual filmmakers or companies tailor their films to appeal specifically to these audiences?
6. Discuss the motives behind the emergence of "Film Europe." How did the national film industries of Europe cooperate in combating the influence of American movies? Why were these cooperative efforts halted at the end of the 1920s?
7. What were the institutions that championed and promoted "art cinema" during the late silent period?
8. What were the theoretical and aesthetic principles that characterized the Dada, Surrealist, and "cinema pur" movements? Which formal and stylistic qualities did their films share, and in what ways did they differ?
.
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The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
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This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
2. Who invented Cinema?
Thomas Edison's Kinetoscope : A prototype of the
kinetoscope was demonstrated by the Edison
company in 1891.
Following the screening of the Lumiere's moving
pictures in London (1895) cinema became a sensation
across Europe and by July the Lumiere had been
show in Bombay.
During the early twentieth century as a medium gained
popularity across India’s population and its many
economic sections.
3. The Rise of the Film
Industry
Several national film industries
were established by
1914(Europe, Russia and
Scandinavia were the dominant
industries).
Films became longer and story
telling or narrative became the
dominant form.
Large studios were established
and dedicated cinemas built.
The first thirty years of cinema
were characterized by the
growth and consolidation of an
industrial base.
The refinement of technology
4. Regional
Cinema Bollywood, Hindi cinema initially explored issues of
caste and culture in films such as ACHHUT (1936) &
SUJATA(1959).
Hindi cinema
01
1932, Scripts from Mythology to History and Social
to Political. Issues of Indian society. Narsihn Mehta
first film in 1932.
Gujrati Cinema
02
Regions of Western Bihar & Eastern Uttar Pradesh,
begins in 1962. large audience from Delhi and
Mumbai due to Migration from Bhojpuri language.
Bhojpuri Cinema
03
Begins in 1993 , focus on social issues, includes
Bangla science fictions. National attention includes
Rituparno Ghosh’s CHOKER BALI.
Bengali Cinema
04
5. Film Censorship
Film Review
Film Criticism
Censorship can be broadly as the
suppression of knowledge or ideas.
Used by GVT to
prevent
circulation of
material.
The central board of
film certification,
regulatory body of
India, removes
deems offensive,
sex ,nudity,
violence. .
e.g., 2002 The film
War and Peace
depicting scenes of
nuclear testing,
sept, 11, 2001
attacks , 21 cuts
before release.
6. Film Review
Journalistic criticism: Regular in
newspaper and other popular
platforms.
Academic Criticism: By scholars
informed by film theory, published in
journals.
Most of the discussion of film
on television is focused on the
amount of box office business a
film does as if financial success
were the only criterion needed
to define artistic success.
Traditionally, it assess the
Artistic merit and public appeal
of a movie.
7. Film Criticism
PRODUCTION
SCENE
DIRECTOR
CAMERA
DATE
ROLL TAKE
PROD.CO.
A critic is anyone who expresses a
value judgement.
It can be good or bad, positive , negative,
balanced . Since all the criticism must be
having a purpose , for whatever reason a
critic may have either constructive or
destructive intent.
Film criticism asks that one take an
academic approach to film , which often
known as film theory or film studies.
Critics try to understand why film works,
what it means and what effect it has on
people.
8. Cinema's Golden Age
In the early 1930s, nearly all feature length movies were presented
with synchronized sound and by 1930s some were in full color
too.
During the 1930s and 1040s, cinema was the principal form of
popular entertainment, with people often attending cinemas twice
a week
‘super'
cinemas
‘picture
palaces'
31 million
visits to the
cinema
‘Golden
Age of
Hollywood'.