Chuck is confronted by agents Erics and Johnson who reveal they are part of a rogue group called "The Cell" seeking to acquire the Intersect. They threaten Chuck's family to force his cooperation. Erics and Johnson take Chuck to an interrogation room at the CIA headquarters and demand he join their group. When Chuck refuses, they show him a live feed of a sniper targeting his sister Ellie and her family, forcing Chuck to reluctantly agree to help them.
This document is a collection of diary entries and dreams from a woman named Alex Destiny about her relationship and marriage to her husband Jimmy. The entries describe their nightly coffee ritual on the roof, followed by disturbing nightmares where Alex finds Jimmy behaving violently or her own dead body. She questions what is real and wakes up distressed. The dreams leave her feeling unsettled and make her question her relationship with Jimmy.
They didn't believe her... Until part twoLori Justice
This document is part two of Lori Justice's story, continuing where part one left off. It describes strange supernatural events that resumed in Lori's life after a period of calm, including seeing giant buzzards and her brother and sister-in-law acting strangely. Later, Lori hears banging around her trailer at night and her trailer almost burns down. More odd occurrences happen as she prepares to give birth to her daughter Sara, including seeing all sixes on her electricity meter. After losing custody of Sara, Lori struggles with trauma and turns to drinking and smoking pot to cope. She hopes to one day understand and move past her experiences.
The story follows Knight Erathen on a journey through time after encountering a mysterious one-legged old man calling himself the "Guard of the Future." Erathen is transported to modern-day America where he is confused by cars, toilets, and other modern technologies. He meets a boy named Benjamin who helps explain things and accompanies Erathen on a mission to rescue a kidnapped boy. After completing their mission, Erathen decides he wants to stay in the future rather than return to his own time, having enjoyed foods like McDonald's.
Ernest hemingway (1899 4961) hills like white elephantsronak56
This short story by Ernest Hemingway is set in a train station in rural Spain and focuses on an American man and his girlfriend. They are waiting for a train and discuss the possibility of the woman getting an abortion.
Though they appear happy at first, drinking beer and joking, their conversation soon turns serious as the man pressures the woman to get an abortion she is unsure about. She does not seem to want the procedure but acquiesces to please him. As they continue talking, it becomes clear there is tension and disagreement between them about having a child and their future together. The story ends as the train arrives, leaving their situation unresolved.
The detective is investigating the Strangling Servo murder case in Strangetown. They have interviewed two former detectives, Elmyra Beaker and Ripp Grunt, who were assigned to the case. Elmyra revealed that a man named Gargamel Pie owned the servo that committed the murders and had ordered it to kill. Ripp admitted that he and Elmyra had been distracted from their surveillance of the final victim because they were kissing. This allowed the servo to kill the victim. The detective becomes suspicious that the police supervisors did not properly discipline Elmyra and Ripp for their mistake. They go to interview their former lieutenant, Kirsten Singles, to get further answers.
The narrator has been investigating the Strangling Servo murder case in Strangetown. They have interviewed Detective Elmyra Beaker, her former partner Ripp Grunt, and their former lieutenant Kirsten Singles, discovering suspicious behavior regarding the handling of the case. The narrator also spoke to PetTech, who hinted at deeper connections but provided no clear answers. After searching various clubs, the narrator encounters Gargamel Pie, the prime suspect in ordering the servo killings. Gargamel invites the narrator to talk privately, suggesting the case may finally be solved.
Primal Chaos was the first being to exist, emerging from a dark void and creating the universe through a violent eruption. Primal Chaos views itself as the true foundation of reality and creator of all other beings, though some mention unnamed deities that may have preceded it. Primal Chaos has immense, immortal power and took the form of a female to create the first entities and spread its essence throughout the world.
This document is a collection of diary entries and dreams from a woman named Alex Destiny about her relationship and marriage to her husband Jimmy. The entries describe their nightly coffee ritual on the roof, followed by disturbing nightmares where Alex finds Jimmy behaving violently or her own dead body. She questions what is real and wakes up distressed. The dreams leave her feeling unsettled and make her question her relationship with Jimmy.
They didn't believe her... Until part twoLori Justice
This document is part two of Lori Justice's story, continuing where part one left off. It describes strange supernatural events that resumed in Lori's life after a period of calm, including seeing giant buzzards and her brother and sister-in-law acting strangely. Later, Lori hears banging around her trailer at night and her trailer almost burns down. More odd occurrences happen as she prepares to give birth to her daughter Sara, including seeing all sixes on her electricity meter. After losing custody of Sara, Lori struggles with trauma and turns to drinking and smoking pot to cope. She hopes to one day understand and move past her experiences.
The story follows Knight Erathen on a journey through time after encountering a mysterious one-legged old man calling himself the "Guard of the Future." Erathen is transported to modern-day America where he is confused by cars, toilets, and other modern technologies. He meets a boy named Benjamin who helps explain things and accompanies Erathen on a mission to rescue a kidnapped boy. After completing their mission, Erathen decides he wants to stay in the future rather than return to his own time, having enjoyed foods like McDonald's.
Ernest hemingway (1899 4961) hills like white elephantsronak56
This short story by Ernest Hemingway is set in a train station in rural Spain and focuses on an American man and his girlfriend. They are waiting for a train and discuss the possibility of the woman getting an abortion.
Though they appear happy at first, drinking beer and joking, their conversation soon turns serious as the man pressures the woman to get an abortion she is unsure about. She does not seem to want the procedure but acquiesces to please him. As they continue talking, it becomes clear there is tension and disagreement between them about having a child and their future together. The story ends as the train arrives, leaving their situation unresolved.
The detective is investigating the Strangling Servo murder case in Strangetown. They have interviewed two former detectives, Elmyra Beaker and Ripp Grunt, who were assigned to the case. Elmyra revealed that a man named Gargamel Pie owned the servo that committed the murders and had ordered it to kill. Ripp admitted that he and Elmyra had been distracted from their surveillance of the final victim because they were kissing. This allowed the servo to kill the victim. The detective becomes suspicious that the police supervisors did not properly discipline Elmyra and Ripp for their mistake. They go to interview their former lieutenant, Kirsten Singles, to get further answers.
The narrator has been investigating the Strangling Servo murder case in Strangetown. They have interviewed Detective Elmyra Beaker, her former partner Ripp Grunt, and their former lieutenant Kirsten Singles, discovering suspicious behavior regarding the handling of the case. The narrator also spoke to PetTech, who hinted at deeper connections but provided no clear answers. After searching various clubs, the narrator encounters Gargamel Pie, the prime suspect in ordering the servo killings. Gargamel invites the narrator to talk privately, suggesting the case may finally be solved.
Primal Chaos was the first being to exist, emerging from a dark void and creating the universe through a violent eruption. Primal Chaos views itself as the true foundation of reality and creator of all other beings, though some mention unnamed deities that may have preceded it. Primal Chaos has immense, immortal power and took the form of a female to create the first entities and spread its essence throughout the world.
Amarante is approached by a stranger named Geoff Rutherford while grocery shopping. Amarante feels a sense of dread, as she did when first encountering the mysterious woman after her performance. Geoff introduces himself and his family, and mentions Amarante's potential value to an unnamed effort, making Amarante uncomfortable. She cuts the interaction short to find her husband Jeremy and son Nicholas.
1) The document introduces Ciaran Naomhan, a troubled teen in Scotland whose father died in a mining accident. He gets into frequent fights at school.
2) As a teen, Ciaran enjoys the adrenaline from confrontations and running away. One night, he intervenes when bullies assault a waitress. He is arrested but his grandfather sends him to live with relatives in Boston.
3) In Boston, Ciaran gets a job but continues risky nighttime activities like parkour. One night, he witnesses a violent altercation between two inhuman creatures in a basement and kills one to save the other. He flees, disposing of evidence in a river.
Literally stored IN my body.
But, as I'll share on this page, I discovered a strange but powerful "switch" that cleared away what was blocking my abundance...
And turned my life around so fast it made my head spin.
The journey was painful at the start... but once I discovered this switch, it rocked my world.
women-meditation
I've never experienced such a deep connection with my "source".
And I never even knew I could feel so connected to financial abundance.
What I've since discovered is this simple switch...
And the unlimited abundance it triggers...
Is available to anyone.
Damon's narrative describes waking up alone in his house and going outside to meet his friend Jon. They decide to go to the mall but an ambulance passes by quickly, causing Damon to get a bad feeling. They follow the ambulance and find it at Damon's house, where his father stole and crashed his mother's car while fleeing from police. Damon's father is arrested and Damon leaves Kentucky, losing contact with his father and friend Jon.
Jesse's narrative describes going kayaking and duck hunting with his friend Lee on a cold, foggy day. They encounter dangerous rapids with many submerged rocks. Both kayaks hit rocks at different points, with Lee nearly drowning after his kayak
- Kor overhears an argument between his guardian Cee and uncle Oman, worrying that Cee will leave and send him away again
- Oman promises to be a better partner to Cee and father to Kor to convince Cee to stay
- Meanwhile, Kor makes his first friend, a girl named Lily, and shares secrets with her, hoping to form a connection
- The story also follows Osaka as her twin toddlers Mika and Kyoko enter the toddler stage, bringing joy and challenges to her growing family
R.K.Lilley - Up in the air trilogy (1st book "In flight")Dijana Veglia
The document appears to be the table of contents and first chapter of a novel. It introduces the main characters Bianca and Stephan, who are flight attendants working together on an overnight flight. Bianca is nervous because one of the passengers in first class is Mr. Cavendish, a billionaire hotel owner she met previously. When serving him, Bianca spills champagne on his jacket and feels very attracted to and distracted by his handsome appearance. The chapter describes their interaction and Bianca's nervous reaction to being near Mr. Cavendish.
R.K.Lilley - Up in air trilogy ( 2nd book "Mile High" )Dijana Veglia
The document appears to be the beginning of a novel, summarizing the first two chapters. It introduces the main characters Bianca and Stephan, pilots taking a layover in Miami to avoid New York. Bianca is still recovering from injuries and they are staying at a hotel. She spends time with pilot friends Damien and Murphy. The summary explores Bianca's difficult relationship with James and tensions with Stephan, as well as a beach walk and dinner with the pilots.
R.K.Lilley - Up in air trilogy ( 3rd book "Grounded )Dijana Veglia
This document appears to be the beginning of a novel containing 42 chapters. It introduces the main character who is traveling to meet her father after discovering he remarried and had another family. She finds out his new wife was recently killed in the same way as her mother. The character has breakfast with friends at her boyfriend James' apartment before he has to leave for work. He asks her to have lunch with him at his office. The character gets ready and prepares to go meet James, excited about what may happen.
Gustave Adonner recounts his experience meeting Lucifer after performing a ritual to summon him. He is transported to the kingdom of Pandemonium where he encounters various demons and terrifying creatures. Lucifer gives Gustave an assignment to destroy Christian works on Earth. Gustave is rewarded with wealth, a beautiful wife, and a high position overseeing souls. Lucifer then takes Gustave on a tour of Hell to observe the punishment of souls according to their deeds on Earth. Gustave witnesses Lucifer and other demons judging thousands of newly deceased souls and sending them into Hell.
Arlen is keeping a log at the request of others to document what has happened since the Abraxis disaster. In Arlen's first entry, they held a gathering to get to know the survivors better, though Arlen had ulterior motives. Arlen was intimate with Lady Brenna and grew closer to her, though found they did not feel the same with Celdu. Arlen is focusing on improving the community while keeping an eye on Cental Clenthar as per Lady Brenna's warning.
Feudalism in the Dark Ages describes feudalism as a system where landowners allowed others to use their land in exchange for services. It discusses key rulers like Charles Martel, Pepin the Short, and Charlemagne who helped expand territories. The structure of feudal society placed the king at the top, followed by nobles, knights, and peasants. Castle life in this era was dark, damp, and disease-ridden. The document also includes images related to coats of arms, castles, and the social hierarchy.
The narrator visits his family's mausoleum as a child and becomes obsessed with gaining immortality after getting lost inside. He meets a man named Luther who offers him immortality in exchange for souls. The narrator completes the task but soon realizes the deal has cursed him. He is imprisoned for life but receives a possible way to end his immortality from Promethe.
This document is a short story told from the perspective of a woman named Mary Beth about her tumultuous relationship with a man named Tommy. The summary is:
Mary Beth meets Tommy at a barbecue and they begin dating, though their relationship is rocky from the start due to Tommy's rude behavior. Over time, Mary Beth grows dependent on Tommy for her sense of identity and well-being, yet he continues to betray her trust through infidelity and lies. After discovering evidence of Tommy cheating again, Mary Beth decides to leave him for good by quietly taking her things and leaving while he sleeps, realizing she needs to quit relying on someone who will never truly change.
Lorin is being held prisoner by an unknown captor. Through mouse clicker powers, the captor is able to monitor and interfere with other sims, including knowing private details about Logan posing as Blue at Vincent's house. The captor reveals to Lorin that they have boolprop powers as well. Meanwhile, Logan asks Vincent if she can invite her mother to their wedding, as they have been estranged. Vincent agrees.
1) FBI agent Cutter was investigating a masked slaver who used a drug called "fem" to convert men into sex slaves. Cutter was captured and injected with fem.
2) Cutter awoke as a woman named Carla, under the slaver's control. Though she resisted at first, the effects of fem intensified her sexual desires.
3) Carla was sold to a client and enthusiastically had sex with him, embracing her new identity as a sex slave. Her conversion from Cutter to Carla was now complete.
Buck Grunt finds himself stranded in an unusual house with other travelers after their bus trip is abandoned. He interacts with the other occupants, including Jill, an old friend. Jill expresses concern that something is strange about the house, but Buck is skeptical. Throughout the night, Buck explores the house but finds no evidence of anything amiss, dealing with annoyances like a poorly-played piano.
When sixteen year old Claire Wallhart discovers that she is a Night Hunter, her world is turned upside down. With the help of her instructor. Erik, she will fight off the evil creatures of the night in order to protect all man kind.
The narrator returns to school after summer break and befriends a new student named Dappy. They are bullied by a group of students, and during a confrontation in the cafeteria, one of the bullies stabs and kills Dappy. Devastated by the loss of his only friend, the narrator plans to take revenge against the bullies.
The document provides an overview of the Spelmans' time in college. It describes the characters bonding with others, pursuing romantic interests, and focusing on their studies. Charming in particular stands out for his many romantic encounters, including with an older female professor. By the end of the semester, all the characters have earned good grades and Charming reflects positively on his college experience.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
Amarante is approached by a stranger named Geoff Rutherford while grocery shopping. Amarante feels a sense of dread, as she did when first encountering the mysterious woman after her performance. Geoff introduces himself and his family, and mentions Amarante's potential value to an unnamed effort, making Amarante uncomfortable. She cuts the interaction short to find her husband Jeremy and son Nicholas.
1) The document introduces Ciaran Naomhan, a troubled teen in Scotland whose father died in a mining accident. He gets into frequent fights at school.
2) As a teen, Ciaran enjoys the adrenaline from confrontations and running away. One night, he intervenes when bullies assault a waitress. He is arrested but his grandfather sends him to live with relatives in Boston.
3) In Boston, Ciaran gets a job but continues risky nighttime activities like parkour. One night, he witnesses a violent altercation between two inhuman creatures in a basement and kills one to save the other. He flees, disposing of evidence in a river.
Literally stored IN my body.
But, as I'll share on this page, I discovered a strange but powerful "switch" that cleared away what was blocking my abundance...
And turned my life around so fast it made my head spin.
The journey was painful at the start... but once I discovered this switch, it rocked my world.
women-meditation
I've never experienced such a deep connection with my "source".
And I never even knew I could feel so connected to financial abundance.
What I've since discovered is this simple switch...
And the unlimited abundance it triggers...
Is available to anyone.
Damon's narrative describes waking up alone in his house and going outside to meet his friend Jon. They decide to go to the mall but an ambulance passes by quickly, causing Damon to get a bad feeling. They follow the ambulance and find it at Damon's house, where his father stole and crashed his mother's car while fleeing from police. Damon's father is arrested and Damon leaves Kentucky, losing contact with his father and friend Jon.
Jesse's narrative describes going kayaking and duck hunting with his friend Lee on a cold, foggy day. They encounter dangerous rapids with many submerged rocks. Both kayaks hit rocks at different points, with Lee nearly drowning after his kayak
- Kor overhears an argument between his guardian Cee and uncle Oman, worrying that Cee will leave and send him away again
- Oman promises to be a better partner to Cee and father to Kor to convince Cee to stay
- Meanwhile, Kor makes his first friend, a girl named Lily, and shares secrets with her, hoping to form a connection
- The story also follows Osaka as her twin toddlers Mika and Kyoko enter the toddler stage, bringing joy and challenges to her growing family
R.K.Lilley - Up in the air trilogy (1st book "In flight")Dijana Veglia
The document appears to be the table of contents and first chapter of a novel. It introduces the main characters Bianca and Stephan, who are flight attendants working together on an overnight flight. Bianca is nervous because one of the passengers in first class is Mr. Cavendish, a billionaire hotel owner she met previously. When serving him, Bianca spills champagne on his jacket and feels very attracted to and distracted by his handsome appearance. The chapter describes their interaction and Bianca's nervous reaction to being near Mr. Cavendish.
R.K.Lilley - Up in air trilogy ( 2nd book "Mile High" )Dijana Veglia
The document appears to be the beginning of a novel, summarizing the first two chapters. It introduces the main characters Bianca and Stephan, pilots taking a layover in Miami to avoid New York. Bianca is still recovering from injuries and they are staying at a hotel. She spends time with pilot friends Damien and Murphy. The summary explores Bianca's difficult relationship with James and tensions with Stephan, as well as a beach walk and dinner with the pilots.
R.K.Lilley - Up in air trilogy ( 3rd book "Grounded )Dijana Veglia
This document appears to be the beginning of a novel containing 42 chapters. It introduces the main character who is traveling to meet her father after discovering he remarried and had another family. She finds out his new wife was recently killed in the same way as her mother. The character has breakfast with friends at her boyfriend James' apartment before he has to leave for work. He asks her to have lunch with him at his office. The character gets ready and prepares to go meet James, excited about what may happen.
Gustave Adonner recounts his experience meeting Lucifer after performing a ritual to summon him. He is transported to the kingdom of Pandemonium where he encounters various demons and terrifying creatures. Lucifer gives Gustave an assignment to destroy Christian works on Earth. Gustave is rewarded with wealth, a beautiful wife, and a high position overseeing souls. Lucifer then takes Gustave on a tour of Hell to observe the punishment of souls according to their deeds on Earth. Gustave witnesses Lucifer and other demons judging thousands of newly deceased souls and sending them into Hell.
Arlen is keeping a log at the request of others to document what has happened since the Abraxis disaster. In Arlen's first entry, they held a gathering to get to know the survivors better, though Arlen had ulterior motives. Arlen was intimate with Lady Brenna and grew closer to her, though found they did not feel the same with Celdu. Arlen is focusing on improving the community while keeping an eye on Cental Clenthar as per Lady Brenna's warning.
Feudalism in the Dark Ages describes feudalism as a system where landowners allowed others to use their land in exchange for services. It discusses key rulers like Charles Martel, Pepin the Short, and Charlemagne who helped expand territories. The structure of feudal society placed the king at the top, followed by nobles, knights, and peasants. Castle life in this era was dark, damp, and disease-ridden. The document also includes images related to coats of arms, castles, and the social hierarchy.
The narrator visits his family's mausoleum as a child and becomes obsessed with gaining immortality after getting lost inside. He meets a man named Luther who offers him immortality in exchange for souls. The narrator completes the task but soon realizes the deal has cursed him. He is imprisoned for life but receives a possible way to end his immortality from Promethe.
This document is a short story told from the perspective of a woman named Mary Beth about her tumultuous relationship with a man named Tommy. The summary is:
Mary Beth meets Tommy at a barbecue and they begin dating, though their relationship is rocky from the start due to Tommy's rude behavior. Over time, Mary Beth grows dependent on Tommy for her sense of identity and well-being, yet he continues to betray her trust through infidelity and lies. After discovering evidence of Tommy cheating again, Mary Beth decides to leave him for good by quietly taking her things and leaving while he sleeps, realizing she needs to quit relying on someone who will never truly change.
Lorin is being held prisoner by an unknown captor. Through mouse clicker powers, the captor is able to monitor and interfere with other sims, including knowing private details about Logan posing as Blue at Vincent's house. The captor reveals to Lorin that they have boolprop powers as well. Meanwhile, Logan asks Vincent if she can invite her mother to their wedding, as they have been estranged. Vincent agrees.
1) FBI agent Cutter was investigating a masked slaver who used a drug called "fem" to convert men into sex slaves. Cutter was captured and injected with fem.
2) Cutter awoke as a woman named Carla, under the slaver's control. Though she resisted at first, the effects of fem intensified her sexual desires.
3) Carla was sold to a client and enthusiastically had sex with him, embracing her new identity as a sex slave. Her conversion from Cutter to Carla was now complete.
Buck Grunt finds himself stranded in an unusual house with other travelers after their bus trip is abandoned. He interacts with the other occupants, including Jill, an old friend. Jill expresses concern that something is strange about the house, but Buck is skeptical. Throughout the night, Buck explores the house but finds no evidence of anything amiss, dealing with annoyances like a poorly-played piano.
When sixteen year old Claire Wallhart discovers that she is a Night Hunter, her world is turned upside down. With the help of her instructor. Erik, she will fight off the evil creatures of the night in order to protect all man kind.
The narrator returns to school after summer break and befriends a new student named Dappy. They are bullied by a group of students, and during a confrontation in the cafeteria, one of the bullies stabs and kills Dappy. Devastated by the loss of his only friend, the narrator plans to take revenge against the bullies.
The document provides an overview of the Spelmans' time in college. It describes the characters bonding with others, pursuing romantic interests, and focusing on their studies. Charming in particular stands out for his many romantic encounters, including with an older female professor. By the end of the semester, all the characters have earned good grades and Charming reflects positively on his college experience.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
Already in Progress, Chapter 46: Kids Todayesme iolanthe
This document provides an introduction and summary of chapters from the story "Already in Progress". It describes characters Sally and Tamara, and their interactions. Sally is working on a script for a new TV show. She shows the narrator pictures of Tamara growing up and playing with her father Troy and cat Tom. The characters discuss Tamara's development and relationships.
The document appears to be a script for a horror film involving three teenage girls who explore an abandoned mental hospital for fun. While conducting a prank ritual inside, strange events occur, and all three girls as well as one of the boy's friends begin experiencing frightening supernatural occurrences. They meet with a woman who claims to be able to help, but she flees, warning that they have gotten themselves into something too dark. Later, at one of the girl's homes, bizarre noises and a dark figure are seen, and the friends begin disappearing one by one.
The document appears to be a script for a horror story involving three friends - Honey, Leah, and Rebecca - who explore an abandoned mental hospital for fun. At the hospital, Rebecca suggests they perform a ritual to curse Leah's boyfriend as a prank. During the ritual, strange events occur, frightening the girls. Later, all four friends - including Leah's boyfriend Trey - experience scary encounters with a dark figure. They meet to discuss these experiences with Elise, a friend of Honey's who can supposedly help explain what is happening.
Max Clark uses new telekinetic powers to stop his ex-wife Alice May from leaving a cafe. He demonstrates his ability to control her movements, throwing her into a chair and restricting her ability to move. Max tries to explain to Alice that strange things have been happening to him that he cannot control. They are interrupted by a mysterious noise outside that horrifies Max.
This document provides an overview of the first 10 pages of the book "Codex Angelorum: The Book of Angels" by Chuck Loch. It summarizes that the book describes angels watching over humanity after Eden and some angels breeding with human women, whose offspring were giants called Nephilim. It then shows archaeologists in China discovering three ancient mummified giants and having them taken by a Dr. Harel Uzim to a monastery for study. It also introduces the main characters Detective Dan Keller and Beth Goodwin investigating a criminal in a run-down apartment building.
The document provides background on serial killer Ted Bundy. It describes Bundy meeting two college students, Bettie and Dan, who help an injured woman, Carol, they find on the side of the road. Carol is able to provide a sketch of her attacker to police detectives Clark and Brown. The sketch appears to match Ted Bundy. Later, Bundy is seen interacting with his girlfriend, Cass, and their friends at a local bar. Bundy's charming outward appearance is contrasted with clues that suggest his violent criminal nature.
1. Chuck Vs. The Anti-Chuck
Written by
Jason Mericle
(832)797-3161
2. THIS STORY TAKES PLACE IN THE SECOND HALF OF SEASON THREE
(CONT’D)
TEASER
INT. SMALL ROOM - NIGHT
The SMALL ROOM is dark, two men are inside, AGENT ERICS(50s)
and KEN NOMURA(20s).
Erics is in a suit and Ken is in street clothes.
ERICS
Why can’t I just kidnap him?
KEN
It has to look like he is doing it
of his own free will. Just wait for
an opportunity to present itself.
ERICS
I know. Patience.
KEN
I need the intersect. Don’t fail me
Erics.
INT. CASTLE - Afternoon
CASTLE is tidy, looks like a mix between a spy nest and a
secret lab.
Morgan enters Castle and turns on the computer monitor and
GENERAL BECKMAN is in her normal uniform, and is turned
around at her desk looking for something. Erics is in the
room with her.
Chuck walks into Castle and down to Morgan. Chuck is wearing
his nerd herder outfit, but with a nice suit jacket over it.
CHUCK
Looks like I made it just in time.
Alright let’s do this.
Morgan turns to the monitor.
MORGAN
General, Sir, Ma’am.
(Quietly)
I can never figure out which.
2.
3. Beckman is still turned around.
BECKMAN
What is it Grimes I am clearly busy
at the moment.
Morgan tries to look over Beckman’s shoulder on the monitor.
Chuck looks at Morgan.
CHUCK
What are you doing?
MORGAN
I was just trying to see...
BECKMAN
Ah Chuck, how is the everything
going?
CHUCK
Good General. We had this idea,
well actually it was Morgan’s
idea...
MORGAN
We want to throw a halloween party
for the CIA!
Chuck looks at Morgan and slightly shakes his head.
CHUCK
We think that it would be a good
chance to get to know agents we
might work with later.
MORGAN
And our team is proof that really
knowing your allies is key to a
great team.
Beckman is now looking right at Chuck and Morgan.
BECKMAN
It would break so many protocols.
But you do have a point. Your teams
family dynamic might actually help
The CIA.
Erics walks into view.
ERICS
Well I for one think it’s a great
idea.
3.
(MORE)
4. I think everyone could learn a
thing or two by speaking to other
agents not in their own team.
BECKMAN
I suppose, if a top agent like
Erics thinks so. Alright I will
allow it, but at a CIA headquarters
in LA so we can keep an eye on it.
MORGAN
Don’t worry General this is going
to go off without a hitch. Oh, and
can we bring non CIA members.
Beckman has already turned back around.
BECKMAN
Oh fine, let me finish here Grimes.
I’ll be there the morning of.
Beckman closes the communication.
INT. HALLOWEEN STORE - EVENING
THE HALLOWEEN STORE is full of costumes and other typical
halloween decorations. Morgan waves at some women looking at
costumes as he walks by, they cringe. He gets to the men’s
superhero costumes and begins to look very seriously.
MORGAN
Well if Chuck is going to be
Superman, I should be Batman!
Morgan holds up the Batman. He goes into a batman pose,
pretending to hold a batarang.
MORGAN (CONT’D)
No, no everyone’s doing that.
He grabs a Green Arrow and Green Lantern costume; and stares
at both.
MORGAN (CONT’D)
Bow or ring, that is the question.
Morgan drops the Green Lantern costume and turns around. He
goes into a generic bow holding pose.
MORGAN (CONT’D)
(Very seriously)
Bow.....
4.
ERICS (CONT'D)
5. INT. CIA BASE LOS ANGELAS - NIGHT
THE CIA BASE has stairs going up to an elevator. It is
covered in Halloween decorations and computer monitors. Most
of the agents that are mingling are in their normal spy
clothes, but a few of them have random accessories from
costumes on.
Chuck is wearing a Clark Kent/Superman costume and is
standing in the pose where superman is pulling his dress
shirt apart revealing the “S” symbol.
Morgan is in his Green Arrow costume, with a toy bow and
arrows strapped to his back.
MORGAN
Nice, I see you went for a more
Super Chuck look.
CHUCK
I thought the cape might get in the
way. I have to say buddy this place
looks great.
Sarah walks over to them dressed as Lois Lane. She kisses
Chuck.
SARAH
Hello Superman.
CHUCK
Hello there Miss Lane.
Morgan is doing more generic bow poses, even though the bow
is still on his back. Casey walks over in his normal NSA
suit, and pushes Morgan out of the way. Morgan stumbles to
the ground.
MORGAN
Casey it’s a party no need to be
Casey. I see you went for the James
Bond look.
CASEY
Shut it moron, why is my daughter
here.
Morgan stands there with his mouth shut looking at Casey.
CASEY (CONT’D)
You can talk if it’s a good reason
moron.
5.
6. MORGAN
Oh well in that case, I thought it
would be fun. Also, Beckman said
yes.
Casey is starting to grind his teeth.
CHUCK
Wait, wait Casey, it’s Morgan you
know he didn’t mean anything by it.
CASEY
Yeah right, we are in a CIA base
and you brought my daughter. If we
were anywhere else I would...
Casey clenches his fist and raises it in front of Morgan’s
face, Morgan gulps and proceeds to sneak away towards ALEX,
Casey’s daughter, she is wearing a Black Canary costume.
Chuck puts his hand on Casey’s shoulder.
CHUCK
It’s going to be alright buddy.
These are all good agents, and
Beckman is here.
Casey throws Chuck’s hand off his shoulder.
SARAH
Casey calm down.
Casey Grunts and stares at Sarah and Chuck.
CASEY
I need a drink.
Casey walks over to the tiny bar area the CIA has set up.
SARAH
I’m going to talk to General
Beckman for a bit, do you want to
come.
CHUCK
No thanks. I’m going to go mingle
with my fellow agents.
SARAH
Okay just be careful, don’t do
anything you’re going to regret.
Chuck spots Agent Erics and walks towards him.
6.
7. CHUCK
(friendly)
Hey, Agent Erics...
Sarah walks over to the Beckman.
SARAH
General Beckman how are you doing
tonight.
BECKMAN
I’m good, how are you and Chuck?
SARAH
Good, Good. I think Chuck went with
Agent Erics somewhere.
BECKMAN
Ah, a good agent and a good man.
Chuck could learn a thing or two
from him.
Chuck is talking to Erics and another Agent, Agent JOHNSON,
who is younger than Erics. Both are wearing suits.
CHUCK
...so like I was saying, he jumped
into the water and just about near
killed himself.
ERICS
(Laughing)
Your friend seems like a crazy
person, this agency needs more
teams like yours.
Chuck nods his head in agreement.
CHUCK
Thanks, we may not be the most
orthodox team, but we get the job
done.
JOHNSON
Non orthodox is an understatement.
I’ve read all your mission reports,
your team is insane.
Erics puts his arm over Chuck’s shoulder.
ERICS
Actually Chuck we wanted to talk to
you in private about a mission.
7.
(MORE)
8. We could really use your help with
this.
CHUCK
Alright, I’m always willing to help
a fellow spy in need. Let me go get
Sarah...
ERICS
No, no. We just need you for now
you can fill them in later.
Chuck thinks about his offer.
CHUCK
Okay, let’s see how I can help.
Chuck, Erics, and Johnson walk through a door and down a
hallway. Morgan walks over to Sarah and Beckman.
MORGAN
I saw Chuck talking to the agent in
your office general.
BECKMAN
Yes I know Grimes. Sarah told me
already.
SARAH
I’m glad Chuck is getting along so
well with everyone.
END TEASER
8.
ERICS (CONT'D)
9. ACT I
INT. INTERROGATION ROOM IN CIA BASE - CONTINUOUS
THE INTERROGATION ROOM is small and dark, it has a one way
window. Chuck walks around a chair in the room.
CHUCK
Why are we in here?
ERICS
I think you’re going to want to sit
down for this Mr. Bartowski.
Chuck sits down in the chair and looks around.
CHUCK
I’m sorry my names Charles
Carmichael, I don’t know who Mr.
Bartowski is.
ERICS
Chuck, Chuck. I’m a spy just like
you, and I’m one of the best. I
know who you are, the Interesct.
CHUCK
How do you know that.
Erics throws a punch at chuck. Chuck uses the intersect,
flashes kung fu and grabs it.
ERICS
I didn’t know for sure, but thanks
for the demonstration.
Chuck looks angry and concerned.
CHUCK
What do you want?
Johnson walks in front of chuck and crouches in front of him.
JOHNSON
We want you to join us, or we will
kill everyone. Ellie, Awesome,
Morgan, Sarah. Everyone.
CHUCK
I already joined you I’m an agent.
9.
10. JOHNSON
We don’t mean the CIA, Agent
Carmichael, you are witnessing the
birth of “The Cell”.
Chuck chuckles.
CHUCK
Really? The Cell? That’s almost as
bad as The Ring. Why would I join
you when I can just protect the
people I love.
JOHNSON
Really? So you can protect Ellie,
Awesome and their baby, when you
are here, and they are home.
CHUCK
Don’t you dare.
INT. ELLIE AND AWESOMES APARTMENT. - CONTINUOUS
Ellie and Awesome are in the living area of their apartment
with their newborn baby. Ellie is reading a paper on the
couch. Awesome is doing Squats while holding the baby, almost
as a weight.
ELLIE
Will you put the baby down, you
can’t keep using her to work out.
AWESOME
I’m not I just want to be close to
her. If that means she has to help
me work out then, Look at it this
way I’m teaching her how to be fit.
Awesome makes a serious face and nods his head.
INT. INTERROGATION ROOM IN CIA BASE - CONTINUOUS
Erics holds up a cell phone and shows Chuck a live feed of a
man with a sniper rifle a block away from Ellie and Awesome’s
Apartment.
ERICS
My friend there is a very good
shot. Don’t be a hero.
10.
11. CHUCK
Please don’t hurt them. I’ll help
you, just let me...
Chuck uses the intersect and flashes Kung Fu. He stands up
from the Chair and starts to fight Erics. Erics is keeping up
dodging every attack, but never fighting back.
ERICS
Calm down! As long as you cooperate
everything will be fine. The more
you fight this the worse it will be
for you.
CHUCK
(angry)
You’re already asking me to betray
everyone, how could it get any
worse?
ERICS
Just trust me when I say we need
the Intersect, and I will do
anything to get it.
Johnson grabs Chuck’s arm and throws him at a wall.
JOHNSON
Don’t forget, just because I’m not
supposed to hurt you, doesn’t mean
I can’t hurt anyone else.
CHUCK
I will give you this, you guys are
much better at threats than other
bad guys.
Chuck moves around to the chair and sits back down.
CHUCK (CONT’D)
If I go with you, my family and my
friends stay out of it.
ERICS
Of course. If you go with us we
won’t just leave them alone. We’ll
make sure they stay safe.
Chuck looks at a picture of Sarah on his phone.
CHUCK
What do I have to do?
11.
12. Erics hands Chuck a Tranquilizer Pistol and shows him
pictures of four agents. Chuck flashes and gets information
on each one.
ERICS
All you have to do is shoot these
agents once we have everyone’s
attention.
CHUCK
But they didn’t do anything wrong.
I saw their files.
ERICS
That is true, but they’re still
part of The Cell. They know the
plan.
CHUCK
So it’s a trick?
JOHNSON
Yes, if you shoot them, even with a
tranquilizer, they will know you’re
serious.
ERICS
Alright let’s go Chuck.
Chuck stands up and walks out with the agents. They walk
through a door back to the party and up the stairs. Sarah,
Morgan, and Casey see them walking.
SARAH
Chuck! Where have you been?
Chuck ignores her and walks to the top of the stairs so
everyone can see him.
CASEY
Some things wrong.
Chuck raises his gun and points it at the crowd. He flashes
on precision aiming. He shoots the four agents in the photos
and they fall down. The group of agents panic and point their
own guns at him. The Cell members he is with start to walk
away towards the elevator.
CHUCK
Don’t follow me, Don’t look for me,
and don’t stop me or I will not
hesitate.
12.
13. Chuck turns around and walks towards the elevator. General
Beckman, Sarah and Casey look shocked. Morgan pulls the bow
off his back
MORGAN
I got this!
Morgan shoots an arrow, it goes about 5 feet before hitting
the ground.
BECKMAN
What just happened? Why was Erics
there? Someone stop that elevator
now!
SARAH
I don’t understand! We have to
follow him, now.
Beckman motions to some agents to go with Sarah and find
Chuck. Casey and Morgan go with Sarah they reach the elevator
and it isn’t working.
CASEY
Ah! Bartowski! They must of cut
power to the shaft.
SARAH
Why would he do this. What could he
possibly be thinking.
MORGAN
I’m sure he has a reason. He always
has a reason.
Beckman is now with them by the elevator.
BECKMAN
I sent someone to get the elevator
back online. We need to get to
castle and figure out what is going
on.
EXT. CIA BASE LOS ANGELAS - CONTINUOUS
Chuck, Erics and Johnson get into a car. Chuck looks out the
window.
ERICS
They aren’t coming, we disabled the
elevator. They could take the
stairs, but we’ll be gone by then.
13.
14. 14.
Chuck spins toward Erics and points the tranquilizer gun at
his head.
CHUCK
Where are we going? Why do you need
the intersect?
ERICS
There are even things I don’t know.
I made a promise I wouldn’t hurt
the people you love, and I won’t.
CHUCK
Wait, you aren’t the leader? This
wasn’t your idea?
ERICS
Of course not. Now put the gun
down, we’re just going to go pick
something up. Then you’ll meet him.
CHUCK
And who is he?
Chuck has put the gun down, Erics is looking right at him.
ERICS
He’s like you Chuck. He’s just like
you.
Chuck looks straight ahead distraught.
EXT. OUTSIDE SHIPPING CONTAINER - NIGHT
Erics is standing behind Chuck in front of the door to the
container. Johnson is standing waiting to open the door.
CHUCK
So, Erics. What’s in there? My
prize for playing along.
ERICS
Tell him to open it and find out.
Chuck looks at Erics confused.
CHUCK
Why would I need to? Okay, open it.
Johnson opens the container. It is the room we saw at the
start of the episode. Ken Nomura(20s) is sitting handcuffed
to a chair. He is dazed, battered and bruised. He is wearing
the same street clothes from earlier.
15. CHUCK (CONT’D)
You said no one would get hurt!
ERICS
No. I said no one you care about
would. You don’t know this man.
CHUCK
It doesn’t matter! What did he do
to deserve this?
ERICS
He killed his family.
Chuck looks shocked. He looks into the container and sees Ken
sitting there half dead.
ERICS (CONT’D)
That’s right Chuck, the one thing
you couldn’t do in a hundred years,
he did.
CHUCK
Why? Why did he do it?
ERICS
We don’t know. All we know is, he
worked for the CIA. And he does not
deserve your respect.
Chuck stares at Ken as Erics walks into the container. He
tries to use the Intersect and Flash on him.
CHUCK
Then why can’t I flash on him. If
he’s in the database there should
be something there.
JOHNSON
If you were going to kill your
family wouldn’t you make sure you
didn’t exist?
CHUCK
I wouldn’t do it.
ERICS
Which is why we need you Chuck. We
aren’t trying to destroy the World
or the CIA.
CHUCK
Really? You’re doing a wonderful
job convincing me otherwise.
15.
16. ERICS
You need to understand. You can’t
save everyone, you can’t be every
ones hero. We only want to set the
world on the right path.
JOHNSON
And if a little blood get’s spilled
along the way, well.
ERICS
Now help us get him into the trunk
or are you going to make me go back
on my promise.
Chuck grabs Kens feet and they carry him over to the trunk
and put him in.
INT. BUY MORE - MORNING
The BUY MORE is a disaster. The non CIA employees threw their
own halloween party last night. LESTER and BIG MIKE are
asleep on the floor, surrounded by candy wrappers.
Lester is wearing a rock star outfit.
Big Mike is dressed as a Mafia Boss.
They wake up and are disgruntled.
BIG MIKE
That was some night, but I have to
get back to Morgan’s mother before
she starts worrying.
Lester looks around the store.
LESTER
You really expect me to clean this
up by myself?
BIG MIKE
Fine, let’s just grab what we can
and go out to the dumpster.
Lester and Big Mike stand and wipe off crumbs and trash off
themselves. They grab as much trash as they can carry and
walk to the back door.
LESTER
Do you remember any of last night.
I swear something happened.
16.
17. BIG MIKE
After a night like that of course
we can’t remember. As long as the
store get’s cleaned up before
Morgan gets here.
LESTER
Right, right. I wonder where Jeff
is most of this mess was probably
him.
They are now outside at the dumpster. They open the dumpster
and Jeff is inside lying there, looking dead.
LESTER (CONT’D)
Oh my God! Jeff!
BIG MIKE
Calm down boy. He’s probably
asleep.
Big Mike slaps Jeff in the face. He doesn’t react.
BIG MIKE (CONT’D)
Oh Lord he’s dead! What are we
going to do?
LESTER
No! What about Jeffster?
Big Mike looks over at Lester and grabs him.
BIG MIKE
Forget Jeffster. The man is dead!
Lester paces throwing his arms out.
LESTER
Okay, let’s just put him in the van
no one will know.
Lester and Big Mike pull Jeff out of the dumpster and carry
him around to the parking lot.
BIG MIKE
Do you have the key?
LESTER
No Jeff had it. Oh no, no please
don’t make me.
BIG MIKE
You have to do it boy.
17.
18. Lester puts his hand into Jeff’s pocket. He makes disgusted
faces because he thinks he is dead. He pulls out a key.
LESTER
Got it!
Big Mike and Lester shove Jeff into the drivers seat and shut
the door. They walk back into the Buy More. Seconds later
Jeff wakes up confused. He drives off.
INT. BUY MORE - LATER
The Buy More is still dirty. Big Mike is cleaning but Lester
gave up a while ago.
Morgan in his manager clothes walks into the Buy More. He
looks around shocked at the destruction he is witnessing.
MORGAN
Oh my! What happened!
Lester jumps up and Big Mike turns his head towards him. Big
Mike walks over and gives him a hug.
BIG MIKE
Son, the truth is that we...
LESTER
Don’t remember. Yeah we don’t
remember what happened at all.
Morgan looks at them and then around the store.
MORGAN
You know what? I don’t have time
for this, just clean the store.
BIG MIKE
Yes, sir.
Morgan is walking away and then turns around.
MORGAN
Lester how did you even get here I
didn’t see Jeff’s Van.
LESTER
What!?
Lester grabs Big Mike and Turns towards him.
18.
19. LESTER (CONT’D)
(whisper and freaking out)
Someone stole a dead man and his
van. What are we going to do now?
Big Mike grabs Lester’s Shoulders. Morgan turns back towards
them confused. Then he proceeds to walk towards the back of
the store.
BIG MIKE
We’re gonna go home and pretend
this never happened. Because we
don’t know what happened.
LESTER
Right!
Lester points at the entrance to the Buy More. They both
hurry outside.
INT. CASTLE - CONTINUOUS
Castle is a little messy, paper and equipment is thrown
everywhere. Sarah and Casey are both there standing around
the table.
Sarah looks like a mess.
Casey is angry wearing casual clothes.
Morgan is standing at the top of the stairs.
SARAH
We’ve been looking all night why
can’t we find anything. We haven’t
even found evidence they we’re at
the party. How do you do that?
CASEY
Sarah calm down. We have agents
looking everywhere for them.
Morgan walks down the stairs.
MORGAN
So what have we got?
Sarah is walking around the table moving papers around.
SARAH
(flustered)
Nothing. There is no indication
anywhere of Erics being a traitor.
19.
20. Casey is sitting in a chair.
CASEY
He’s been a spy for a very long
time, I doubt we’re gonna find a
paper trail.
Sarah sits down.
SARAH
Why would Chuck do this. I thought
he was happy.
Morgan puts his hand on Sarah’s shoulder.
MORGAN
Hey, come on now. You know Chuck,
he wouldn’t do anything this crazy
unless he was in trouble.
Sarah turns to Morgan and Casey.
SARAH
So why hasn’t he turned on his
watches tracking device?
INT. BASEMENT OF BUILDING - CONTINUOUS
There is nothing in the Basement at all.
Chuck, Erics, and Johnson are all wearing the same thing as
halloween night.
Chuck stands in the empty basement and walks around. Erics
and Johnson stand right in front of the door they walked in.
CHUCK
So why are we here now? If this is
your base I have to say--
Chuck motions to the empty space.
CHUCK (CONT’D)
--I really like what you’ve done to
the place.
Erics walks to the side of Chuck.
ERICS
We didn’t come here to talk Chuck.
Take off your watch.
20.
21. Chuck looks at his watch, the governor his father made for
him to help control the Intersect.
CHUCK
This isn’t just a watch. It means
more to me than you could ever
know.
Chuck wraps a hand around the watch, protecting it.
ERICS
I know, I don’t want the watch.
Just the tracking chip the CIA put
in it. It will only take a second.
Chuck hands him the watch and feels the weight of the
intersect on his mind. Erics pops off the back of the watch
and removes a small black chip and then admires the watch
before handing it back to Chuck.
CHUCK
Thanks. What now? How much longer
till you stop threatening the
people I care about?
Erics activates the tracking chip and puts it on the ground.
ERICS
Don’t worry Chuck. If you help us
everything will be fine. Now let’s
go.
CHUCK
That’s it? We came here to put a
tracking chip on the ground?
Erics and Johnson are walking out of the empty basement.
ERICS
Of course.
Chuck follows them out of the basement.
EXT. OUTSIDE BUILDING - CONTINUOUS
The car Chuck, Erics, and Johnson are outside of the
building. They walk to it and hear muffled screaming coming
from the trunk. Johnson opens the trunk and shoots Ken with a
tranquilizer.
JOHNSON
Shut it!
21.
22. They all get in the car and drive away.
22.
INT. CASTLE - CONTINUOUS
Sarah, Morgan and Casey are still in Castle. They see Chuck’s
tracking signal come up on the monitor.
CASEY
Look the tracking was activated. It
says it’s at a building downtown.
Morgan walks over to the computer.
MORGAN
It says the building is set for
demolition.
SARAH
Why would Chuck wait so long to
activate it?
Casey walks over and starts gearing up.
CASEY
I don’t know, but this doesn’t feel
right, so be ready Walker.
Morgan and Sarah walk over to Casey to gear up as well.
CASEY (CONT’D)
Not you Morgan. Alex would never
forgive me if something happened to
you.
MORGAN
Yeah, and what about you?
SARAH
Don’t worry Morgan I’ll be there
and I will save Chuck.
MORGAN
Alright, I’ll stay here and make
sure nothing else happens.
Sarah and Casey walk out of Castle, leaving Morgan alone.
23. INT. BUILDING - LATER
In a more furnished building far away from the pervious one.
Erics and Johnson are dragging Ken through a hallway to a
small office room. Chuck is walking a good distance behind
them.
JOHNSON
Come on Chuck, hurry up!
CHUCK
What are we doing here now? What
was wrong with the other building?
Chuck is now standing outside a small room with Erics and
Johnson. Johnson throws Ken into the room still tied up.
ERICS
No air conditioning.
Erics laughs at his own joke.
ERICS (CONT’D)
Now get in there.
CHUCK
Why? I thought I was a part of your
team now.
Chuck looks at Ken trying to sit up on the floor.
ERICS
Oh no, not quite yet. First you
need to see what you can find out
about Ken.
CHUCK
So I’m a prisoner until further
notice? Got it.
Johnson pushes Chuck into the room and slams the door.
CHUCK (CONT’D)
(sarcastically)
Oh great. Way to go Chuck this
problem couldn’t get any worse.
END ACT I
23.
24. ACT II
Chuck looks at Ken and throws his hands up in the air.
CHUCK
Oh wait! I forgot all about you. I
have to hang out with the family
killer now.
Ken squirms to his knees, gasping.
KEN
I didn’t, at least not on purpose.
CHUCK
But you still did it. How can you
possibly live with yourself?
Ken’s heavy breathing has subsided.
KEN
You don’t understand Chuck. You’re
the Intersect, right?
Chuck sits down across the room from Ken.
CHUCK
I don’t know what that is.
KEN
Don’t worry I heard them talking
about it and they’ll kill me before
I can tell your secret.
Ken tries to look out the door from where he is sitting.
KEN (CONT’D)
I’m similar Chuck. You’re the
Intersect. I’m the Nervasect.
Chuck flashes on Ken, but he doesn’t see anything.
CHUCK
Why can’t I flash on you?
KEN
You did, according to every
database in the world I don’t
exist.
CHUCK
So, what is the Nervasect?
Ken moves slowly to another position.
24.
25. KEN
The Intersect works on the brain,
correct? It has information and
skills stored.
Chuck shakes his head.
CHUCK
And it tells me that information or
teaches me those skills, for a
certain time.
KEN
Right, well the nervasect was
developed to cut the persons mind
out of the equation.
Ken stands up and begins walking along the wall.
KEN (CONT’D)
It sends impulses to my nervous
system. Teaching my body skills but
not my mind.
CHUCK
So your body uses the skill. While
your mind gets left out.
KEN
Correct. It’s mostly for combat
purposes. Have you ever heard of
the idea of No Mind?
Chuck now stands.
CHUCK
Not that I remember.
KEN
It’s the idea that if you train
long enough your body will learn a
martial art. Without needing your
mind.
CHUCK
So the nervasect makes your body
act on its own, but you still had
to use it. So you still killed your
family.
Ken turns abruptly to Chuck.
25.
26. KEN
(angry)
I didn’t mean to. It was when they
implanted the nervasect into me.
They wanted to see how many
different fighting styles I could
use at once.
CHUCK
You lost control.
KEN
Right. My family was there watching
the demonstration. They were just
caught in the mayhem.
Erics swings open the door and peeks inside.
ERICS
You two look like you’ve become
friends, come out here. We’re going
to test your strengths.
Chuck looks over at Erics.
CHUCK
How?
ERICS
A fight of course.
Erics begins walking away.
ERICS (CONT’D)
How else would we do it.
Ken walks past Chuck.
KEN
I know you don’t trust me Chuck.
Please understand, I never wanted
this.
(beat)
But I will kill you.
Chuck walks out of the room.
26.
INT. BASEMENT OF BUILDING - CONTINUOUS
Sarah and Casey are in the empty basement where Chuck left
the tracker.
27. CASEY
Well this was obviously a waste of
time. There’s nothing here.
SARAH
Just find the tracker, maybe he
left a clue.
Sarah and Casey walk around the basement before finding the
tracking chip. Casey looks around the area.
CASEY
I don’t see anything that could be
a clue.
Sarah picks up the tracking chip and holds it in her hand.
SARAH
Where are you Chuck?
INT. CASTLE - CONTINUOUS
Morgan is still inside Castle after Casey and Sarah left him.
He is pacing around. General Beckman appears on the monitor.
BECKMAN
Grimes? Where is Agent Walker and
Colonel Casey?
MORGAN
The tracking device in Chuck’s
watch went off. So they went to
check it out.
Beckman flips through some papers.
BECKMAN
I found something. There are
records of Agent Erics talking to
someone named Ken Nomura.
MORGAN
General I don’t really see how
that’s rela--
Beckman glares at Morgan.
BECKMAN
I’m getting to that. I thought the
name sounded familiar, so I looked
into it. Ken is the Nervasect.
Morgan sits down.
27.
28. MORGAN
The Nerva what now?
BECKMAN
Nervasect, it was developed
alongside the Intersect very early
on. It was for military combat uses
only and deemed too dangerous.
MORGAN
So Chuck is involved how?
BECKMAN
I believe Ken has taken Chuck
hostage. I’m afraid that he may see
Chuck as his opposite. The person
who gained everything Ken wanted
but could never have.
Beckman sits up.
BECKMAN (CONT’D)
And I’m sorry to say that the
experiments conducted by the
military may be to blame. Chuck is
in real danger Morgan.
MORGAN
Come on it’s Chuck, how bad could
it be?
BECKMAN
Ken was and hopefully is still a
good person. But more than anything
he enjoys being the Nervasect. He
enjoys combat.
Morgan scratches his head.
MORGAN
Alright I’ll handle it.
Beckman panics.
BECKMAN
No! Call walker and Casey tell them
to go to this building. Out of all
the buildings they have met, it’s
been the least used.
Monitor flashes a dot over a building.
28.
29. BECKMAN (CONT’D)
I think this is the most likely
spot they would be.
MORGAN
Yes, Ma’am.
Morgan salutes. General Beckman shakes her head, the
communication ends.
Morgan grabs his phone and begins to leave. He then turns
around and sees the toy bow from the party. He grabs the bow
and the quiver of suction cup arrows.
Morgan leaves castle.
EXT. BUY MORE PARKING LOT
Morgan steps out into the parking lot.
MORGAN
I forgot! I drove here with Casey.
Morgan looks around parking lot and sees the nerd herders. He
runs up to one.
MORGAN (CONT’D)
Chuck would never let me drive his,
but now I’m Manager.
Morgan grabs the managerial keys from his pocket and puts the
nerd herder key into the door.
MORGAN (CONT’D)
Sweet!
Morgan throws the bow and quiver into the passenger seat and
gets into the driver seat. He pulls out his cell phone while
adjusting the mirrors and putting on his seat belt.
MORGAN (CONT’D)
Safety first.
Morgan hits Casey’s name on his phone and it begins to ring
and Morgan drives away from the parking lot.
MORGAN (CONT’D)
I’m coming Chuck old buddy.
29.
30. INT. BUILDING - CONTINUOUS
Chuck is standing across from Ken. Erics and Johnson are
standing behind Ken.
CHUCK
I still don’t understand what the
point of this is.
ERICS
Think of it as a test or training
whichever you like.
Erics and Johnson walk to the side of the room to watch.
CHUCK
Wait aren’t you going to take off
his handcuffs?
JOHNSON
You don’t want us to, trust me.
Erics pulls out his gun.
ERICS
Oh and Chuck if you don’t fight--
Erics waves gun.
ERICS (CONT’D)
Then we have no use for you.
CHUCK
No choice huh?
Chuck flashes Kung fu and get’s into a fighting stance.
Ken’s body twitches as he breathes deeply. His body learned a
mix of muay thai and northern shaolin.
KEN
I’m ready. Come at me Chuck.
CHUCK
No, you come at me. Why is there
always a stand off?
KEN
Do you want to just go at the same
time then?
Chuck adjusts his stance.
30.
31. CHUCK
That seems fair.
Ken get’s ready to jump forward.
KEN
Fine.
Ken jumps doing a spinning kick right at Chuck’s head. Chuck
blocks with his hands and pushes himself away.
CHUCK
God that hurt!
Ken continues to press Chuck towards a wall only using his
legs. Chuck is up against a wall. Ken kicks at his face.
CHUCK (CONT’D)
Now!
Chuck rolls out of the way as Ken’s foot hits the wall.
ERICS
Lucky. I think it’s time you got
serious Ken.
CHUCK
Wait, serious? He almost took my
head off!
KEN
Warm up.
Chuck readies himself. Ken does two quick kicks to the head,
which Chuck blocks. As Ken goes back to his stance Chuck
takes advantage and begins to attack. Ken dodges every move
with ease and finesse.
CHUCK
This is ridiculous!
KEN
I know!
Ken does a flying knee into Chuck’s chest. Chuck falls back
gasping for air.
KEN (CONT’D)
You better start getting serious or
their going to kill you before my
body gets the chance.
Ken grins.
31.
32. CHUCK
Your body is supposed to be acting
on its own. So what are you so
happy for.
KEN
You’re on the ground so it doesn’t
see you as a threat. And I figure I
might as well have fun with it.
Chuck jumps back up and flashes again this time learning Kung
Fu and Grappling.
CHUCK
Really hope this works.
Chuck lunges at Ken but stops halfway. Ken kicks and Chuck
grabs it with both hands. As Chuck is holding Ken’s leg up he
kicks him in the ribs. Ken stumbles back holding his ribs.
KEN
Smart. Maybe I should start using
my hands.
Ken looks over at Erics.
ERICS
Do whatever you think is best.
Ken’s body twitches again, it’s learned a few more fighting
styles. Ken get’s into a different stance than before and
taunts Chuck over. Chuck begins to go on the offensive. Ken
reverses a punch and begins plummeting Chuck with blows
before throwing him over his shoulder onto the concrete.
CHUCK
Ahh, man does anyone else think it
would be stupid for me to continue?
Erics walks away from the wall.
ERICS
Yes, we do.
Ken kneels on the floor.
JOHNSON
How are you feeling?
Ken is gasping.
KEN
Fine, just numb. Help me get to the
wall.
32.
33. Johnson helps Ken walk over to the wall and sits him down.
CHUCK
Why do I feel like you three are
way more friendly than you should
be.
KEN
Isn’t it obvious? I’m the leader of
the cell and I’m going to destroy
everyone responsible for me.
Chuck sits up slowly on the floor.
CHUCK
Oh the old revenge thing. Man,
can’t you villains ever think of
anything new. You’re responsible,
you killed you’re family.
KEN
No! They did! They could have done
more tests before the demo. They
could have put it in someone with
no family.
CHUCK
You seem like you got it all
figured out so why do you need me?
KEN
Chuck, you are an endless fountain
of knowledge that the government
doesn’t want me to know.
Ken seeming much better stands up and walks over to Chuck.
KEN (CONT’D)
Knowledge that if you won’t give
me, I will take.
Ken kicks Chuck in the head very fast. Chuck falls over
unconscious.
INT. NERD HERDER - CONTINUOUS
Morgan is inside the NERD HERDER looking out the window
towards a building.
MORGAN
I guess this is it.
33.
34. Morgan looks at the GPS in the car and then grabs the bow and
arrows.
MORGAN (CONT’D)
Please be here Chuck.
Morgan gets out of the car and crouches down. He looks around
before taking out his cell phone. He calls Casey.
MORGAN (CONT’D)
Come on, pick up.
CASEY (ON CELL)
What Morgan? We’re on the way.
Morgan begins slowly walking crouched to the building, he
looks around as he does this and sees a car.
MORGAN
I’m here and I’m going in for
Chuck.
CASEY
Are you crazy, just wait we’re
fifteen minutes away.
Morgan turns to his phone as if he was yelling at a person.
MORGAN
You think I’m gonna wait, Chuck is
my best friend I’m saving him now!
Morgan looks around realizing he talked too loud.
SARAH
Morgan it’s Sarah, if you go in
there and get hurt Chuck will never
forgive me, so just wait.
Morgan hangs up the phone.
MORGAN
I can save him, I will.
END ACT II
34.
35. ACT III
INT. BUILDING - CONTINUOUS
Morgan enters the building and enters a hall way. He walks
down the hall way with the bow in hand. Every corner he comes
to he stops and peaks around and then spins out aiming his
bow forward.
MORGAN
Phew, maybe General Beckman was
wrong.
Morgan continues down the hallway until he turns left and
then turns back around when he realizes it’s an exit. He
comes to another corner and hears talking.
ERICS (O.S.)
So we got you the intersect, how
are you going to get the
information?
KEN (O.S.)
His brains basically a hard drive
now, right?
ERICS (O.S.)
I suppose.
KEN (O.S.)
Then we just transfer it to a
computer, his father built the
intersect didn’t he?
ERICS (O.S.)
Yes, he lived in a cabin until he
was killed. He might have what we
need.
KEN (O.S.)
Good, once we have his equipment we
will transfer Chuck’s brain to a
more obedient machine.
Morgan’s face is shocked. He keeps walking until he sees Ken
and Erics, they begin to walk away. He hides behind a corner
clenching the toy bow. He turns the corner and sees a heavy
duty door with a tiny window.
MORGAN
This has to be it.
35.
36. Morgan gets to the door he is too short so he jumps up and
sees chuck lying on the floor.
MORGAN (CONT’D)
Chuck!
Morgan covers his mouth quickly and looks at the door handle.
MORGAN (CONT’D)
It can’t be.
Morgan turns the door handle.
MORGAN (CONT’D)
That’s embarrassing.
Morgan slowly opens the door trying to sneak in. Chuck starts
to slide away from the door slowly.
CHUCK
Stop, please.
Morgan closes the door and runs over to Chuck.
MORGAN
Chuck! It’s me your buddy I’m here
to save you.
Chuck smiles wide and hugs Morgan.
CHUCK
Oh thank god, so good to see you.
Where’s Casey and Sarah?
MORGAN
On the way.
Morgan turns around kneeling.
CHUCK
What!? You came here alone, what
were you thinking?
MORGAN
I was thinking my best friend
needed saving.
Chuck kneels slowly.
CHUCK
So what’s the plan?
MORGAN
Go out the way I came in, I guess.
36.
37. CHUCK
You guess? Okay Morgan lead the
way.
Morgan opens the door and peaks around.
MORGAN
Coast is clear.
Morgan and Chuck slowly walk out crouching along the wall.
Morgan points in the direction they need to turn before
peaking around the corner. He stops at an intersection.
CHUCK
What is it?
MORGAN
I can’t remember.
CHUCK
Seriously?!
Morgan looks both ways very seriously, then points.
MORGAN
This way!
Morgan and Chuck turn and walk down the hallway. Chuck sees a
camera and pulls Morgan into a door way.
MORGAN (CONT’D)
Ow, what?
CHUCK
Camera Morgan, camera!
Morgan tries to peek around.
MORGAN
I didn’t see any though.
CHUCK
Then obviously we went the wrong
way.
Chuck looks at Morgan’s bow.
CHUCK (CONT’D)
Let me see that.
Morgan hands Chuck the bow and an arrow.
MORGAN
What are you gonna--
37.
38. Chuck flashes and learns how to use a bow and marksmanship.
He turns quickly and shoots the arrow at the camera, the
suction cup sticks over the lens.
MORGAN (CONT’D)
Damn.
Chuck hands the bow back.
CHUCK
Okay, now let’s go the right way.
Morgan and Chuck turn back around continuing to sneak out
until they reach the door.
CHUCK (CONT’D)
Are you sure this is right?
Morgan looks at Chuck upset.
MORGAN
Yes, I am sure. The Nerd Herder is
gonna be right outside.
Morgan opens the door and they see Sarah and Casey walking
towards the building.
EXT. OUTSIDE BUILDING - CONTINUOUS
Sarah runs over hugs and kisses Chuck.
SARAH
Are you okay?
CHUCK
Yeah I’m fine.
Casey grabs Morgan’s arm.
CASEY
I told you to wait!
CHUCK
It’s fine Casey, he did good. He
saved my life.
Morgan grins.
CASEY
Okay, let’s get in there and finish
this.
38.
39. CHUCK
No, we need to go protect Ellie.
They threatened her life.
Morgan stands in front of Chuck.
MORGAN
I heard them saying they were going
to transfer your brain to a
computer to get information.
Sarah turns to Morgan.
SARAH
What? How?
MORGAN
I don’t know, they were talking
about your dad’s cabin Chuck.
Chuck pushes Morgan aside.
CHUCK
No! My sister is the priority now.
Chuck walks over to Morgan’s car.
CHUCK (CONT’D)
Let’s go.
Chuck pulls Casey aside.
CHUCK (CONT’D)
(whispering)
Laudanol, find me another one. I
can’t beat him like this.
CASEY
You can’t be serious?
CHUCK
Please Casey, just do it.
Morgan run’s over to the Nerd Herder.
MORGAN
Chuck and Sarah with me? So does
that mean I can speed?
CASEY
Fine, just don’t get arrested!
Morgan looks at Casey.
39.
40. MORGAN
Is that a yes.
40.
The two cars drive away from the building. As they leave the
car Chuck came in is no longer there.
INT. ELLIE AND AWESOMES APARTMENT. - LATER
Chuck, Sarah and Morgan swing open the door to the APARTMENT.
They rush inside, Sarah pulls out her gun. They stop
suddenly.
CHUCK
Ellie!
Ken is holding a knife to Ellie’s neck. He is pulling her
further into the kitchen.
KEN
Oh Chuck, we’ve been expecting you
and you brought guests.
Sarah starts to move closer as she does Ken moves the blade
closer to Ellie’s neck. Chuck begins to walk forward with his
hands out.
CHUCK
What are you doing Ken? Why aren’t
you at my father’s cabin? We heard
you.
KEN
I left Erics to deal with that.
Thought I would see to this
personally.
Ken moves the knife, he is by the kitchen counters he looks
over and sees skewers. Chuck stops, Sarah is aiming her gun
and Morgan is in a fighting stance shuffling forward
cautiously.
SARAH
Let her go or I will shoot you and
believe me I won’t miss.
KEN
I know, but you won’t get the
chance.
Ken uses the nervasect, his body learns knife throwing. He
grabs one of the skewers and throws it very fast. It goes
straight into the barrel of Sarah’s gun. Morgan freaks out.
41. MORGAN
Holy shit!
Sarah throws the gun down.
SARAH
I don’t need a gun.
Chuck puts his arm in front of Sarah.
CHUCK
No! Wait for Casey.
Ken pushes Ellie away and hits her very lightly and fast
knocking her out, she falls on the ground.
CHUCK (CONT’D)
What did you!?
SARAH
We need to take him now.
Ken walks forward.
KEN
You really should listen to Chuck,
he’s a pretty smart guy.
Sarah starts to fight Ken, he is taking it very easy.
CHUCK
I said wait!
Sarah and Ken continue fighting, Ken is grinning. Morgan
ducks down and sneaks behind the couch.
CHUCK (CONT’D)
Come on Casey hurry up.
INT. CASTLE - CONTINUOUS
Casey and General Beckman are in Castle.
CASEY
Thank you for meeting me here on
such short notice General.
BECKMAN
It’s fine, what did you need.
Casey relaxes.
41.
42. CASEY
The Laudanol, Chuck says it might
be the only way for him to beat
Ken.
Beckman leans on the table.
BECKMAN
We said we stopped development, but
we really restarted it. The new
pill is more manageable.
CASEY
Where is it?
BECKMAN
I don’t like this, it’s still too
risky.
CASEY
General, we need to stop him.
The General walks over to the wall and opens a storage unit.
She pulls out one small capsule with a pill inside.
BECKMAN
If I give you this you acknowledge
all the risks correct?
CASEY
Of course, Chuck thinks this will
work, so we have to try.
BECKMAN
I want Ken alive if possible.
CASEY
Of course, let’s just hope I make
it to them in time.
END ACT III
42.
43. ACT IV
INT. ELLIE AND AWESOMES APARTMENT. - MOMENTS LATER
Ken is still fighting Sarah. Morgan behind the couch climbs
on top of it and jumps at Ken.
CHUCK
No!
Ken swings backward and kicks Morgan out of the air while
defending himself from Sarah, Morgan is knocked out.
KEN
You really don’t have the smartest
friends in the world do you?
Sarah punches Ken while he is talking to Chuck.
SARAH
See Chuck, it’s not impossible, we
can take him.
Ken steps back and his body begins to twitch, the nervasect
has taught his body more martial arts.
CHUCK
No, please stop.
Quickly Ken pulls Sarah up and hits her in different pressure
points. Right before the final blow to her throat Casey
swings open the door.
CASEY
Chuck!
Casey sees Ken about to strike Sarah, runs and tackles him
into a table and glass. Morgan is gaining consciousness.
MORGAN
Holy! Go Casey!
Casey stands back up and turns to Chuck and Sarah. Chuck is
helping Sarah up. Morgan stumbles over.
CASEY
That wasn’t that hard. I guess we
don’t need this anymore.
Casey pulls out the Laudanol.
43.
44. SARAH
Is that a Laudanol? Why do you have
that?
CASEY
Chuck told me to get it.
SARAH
Chuck!
MORGAN
Wait, what’s it do?
Ken starts to stand up glass shards all over him, he looks
completely calm. Chuck is the only one who can see him and he
begins panicking.
CHUCK
Guys! Guys!
Chuck points passed them and at Ken who is now standing,
grinning.
KEN
That was fun.
CHUCK
Give me that!
Chuck grabs the Laudanol out of Casey’s hand and pops it into
his mouth. He walks passed Sarah, Casey and Morgan to stand
in front of Ken.
SARAH
Chuck?
CHUCK
I’m okay, it’s not so bad the
second time.
Chuck becomes extremely calm and emotionless.
KEN
You think a pill is going to help?
CHUCK
I hope so.
Chuck get’s into a fighting stance and flashes, he learns
parkour, grappling, kung fu and bo staff all at once. He
grabs a tall lamp and begins to attack Ken.
KEN
This is new.
44.
45. Ken dodges the first couple of strikes and is then hit in the
stomach. Chuck just keeps on attacking, Ken jumps out of the
way.
KEN (CONT’D)
What you can’t speak now? It’s not
fun if you aren’t going to be
scared.
Ken begins to go on the offensive hitting around the lamp. He
grabs the lamp and takes it from Chuck. He hits Chuck in the
face and Chuck falls to the ground. He immediately gets up.
KEN (CONT’D)
This is interesting.
Ken throws the lamp into the kitchen, it almost hits Ellie.
MORGAN
Oh, Casey get Ellie out of here.
CASEY
What? Now I’m doing what you say
too?
SARAH
Just do it!
Ken and Chuck are fighting again, they are very even with
each other. Morgan begins shouting.
MORGAN
Chuck! Chuck! Chuck!
Chuck is beginning to lose his emotionless state with
Morgan’s chanting.
CHUCK
Will you be quiet!
Ken hits Chuck a few times while he is turned around. The
Laudanol has worn off, but Chuck still knows all the skills.
Not knowing what to do Chuck starts to jumps over everything
while Ken is attacking.
CHUCK (CONT’D)
Wait! Time out!
Ken keeps attacking and Chuck grabs pillows to block every
attack.
CHUCK (CONT’D)
Morgan give me your shirt!
45.
46. MORGAN
What? Use your own.
CHUCK
Busy!
Chuck is jumping back from Ken towards Morgan.
MORGAN
Fine.
Morgan pulls off his shirt and throws it at Chuck, it gets
half way and falls to the ground.
CHUCK
Seriously?
Chuck does a backwards roll and grabs the shirt. He begins
using it as a weapon, blocking Ken. He wraps it around Ken’s
arm as he punches and twists his arm back. Ken’s arm
dislocates.
Ken SCREAMS
CHUCK (CONT’D)
Sorry, Sorry.
Ken steps back holding his arm. He starts to stumble, his
body is starting to paralyze.
CHUCK (CONT’D)
You need to stop this!
KEN
No.
Ken uses the nervasect again and learns even more martial
arts. His face goes completely blank, like he just isn’t
there. He jumps at Chuck and begins fighting like a wild
animal.
CHUCK
Stop Ken! You’re going to die!
SARAH
Just finish him Chuck!
Casey is back inside the living room.
CASEY
At this rate he’ll finish himself.
46.
47. 47.
Morgan sees Ken running at Chuck and dives in front of him.
Ken trips and smashes into the ground. Chuck takes the shirt
and ties up Ken’s arms.
CHUCK
I got him!
Ken is screaming like a rabid animal. Chuck flashes and
learns pressure points and hits him in the exact spots. Ken’s
body calms down.
SARAH
Morgan go call General Beckman at
Castle. Tell her to get down here
right now.
CHUCK
I can’t believe that worked.
Sarah looks surprised at Chuck.
SARAH
You mean that was planned?
CHUCK
Well, yeah. I guess. I remembered
Ken telling me about the first time
he went crazy.
Chuck ties up Ken’s arms and legs.
CHUCK (CONT’D)
He said he was surrounded by people
and his body thought they were
going to do him harm. So it
reacted.
SARAH
So you made his body over react by
having us all attack him. That is
pretty good Chuck, but stupid.
Chuck and Sarah stand up and kiss.
CHUCK
Hey, it worked.
EXT. ELLIE AND AWESOMES APARTMENT. - CONTINUOUS
Chuck, Sarah and Morgan walk out of the apartment. General
Beckman, Casey and Ellie are outside. Ellie is being helped
by paramedics.
48. Chuck walks over to Ellie.
CHUCK
You’re okay right?
ELLIE
I’m fine Chuck. I knew the risk
when you told me you were a spy
again.
CHUCK
Okay.
Chuck looks at Morgan.
CHUCK (CONT’D)
Morgan watch her until Awesome gets
here.
MORGAN
Aye, Aye Captain.
Chuck pats Morgan on the shoulder and walks back to General
Beckman.
CHUCK
General Erics was going to my
father’s cabin.
BECKMAN
I know Chuck, we already sent
people over.
Chuck smiles.
CHUCK
Great, did we catch him?
BECKMAN
There was no one there, and nothing
missing. Are you sure that’s where
he went?
CHUCK
I’m sure.
Chuck looks at other agents dragging Ken out of the
apartment.
CHUCK (CONT’D)
What will you do with him?
Beckman looks over at Ken then back at Chuck.
48.
49. BECKMAN
What do you think we should do?
CHUCK
I think we should try to help him.
BECKMAN
I agree, but for now he will go to
one of our prisons.
Beckman shakes Chuck’s hand.
BECKMAN (CONT’D)
Good work Chuck, now get some rest.
Beckman walks away and Sarah walks over to Chuck.
SARAH
Is everything alright?
CHUCK
Yeah, they’re taking him to a
prison.
SARAH
You seem upset.
CHUCK
I wish I could have helped him. I
know what it’s like to have
something inside your head.
SARAH
It will be okay, who knows maybe
one day you will. Come on, let’s go
to bed.
Sarah and Chuck walk across the courtyard to their apartment.
INT. BUY MORE - MORNING
Morgan and Chuck are talking inside the Buy More. Big Mike
and Lester walk up.
LESTER
You guys missed the craziest party.
MORGAN
I don’t know about that.
Chuck elbows Morgan.
49.
50. CHUCK
Morgan, shut up.
Morgan covers his mouth.
MORGAN
Oh right, yeah we just chilled at
Chuck’s place. You know, a real
quiet night.
They hear the store doors slide open and all turn their heads
to see Jeff walk in. Big Mike and Lester panic and hide
behind Chuck and Morgan.
LESTER
Zombie!
BIG MIKE
Yeah! You were dead!
Jeff looks at himself and panics.
JEFF
What!? I’m dead!?
Chuck pushes Lester from behind him.
CHUCK
Clearly he’s not dead.
Lester walks up and pokes Jeff.
LESTER
Do you want to eat brains?
JEFF
No.
LESTER
(sighs)
Good. Alright lets go boys.
Jeff, Lester and Big Mike walk off.
Chuck looks at Morgan and Morgan shrugs.
MORGAN
I don’t know.
Morgan walks to his office.
50.
51. INT. CIA PRISON - NIGHT
Pitch black in a prison cell. Ken is standing at the small
slit on the door with his eyes shut. He opens his eyes and
they are very blood shot. He looks dazed.
END ACT IV
51.