TELEKINESIS
Written By
Sophie Carey
AS Media Final Piece
Address
Phone Number
SCENE= INTERIOR. MIDDAY
Its a black screen and you hear a cafe bell go as the door
opens, letting in diegetic traffic sounds still a black
screen as MAX CLARK walks and (Normal colours) sits down to then seem
stressed is sat on his own in a cafe. To be
startled by a waitress asking what he wants. He explains he
is waiting for someone. ALICE MAY who is in a rush, holding
many bags comes in flustered. Clear there is/was a
relationship between those characters. After a unproductive
conversation she starts to leave, but then suddenly is
stopped by a force created by MAX CLARK. He uses his new
powers to control her. sexual/tension is built up, but then
is spoilt by a problem within the town.
WAITRESS
can i get you anything?
Max clark jumps unexpectedly
MAX CLARK
nnno, that's ok thanks. i am just
looks aaron for someone
waiting for someone.
WAITRESS
ok i will come back in 5 minutes
waitress walks away. enters alice may, with loads of back
and in a panicked manner
ALICE MAY
so. what is it? what's wrong?
MAX CLARK
look. i. i cant.
looks around suspiciously
i cant.
ALICE MAY
max. tell me you didn't just bring
me in here to tell me you're
missing me. we divorced for a very
good reason.
MAX CLARK
no. that's not it. i just cant. you
know its to public.
ALICE MAY
i'm sure what ever it is. it can be
done here.
stairs at max clark getting no response as he is looking
else where.
i'm going. i don't have time for
this anymore.
sharp quick cinematography to emphasise the quick movements
the two characters do. max stops her walking away by his
telekinesis.
MAX CLARK
sit down. listen to me and take me
seriously.
ALICE MAY
i cant move.
panicking manner. really trying to move her feet
max. stop this. STOP!
using his powers he throws her onto the chair and restricts
her movement. in a seductive way he forces her to lean in as
close to his face (lips) as possible.
MAX CLARK
holding that intimate position for ages.
listen.
Throws her back into the chair.
Weird things have happened to me.
And i cant control it.
ALICE MAY
I . I.
MAX CLARK
SHH. DO YOU HEAR THAT?
ALICE MAY
MAX WHAA..
MAX CLARK
SHH SHUT UP LISTEN.
looks outside with horror for a while.
what the fuck is that?

Script

  • 1.
  • 2.
    Address Phone Number SCENE= INTERIOR.MIDDAY Its a black screen and you hear a cafe bell go as the door opens, letting in diegetic traffic sounds still a black screen as MAX CLARK walks and (Normal colours) sits down to then seem stressed is sat on his own in a cafe. To be startled by a waitress asking what he wants. He explains he is waiting for someone. ALICE MAY who is in a rush, holding many bags comes in flustered. Clear there is/was a relationship between those characters. After a unproductive conversation she starts to leave, but then suddenly is stopped by a force created by MAX CLARK. He uses his new powers to control her. sexual/tension is built up, but then is spoilt by a problem within the town. WAITRESS can i get you anything? Max clark jumps unexpectedly MAX CLARK
  • 3.
    nnno, that's okthanks. i am just looks aaron for someone waiting for someone. WAITRESS ok i will come back in 5 minutes waitress walks away. enters alice may, with loads of back and in a panicked manner ALICE MAY so. what is it? what's wrong? MAX CLARK look. i. i cant. looks around suspiciously i cant. ALICE MAY max. tell me you didn't just bring me in here to tell me you're missing me. we divorced for a very good reason. MAX CLARK no. that's not it. i just cant. you know its to public. ALICE MAY i'm sure what ever it is. it can be done here. stairs at max clark getting no response as he is looking else where. i'm going. i don't have time for this anymore. sharp quick cinematography to emphasise the quick movements the two characters do. max stops her walking away by his telekinesis. MAX CLARK sit down. listen to me and take me seriously.
  • 4.
    ALICE MAY i cantmove. panicking manner. really trying to move her feet max. stop this. STOP! using his powers he throws her onto the chair and restricts her movement. in a seductive way he forces her to lean in as close to his face (lips) as possible. MAX CLARK holding that intimate position for ages. listen. Throws her back into the chair. Weird things have happened to me. And i cant control it. ALICE MAY I . I. MAX CLARK SHH. DO YOU HEAR THAT? ALICE MAY MAX WHAA.. MAX CLARK SHH SHUT UP LISTEN. looks outside with horror for a while. what the fuck is that?