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Source, Message and
Channel Factors
Source, Message and
Channel Factors
6
McGraw-Hill/Irwin © 2004 The McGraw-Hill Companies, Inc., All Rights Reserved.
The Persuasion Matrix
Independent variables: The Communications Components
Source Message Channel Receiver Destination
4
3
2
1
Message
presentation
Attention
Comprehension
Yielding
Retention
Behavior
Dependent
Variables
Promotional Planning Through The
Persuasion Matrix
1. Receiver/comprehension
– Can the receiver comprehend the ad?
2. Channel/presentation
– Which media will increase presentation?
3. Message/yielding
– What type of message will create
favorable attitudes?
4. Source/attention
– Who will be effective in getting
consumers’ attention?
Source Attributes and
Receiver Processing Modes
Source attribute Process
CompliancePower
IdentificationAttractiveness
InternalizationCredibility
Source Credibility
• The extend to which the
source is seen as having:
– Knowledge
– Skill
– Expertise
• And the source is perceived
as being:
– Trustworthy
– Unbiased
– Objective
Dell Computer uses its founder and CEO as
an advertising spokespeson
Source Attractiveness
• Similarity
– Resemblance between the source
and recipient of the message
• Familiarity
– Knowledge of the source through
repeated or prolonged exposure
• Likeability
– Affection for the source resulting
from physical appearance,
behavior, or other personal traits
The Use of Celebrities
• Endorsements
– The celebrity, whether an expert or not,
merely agrees to the use of his or her name
and image in the promotion of the product.
• Testimonials
– The celebrity, usually an expert with
experience with the product, attests to its
value and worth.
• Dramatizations
– Celebrity actors or models portray the brand
in use during dramatic enactments designed
to show the goods.
Pepsi used pop star Brittany Spears as an
endorser for several years
Risks of Using Celebrities
• The celebrity may overshadow the product
• The celebrity may be overexposed which
reduces his or her credibility
• The target audience may not be receptive
to celebrity endorsers
• The celebrity’s behavior may pose a risk to
the company
Pony used an athlete with a controversial
image in this ad
Meaning Movement and
the Celebrity Endorsement Process
Stage 1
Role 3
Role 2
Objects
Persons
Context
Role 1
Celebrity
Stage 2
ProductCelebrity
Stage 3
ConsumerProduct
Lance Armstrong’s image helps assign
meaning to Power Bar
Message Factors
Message Structure
• Order of presentation (primacy vs.
recency)
• Conclusion Drawing (open vs. closed end)
• Message sidedness (one vs. two-sided)
• Refutation
• Verbal vs. visual
The visual image supports the verbal appeal
in this ad
Message Recall and Presentation Order
Recall
Beginning Middle End
Message Factors
Message Appeals
• Comparative Advertising
• Fear Appeals
• Humor Appeals
Sorrell Ridge uses a comparative ad
Fear Appeals and Message Acceptance
Rejection
Inhibiting effects
Resultant
nonmonotonic curve
Facilitating effects
Level of fear
Acceptance
Pros and Cons of Using Humor
Advantages
• Aids attention and
awareness
• May aid retention of the
message
• Creates a positive mood
and enhances persuasion
• May aid name and simple
copy registration
• May serve as a distracter
and reduce the level of
counterarguing
Disadvantages
• Does not aid persuasion
in general
• May harm recall and
comprehension
• May harm complex copy
registration
• Does not aid source
credibility
• Is not effective in
bringing about sales
• May wear out faster
UNFAVORABLE TOWARD
HUMOR
• Research directors
• Direct mail, newspapers
• Corporate advertising
• Industrial products
• Goods or services of a
sensitive nature
• Audiences that are:
– Older
– Less educated
– Down-scale
– Female
– Semi- or Unskilled
FAVORABLE TOWARD
HUMOR
• Creative personnel
• Radio and television
• Consumer non-durables
• Business services
• Products related to the
humorous ploy
• Audiences that are:
– Younger
– Better educated
– Up-scale
– Male
– Professional
Use of Humor
Payday uses a humorous print ad
Channel Factors
• Personal versus nonpersonal channels
• Effects of alternative mass media
– Externally paced media (broadcast)
– Internally paced media (print, direct mail,
Internet)
• Effects of Context and Environment
– Qualitative media effect
– Media environment (mood states)
• Clutter

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Chap06source message-and-channel-factors-1225868839382576-9

  • 1. Source, Message and Channel Factors Source, Message and Channel Factors 6 McGraw-Hill/Irwin © 2004 The McGraw-Hill Companies, Inc., All Rights Reserved.
  • 2. The Persuasion Matrix Independent variables: The Communications Components Source Message Channel Receiver Destination 4 3 2 1 Message presentation Attention Comprehension Yielding Retention Behavior Dependent Variables
  • 3. Promotional Planning Through The Persuasion Matrix 1. Receiver/comprehension – Can the receiver comprehend the ad? 2. Channel/presentation – Which media will increase presentation? 3. Message/yielding – What type of message will create favorable attitudes? 4. Source/attention – Who will be effective in getting consumers’ attention?
  • 4. Source Attributes and Receiver Processing Modes Source attribute Process CompliancePower IdentificationAttractiveness InternalizationCredibility
  • 5. Source Credibility • The extend to which the source is seen as having: – Knowledge – Skill – Expertise • And the source is perceived as being: – Trustworthy – Unbiased – Objective
  • 6. Dell Computer uses its founder and CEO as an advertising spokespeson
  • 7. Source Attractiveness • Similarity – Resemblance between the source and recipient of the message • Familiarity – Knowledge of the source through repeated or prolonged exposure • Likeability – Affection for the source resulting from physical appearance, behavior, or other personal traits
  • 8. The Use of Celebrities • Endorsements – The celebrity, whether an expert or not, merely agrees to the use of his or her name and image in the promotion of the product. • Testimonials – The celebrity, usually an expert with experience with the product, attests to its value and worth. • Dramatizations – Celebrity actors or models portray the brand in use during dramatic enactments designed to show the goods.
  • 9. Pepsi used pop star Brittany Spears as an endorser for several years
  • 10. Risks of Using Celebrities • The celebrity may overshadow the product • The celebrity may be overexposed which reduces his or her credibility • The target audience may not be receptive to celebrity endorsers • The celebrity’s behavior may pose a risk to the company
  • 11. Pony used an athlete with a controversial image in this ad
  • 12. Meaning Movement and the Celebrity Endorsement Process Stage 1 Role 3 Role 2 Objects Persons Context Role 1 Celebrity Stage 2 ProductCelebrity Stage 3 ConsumerProduct
  • 13. Lance Armstrong’s image helps assign meaning to Power Bar
  • 14. Message Factors Message Structure • Order of presentation (primacy vs. recency) • Conclusion Drawing (open vs. closed end) • Message sidedness (one vs. two-sided) • Refutation • Verbal vs. visual
  • 15. The visual image supports the verbal appeal in this ad
  • 16. Message Recall and Presentation Order Recall Beginning Middle End
  • 17. Message Factors Message Appeals • Comparative Advertising • Fear Appeals • Humor Appeals
  • 18. Sorrell Ridge uses a comparative ad
  • 19. Fear Appeals and Message Acceptance Rejection Inhibiting effects Resultant nonmonotonic curve Facilitating effects Level of fear Acceptance
  • 20. Pros and Cons of Using Humor Advantages • Aids attention and awareness • May aid retention of the message • Creates a positive mood and enhances persuasion • May aid name and simple copy registration • May serve as a distracter and reduce the level of counterarguing Disadvantages • Does not aid persuasion in general • May harm recall and comprehension • May harm complex copy registration • Does not aid source credibility • Is not effective in bringing about sales • May wear out faster
  • 21. UNFAVORABLE TOWARD HUMOR • Research directors • Direct mail, newspapers • Corporate advertising • Industrial products • Goods or services of a sensitive nature • Audiences that are: – Older – Less educated – Down-scale – Female – Semi- or Unskilled FAVORABLE TOWARD HUMOR • Creative personnel • Radio and television • Consumer non-durables • Business services • Products related to the humorous ploy • Audiences that are: – Younger – Better educated – Up-scale – Male – Professional Use of Humor
  • 22. Payday uses a humorous print ad
  • 23. Channel Factors • Personal versus nonpersonal channels • Effects of alternative mass media – Externally paced media (broadcast) – Internally paced media (print, direct mail, Internet) • Effects of Context and Environment – Qualitative media effect – Media environment (mood states) • Clutter