Changing the Game is a tale about a
supremely intelligent young African-American
male who rises from the ferocious and
oppressive streets of North Philadelphia to the
lucrative world of high finance at Wall Street's
most prestigious firm. However, he soon finds
that the white-collar world is filled with crime
and death just like the drug-filled hood he left
behind. His only chance of survival is a
mysterious gift from a slain childhood friend.
The ARRI ALEXA Plus and the DepthKit supply the tools for the proof-of-concept short MILES, powerful visionary work that earned a huge development deal and a greenlight as a full-length feature
Cleverly Timing your Content Marketing to Build Brand Authority- SMX Advanced...Purna Virji
Actionable tips and real-life examples to showcase how to effectively secure media coverage for your existing content to help with branding and SEO efforts. Presented at SMX Advanced 2014.
The ARRI ALEXA Plus and the DepthKit supply the tools for the proof-of-concept short MILES, powerful visionary work that earned a huge development deal and a greenlight as a full-length feature
Cleverly Timing your Content Marketing to Build Brand Authority- SMX Advanced...Purna Virji
Actionable tips and real-life examples to showcase how to effectively secure media coverage for your existing content to help with branding and SEO efforts. Presented at SMX Advanced 2014.
Tying in Qualitative Data: Conversion Rate Optimization Panel from SMX Advanc...Purna Virji
"Powerful Questions for Powerful Results". Conversion rate optimization tips by Purna Virji from the Conversion Rate Rockstars panel at SMX Advanced 2015.
Given the karmic nature of SEO, follow these link building tactics that not only help your rankings move up, but also make your company stand out as an expert while making your customers fall in love with you.
Collecting Qualitative Data for Smarter Marketing and CRO - SMX Milan 2015 Co...Purna Virji
Quantitative data isn't always enough-- learn why qualitative data is so vital for conversion rate success. I'll share tips on how to collect it and how to use it for multi-channel success.
How to Better Sell SEO to the C-Suite- MozCon 2015 Purna Virji
Whether you need more resources, trust, or buy-in, Purna will share practical tips for focusing on Profit & Loss and better communicating SEO planning, forecasting, and strategizing.
By Purna Virji at MozCon 2015
PPC ROI Recharge: 5 Ways to Get More Bing for Your Buck | Digital Summit DCPurna Virji
Find actionable PPC advice, unique data and in-depth research to help you get more revenue from your PPC campaigns. Tips range from winning with Voice Search, mobile + local expert optimizations, optimizing Shopping campaigns as well as uncovering what impact brand-term bidding can really make on a campaign. Presented by Purna Virji at Digital Summit DC 2015
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
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Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
1. Changing the Game
of Independent Filmmaking
Changing the Game is a tale about a I had shot director Rel Dowdell's thesis short
supremely intelligent young African-American film at Boston University, back in the late
male who rises from the ferocious and nineties. I was the production manager for the
oppressive streets of North Philadelphia to the school's film department, as well as a freelance
lucrative world of high finance at Wall Street's DP. The short, entitled “Train Ride,” was met
most prestigious firm. However, he soon finds with critical acclaim and was eventually
that the white-collar world is filled with crime developed into a feature length film. Though
and death just like the drug-filled hood he left we had planned on working together on the
behind. His only chance of survival is a film, scheduling conflicts postponed our
mysterious gift from a slain childhood friend. second collaboration. Fast-forward 15 years; a
call from Rel finds me in Tucson working as a
post-production supervisor for the University
of Arizona. Schedules finally meshed and we
would finally work together again.
by Bob Demers
Director of Photography Changing the Game was written by Rel and
May, 2012 Aaron Astillero.
2. As production geared up, director Rel Dowdell constantly shared examples of work to screen,
everything from Phantasm to La Haine. It was refreshing to work with a director that wanted
more than a stereotypical look for what could be misconstrued as strictly a Black American film.
I felt Rel wanted to break the mold and question the audience’s expectations. In the process we
paid homage to many greats, from 16th century Italian artist Caravaggio to 20th century film
icon Stanley Kubrick. There is a particularly ominous scene in our protagonists drug-dealing
“war room” that pays homage to the Milk Bar in Clockwork Orange. The room was an actual
“rumpus” room in a private home
discovered by set designer Brian
Chacon. The room came complete
with a variety of practicals from
chandeliers to festoon lighting, all set
against a predominantly crimson
color scheme. We tweaked a few of
the practicals and added one LED
panel and a small Fresnel to accent
our actors. The locale perfectly
augmented the tension required by
the scene. Nicoye Banks cornered in the War Room by Dennis L.A. White
To get the creative juices flowing, I
spent a great deal of time talking with a
local Tucson artist, Mark Leviton.
Mark is a sculptor that works in full-
scale castings and he has quite a
different view on the function of art.
We discussed the concept of informed
“appropriation” and the intelligence and
sophistication it can impart on any art
form, but in particular filmmaking. Of
course we all build on those that came
before us, but insightful appropriation
Tony Todd interrogates Brandon Ruckdashel
combined with the artist’s own vision
will result in a focused creative viewpoint. Mark also did a great job bludgeoning me about my
creative head and shoulders, getting me to relax my thought process thus allowing intuition to
surface. Intuition is an important aspect of creativity, one that allows the artist to go with the
flow and let the scenes, locations and actions guide the creative decisions. It all relates back to
the lighting approach and letting the location speak to me, then expanding this same approach to
composition, movement, etc.
Production started in the Spring of 2010, and with a budget SAG classified as ultra-low, I worked
with 1st AC Nick Micros to come up with a camera package that balanced cost with the greatest
flexibility and image quality. Initial hopes of using the Viper Filmstream were precluded, along
Changing the Game of Independant Filmmaking 2
By Bob Demers
May, 2012
3. with many other high-end systems. And though the production did have access to a Red camera
system, it too was ruled out by the requirements of a small, fast moving crew working within the
constraints of a tight schedule. After much research, we decided to use the Sony EX3, coupled
with the AJA Ki Pro. “The camera was simple and easy to move for me and my 2nd A.C,
Tommy Oceanak,” Nick comments, “which we needed because of all the company moves and
the tight schedule. The Ki Pro was reliable and shockingly simple to use. We ran HD-SDI out of
the EX3 to the Ki Pro that was on a Rubbermaid camera cart converted to a video village.” The
EX3 was chosen for its exceptional picture quality and its ability to output HD-SDI. I also
decided to go with the EX3 stock 14x5.8 f1.9 lens; it was again a balance between quality and
cost. We were impressed with the image quality of the lens, though a bit concerned that the short
focus ring rotation could hinder smooth focus pulls. Nick handled focus incredibly well and
managed to tweak and adapt our Redrock follow focus to the stock lens; “Our…mattebox, rails,
and shoulder rig came from Redrock also,” says Nick, “I feel like the set up was meant for
DSLRs but worked with our EX3.” We were pleasantly surprised when we discovered the
amazing lack of breathing in the lens.
Much to the chagrin of Nick
and Tom Oceanak, 2nd AC, I
opted out of using any kind of
DOF lens adapter. I also am a
colorist and see a lot of
mishaps with those adapters.
They need a lot of attention on
the set else you risk
misalignment or even shots
where someone forgets to turn
on the adapter. Moreover, DPs
using these DOF adapters end
up stopping down to a point
that negates their use…why?
We shot wide open when short
Tommy Oceanak, 2nd AC, and Nick Micros, 1st AC, Sony EX3 DOF was needed and our little
stock lens worked well. Of course, the ½ sensor on the EX3 helped. Many times I had to sneak
down a stop or two to give Nick a bit more leeway on his focus pulls. He won’t admit it, but I
know he appreciated it.
To maximize the image of the EX3, a long time colleague, Roger Macie of Macie Video in
Massachusetts, created a secret sauce for our camera. Roger and I worked together years ago in
the Boston broadcast production scene. Macie went on to create Macie Video and has become
the go-to-guy for camera setup and repair. Macie is the developer of the Macie Standard, a setup
that optimizes camera response and color rendition. Many networks refer their stringers to
Macie for setup, thus assuring consistent and high quality broadcast images that fit with the look
of their network shows. After a lengthy conversation with Roger, which included too much
reminiscing, we set about to specify a picture profile for the EX3 that would optimize the color
response of the camera and preserve the maximum range for post processing. Macie has always
been excited about the EX3, and confessed to “getting goose pimples” when he tested the camera
Changing the Game of Independant Filmmaking 3
By Bob Demers
May, 2012
4. when it first was released. For CTG, Macie created a number of setups based on the Macie
standard. We tested each setup and the camera crew and I chose one that flattened the contrast,
with reduced highlight detail. This setup allowed us to shoot in some very high contrast lighting.
We could let windows blow out without fear and rest easy that our blacks were not built up
beyond the point of no return. On a low budget, fast moving production, this saved us hours in
lighting and rigging. We did discover that the EX3 is very sensitive to far-red pollution, mostly
evidenced in the blacks. This necessitated the use of a Tiffen T1 IR filter to keep our blacks
neutral, though at a slight cost of half a stop.
Many of the camera and lighting crew, as well as one of our prominent actors, were also
experienced shooters. They were impressed with the image we could pull from that EX 3 HD
SDI spigot. Hopefully we have recruited a few more Macie fans and proved how important it is
to have your camera professionally setup. Most often cameras are optimized at the factory for
visual appeal to the customer, not necessarily the ideal setup for flexibility in post grading. You
really need to get the camera on a scope and tweaked by a pro so at least you know your starting
point of reference. In the process, you will learn the capabilities of the camera prior to
production.
The second key to capturing that great image was the use of the then relatively new AJA Ki Pro
hard disk recorder. Sarah Sher, proprietor of Red Eagle Post in Tucson, provided the Ki Pro and
taught us the nuances of the rig. “Ki Pro rocks” was the mantra on set...”just like recording tape
only better.” Our workflow was to capture HD-SDI direct from the EX 3 to ProResHQ, 1080p.
We had two drives on location
and would swap them between
company moves. This avoided
having all our eggs in one
basket and worked well within
the constraints of the schedule.
The Ki Pro excelled not only
with its easy operation and
efficient hardware codecs, but
in accordance with the
legendary AJA family of IO
units it provided a number of
resolution assignable outputs to
feed various set monitors. We
powered the Ki Pro from a UPS
Script Supervisor Misha Zubarev at the AJA Ki Pro based video village.
to clean up the power and
protect it from local power interruptions. I figured out how to disable the power-out alarm tone
on the UPS so we could also use it as a battery powered AC supply for exteriors and car shots.
Other than a couple of factory resets to resolve a mysterious loss of audio signal at the input, the
Ki Pro worked flawlessly. We contemplated recording sound directly to the Ki Pro, but decided
to go dual system. Jason Wasley, the Sound Recordist, did send a feed to the Ki Pro so we would
have sound for playback, which was much appreciated by the director and the actors.
Changing the Game of Independant Filmmaking 4
By Bob Demers
May, 2012
5. Because of the low budget and the need to cover a multitude of locations in such a short time,
Production Manager Leilani Goode used some innovative techniques to bring the crew together
and foster communication, which was key for a fast moving production like CTG. Each day
started with a mandatory breakfast meeting where the AD, Dan Sinisi, reviewed the day's
schedule, handed out sides and addressed any crew concerns. Leilani also scheduled a second
meal at the end of the day, back at the
production office. Not only would crew have
a tasty meal together, the daily event would
often serve as an informal production
meeting to go over the next day’s payload.
Gaffer Zafer “Coach” Ulkucu expounds; “No
matter the size of the production, I’ve found
having food on set to be extremely important
for the morale, and thus productivity, of a
crew. On this production, we were fortunate
to have a very accommodating Craft Services
person and generally very good meal
catering. Even on days where we didn’t
officially go into overtime, there was always
a delicious second meal waiting for us at the
production office. On a set where most folks
aren’t getting anywhere near their standard
day rate, this became a nice way to relax and
get some much-needed nourishment at the
end of the day. Plus, it was an opportunity to
mingle and get to know the rest of the crew
and even cast.”
Leilani did a marvelous job pulling
the crew together. Overall, the lighting and
camera crew were young, energetic and
creative. Most had worked together before,
and most were heavily involved in the Philly
(l-r) Jay Wasley, sound mixer; Tim Cronin, best boy grip; indy film scene. They would often work
Zafer “Coach” Ulkucu, gaffer and Nicholas Micros, 1st AC with each other on short, no-pay films,
constantly practicing their craft. It was inspirational for me, coming from a highly commercial
world, to see such dedication and support they had for each other. Gaffer “Coach” also
appreciated the talent that was brought to the production; “...it’s important to have a dedicated
and knowledgeable crew, and being an indie film, there wasn’t enough money for all the people
we could have used. But on this set, I was occasionally reminded of the benefit of having at least
a few focused professionals as opposed to (the more common low-budget scenario) an army of
inexperienced, if well-meaning, PAs.”
As part of my show deal, I offered to stay at a private residence. Leilani was kind enough to
share her house with me. Geographically, it also worked out for Nick and Tom, the other two
camera department members. It was one big happy family. We would get in late, have a beer,
Changing the Game of Independant Filmmaking 5
By Bob Demers
May, 2012
6. download the footage, charge batteries and do a bit of review. I also cooked a couple of pancake
and bacon breakfasts for the camera crew and Leilani’s 8-year-old son. It was a great
arrangement that turned out to be much more civilized than returning to a lonely hotel room each
night.
The visual strategy for the film dictated an edgy, sharp style for the inner-city footage; to capture
the surroundings and enhance the oppressive environment. We stayed wide on the lens keep
depth of field deep. I did shoot a lot of handheld, but only if it contributed to the feel of the
scene. I try not to shoot handheld just for convenience sake, it’s too distinctive for that and plays
a major role in setting tone. I try to save it for those voyeuristic, edgy scenes, or to create
rawness within the scene. In contrast, our contemporary Wall Street and other high-finance
scenes required a slicker, compressed feel. We wanted to focus on our characters at that point,
less on physical environments, more on personalities. We used longer lenses and softer lighting.
We had the opportunity to work with the custom built Scala dolly, made by JEV Productions.
They were kind enough to loan it to us for the duration of the production. Much like a
conventional skateboard dolly, it also included a detachable vertical counterbalanced rail system
that allowed incredibly smooth booms. The rig was pushed to the limit on the opening scene that
required a move that started tight on our young protagonist’s eyes, then pulled back to reveal a
period classroom complete with students and teacher. We ran the dolly on PVC, which worked
well considering the weight of the dolly and the AC.
Philly Gaffer Zafer “Coach” Ulkucu did a remarkable job with lighting crew and gear for the
show. I’ll never forget the night before principal photography when Coach arrived at our
“home” with the L&G truck. It was out of New York City and covered entirely with real graffiti.
It gave our entourage a nice
urban feel that fit in with
our inner-city locations.
“We couldn’t have pulled
off this shoot without the
support of our great G&E
vendor, Handheld Films,
out of NYC,” notes
Coach, “on these kinds of
low-budget indies, there
never seems to be enough
money for lighting and
grip. It’s basically a
constant. But on this shoot,
we had some significant
requirements, not the least
Custom painted truck with urban camouflage, courtesy Handheld Films, NY.
of which was that we
needed to have most all the gear for any scene/setup with us at all times. We knew the schedule
was going to fluctuate, so we had to give production as much leeway as possible to reorder the
shoots. So we had to be prepared. This meant renting all the gear at once. If we had tried to go
with any of the first vendors we looked up, this would not have been nearly possible. But after
Changing the Game of Independant Filmmaking 6
By Bob Demers
May, 2012
7. much research and a bit of begging, we found a vendor that understood our situation and was
able to give us enough of a deal...that we could afford most of what we wanted, and so hopefully,
we were able to make the movie look more expensive than it really was. This is the goal of
every shoot I work on, and I think we pulled it off.”
I like my lighting simple. Simple often equates to efficient, and most often provides a natural
and appropriate look. I warned the crew that I would not be shoe-horning any preconceived
lighting ideas into our locations. This meant going with what the locations implied in terms of
lighting treatment. Many times, we would use existing light sources, augmenting them with our
balanced lighting. On one particular urban night scene outside a barbershop in West Philly, I
had just spiked the camera position and started to think about lighting, when it hit me. I called
Coach over and pointed to our scene, which included a conversation around a parked car. There,
in the sodium vapor light of a single streetlight, our lighting approach was dictated. I looked at
Coach, pointed to the scene, and simply grunted, “do that.” Coach did and in the process
introduced me to the new Rosco Industrial and Urban filters that simulate sodium vapor lighting.
Coach used two fixtures and two different filters to replicate the existing light. It was beautiful
and one of my favorite shots. Coach relates another scene that exemplifies the beauty of
simplicity, “As I’ve found so often to be true, some of the most beautiful setups are the simplest.
One of our first shoots was a brief scene in Sean’s (lead actor) bedroom with just himself, a bed
and a window. We used only one light (Joker 800 w/ Chimera) and a smoke machine. It was so
simple, we didn’t over think it, but it looked and felt perfect.
Coach's comments remind me of a pet peeve; the obligatory establishing wide shot. I have never
bought into filming scenes according to some textbook formula. For me, it’s like music
improv…jazz. It’s about having your technical chops down so you can then go with the flow
that the situation, or
scene, presents. Get what
serves the vision, always
with a little something
extra for the editor. If the
director doesn’t see an
establishing shot, why
waste the time and money
shooting one. I believe in
pre-visualization, and
knowing what you want.
It’s a way to put your
mark on a film, and save
the backs of your crew by
avoiding unnecessary
heavy lifting. Coach Changing the Game crew descends upon actor Munir Kreidie
agrees, “The instinct is too often to start the scene with a shot where we see everything in the
room, and thus have to light it. (And of course it has to be dressed as well.) Being that this
movie was so character driven, Bob was able to see that this big, wide-shot is rarely necessary in
creative terms, and often very difficult to pull off in technical terms. So we generally
Changing the Game of Independant Filmmaking 7
By Bob Demers
May, 2012
8. concentrated on nailing great medium shots and close ups. The week after production I was on
another short film shoot. We were in a location, with set dressing, costumed actors, the whole
lot. But the DP and I couldn’t wrap our heads around the lighting. Our set-up was getting close
to looking good, but not quite right. Finally, we decided to “kill the wide-shot.” All of a sudden,
it all made sense and the scene turned out looking great.”
On the other end of the spectrum, we often employed “available light”, that is to say we used
every light available. For an interior of a church that included 150+ extras, we pulled out all our
HMI’s which handled the nice hard edge-lighting, and added all of our daylight balanced
Kinoflos to provide modeling and fill. We were, however, blessed with help from nature during
our wide shots when suddenly magnificent sunlight streamed in through the stained glass
windows. Nature often smiled on us throughout the shoot, providing beautiful natural light at
just the right time.
It happened during a
graduation scene that
took place in a large,
windowed hall at a local
university. Once again,
clear skies and low angle
sunlight at just the right
time provided our
illumination, which only
required a large overhead
and a couple of silks to
soften and model the
foreground. I get
nervous relying heavily
Actors Irma P. Hall, Sean Riggs and Tom Dwyer on natural light,
particularly on long scenes with changing light, but there was a vibe on the shoot that attracted
our good fortune. I often wonder if it was the result of the production blessing that was bestowed
upon us on day one by Reverend William Cross, the real-life pastor of our church location.
We had a fair amount of sfx shots for such a low budget film. The major shots were plates for
explosions that had to be created digitally. One in particular involved a hotel door being blown
off after one of the characters explodes via a body bomb. Set Designer Brian Chacon did an
excellent job recreating our location hotel door on a green screen stage at Studio City New
Jersey. The gag was something I had practiced as a 14 year old kid after stumbling on a book
about SFX for Film and Television, written by Bernard Wilkie. The principle involved a heavily
weighted pendulum that knocked out the set door, spiced with sawdust, debris and break-away
trim components. This foreground plate was composited with the background plate of the actual
hotel hallwa, then enhanced with smoke and flame later in post. I must admit, my crew thought I
was a bit crazy, but finally bought into it after much cajoling. We had another post-explosion
gag, a burning car with our actors frantic in the background. First, we shot the car against green
screen, flew both the car and the screen out, and then brought our actors in. It’s interesting to
note that nowadays the sfx compositors actually recommend shooting the plates static and
Changing the Game of Independant Filmmaking 8
By Bob Demers
May, 2012
9. handheld. They will track on one of the handheld plates and impart that movement to the other,
adding realism to the action.
A big thanks goes out to the director, Rel Dowdell. He trusted me, along with many other
talented crew members, with his vision. He afforded every key person the latitude for
contribution, and he exhibited
flexibility with his vision, though
without compromise, to
accommodate the realities of such a
low-budget production. As Coach
says; “… he had the confidence and
open-mindedness to be flexible in not
only the shooting order of the shots,
but even with rewrites to
accommodate the realities of the
shoot. This meant that we could
shoot all the shots in one direction
and at one location before moving on
to another. This seems obvious, but
Rel Dowdell, Director and Co-Writer of "Changing the Game"
another director might have wanted to
shoot “in sequence” more often, presumably for the sake of the actors. If we had stuck too much
to that plan, we would have never had the time to shoot any of it properly.”
Dan Sinisi, our 1st AD, performed the Herculean task of keeping us all on schedule. In the end,
our small band of indy filmmakers managed to pull off 29 locations, 205 setups, and 71 scenes,
all in 25 shooting days. I have to give a big thanks to all the crew that pulled together to make
this one of the most efficient and civil productions I have ever been on. CTG certainly changed
the game of indie filmmaking. I look forward to working again with Rel and visiting my
extended family upon return to Philly for the premiere.
Postscript: Changing the Game opens in
select AMC theaters on Mother's Day
weekend, 2012.
Bob Demers, Director of Photography, "Changing the Game"
Changing the Game of Independant Filmmaking 9
By Bob Demers
May, 2012