Challenges for Starlight
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The document outlines some of the technical and artistic challenges that may be faced in staging the musical "Starlight Express". Some of the key technical challenges include safely staging scenes with 100 performers on roller skates using ramps that go into the audience, lighting colorful racing scenes while maintaining performer safety, and clearly showing races either on video or live on stage. Artistic challenges include clearly establishing each train character's personality through costumes, hair, and makeup, engaging the audience during solo scenes, and protecting performers by incorporating pads into costumes.
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The document discusses how the media producer's music video challenges and develops conventions of the genre.
It begins with an establishing shot of the main character to identify her as the focus. Locations include a forest to create mystery and a house to provide context. Costumes are casual rather than revealing atypical of the genre. Cinematography uses varied angles rather than a clear storyline, as drum and bass videos often do. Special effects add conceptual elements representing the character's feelings to make the video unique. Overall it reimagines typical conventions to match the emotional song.
Question 2
Bethany Carter created a music video called "Heartbeat" as her main product to accompany a remix of the song by Chase and Status and Nneka. She also created a digi-pak and poster as ancillary products. All three products share a theme of dark shadows and forests. The video, digi-pak, and poster effectively represent the genres of drum and bass, hip hop/soul/reggae, and convey the serious message and emotion of the song.
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The student contacted the record label for the artist Wilkinson to request permission to use the song "Breathe" for a school media coursework assignment requiring students to create a music video. The student explained they were doing the project for a non-commercial purpose as part of their A-Level Media coursework. The student provided their contact details and set an deadline of October 30th to respond, noting they would assume permission was granted if they did not hear back by that date.
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This music video for the song "Tidal Wave" by Sub Focus featuring Alpines demonstrates several characteristics of music video analysis. It relates the lyrics about love and tidal waves to imagery of the ocean. Shots of the female singer lip syncing the lyrics and locations by the sea reflect the themes in the song. The editing and visuals are also synchronized with the tempo and beats of the music. Both artists are prominently featured, promoting themselves and their album which uses similar motifs. The video can be considered both a performance and conceptual video type.
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This document analyzes the music video for "Lost & Not Found" by Chase & Status featuring Louis M^tts using Goodwin's music video analysis theory. The summary is:
The video tells an abstract story that relates to the lyrics of a missing girl and man fleeing police. Shots of different people build tension as the search continues. When found, the relationship between the man and girl is unclear. As the song climaxes, the girl helps the man escape, subverting expectations. While not featuring the artists, the video sticks to Chase & Status' theme of impactful storylines in their videos.
Music video analysis pp
This music video for "Tidal Wave" by Sub Focus featuring Alpines demonstrates several characteristics of music video analysis using Goodwin's theory. It relates the lyrics about tidal waves to visuals of the ocean. The editing and visuals are synchronized to the tempo and beats of the song. Both artists are prominently featured, promoting themselves and their album. There are also elements of voyeurism through camerawork that focuses on the female artist's body and through shots that reference the idea of the artists looking out.
Heartbeat by nneka annotated lyrics
Nneka is a Nigerian singer-songwriter who moved to Germany at age 18. Many of her songs, including her song "Heartbeat", address the corruption in her home country of Nigeria and the impact it has had on her. The song explores themes of feeling let down by one's government and country through its lyrics about needing a friend during troubled times but seeing that friend change and take "heartless" paths abroad. It questions if those in power can feel the human suffering and lives lost due to their actions.
Shot list
The shot list provides 37 shots detailing the camera movements, angles, locations, and actions occurring in each shot of a music video. Shot 1 begins with an extreme close-up of the singer Jasmine's face as she slowly sings lyrics in a forest setting. Shots 2 through 7 show Jasmine running through the forest from various camera angles and movements. Shots 8 through 13 depict Jasmine dancing in both forest and indoor settings from wide to close-up shots with panning camera movements. The remaining shots continue to follow Jasmine singing and dancing while flashing back to holding hands, showing her distressed emotions through facial expressions and body language, and eventually releasing her hands at the end.
Target audience
The target audience for drum and bass music is typically teenagers and young adults between 15-25 years old. While more males tend to listen to the genre, it appeals to both males and females. Fans of drum and bass music often wear casual sporty clothing like hoodies, t-shirts, and trainers from brands like Nike and Adidas. They also enjoy creating their own drum and bass mixes and attending live drum and bass events that feature artists like Andy C, Sub Focus, Wilkinson, Calyx and Teebee and Dimension.
Heartbeat contact email to records
The artist emailed the remix artist of the song "Nneka - Heartbeat (Chase and status remix)" through their website and left their contact email to get a response. They also set a deadline to assume there are no issues using the song if no response is received. In addition, they emailed Virgin Emi Records, the record label of Chase and Status, with a similar message.
Email to records
The student contacted the record label for the artist Wilkinson to request permission to use the song "Breathe" for a school media coursework assignment requiring students to create a music video. The student explained they were doing the project for their A-Level Media coursework and would not use the video commercially or profit from it. The student provided their contact details and set an October 30th deadline to hear back, noting they would assume permission was granted if they did not receive a response by then.
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This document provides an analysis of digipaks and album artwork posters. It begins by defining a digipak as a type of cardboard packaging with an internal plastic holder for CDs or DVDs that can open like a book or have three sections. It then shows and describes examples of album artwork posters for various artists such as Chase and Status, highlighting design elements like images, fonts, colors and text used. Key details like the song list, copyrights and symbols relating to the music are also pointed out.
Email to records
The student contacted the record label for the artist Wilkinson to request permission to use the song "Breathe" for a school media coursework assignment requiring students to create a music video. The student explained they were doing the project for a non-commercial purpose as part of their A-Level Media coursework. The student provided their contact details and set an deadline of October 30th to respond, noting they would assume permission was granted if they did not hear back by that date.
Goodwin's theory
Goodwin proposes that there are 6 key features and 5 ways to analyze music videos. The 6 features are that videos demonstrate genre characteristics, show relationships between lyrics and visuals, between music and visuals, demands of record labels, references to looking/voyeurism, and intertextual references. The 5 ways to analyze are through thought beats, narrative and performance, the star image, relation of visuals to song, and technical aspects like mise-en-scene and editing.
Music video theory
There are three main types of music videos: performance videos show the artist singing and/or playing instruments; narrative videos contain a story line that runs throughout, sometimes featuring the artist as actors; and conceptual videos are based around a single concept or idea rather than the lyrics or song.
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Target audiences for thriller films include young adults aged 15-25 who are interested in feeling suspense and excitement, as well as older audiences aged 25-35 who may enjoy psychological storylines that require unraveling clues. Most thrillers are certified for ages 15 and up, appealing to both males for fast-paced action and females for psychological elements that leave them questioning what will happen next.
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Fed by curiosity and beauty - Remembering Myrsine Zorba
Speech at the conference in the memory of Myrsine Zorba.
A Brief Introduction About Hadj Ounis
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Heart Touching Romantic Love Shayari In English with Images
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
一比一原版(QUT毕业证)昆士兰科技大学毕业证成绩单如何办理
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
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Challenges for Starlight
- 1. Challengeswe mightface in Starlight Express Technical Showingmother/control, onstage orjust voices The staging;ramps and rollerskatescause ahealthandsafetyrisk The cast size of 100; will have a lotof people onstage at the same time The lightingwill be colourful andflashy,formostof the racesand bigmusicnumbers The stage hasto be well litatall timessothe performerscansee,alsolitonthe ramps reachingoutintothe audience How to showthe race- on videoorlive onstage The ramps leadingouttothe audience willhave tohave railingssocasthave a safetybarrier The railingswouldneedtobe clearsoit wouldn’tblockthe audiencesview The lightingforElectra– lightening,electric Artistic ShowingControlsimagination Revealingeachof the charactersat the beginning Clearall the trainsare different(coaches,engines) all have differentpersonalities Gettingthe storyline cleartothe audience All sungthrough,wontbe many breaksfororchestra The cast needtoshowtheyare trains, on theircostumescouldhave handlesonthe backto holdon. There are manygroupsof trains/coaches,needtoshow thisintheircostumesand hair/makeup How the ‘starlightexpress’will be presented –spiritual,god-like,butusesPoppasvoice In solosections,couldbe boringhavingone persononstage skatingaround,maybe having backgrounddancers? The costumesneedtohave some protectionincorporatedintoit- kneepads,elbow pads?