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Photography as Social Reform 
• Photography was used early on to record the lives of the poor. 
• Reform organizations and charities used photographs of the 
poor to promote their organization’s work. 
• Millions of people came to New York in the 19th Century, 
looking for personal freedom and the opportunity to make a 
better life. 
• A series of post-Civil War depressions left many immigrants 
jobless and living in disease-ridden tenement buildings.
Jacob Riis, Tenament Yard, Mulberry Bend, 1877 
Riis came to NY from Denmark in 1870.
In Mulberry Bend, the East Side’s worst slum district, thousands of 
homeless children scavenged for food until the were old enough to 
join criminal gangs.
Riis, Bandit’s Roost, Mulberry Bend, 1877
Riis, 5 Cents a Spot
Lantern slides - the type used by Riis to illustrate his lectures on 
social reform.
Riis, Man Slept Here for Five Years
Riis, Ancient Lodger and the Plank on Which she Slept
Lewis Hine, Climbing into America, 1904
Hine, Girl With Doll, 1904
“The picture is the language of all nationalities and all ages. The average 
person believes implicitly that the photograph cannot falsify. This 
unbounded faith in the integrity of the photograph is often rudely shaken, 
for, while photographs may not lie, liars may photograph. It becomes 
necessary, then, in our revelation of the truth, to see to it that the camera 
we depend upon contracts no bad habits.” - Lewis Hine, in a speech to the National 
Child Labor Committee in 1909
Hine, Boy in Glass Factory 
Hine’s style - objective facts with subjective emotions would be 
seen as the workings of the “concerned photographer.”
Hine, Breaker Boys in a Coal Mine
Hine, Cigar Factory
Hine, 10-Year old Spinner
Hine, Making Pillow Lace
Hine, Making Human Junk, 1910.
Hine, Picking Berries
Hine, from Men at Work, 1932
Ch.7 Social Reform
Ch.7 Social Reform

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Ch.7 Social Reform

  • 1. Photography as Social Reform • Photography was used early on to record the lives of the poor. • Reform organizations and charities used photographs of the poor to promote their organization’s work. • Millions of people came to New York in the 19th Century, looking for personal freedom and the opportunity to make a better life. • A series of post-Civil War depressions left many immigrants jobless and living in disease-ridden tenement buildings.
  • 2. Jacob Riis, Tenament Yard, Mulberry Bend, 1877 Riis came to NY from Denmark in 1870.
  • 3. In Mulberry Bend, the East Side’s worst slum district, thousands of homeless children scavenged for food until the were old enough to join criminal gangs.
  • 4. Riis, Bandit’s Roost, Mulberry Bend, 1877
  • 5. Riis, 5 Cents a Spot
  • 6. Lantern slides - the type used by Riis to illustrate his lectures on social reform.
  • 7. Riis, Man Slept Here for Five Years
  • 8. Riis, Ancient Lodger and the Plank on Which she Slept
  • 9. Lewis Hine, Climbing into America, 1904
  • 10. Hine, Girl With Doll, 1904
  • 11.
  • 12. “The picture is the language of all nationalities and all ages. The average person believes implicitly that the photograph cannot falsify. This unbounded faith in the integrity of the photograph is often rudely shaken, for, while photographs may not lie, liars may photograph. It becomes necessary, then, in our revelation of the truth, to see to it that the camera we depend upon contracts no bad habits.” - Lewis Hine, in a speech to the National Child Labor Committee in 1909
  • 13. Hine, Boy in Glass Factory Hine’s style - objective facts with subjective emotions would be seen as the workings of the “concerned photographer.”
  • 14. Hine, Breaker Boys in a Coal Mine
  • 16.
  • 17. Hine, 10-Year old Spinner
  • 18.
  • 19.
  • 21. Hine, Making Human Junk, 1910.
  • 23. Hine, from Men at Work, 1932